Arts & Entertainment
Theater with a ‘Twist’
Puppets and drag queens come to life on region’s spring stages

Drag artist Joey Arias in ‘Arias with a Twist,’ coming to Washington in April. (Photo by Steven Menedez)
Spring is more than daffodils and cherry blossoms in D.C. It’s also time for exciting and eclectic theater, much of which holds special interest for LGBT audiences. Here’s a sampling of what’s in store.
At the Shakespeare Theatre Company, gay artistic director Michael Kahn is giving himself a 25th anniversary treat — he’s directing Eugene O’Neil’s “Strange Interlude” (March 27-April 29), something he’s longed to do for a years. The famously difficult play about love and deception focuses on Nina Leeds who after her fiancé is killed in World War I, spends the remainder of her life searching (unsuccessfully) for happiness. The cast includes Broadway vets Francesca Faridany and Robert Stanton, and reliably superb local favorites Tana Hicken and Ted van Griethuysen.
Also at the Shakespeare is “Petrushka” (March 16-25) by acclaimed gay puppeteer Basil Twist. Based on the classic ballet in which dancers portray puppets come to life, Twist’s version uses actual puppets animated by nine puppeteers employing Czech and Japanese techniques to dance this tragic tale of ill-fated love. His visual magic is set against the backdrop of a specially created two-piano version of Stravinsky’s original ballet score. (shakespeartheatre.org)
There’s a citywide Twist festival of sorts happening this spring. His underwater, puppet show “Symphonie Fantastique” (March 29-32) is coming to the Clarice Smith Performing Arts Center, followed by the Japanese-inspired “Dogugaeshi” (4/12-22) at the Studio Theatre. (claricesmithcenter.umd.edu; studiotheatre.org) And at Woolly Mammoth, he joins creative forces and takes a fantastic voyage with famed New York drag artist Joey Arias in “Arias with a Twist” (April 4-May 6). (woollymammoth.net)
The national tour of the Tony-winning revival of “The Normal Heart” (June 8-July 29) kicks off at Arena Stage. Written by Larry Kramer, the 1985 work is largely an autobiographical problem play dealing with hot button AIDS-related issues at the height of the crisis. Extraordinarily, this is first-ever local professional production. The D.C. run also coincides with the International AIDS Conference to be held in Washington in late July. (arenastage.org)
At Signature Theatre, gay artistic director Eric Schaeffer stages the premier production of “Brother Russia” (March 6-April 15), the musical story of a ragtag Russian theatrical company led by notorious mad monk Rasputin. Gay director Joe Calarco directs the Washington premiere of Yasmina Reza’s award-winning play “God of Carnage” (April 10-June 24), about two couples who totally lose it when they meet to discuss a playground fight between their sons. And Signature’s season ends with associate artistic director Matthew Gardiner (also gay) production of “Xanadu” (June 8-July 29), a campy musical sendup of Olivia Newton-John’s 1980 roller disco movie. (signature-theatre.org)
No Rules Theatre Company presents “Suicide Incorporated” (May 30-June 23), a “tragicomic story about a business that helps its customers to perfect their suicide notes, and the new employee who might have other motivations.” The production’s cast features gay actors Dylan Jackson, Adam Downs. Company co-founder Joshua Morgan, who is gay, directs. (norulestheatre.org)
Factory 449 presents “The Damned Things” (May 11-June 3), a modern day horror story of a woman imprisoned in a coffin-sized freezer by Lisa Hodsoll, Hunter Styles and Rick Hammerly, the company’s gay artistic producing director. (factory449.com) Hammerly is also playing a founding father in Ford’s Theatre’s production of the Broadway musical “1776” (March 9-May 19). (fordstheatre.org)
Local gay director John Moletress’ intriguingly named new companyforce/collision is premiering a large-scale dance/theater performance on the historic Washington Navy Yard titled “The Nautical Yards” (April 26-29). The 60-minute site-specific show chronicles the story of two lovers separated by war and sea. Moletress, who is staging the performance, says the production includes cross-dressing and gender playfulness. The company, he adds, maintains a gender-blind attitude toward casting and boats several lgbt performers in its core ensemble. (force-collison.org)
At MetroStage in Alexandria, gay actor and playwright Jay Alvarez will perform “Be Careful! The Sharks Will Eat You!” (April 4-22). The story of his family’s harrowing escape from Casto’s Cuba, Alvarez’s one man show is a tribute to his father. Also at MetroStage: “Lonely Planet” (May 10-June 17) by Steven Dietz. Set in the ‘80s, this two-person play (both gay) addresses the AIDS crisis with a nod to the Romanian and French absurdist Ionesco. (metrostage.org)
L’Enfant Café & Bar in Adams Morgan continues its bimonthly “Speakeasy.” Every other Sunday, the gay-owned café transforms into a cabaret where (for both dinner and late shows) New York drag performers sing — not lip sync — their hearts out. On March 11, Joey Arias (above-mentioned cabaret and drag performer) and his band fresh from a recent Carnegie Hall date, performs with original Scissor Sisters drummer Paddy Boom. And again on March 25, Arias is back for two more shows but this time with Peppermint, a hot young New York drag artist with a great voice. For April dates and specifics refer to Speakeasy’s website. (lenfant.com). Reservations are required.
Jeffrey Johnson’s popular pink-haired persona Galactica has a new ongoing gig. It’s a recurring happy hour show from 6-9 every second and fourth Friday of the month starting on March 23 at the very welcoming, gay-owned-and-run Black Fox in Dupont Circle. Galactica will both sing and lip sync (pinkhairedone.com).
The weekly drag show “Daddy Issues” was held at Kiki on Wednesday, Aug. 5. Performers included Evry Pleasure, Indiana Bones and Tiara Missou-Sidora.
(Washington Blade photos by Landon Shackelford)









Books
Something’s off about Dad. When is it time to step in?
‘When Memory Fades’ can help when families face dementia
‘When Memory Fades’
By Nathaniel Chin, MD
c.2026, St. Martin’s Essentials
$30/422 pages
Mom called you in a panic the other day.
She’d lost her keys and by the time you arrived to help, she’d found them. In the refrigerator.
These kinds of things keep happening, not often but often enough, and you don’t know quite what to worry about. But in the new book “When Memory Fades” by Nathaniel Chin, MD, you’ll learn about the journey ahead, for both of you.
You can’t remember why you walked into a room. You got lost last week, going to the bank. Popular wisdom says that things like that are normal as we age, but Chin says that’s not true – although the answer may not be a worst-case scenario, either. Yes, memory problems could just be signs of stress, dehydration, or lack of sleep – or is it time to see a doctor?
Chin says maybe, yes.
He was working his way through medical residency when his father, a geriatrician in Madison, Wisc., was diagnosed with Alzheimer’s. Chin, now a geriatrician, was blindsided, but that diagnosis also changed his life.
Here, he writes about the brain, and how Alzheimer’s and dementia are diagnosed, explaining that dementia has many faces and, depending on a doctor’s evaluation, memory problems might be slowed or improved. He shares his father’s illness with readers, but he also writes about his mother, a steadfast, steady caretaker.
Her story reminds reader-guardians to care for themselves, too.
Know how to talk the talk, so that you can have “a more productive” conversation with your doctor. Understand that there’s nothing “normal” about dementia or Alzheimer’s. Know the statistics – African Americans are affected with dementia twice as much as whites – and know how to lower your risks. Learn here what questions to ask, how to break the news to everyone, and any legal matters that will be important soon. And know how to tend to you.
Says Chin, “The best action you can take is to educate yourself… The more you understand, the better equipped you are to make sound judgments.”
Something’s off about Dad, just a lot of little things that don’t add up. When is it time to step in? “When Memory Fades” can help you decide.
Wise, wide-spread, comprehensive, and compassionately helpful, this is a book you can read and then take it to the doctor with your loved one. It’s a book that makes sense when nothing else does, and its biggest feature is that it smoothly transitions from easy-to-grasp science and charts, to gentle coaching for caregivers. Author Nathaniel Chin, MD writes with storytelling, humility, grace, and experience from both sides of the Alzheimer’s/dementia issue, and his words are reassuring but also urgent. Learn, but don’t wait, he says. Know how to safeguard yourself. See your doctor, and don’t fear testing. Watch for signs of depression. And never, ever stop asking for help.
Read those last seven words, and find “When Memory Fades” now. It’s a book to have on your shelf, whether you’re 45 or 95 because, as you’ll see, dementia happens and knowledge is key.
Books
New book chronicles gay man’s life in hippie commune
Vietnam War-era tale a serious, sexy, joyous memoir
‘Qtopia: A Memoir of Love, Land and Liberation’
2026, University of Wisconsin Press
By Juda Bennett
Duffel packed, the new high school graduate could not fall asleep. “On the night before my departure, I stared at the duffel bag as if it were a body bag. We lived close to Dover, where the dead from Vietnam were shipped.”
It is 1971, and Charles was leaving home to join a hippie commune in rural Virginia. “I kept imagining bodies fitting into the bag and popping out in the middle of the night,” Juda Bennett writes in his memoir, “Qtopia: A Memoir of Love, Land and Liberation.” During Bennett’s high school years from 1968-1971 some 35,000 U.S. soldiers were killed in the Vietnam War, the vast majority processed at Dover Air Force Base.
Young Bennett was clueless about what lay ahead but he had a commune’s brochure in his pocket, certain his destiny was not in the military. “My father was a walking recruitment center, and my mother could have worked for the USO. Uncle Sam and the Andrews Sisters had nothing on them.” Inspired to find his way out of suburban Wilmington, Del., he boarded a Greyhound bus to Lexington, Va., and communes yet unknown. “Qtopia” is a serious, sexy and joyous memoir about a young man who knows he’s different in search of chosen family and, over coming decades, his own queer Utopia.
“We are leaving; you don’t need us,” was the popular refrain in the day from the Crosby, Stills & Nash song “Wooden Ships.” Communards like young Charles (going by the moniker C.B. with a full beard covering his handsome, androgynous features) were living it. How far this is from urban queer stories of the ‘70s. For this reason alone, it is marvelous reading about hot naked hippies farming together in the country, living and loving in secluded teepees when everything seemed possible. Novels like “Drop City” by T.C. Boyle (2003) and “Arcadia” (2012) by Lauren Groff set in hippie communes had no gay characters, only free-love for straights. When C.B.’s parents arrive to visit his back-to-the-land commune North Mountain bearing gifts like the orange powder Tang and Frosted Flakes, he “maintained” as the saying went. “It was a great time for visitors to see how hard we had worked—fields of sorghum swaying in the breeze, acres of vegetables in neat rows with beans, tomatoes and peppers hanging down….I was still thin as a matchstick, but I was a strong and muscular matchstick,” he tells the story of his development. By contrast, he had considered suicide before leaving home; this memoir fills in the pain, too.
There are times when C.B.’s voice as a teen communard with a secret is so authentic and rich, it is like reading fictional stories of American innocents on journeys of their own like J.D. Salinger’s character Holden Caulfield or Demon Copperhead from rural Virginia by Barbara Kingsolver. He tells us there was this guy Mark at North Mountain who had been pressuring him to sleep on the mattress next to his. C.B. was known as the only gay at North Mountain. One of the hippie women warned him Mark is “a square, the biggest downer.” Stepping out of the memoir, C.B. directly addresses the reader about the Mark issue, “I don’t want to write about Mark anymore because he’s not important to my story, and I didn’t even like him.” Got it. Hitchhiking with C.B. is like that, too.
“I got my best ride of the whole hike from a truck driver named TJ….If an eighteen wheeler…is willing to stop for you, it is because the driver wants something from you…I will forever remember this trucker as the most beautiful man I could have had sex with if I weren’t so innocent.”
North Mountain required the hippies work one week a month in Richmond to earn cash for the commune. For C.B., this translated into seven communards living in one small apartment on this cultish mission. It was in a Richmond park where he meets a stranger who would sexually abuse him over a month until C.B. ends it. Furious, the man threatens to shut down the commune if he does not obey. In a state of panic, C.B. attempts suicide by overdosing on every pill he can get his hands on. The memoir takes the reader through the author’s horror by deepening the shadows. What was the specific nature of the abuse? How did this stranger have credible power to threaten the commune? Entitled “What It’s Like to Die,” the chapter is a skillfully told, expressionistic turning point from an innocent’s hell to salvation at the intentional queer Lavender Hill commune in Central New York. C.B. desperately needed to “find my people.”
He’s a resilient young man after living in three communes by the time he hit San Francisco. His two gay neighbors on Ashbury Street—Crow and Moonsnake—pressure him to get a new “hippie name.” Walking home from Golden Gate Park he zeroes in on a passing streetcar, “North Judah.” Goodbye “Charles,” Judah will be his new hippie name. Crow and Moonsnake, approve: “If that’s what the Universe called out to you.” If you remember the Sixties…
“Too often,” Bennett writes, “we think of dropouts as withdrawing from life, but in truth, I think they are in a heightened state of seeking their rightful path and purpose. Nothing stays the same.” Juda Bennett remains a believer to this day, “Always putting my faith in my journey to Utopia”.
(Charles Francis is president of the Mattachine Society of Washington, D.C., and author of “Archive Activism: Memoir of a ‘Uniquely Nasty’ Journey.”)
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