Arts & Entertainment

Calendar: May 11

Parties, concerts, exhibits and more through May 17

Published

14 years ago

May 10, 2012

Big Bad Voodoo Daddy performs with the National Symphony Orchestra tonight at the Kennedy Center. (Photo courtesy Big Voodoo Daddy)

TODAY (Friday)

The HIV Working Group will be doing outreach tonight at Town (2009 8th St., N.W.) during Bear Happy Hour starting at 7 p.m. and continuing throughout the night until midnight. Volunteers are needed. For more information, visit thedccenter.org.

The National Symphony Orchestra presents Big Bad Voodoo Daddy and Steven Reineke tonight at the Kennedy Center (2700 F St., N.W.) at 8 p.m. Big Bad Voodoo Daddy will be performing its brand of retro-swing with the NSO Pops and principal conductor, Reineke. Tickets range from $20 to $85 and can be purchased online at kennedy-center.org. There will also be a performance on Saturday at 8 p.m.

Nellie’s (900 U St., N.W.) is hosting the welcome and registration event for Police Week 2012 today from 2 to 6 p.m.

Busboys & Poets presents “The 11th Hour” poetry slam hosted by “2Deep” the Poetess, tonight at 11 p.m. in the Langston room at its 14th and V streets location (2021 14th St., N.W.). There is a $5 admission at the door.

Comedian Will Durst is at Riot Act Comedy Theater (801 E St., N.W.) tonight at 8 and 10:30 p.m. Tickets range from $15 to $18 and are available online at riotactcomedy.com. Durst will also be performing on Saturday at 8 and 10:30 p.m.

Saturday, May 12

Green Lantern (1335 Green Court, N.W.) and 495 Bears presents “Bears Can Dance” tonight at 9 p.m. There is no cover for this event.

Town (2009 8th St., N.W.) presents Funkytown, a retro dance party on the main floor with DJ Ed Bailey playing music from the ‘70s, ‘80s and ‘90s. Doors open at 10 p.m. There is an $8 cover before 11 p.m. and $12 afterward. All attendees must be 21 or older.

Nellie’s (900 U St., N.W.) Superhero Pub Crawl is tonight at 10 p.m.

Busboys & Poets is hosting a Zumba block party with Vida Fitness tonight at its 5^th and K location (1025 5^th St., N.W.) from 5 to 7 p.m.

Mixtape D.C. is tonight at the Black Cat (1811 14th St., N.W.), a dance party for queer music lovers and their pals that features DJs Shea Van Horn and Matt Bailer playing an eclectic mix of electro, alt-pop, indie rock, house, disco, new wave and anything else danceable. There is a $10 cover for this event. Doors open at 9:30 p.m.

The Washington Ballet presents “¡Noche Latina!” today at 2:30 and 8 p.m. The show celebrates Latina American music, dance and culture. It includes two world premieres by Edwaard Liang and Annabelle Lopez Ochoa and the company premiere of Trey McIntyre’s “Like a Samba.” The tickets range from $20 and $125 and can be purchased online at kennedy-center.org.

Sunday, May 13

D.C.’s LGBT anti-violence task force GLOV (Gays & Lesbians Opposing Violence) is hosting a two hour introduction to self-defense class at the D.C. Center (1318 U St., N.W.) today at 5 p.m. There is a suggested donation of $10. For more information and to register for the class, visit thedccenter.org.

Nellie’s (900 U St., N.W.) is having its first Guil-Tea dance party of the season today at 3 p.m.

LGBT science fiction, fantasy and horror group Lambda Sci-Fi is having its monthly meeting today at 1425 S St., N.W., at 1:30 p.m. Attendees are asked to bring a snack or a non-alcoholic drink to share. For more information contact James at 202-232-3141 or Peter and Rob at 202-483-6369, email to [email protected], or visit the group’s website at lambdascifi.org.

Monday, May 14

Busboys & Poets presents Monday Night Open Mic Poetry hosted by Beny Blaq in the Robeson Room of its Shirlington location (4251 S. Campbell Ave., Arlington) at 8 p.m. Wristbands are $4 and will be sold in the Global Exchange store beginning at 10 a.m. They are also available for purchase online at busboysandpoets.com starting at midnight before the event.

Tuesday, May 15

The Black Cat (1811 14^th St., N.W.) is hosting a launch party for “The New Professional: Issue Three” tonight at 8 p.m. The event will feature live performances from Tray Chaney of HBO’s “The Wire” and more special guests. Admission is $12. For more information, visit blackcatdc.com.

Busboys & Poets presents “Louder Than a Bomb” fundraiser and film screening tonight at its Hyattsville location (5331 Baltimore Ave., Suite 104) at 7:30 p.m. hosted by the D.C. Youth Slam Team. “Louder Than a Bomb” is a documentary about the poets of Chicago’s city-wide youth slam. There is a suggested $10 donation. For more information, visit busboysandpoets.com.

Wednesday, May 16

The D.C. Crystal Meth Working Group meets tonight at the D.C. Center (1318 U St., N.W.) at 7 p.m. The group, which has been dormant for about a year, is dedicated to education and treatment advocacy around methamphetamine. For more information, visit thedccenter.org or letstalkaboutmeth.org.

Studio Theatre (1501 14th St., N.W.) presents “The Big Meal” by Dan LeFranc tonight. The show follows a young couple through their life, from their first date to having kids and more at a single restaurant table. Tickets range from $46 to $59. For more information and to purchase tickets, visit studiotheatre.org.

Thursday, May 17

Professionals in the City and the D.C. Center are hosting a speed dating event for gay men in their 30s and 40s at Chi-Cha Lounge (1624 U St., N.W.) from 7 to 9 p.m. tonight. Attendees will date for about an hour and then be able to mingle with everyone. After the event, matches can be made online. Tickets are $30. For more information, visit thedccenter.org.

The Baltimore Symphony Orchestra SuperPops presents “The Beat Goes On!: The Music of the Baby Boomers” tonight at the Music Center at Strathmore (5301 Tuckermane Lane, North Bethesda) at 8 p.m. featuring music from television, movie themes and popular hits including music by Burt Bacharach and Frankie Valli.

Photos

PHOTOS: 2026 Capital Pride Parade

Large crowds attend annual LGBTQ march in Washington, D.C.

Published

24 hours ago

June 21, 2026

Washington Blade photography department

David Archuleta is one of the Grand Marshals of the 2026 Capital Pride Parade. (Washington Blade photo by Michael Key)

The 2026 Capital Pride Parade was held in Washington, D.C. on Saturday, June 20.

(Washington Blade photos by Michael Key, Robert Rapanut and Landon Shackelford)

Theater

‘Feeling Afraid’ explores life of a neurotic stand-up comic

Navigating sex, work, and possibly love in London

Published

2 days ago

June 20, 2026

Patrick Folliard

Steven Webb in ‘Feeling Afraid As If Something Terrible Is Going To Happen’ (Photo by DJ Corey)

‘Feeling Afraid As If Something Terrible Is Going to Happen’
Through July 12
Studio Theatre
1501 14th St., N.W.
$55-$102
Studiotheatre.org

Wordily yet rightly titled, solo show “Feeling Afraid As If Something Terrible Is Going To Happen” dives deeply into the world of a neurotic stand-up comic as he navigates sex, work, and possibly love in London.

Busy arranging hookups and dates on “The App,” the 36-year-old gay funnyman juggles a full dance card; still he’s never been in a romantic relationship. While he’s willing to give love a shot, he’s not pressed about it. As he says, he harbors no fear of dying alone.

Currently making its American premiere at Studio Theatre, this darkly humorous Edinburgh Fringe import features terrific out English actor Steven Webb as The Comedian who’s about to explore what it means to spend all his time with one man.

At Studio’s intimate Mead Theatre, Kat Heath’s minimal set says standard comedy club (fluorescent tube lighting, the mic with a long cord, a single stool backed by a rose-colored curtain), but gay playwright Marcelo Dos Santos has conjured something much more than a live comedy set.

Yes, The Comedian bounces onstage in his red Converse high tops, jeans, and pink shirt with a huge mouth emblazoned on the back, but he delivers more than jokes. At times hilariously self-deprecating, then dark, and occasionally a lesson on what makes standup work, this is a layered, well-acted piece.

With Webb (a keen caricaturist of types and voices) playing all the parts while conducting The Comedian’s hilariously frenetic interior monologue, “Feeling Afraid” takes us through a summer of love. It seems after six chaste dates with The American, our nervous hero has found Mr. Right. The American is earnest, smart, hesitant to initiate sex. He’s also well built with a beautiful smile. And strangely, he’s been medically advised not to laugh aloud.

The Comedian delights in the joys of new love: dates, first kisses, sex, and then suddenly spending all of his time with the adored. Visits to art galleries become fun. Eating home cooked meals followed by grim documentaries is a thing. The Comedian is beguiled as his own boyish figure fills out, but something isn’t right. He can’t entirely relax.

Along the way we meet the Aussie doctor, our protagonist’s longtime hookup; a young runner with some exceptional body parts; the random third in a failed threesome; grumpy working comics, male and female; and an ineffectual counselor.

Webb gives a lightning-fast performance that boggles the mind (in terms velocity and virtuosity). He can be impish, very impish. He’s nervous energy incarnate, flashing jazz hands, grimacing but handsome when still. He’s likeable, a necessity when delivering a hilariously rude joke just feet away from two stone-faced audience members. (Perhaps they were laughing on the inside? At any rate, they stayed through the end the show.)

Produced by the team behind Fringe hits “Fleabag” and “Baby Reindeer,” small stage works that were developed into major TV screen successes, “Feeling Afraid” is funny for sure, and it’s also highly confessional, sexually explicit, and raw.

Written by Dos Santos during COVID lockdown, the piece was a smash hit in the 2022 Edinburgh Fringe before finding further success in London. Its depiction of a youngish queer guy navigating the big city rings entirely true. Like so much Fringe stuff, the one-man show is delightfully lewd and standup inspired.

One little moan: the show closes cleverly but too abruptly with its star dashing offstage without sufficiently basking in the admiration and applause of his thoroughly chuffed audience.

They say third time’s a charm, and regarding “Feeling Afraid,” I’d agree. After two performance cancellations (first for laryngitis and the second involving faulty air conditioning on an especially muggy June evening), I made my third trek to Studio where I found both the actor and AC in very fine fettle. And truly, Webb’s work was more than worth the wait.