Arts & Entertainment
Another side of a legend
Bi painter Kahlo’s photos displayed in new exhibit
‘Frida Kahlo: Her Photos’
Artisphere
1101 Wilson Blvd.
Arlington, VA
Feb. 23-March 25
(Images courtesy Frida Kahlo Museum via Artisphere)
Fans of Frida Kahlo and students of photography in the D.C. area have a rare opportunity to see a collection of photographs that document and explore the fascinating life and rich legacy of this influential queer artist.
From Feb. 23 through March 25, Artisphere will be the only venue in the United States to show “Frida Kahlo: Her Photos,” an exhibition of personal photographs that have been hidden from public view since Kahlo’s death in 1954.
The extraordinary work of bisexual Mexican artist Frida Kahlo (1907-1954) is celebrated by a diverse group of dedicated fans. Best known for a series of stunning self-portraits that use costume and color to great effect, Kahlo is now seen as an important member of the surrealist movement. Artist André Breton hailed her work as a “ribbon around a bomb” and it’s admired in Mexico as an exploration of national and indigenous traditions. Feminists celebrate her painting as an uncompromising depiction of female bodies and lives and a powerful testament to her incredible strength in facing a life of chronic pain.
Writing in the online encyclopedia glbtq, queer cultural critic Tamsin Wilton also underscores the importance of Kahlo as a queer artist. During her long tempestuous marriage to famous activist and artist Diego Rivera, Kahlo had several affairs with both men and women. More artistically significant, however, is her bold use of costume to challenge traditional notions of female sexuality. Just as her depictions of ornate Mexican costumes were used to celebrate indigenous Amerindian culture, Wilton writes that Kahlo was often pictured in male attire to “make a statement about her own independence from feminine norms. She was a masterly and magical exponent of cross-dressing, deliberately using male ‘drag’ to project power and independence.”
During her life, Kahlo created and collected more than 2,500 photographs from her international travels and from visitors to the house that she and Rivera shared. After Rivera’s death, in accordance with his will, this collection of snapshots was sealed and put in storage. In 2007, on the 50th anniversary of Rivera’s death, the collection was opened and cataloged by Mexican photographer and curator Pablo Ortiz Monasterio.
Monasterio has assembled 259 of these photographs into “Frida Kahlo: Her Photos,” which opens next week in Arlington. He has arranged the photographs into six thematic areas that align with the periods in Kahlo’s life. Each area was displayed in a separate room of the Blue House, a display that is recreated at Artisphere.
The first room, called Origins, documents the profound influence that Kahlo’s family had on her work. Her father Guillermo Kahlo, a German émigré, was a portrait photographer. He taught Frida the art of photography and trained her in the darkroom. Her mother, Matilde Calderón y Gonzalez, was a Roman Catholic with mixed Spanish and Amerindian heritage. The second room, The Blue House, explores Casa Azul, the Kahlo family home in Coyoacán Mexico, a sister city of Arlington, Va., where Frida was born, lived most of her life and died.
The third room, The Broken Body, displays photographs examining a central theme in Kahlo’s life and work, her serious physical injuries and her struggles with intense chronic pain. Kahlo contracted polio at age 6. As a result, her right leg was significantly thinner than her left. She often disguised this by wearing long skirts. In 1925, while she was a student in medical school, Kahlo was in a serious bus accident that left her with significant injuries, including multiple broken bones and internal injuries. These injuries made it impossible for her to bear children, a fact that haunted her for life. Over the course of 29 years, Kahlo endured 35 operations and suffered three miscarriages. She was frequently in intense pain and had to be bedridden or confined to a hospital for long periods.
Kahlo began her career as an artist when she was in a body cast after her accident. Her mother designed a special easel for her and her father lent her paint and brushes. In addition to themes of national and sexual identity, her work often drew on images of bodily pain and expressed feelings of pain.
The fourth room of the exhibition is called Love and includes images of Kahlo’s family and friends, including her husband Diego and two of her male lovers. (The exhibition does not include any pictures of her known female lovers.) Cynthia Connelly, Artisphere’s Visual Arts Curator, is amazed by the incredible relationships Kahlo developed during her life.
“When you walk through this room — and the entire exhibition — you get a sense of a really strong woman who surrounded herself with creative and challenging people,” Connelly says. “She lived a wonderful life and opened herself up to all kinds of ideas and experiences. She and Diego lived through so much history, but they were also creating history.”
The fifth room, Photography, looks at the connection between Kahlo’s painting and her snapshot collection. Curator Ortiz traces several images, including a black cat and a dead baby, from Kahlo’s canvases back to their photographic origins. The sixth room, Diego’s Eyes, presents a series of photographs that directly and indirectly influenced Rivera’s huge political murals.
Connolly says those visiting the exhibition should be sure to read the photos’ descriptions, which contain a bounty of back story.
Each of the pictures is displayed with detailed information on the subject and artist (where they are known), date and media. In addition, Kahlo has left handwritten notes on the back of many of the snapshots, and in one case even left a lipstick print over an image of her husband Diego. Connolly also points out that the exhibit is a little like a mystery. “Each of the photographs fills in a little bit of her story,” she says, “but many of them bring up further questions and we can’t answer all of them for you. Pay attention to the details.”
These pictures also document an important moment in art history — the emergence of photography as a public art form. “In a time where almost everyone has a camera phone, we take photographs for granted,” Connolly says. “This was a time when photography was just coming into mass consumption. Snapshots were becoming less formal. Think about the kind of cameras being used and who processed the film.”
Given her skills in the darkroom, Kahlo may have developed many of them herself, though the photos shown at Artisphere are copies. Under the terms of Rivera’s will, the artifacts from Casa Azul are not allowed to leave Mexico. The local exhibition has been arranged in the same layout used by Monasterio in the original exhibition.
In addition to the historic photographs, the celebration of Frida Kahlo at Artisphere includes a variety of related events. There are two film series, one on women filmmakers (including Julie Taymor’s biopic “Frida” with Selma Hayek as the famous artist) and one featuring Robert Rodriguez; performances by flamenco artists, female salsa artists and the Mexican Institute of Sound; and hands-on workshops on surrealism.
Artisphere has produced this exhibition in collaboration with the Frida Kahlo Museum (Coyoacán, Mexico), Museo Diego Rivera Anahuacalli (Coyoacán, Mexico), the Embassy of Mexico, the Mexican Cultural Institute and Arlington County, with additional support from the Rosslyn Business Improvement District. This international collaboration was initially facilitated by the Arlington Sister City Association.
a&e features
Queery: Meet artist, performer John Levengood
Modern creative talks nightlife, coming out, and his personal queer heroes
John Levengood (he/him) describes himself as a modern creative with a wide‑ranging toolkit. He blends music, technology, civic duty, and a sharp sense of wit into a cohesive artistic identity. Known primarily as a recording artist and performer, he’s also a self‑taught music producer and software engineer who embodies a generation of creators who build their own lanes rather than wait for one to appear.
Levengood, 32, who is single and identifies as gay and queer, is best known as a recording artist who has performed at Pride festivals across the country, including the main stages of World Pride DC, Central Arkansas Pride, and Charlotte Pride.
“Locally in the DMV, I’m known for turning heads at nightlife venues with my eye-catching sense of style. When I go out, I don’t try to blend in. I hope I inspire people to be themselves and have the courage to stand out,” he says.
He’s also known for hosting karaoke at Freddie’s Beach Bar in Arlington, Va., on Thursday nights. “I like to create a space where people feel comfortable expressing themselves, building community, and showcasing their talents.”
He also creates social media content from my performances and do interviews at LGBTQ+ bars and theatres in the DMV. Follow the Arlington resident @johnlevengood.
How long have you been out and who was the hardest person to tell?
I have been fully out of the closet since 2019. My parents were the hardest people to tell because my family has always been my rock and at the time I couldn’t imagine a world without them. Their reactions were extremely positive and supportive so I had nothing to fear all along.
I remember sitting on the couch with my mom, dad, and sister in our hotel room in New Orleans during our winter vacation and being so nervous to tell them. After I finally mustered up the nerve and made the proclamation, I realized my dad had already fallen asleep on the couch. My mom promised to tell him when he woke up.
Who’s your LGBTQ hero?
My LGBTQ heroes are Harvey Milk for paving the way for gays in politics and Elton John for being a pioneer for the fabulous and authentic. My local heroes in the DMV are Howard Hicks, manager of Green Lantern, and Tony Rivenbark, manager of Freddie’s Beach Bar. Both of them are essential to creating spaces where I’ve felt welcome and safe since moving to the DMV.
What’s Washington’s best nightspot, past or present?
Trade tops the list for me because of the dance floor and outdoor space. It’s so nice to get a break from the music every once and a while to be able to have a conversation.
We live in challenging times. How do you cope?
I’m still figuring this out. What is working right now is writing music and spending time with family and friends. I’ve also been spending less time on social media going to the gym at least three times a week.
What streaming show are you binging?
After “Traitors” Season 4 ended, I was in a bit of a show hole, but “Stumble” has me in a laughing loop right now. The writing is so witty.
What do you wish you’d known at 18?
At 18, I wish I would have known how liberating it is to come out of the closet. It would have been nice to know some winning lottery numbers as well.
What are your friends messaging about in your most recent group chat?
We are planning our next trip to New York City. If you can believe it, I visited NYC for the first time in 2025 for Pride and I’ve been back every quarter since. Growing up in the country, I was subconsciously primed to be scared of the city. But my mind has been blown. I can’t wait to go back.
Why Washington?
It’s the closest metropolitan area to my family, but not too close. I love the museums, the diversity, the history, and the proximity to the beach and mountains. It’s also nice to live in a city with public transportation.
Aging RFK Stadium has come down, but the RFK grounds are still getting lit up. Welcome back to the stage Project GLOW, D.C.’s homegrown electronic festival, on May 30-31. Back for its fifth year on these musically inclined acres, Project GLOW returns with an even more diverse lineup, and one that continues to celebrate LGBTQ antecedents, attendees, and acts.
Project GLOW 2026 headliners include house and techno star Mau P, progressive house legend Eric Prydz, hard-techno favorite Sara Landry, and bass acts Excision b2b Sullivan King, among the lineup of trance, bass, house, techno, dubstep, and others for the fifth anniversary year.
President & CEO Pete Kalamoutsos — born and raised in D.C. — founded Club GLOW in 1999. In 2020, GLOW entered into a partnership with global entertainment company Insomniac Events to produce live events like Project GLOW, which kicked off in 2022.
As in past years, Project GLOW not only makes space, but is intentionally inclusive of the LGBTQ community, one of its most dedicated fan bases. The festival’s LGBTQ-focused Secret Garden stage blooms again — a more intimate dance area that stands on the strength of DJs and musicians who draw from the LGBTQ community. D.C.’s LGBTQ nightlife mastermind Ed Bailey is the creative mind behind Secret Garden again. He joined Project GLOW in 2023.
“Kalamoustos says that “he’s proud of his partnership with Ed Bailey, along with Capital Pride and [nightlife producer] Jake Resnikow. It’s amazing to collaborate with Bailey at the Secret Garden stage, especially after the curated lineup we worked on at Pride last year.”
The Secret Garden will be a bit different from other stages: Eternal (“At the Eternal stage, time stands still. Lose yourself in the dance of past, present, and future, surrendering to the eternal rhythm of the universe”) and Pulse (“Feel the rhythm of the beat pulse through your veins as the heartbeat of the crowd synchronizes into one. Here, every moment vibrates with life as it guides you through a new dimension of euphoria”). The Secret Garden stage is in the round, surrounded by 16 shipping containers. The containers play canvas to muralists from around the world, who are coming in to paint them in a vibrant garden-style vibe. “We gave this stage some extra love with this layout,” K says, “ we finally cracked the code.”
K says that this will be the biggest lineup yet for the Secret Garden, featuring Nicole Moudaber b2b Chasewest, Riordan b2b Bullet Tooth, Ranger Trucco, Cassian, Eli & Fur, Cosmic Gate and Hayla. The stage is also the largest yet, featuring an expanded dance floor and 360-degree viewing.
Across all stages, K says that his goal for the fifth anniversary is “More art and fan interactive experience, more like a festival, strive to be like a Tomorrowland, as budget grows to add more experience.” Last year’s Project GLOW alone drew 40,000 attendees over two days.
K, however, was not satisfied with one festival this spring. GLOW recently announced a “pop-up” one-day event. Teaming up with Black Book Records, GLOW is set to throw a first-of-its-kind dance-music takeover of Pennsylvania Avenue, N.W., headlined by electronic music star Chris Lake. Set for April 18, this euphoric block party will feature bass and vibes blocks from the White House. Organizers expect as many as 10,000 fans to attend. Beyond music, there will be food, activations, and plenty of other activities taking place around 6th St and Pennsylvania Ave NW – a location familiar to many in the LGBTQ community, as this sits squarely inside the blocks of the Capital Pride party that takes place in DC every June.
Over the past two decades, Club GLOW has produced thousands of events, from club nights to large-scale festivals including Project GLOW, Moonrise Festival, and more. Club GLOW also operates Echostage.
Celebrity News
Madonna announces release date for new album
‘Confessions II’ marks return to the dance floor
Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.
Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit.
The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”
“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”
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