Arts & Entertainment
Calendar: May 11
Parties, concerts, exhibits and more through May 17
Big Bad Voodoo Daddy performs with the National Symphony Orchestra tonight at the Kennedy Center. (Photo courtesy Big Voodoo Daddy)
TODAY (Friday)
The HIV Working Group will be doing outreach tonight at Town (2009 8th St., N.W.) during Bear Happy Hour starting at 7 p.m. and continuing throughout the night until midnight. Volunteers are needed. For more information, visit thedccenter.org.
The National Symphony Orchestra presents Big Bad Voodoo Daddy and Steven Reineke tonight at the Kennedy Center (2700 F St., N.W.) at 8 p.m. Big Bad Voodoo Daddy will be performing its brand of retro-swing with the NSO Pops and principal conductor, Reineke. Tickets range from $20 to $85 and can be purchased online at kennedy-center.org. There will also be a performance on Saturday at 8 p.m.
Nellie’s (900 U St., N.W.) is hosting the welcome and registration event for Police Week 2012 today from 2 to 6 p.m.
Busboys & Poets presents “The 11th Hour” poetry slam hosted by “2Deep” the Poetess, tonight at 11 p.m. in the Langston room at its 14th and V streets location (2021 14th St., N.W.). There is a $5 admission at the door.
Comedian Will Durst is at Riot Act Comedy Theater (801 E St., N.W.) tonight at 8 and 10:30 p.m. Tickets range from $15 to $18 and are available online at riotactcomedy.com. Durst will also be performing on Saturday at 8 and 10:30 p.m.
Saturday, May 12
Green Lantern (1335 Green Court, N.W.) and 495 Bears presents “Bears Can Dance” tonight at 9 p.m. There is no cover for this event.
Town (2009 8th St., N.W.) presents Funkytown, a retro dance party on the main floor with DJ Ed Bailey playing music from the ‘70s, ‘80s and ‘90s. Doors open at 10 p.m. There is an $8 cover before 11 p.m. and $12 afterward. All attendees must be 21 or older.
Nellie’s (900 U St., N.W.) Superhero Pub Crawl is tonight at 10 p.m.
Busboys & Poets is hosting a Zumba block party with Vida Fitness tonight at its 5th and K location (1025 5th St., N.W.) from 5 to 7 p.m.
Mixtape D.C. is tonight at the Black Cat (1811 14th St., N.W.), a dance party for queer music lovers and their pals that features DJs Shea Van Horn and Matt Bailer playing an eclectic mix of electro, alt-pop, indie rock, house, disco, new wave and anything else danceable. There is a $10 cover for this event. Doors open at 9:30 p.m.
The Washington Ballet presents “¡Noche Latina!” today at 2:30 and 8 p.m. The show celebrates Latina American music, dance and culture. It includes two world premieres by Edwaard Liang and Annabelle Lopez Ochoa and the company premiere of Trey McIntyre’s “Like a Samba.” The tickets range from $20 and $125 and can be purchased online at kennedy-center.org.
Sunday, May 13
D.C.’s LGBT anti-violence task force GLOV (Gays & Lesbians Opposing Violence) is hosting a two hour introduction to self-defense class at the D.C. Center (1318 U St., N.W.) today at 5 p.m. There is a suggested donation of $10. For more information and to register for the class, visit thedccenter.org.
Nellie’s (900 U St., N.W.) is having its first Guil-Tea dance party of the season today at 3 p.m.
LGBT science fiction, fantasy and horror group Lambda Sci-Fi is having its monthly meeting today at 1425 S St., N.W., at 1:30 p.m. Attendees are asked to bring a snack or a non-alcoholic drink to share. For more information contact James at 202-232-3141 or Peter and Rob at 202-483-6369, email to [email protected], or visit the group’s website at lambdascifi.org.
Monday, May 14
Busboys & Poets presents Monday Night Open Mic Poetry hosted by Beny Blaq in the Robeson Room of its Shirlington location (4251 S. Campbell Ave., Arlington) at 8 p.m. Wristbands are $4 and will be sold in the Global Exchange store beginning at 10 a.m. They are also available for purchase online at busboysandpoets.com starting at midnight before the event.
Tuesday, May 15
The Black Cat (1811 14th St., N.W.) is hosting a launch party for “The New Professional: Issue Three” tonight at 8 p.m. The event will feature live performances from Tray Chaney of HBO’s “The Wire” and more special guests. Admission is $12. For more information, visit blackcatdc.com.
Busboys & Poets presents “Louder Than a Bomb” fundraiser and film screening tonight at its Hyattsville location (5331 Baltimore Ave., Suite 104) at 7:30 p.m. hosted by the D.C. Youth Slam Team. “Louder Than a Bomb” is a documentary about the poets of Chicago’s city-wide youth slam. There is a suggested $10 donation. For more information, visit busboysandpoets.com.
Wednesday, May 16
The D.C. Crystal Meth Working Group meets tonight at the D.C. Center (1318 U St., N.W.) at 7 p.m. The group, which has been dormant for about a year, is dedicated to education and treatment advocacy around methamphetamine. For more information, visit thedccenter.org or letstalkaboutmeth.org.
Studio Theatre (1501 14th St., N.W.) presents “The Big Meal” by Dan LeFranc tonight. The show follows a young couple through their life, from their first date to having kids and more at a single restaurant table. Tickets range from $46 to $59. For more information and to purchase tickets, visit studiotheatre.org.
Thursday, May 17
Professionals in the City and the D.C. Center are hosting a speed dating event for gay men in their 30s and 40s at Chi-Cha Lounge (1624 U St., N.W.) from 7 to 9 p.m. tonight. Attendees will date for about an hour and then be able to mingle with everyone. After the event, matches can be made online. Tickets are $30. For more information, visit thedccenter.org.
The Baltimore Symphony Orchestra SuperPops presents “The Beat Goes On!: The Music of the Baby Boomers” tonight at the Music Center at Strathmore (5301 Tuckermane Lane, North Bethesda) at 8 p.m. featuring music from television, movie themes and popular hits including music by Burt Bacharach and Frankie Valli.
Glitterati Productions held the “Studio 69” party at Bunker on Friday, May 8.
(Washington Blade photos by Michael Key)
Arts & Entertainment
Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week
Pride on the Pier officially launches Pride Week in D.C.
The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.
Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.
“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”
Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip.
Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.
Event Details:
📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026
⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP
Theater
National tour of ‘Gatsby’ comes to National Theatre
Out actor Edward Staudenmayer talks playing the show’s gangster
‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com
Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read.
Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan.
It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”
Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24).
While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater.
WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?
EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”].
There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball.
BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life.
STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].
BLADE: When did the 1925 novel first surface on your radar?
STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel.
Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students.
BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?
STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.
Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel.
BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?
STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer.
BLADE: Have you had to do that in your career?
STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy.
It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.
BLADE: What was your coming of age like?
STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating.
BLADE: Did he live to see your success in theater?
STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close.
BLADE: Looking ahead, is there a part you’d especially like to play?
STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time.
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