Arts & Entertainment
Unequivocally gay
Oregon-based theater vet brings collaboration to Arena
‘Equivocation’
Through Jan. 1
Arena Stage
1101 Sixth Street, SW
$40-$80
202-488-3300
arenastage.org

Bill Rauch, director of the Oregon Shakespeare Festival, brought his company’s ‘Equivocation’ to Washington for a collaboration with Arena Stage. (Blade photo by Michael Key)
Bill Rauch openly admits he has a gay agenda.
“Of course I do,” he says. “As a gay man I want to see LGBT lives reflected on the stage. For me it’s all part of the human experience.”
While “Equivocation” — the political thriller he’s brought to Arena Stage from the Tony Award-winning Oregon Shakespeare Festival where Rauch is artistic director — features a gay British monarch, it was the work’s clarity, force and theatricality that first caught his attention. “It’s a period piece that’s entirely contemporary in language and the way it explores the overlapping of politics, religion and art. As I read the script for the first time my heart began pounding harder and harder. That doesn’t happen very often.”
Set in 1604 London, playwright Bill Cain’s smart and entertaining play follows William “Shagspeare” and his theatrical troupe as they struggle to complete a royal commission about the Gunpowder Plot that both pleases King James I and isn’t entirely untrue. With six actors playing about 30 roles in several plays within the play, this darkly funny backstage story covers a lot of relevant territory including power, politics, religion, national security, terrorism, theater, father/daughter relationships, friendships and honesty.
A first-time collaboration between the Festival and Arena, “Equivocation” reunites the top-notch original cast (lead by Broadway actor Anthony Heald as Shag) and creative team from its 2009 world premiere production.
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The last time Rauch worked at Arena was in 1993 when he staged “A Community Carol,” an inner-city take on the Dickens’ Christmas classic featuring a large cast of professional and nonprofessional local actors. Though the venture was risky, it proved both a critical and commercial success. It was also indicative of the work Rauch was doing with his then-troupe Cornerstone Theater Company (which co-produced the show).
Rauch attended Harvard where he majored in English and was heavily involved in campus theatrics. Shortly after graduating, he and some college friends including his now husband, actor/director Christopher Liam Moore, founded Cornerstone in 1986. Initially operating out of Rauch’s parents’ home in Northern Virginia, the company eventually traveled the country creating theater by collaborating with locals, typically in small communities. Since 1992, the company has been based in Los Angeles.
“It was a great run, but after 20 years with Cornerstone I was ready to move on. I became curious to know another kind of bigger theater. (Based in Ashland, Ore., the Festival is among the oldest and largest professional non-profit theaters in the nation and operates on a $30 million budget). He was named artistic director in 2007.
At the Festival, Rauch has gained a reputation for expanding the company’s scope, taking artistic chances and being an all-around nice guy. His staging efforts include an urban America 1970s-set “Measure for Measure.” The male actor who played Mistress Overdone, the brothel madam, portrayed her as a preoperative transsexual. She lands in jail where she is stripped naked and revealed to be a biological male. “It was an intense moment in the play,” he says. “For the character it’s a shameful experience. Some of the audience laughed. Others cried. There was a lot of discomfort.”
MORE IN THE BLADE: A NIGHT TO REMEMBER
Together 27 years, Rauch and Moore (who acts and directs at the Festival) have two sons, aged 11 and 6. They’re entirely different, says Rauch. The older loves sports and cars. He’s “all boy” (a term that Rauch loathes but deems apt nonetheless) and the younger is very much into everything princess. In fact, he regularly wore a princess gown to pre-school for two years. Both fathers are perfectly happy to allow their kids to express themselves in whatever way they choose, and fortunately, Rauch notes, Ashland is a progressive town.
Part of what drew Rauch to Arena is his longtime friendship with artistic director Molly Smith. In ways, he’s viewed her career trajectory — from small innovative company to important regional theater — as a template for his own. For some time, the pair had discussed Rauch brining something from the Festival to D.C.
“While I would have been proud to bring any of our productions to Arena, I’m glad it’s ‘Equivocation.’ The play is bottomless. There’s always something more to uncover. And it’s very political — that’s what makes it an especially good fit for Washington.”
a&e features
Memorial for groundbreaking bisexual activist set for May 2
Loraine Hutchins remembered as a ‘force of nature’
The Montgomery County Pride Center will host a celebration honoring the life and legacy of Loraine Hutchins, Ph.D., on May 2. People are invited to attend the onsite memorial or a livestream event. The on-site event will begin at 10 a.m. with a meet-and-greet mixer before moving into a memorial service around the theme “Loraine a Force of Nature!” at 11 a.m., a panel talk at 12 p.m., break out sessions for artists, academics, and activists to build on her legacy at 1 p.m. and a closing reception at 2 p.m.
Attendees are encouraged to register for the on-site memorial gathering or the livestreamed memorial. The goal of this event is also to collect stories and memories of Loraine. Attendees and others can share their stories at padlet.com.
An obituary for Hutchins was published in the Bladelast Nov. 24, where people can learn more about her activism in the bisexual community. A private service for friends and family was held in December but this memorial service is open to all.
Alongside her groundbreaking work organizing for U.S. bisexual rights and liberation including co-editing “Bi Any Other Name: BIsexual People Speak Out” (1991), she also integrated faith into her sexual education and advocacy work. Her 2001 doctoral dissertation, “Erotic Rites: A Cultural Analysis of Contemporary U.S. Sacred Sexuality Traditions and Trends,” offered a pointed queer and feminist analysis to sex-neutral and sex-positive spiritual traditions in the United States. Her thesis was also groundbreaking in exploring the intersections between sex workers and those in caregiving professionals, including spiritual ones.
In an oral history interview conducted by Michelle Mueller back in August 2023, Hutchins described herself as a “priestess without a congregation.” While she has occasionally had a sense of community and feels part of a group of loving people, she admitted that “I don’t feel like we have the shape or the purpose that we need.”
“I’ve often experienced being the Cassandra in the room, the Cassandra in the community. Somebody who’s kind of way out there ahead, thinking through the strategic action points that my community hasn’t gotten to yet, and getting a lot of resistance and hostile responses from people who are frightened by dissent and conflict and not ready for the changes we have to make to survive,” she said.
“For somebody who’s bisexual in an out political way and who’s been a spokesperson for the polyamory movement in an out political way, it’s very exposing. And it’s very important to me to be able to try to explain and help other people understand the connection between spirituality and sexuality,” she explained citing how even as a graduate student she was “exploring how to feel erotic and spiritual, and not feel them in conflict with each other in my own spiritual contemplative life and my own sensual body awareness of being alive in the world.”
“Every religion has a sense of sacred sexuality. It’s just they put a lot of boundaries and regulations on it, and if we have a spiritual practice that is totally affirming of women’s priesthood and of gay people, queer people’s ability to minister to everyone and to be ministered to be everyone, what does that do to the gender of God, or our understanding of how we practice our spirituality and our sexuality in community and privately?”
“There’s no easy answer,” she concludes, and she continued to grapple with these questions throughout her life, co-editing another seminal text, “Sexuality, Religion and the Sacred: Bisexual, Pansexual, and Polysexual Perspectives,” published in 2012. Her work blending spiritual and queer liberation remains groundbreaking to this day.
Rev. Eric Eldritch, a local community organizer and ordained Pagan minister with Circle Sanctuary who has worked for decades with the DC Center’s Center Faith to organize the Pride Interfaith Service, is eager to highlight this element of her legacy at the memorial service next month.
History
Julius’ Bar ‘sip-in’ laid groundwork for Stonewall
Tuesday marked 60 years since four gay activists held protest
While Stonewall is widely considered the birthplace of the modern LGBTQ rights movement in the U.S., a lesser-known protest inside a Greenwich Village bar three years earlier helped lay critical groundwork for what would follow.
Tuesday marked 60 years since the Julius’ Bar “sip in.”
On April 21, 1966, four gay rights activists — Dick Leitsch, Craig Rodwell, John Timmons, and later Randy Wicker — walked into Julius’ Bar and staged what would become known as a “sip-in” to challenge state liquor regulations on serving alcoholic beverages to gay men — with a drink.
Modeled after the sit-ins that challenged racial segregation across the American South, the protest was designed to confront discriminatory practices targeting LGBTQ patrons in public spaces.
At the time, the Mattachine Society — one of the country’s earliest gay rights groups — was actively pushing back against policies enforced by the New York State Liquor Authority. One of those policies could have resulted in the loss of liquor licenses for serving known or suspected gay men and lesbians. The participants had visited multiple establishments, openly identified themselves as homosexual, and requested a drink — with the anticipation of being denied.
Their final stop was Julius’, where reporters and a photographer had gathered to document the moment. When Leitsch declared their identity, the bartender covered their glasses and refused service, reportedly saying, “I think it’s against the law.” The next day, the New York Times ran a story with the headline, “3 Deviates Invite Exclusion by Bars,” cementing the moment in the public record.
Though initially framed with disrespect — the term “sip-in” itself was coined as a play on civil rights protests — the action marked a turning point. It brought national attention to the systemic discrimination LGBTQ people faced and helped catalyze changes in how liquor laws were enforced. In the years that followed, the protest contributed to the emergence of licensed, more openly gay-friendly bars, which became central social and organizing spaces for LGBTQ communities.
The Washington Blade originally covered when the bar was officially added to the National Park Service’s National Register of Historic Places in 2016.
Today, historians and advocates increasingly recognize the “sip-in” as a key pre-Stonewall milestone. According to the New York City LGBTQ Historic Sites Project, the protest not only increased visibility of the early LGBTQ rights movement but also exposed widespread surveillance and entrapment tactics used against the community.
Marking the 60th anniversary of the event, commemorations have taken place in New York and across the country. Reflecting on its enduring legacy, Amanda Davis, executive director of the NYC LGBTQ Historic Sites Project, spoke about the event.
“Julius’ Bar is a place you can visit and viscerally connect with history,” said Davis. “We’re thrilled to have solidarity locations across the country join us in commemorating the ‘sip-in’’s 60th anniversary and the queer community’s First Amendment right to peaceably assemble.”
For current stewards of the historic bar, the responsibility of preserving that legacy remains front of mind.
“It’s a privilege and a responsibility to be the steward of a place so important to American and LGBTQ history,” said current owner of Julius’ Bar, Helen Buford. “The events of the 1966 Sip-In here at Julius’ resonated across the country and inspired countless others to stand proud for their rights.”
The timing couldn’t have come at a more important moment, Kymn Goldstein, executive director of the June L. Mazer Lesbian Archives, explained.
“At a time when our community faces renewed challenges, coming together in resilience and solidarity reminds us of the power in our collective resistance,” Goldstein said.
The American Civil Liberties Union, an organization dedicated to defending rights and liberties guaranteed by the Constitution, is currently tracking 519 anti-LGBTQ bills across the U.S. The majority are targeted at restricting transgender rights — particularly related to gender-affirming care, sports participation, and the use of public bathrooms.
Some additional groups and bars that held their own “sip-in” as solidarity events to uplift this historic milestone are from across the country include:
Alice Austen House at Steiny’s Pub, Staten Island, N.Y.
Bellows Falls Pride Committee at PK’s Irish Pub, Bellows Falls, Vt.
Brick Road Coffee, Mesa, Ariz.
Brick Road Coffee, Tempe, Ariz.
Dick Leitsch’s Family at Old Louisville Brewery, Louisville, Ky.
The Faerie Playhouse & LGBT+ Archives Project of Louisiana at Le Cabaret, New Orleans
Harlem Pride & John Reddick at L’Artista Italian Kitchen & Bar, New York
JOYR!DE KiKi at Loafers Cocktail Bar, New York
Matthew Lawrence & Jason Tranchida / Headmaster at Deadbeats Bar, Providence, R.I.
Mazer Lesbian Archives at Alana’s Coffee, Los Angeles
New Hope Celebrates at The Club Room, New Hope, Pa.
Queer Memory Project at the University of Evansville Multicultural Student Commons / Ridgway University Center, Evansville, Ind.
Sandy Jack’s Bar, Brooklyn, N.Y.
St. Louis LGBT History Project at Just John Club, St. Louis
The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.
(Washington Blade photos by Michael Key)



















