Arts & Entertainment
Theater with a ‘Twist’
Puppets and drag queens come to life on region’s spring stages

Drag artist Joey Arias in ‘Arias with a Twist,’ coming to Washington in April. (Photo by Steven Menedez)
Spring is more than daffodils and cherry blossoms in D.C. It’s also time for exciting and eclectic theater, much of which holds special interest for LGBT audiences. Here’s a sampling of what’s in store.
At the Shakespeare Theatre Company, gay artistic director Michael Kahn is giving himself a 25th anniversary treat — he’s directing Eugene O’Neil’s “Strange Interlude” (March 27-April 29), something he’s longed to do for a years. The famously difficult play about love and deception focuses on Nina Leeds who after her fiancé is killed in World War I, spends the remainder of her life searching (unsuccessfully) for happiness. The cast includes Broadway vets Francesca Faridany and Robert Stanton, and reliably superb local favorites Tana Hicken and Ted van Griethuysen.
Also at the Shakespeare is “Petrushka” (March 16-25) by acclaimed gay puppeteer Basil Twist. Based on the classic ballet in which dancers portray puppets come to life, Twist’s version uses actual puppets animated by nine puppeteers employing Czech and Japanese techniques to dance this tragic tale of ill-fated love. His visual magic is set against the backdrop of a specially created two-piano version of Stravinsky’s original ballet score. (shakespeartheatre.org)
There’s a citywide Twist festival of sorts happening this spring. His underwater, puppet show “Symphonie Fantastique” (March 29-32) is coming to the Clarice Smith Performing Arts Center, followed by the Japanese-inspired “Dogugaeshi” (4/12-22) at the Studio Theatre. (claricesmithcenter.umd.edu; studiotheatre.org) And at Woolly Mammoth, he joins creative forces and takes a fantastic voyage with famed New York drag artist Joey Arias in “Arias with a Twist” (April 4-May 6). (woollymammoth.net)
The national tour of the Tony-winning revival of “The Normal Heart” (June 8-July 29) kicks off at Arena Stage. Written by Larry Kramer, the 1985 work is largely an autobiographical problem play dealing with hot button AIDS-related issues at the height of the crisis. Extraordinarily, this is first-ever local professional production. The D.C. run also coincides with the International AIDS Conference to be held in Washington in late July. (arenastage.org)
At Signature Theatre, gay artistic director Eric Schaeffer stages the premier production of “Brother Russia” (March 6-April 15), the musical story of a ragtag Russian theatrical company led by notorious mad monk Rasputin. Gay director Joe Calarco directs the Washington premiere of Yasmina Reza’s award-winning play “God of Carnage” (April 10-June 24), about two couples who totally lose it when they meet to discuss a playground fight between their sons. And Signature’s season ends with associate artistic director Matthew Gardiner (also gay) production of “Xanadu” (June 8-July 29), a campy musical sendup of Olivia Newton-John’s 1980 roller disco movie. (signature-theatre.org)
No Rules Theatre Company presents “Suicide Incorporated” (May 30-June 23), a “tragicomic story about a business that helps its customers to perfect their suicide notes, and the new employee who might have other motivations.” The production’s cast features gay actors Dylan Jackson, Adam Downs. Company co-founder Joshua Morgan, who is gay, directs. (norulestheatre.org)
Factory 449 presents “The Damned Things” (May 11-June 3), a modern day horror story of a woman imprisoned in a coffin-sized freezer by Lisa Hodsoll, Hunter Styles and Rick Hammerly, the company’s gay artistic producing director. (factory449.com) Hammerly is also playing a founding father in Ford’s Theatre’s production of the Broadway musical “1776” (March 9-May 19). (fordstheatre.org)
Local gay director John Moletress’ intriguingly named new companyforce/collision is premiering a large-scale dance/theater performance on the historic Washington Navy Yard titled “The Nautical Yards” (April 26-29). The 60-minute site-specific show chronicles the story of two lovers separated by war and sea. Moletress, who is staging the performance, says the production includes cross-dressing and gender playfulness. The company, he adds, maintains a gender-blind attitude toward casting and boats several lgbt performers in its core ensemble. (force-collison.org)
At MetroStage in Alexandria, gay actor and playwright Jay Alvarez will perform “Be Careful! The Sharks Will Eat You!” (April 4-22). The story of his family’s harrowing escape from Casto’s Cuba, Alvarez’s one man show is a tribute to his father. Also at MetroStage: “Lonely Planet” (May 10-June 17) by Steven Dietz. Set in the ‘80s, this two-person play (both gay) addresses the AIDS crisis with a nod to the Romanian and French absurdist Ionesco. (metrostage.org)
L’Enfant Café & Bar in Adams Morgan continues its bimonthly “Speakeasy.” Every other Sunday, the gay-owned café transforms into a cabaret where (for both dinner and late shows) New York drag performers sing — not lip sync — their hearts out. On March 11, Joey Arias (above-mentioned cabaret and drag performer) and his band fresh from a recent Carnegie Hall date, performs with original Scissor Sisters drummer Paddy Boom. And again on March 25, Arias is back for two more shows but this time with Peppermint, a hot young New York drag artist with a great voice. For April dates and specifics refer to Speakeasy’s website. (lenfant.com). Reservations are required.
Jeffrey Johnson’s popular pink-haired persona Galactica has a new ongoing gig. It’s a recurring happy hour show from 6-9 every second and fourth Friday of the month starting on March 23 at the very welcoming, gay-owned-and-run Black Fox in Dupont Circle. Galactica will both sing and lip sync (pinkhairedone.com).
Celebrity News
Perez Hilton’s live breakdown reveals social media mental health crisis
Blogger hospitalized after harming himself online
Fans were shocked to witness former celebrity blogger Mario Lavandeira, aka Perez Hilton’s, epic crashout on social media. While on TikTok Live, he was harming himself with what appears to be a metal chef-grade spreader. There was blood, gore, and a cry for help that broke the internet.
Police from Miami-Dade County were called to the scene; he has been hospitalized. The fact that this traumatic incident was broadcast on TikTok brought up the topic of moderation. Hilton’s account has since been banned from TikTok, but by now the cat is out of the bag, and the clip is circulating online.
It’s hard not to reflect on how Hilton both represents a major turning point in Internet culture, and this incident may be a warning of its potential end. A statement on his blog from his representatives confirms that his family was on the scene minutes before the incident but quickly fled to protect his children and niece from any future trauma.
Hilton’s agent, Dante Rusciolelli, told Us Weekly in a statement. “Our focus remains on Perez’s health, recovery, and the privacy of both him and his family during this incredibly difficult time … We respectfully ask that everyone continue to honor his privacy while he receives the care he needs.”
A recurring theme on social media is that Hilton, at the height of his fame and media reach, would not respect the privacy of any celebrity. After all, he was one of the regular outlets covering Britney Spears’s famous shaved-head meltdown and part of the “Leave Britney Alone” mythos.
A bit of background
Before Hilton, there were celebrities famous for being famous like Angelyne and Paris Hilton. However, some may say he was the first to monetize it. From his laptop at a coffee shop, he galvanized the Internet by skewering celebrities.
Nothing was off limits. He outed celebrities like Neil Patrick Harris, Clay Aiken, and Lance Bass. He spoiled the finale of season 3 of “RuPaul’s Drag Race,” and he posted celebrity nudes, including up-skirt photos of teen starlets like Paris Hilton, Britney Spears, and Lindsay Lohan, the same young women he also cyber-bullied.
Times have changed, and despite his many attempts to rehab his image, including having children, publicly apologizing, and even finding God, nothing brought him back to the public eye. He was recently hospitalized for sepsis and claims to have reflected on his behavior in the past.
This incident really shines a light on the intersection of mental health and fame in this country. In a post-Kardashian world, being a celebrity is not about talent or professional accolades. It has become about how you can increase your follower count. Whether it is stretching out Marilyn Monroe’s dress, becoming a Black Nazi like Kanye West, or even becoming President, it’s about how you can shock, awe, and find your base.
Los Angeles is a city that lives and dies by television and movies, but social media has shifted how this business works. People are cast from large social media followings. People who do manage to build a following face some of the darker aspects of fame. Whether it’s Chappell Roan’s beef with paparazzi and fans, or Hudson Williams and Connor Storrie having to ask for privacy and respect for their humanity, even if you reach the level of fame, it’s not all roses.
Add to this the fact that this is all tied to social media. Your fame is quantified by the number of followers, likes, and page views, while people are found in a negative feedback loop of dopamine addiction, clout chasing, and pushing themselves further to find more followers.
On Aug. 1, Floridian influencer Whitney Lynn was thrown off a flight claiming spiritual warfare when she was disrupting the flight by proselytizing. Was she doing this for social media follows? The Internet is now rampant with people causing scenes in planes, staging pranks and scenarios, and violating people’s privacy all in the pursuit of attention.
Hopefully Hilton finds the help he needs. This entire incident has called into question the entirety of internet culture. Who is responsible for the trauma that people inflict on other people? At what point do we intercede in Internet use before people have no other recourse but to harm themselves on live? And at what point does the toxic energy we put onto the net bounce back to us?
Similar to Hilton, Wendy Williams faced her own crisis, and maybe she put it best: “I would ask you to respect our privacy, but please, I don’t respect people’s privacy; that’s why I do the Hot Topics. So turnabout is fair game.”
If you know anyone struggling with self-harm, text CONNECT to 741741 for free confidential support or dial 988 for the suicide and crisis helpline.
Mr. Henry’s Victorian Pub will host a gala celebrating its 60th anniversary on Saturday, Aug. 29 at 7 p.m.
There will be signature cocktails, beer and wine; plentiful throwback hors d’oeuvres, three live bands and a cocktail attire red carpet.
Tickets start at $50 and can be purchased at mrhenrysdc.com.
Friday, August 7
Go Gay DC will host “First Friday LGBTQ+ Community Social” at 7 p.m. at Silver Diner Balston. This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite.
Saturday, August 8
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
The DC LGBTQ+ Community Center will host “RA Xtra: Manhood” at 1:30 p.m. “MANHOOD” follows Dallas entrepreneur Bill Moore as he attempts to make penis enlargement as commonplace as Botox. Along the way, an OnlyFans star and a father of five put their bodies—and their insecurities—on the line. Blending dark humor with unexpected empathy, MANHOOD examines shame, addiction, and the fragile myths of American masculinity. More details are available on the DC LGBTQ+ Community Center’s website.
Sunday, August 9
“Nellie’s DC Drag Brunch” will be at 12 p.m. at Nellie’s Sports Bar. Come get served like a queen by a queen at this unforgettable Drag Brunch. Join Sapphire Blue, Deja Diamond and their team of amazing drag performers for the most fun you’ll have all weekend. Tickets are $58.51 and are available on Eventbrite.
Monday, August 10
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit genderqueerdc.org or Facebook.
Tuesday, August 11
Trans Discussion Group will be at 7 p.m. on Zoom. This event is intended to provide an emotionally and physically safe space for trans people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected].
Wednesday, August 12
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Thursday, August 13
The DC LGBTQ+ Community Center’s Fresh Produce Program will be held all day at the DC LGBTQ+ Community Center. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breathwork and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC LGBTQ+ Community Center’s website.
