Arts & Entertainment
Whole lotta covers
Many returning acts stick to tried-and-true material for new releases
Out singer/songwriter Rufus Wainwright returns with his seventh studio album "Out of the Game" to be released May 1. (Photo by Tina Tyrell; courtesy the Karpel Group)
This spring brings the release of several albums from icons, “American Idols,” Broadway divas and more. Some artists, such as Madonna and Adam Lambert, are releasing long-awaited returns to the music scene, while others are reworking their sound or releasing covers projects.
After a successful performance at the halftime show of the Super Bowl this year,Madonna’s long-awaited new album, “MDNA” drops March 26. The album will have 15 tracks, including first single “Give Me All Your Luvin'” and her Golden Globe-winning, “Masterpiece.”
Adam Lambert, of “American Idol” fame, has his second album, “Trespassing,” slated for a March 20 release. The out singer acted as an executive producer and co-wrote many of the tracks, working with guest artists such as Pharrell Williams, Sam Sparro and Bruno Mars.
Tony winner Idina Menzel, best known for her work on Broadway in “Wicked” and “Rent,” has a new CD and DVD coming out March 6 for her PBS special, “Idina Menzel Live: Barefoot at the Symphony.” The concert, recorded in Toronto, will feature Broadway numbers and reworkings of songs such as Lady Gaga’s “Poker Face” and Sting’s “Roxanne.” Taye Diggs, Menzel’s husband, also makes a guest appearance.
Another “American Idol” alum Clay Aiken has a new album “Steadfast” coming out on March 26. This new album comes on the heels of the out singer’s participation on the NBC’s reality series “The Celebrity Apprentice.” The album is an extension of Aiken’s previous album, “Tried and True,” with an original song, “Bring Back My Love” and covers of songs by Neil Sedaka and Connie Francis.
Gay singer/songwriter Rufus Wainwright has teamed up with producer Mark Ronson for his newest album “Out of the Game” to be released May 1. This is Wainwright’s seventh studio album and features musicians such as the Dap-Kings, Nick Zinner of the Yeah Yeah Yeahs and Wainwright’s sister, Martha Wainwright.
Local gay indie singer/songwriter Tom Goss releases “Lost Songs and Underdogs” on April 3. Goss holed up in a one-room cabin in rural Virginia, turned off his phone and computer and wrote the project during a time of soul searching. He calls it “direct, honest” and his “most intimate” project yet. It’s available in a couple editions with various bonus tracks and perks. Go to tomgossmusic.net for details.
Pop singer Katy Perry is releasing a special edition of her album “Teenage Dream” on March 27. The new album, entitled “Teenage Dream: The Complete Confection,” will feature the original 12 tracks plus three new ones, a Tommy Sunshine megamix of Perry’s previous six singles, the Kanye West version of “E.T.,” the Missy Elliot version of “Last Friday Night (T.G.I.F.)” and an acoustic version of “The One That Got Away.”
Grammy-winning R&B singer Macy Gray returns with a new album “Covered,” set to release March 26. The album features 16 covers including Gray’s take on the Eurythmics’ “Here Comes the Rain Again,” the Yeah Yeah Yeahs’ “Maps” and even Metallica’s “Nothing Else Matters.”
Lionel Richie has a new album coming out on March 26, “Tuskegee.” The album includes 13 tracks, each one featuring a different country act with Richie, such as the Rascal Flatts joining him on “Dancing on the Ceiling,” Jennifer Nettles on “Hello” and Shania Twain on his classic duet with Diana Ross, “Endless Love.”
Bruce Springsteen is back on March 6 with “Wrecking Ball,” his 17th studio album. The album features 11 new recordings including “We Take Care of Our Own” and two bonus tracks on the special edition.
Coming off a touching tribute to Etta James at the Grammys, Bonnie Raitt has a new album, “Slipstream” slated to drop April 10. This is her first studio album in seven years and will feature renditions of classics songs by artists such as Bob Dylan and more.
The Counting Crows have a new album, also coming out April 10, entitled “Underwater Sunshine (or What We Did on Our Summer Vacation).” They too are covering Bob Dylan with their own rendition of “You Ain’t Going Nowhere,” as well as Big Star’s “The Ballad of El Goodo” and “Ooh La La” by The Faces.
And don’t forget local drag queen Shi-Queeta-Lee’s debut single “My Name is LOVE,” about making a difference and stopping the hate and bullying. The single is available for download at cdbaby.com/cd/shiqueetalee for $1.29.
WorldPride 2025 concluded with the WorldPride Street Festival and Closing Concert held along Pennsylvania Ave., N.W. on Sunday, June 8. Performers on the main stage included Doechii, Khalid, Courtney Act, Parker Matthews, 2AM Ricky, Suzie Toot, MkX and Brooke Eden.
(Washington Blade photos by Michael Key)
The 2025 WorldPride Parade was held in Washington, D.C. on Saturday, June 7. Laverne Cox and Renée Rapp were the grand marshals.
(Washington Blade photos by Michael Key and Robert Rapanut)
Theater
A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
Nonbinary actor Alyssa Keegan stars as Duke Orsino
‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within.
Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.”
Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few.
In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting.
WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about?
ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all.
BLADE: What’s your approach to the fetching, cod-piece clad nobleman?
KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness.
So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.
Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.
BLADE: As an actor, do you ever risk taking on the feelings of your characters?
KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character.
So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character.
BLADE: Has changing the way you work affected your performances?
KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way.
BLADE: Is Orsino your first time playing a male role?
KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy.
As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.
BLADE: Do you have a favorite part? Male or female?
KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting.
BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?
KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way.
The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen. It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.
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A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
