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Queery: Sterling Washington

The Federation of Black Prides manager and singer answers 20 gay questions

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Sterling Washington (Blade photo by Michael Key)

Sterling Washington jokes about the time he became a “professional homosexual” when he went to work for Us Helping Us.

He’d previously been a presidential appointee (he was an assistant in the Office of Administration) in the Clinton White House, he then worked in IT work for several years, went back to school at Howard to get a second degree, then landed at Us Helping Us working in development. Since July 2008, he’s been resource and grant development manager at the International Federation of Black Prides. Previously he served on the board of D.C. Black Pride.

Washington, a native Washingtonian, says the Federation does important work.

“Each of the Black Prides have advocacy projects they execute in local communities that could be anything from HIV work to youth empowerment to pushing for pro-LGBT legislation,” he says. “I think that work is very important.”

Washington is also a singer and sings tenor in the choir at the National City Christian Church in Thomas Circle. He loves opera and jazz and dreams perhaps one day of living in Vienna.

Washington grew up in the District’s Shepherd Park area and enjoys watching TV, reading, dining out with friends, acupuncture, walks in the woods and playing the piano in his free time. He’s single, though he’s recently been dating someone more regularly. (Blade photo by Michael Key)

How long have you been out and who was the hardest person to tell?

I’ve been out since 1994, when I was in undergrad at GWU. The hardest person to tell was my mother, who took the news better than I expected. Since she insisted on telling my father herself, I was spared the stress associated with telling him. Although they were a little resistant at first, both of my parents grew to accept my sexual orientation over time.

Who’s your LGBT hero?

This is difficult to answer because there are so many. Dr. Zachary Gabriel Green, a clinical psychologist and an expert on group dynamics, is definitely one of my LGBT heroes. He has done amazing work around identity-based conflicts and leadership development, publishing numerous papers on those subjects. Dr. Green and his husband, Dr. Rene Molenkamp, really helped in my coming out process and they remain good friends of mine. There’s also the late Bayard Rustin, who was an extraordinary community organizer. Like Rustin, I am an activist and singer.

What’s Washington’s best nightspot, past or present?

It’s a tie between The Andalusian Dog and “The Deep End” at Club Andalu. The former was around in the late ’90s and was located near 14th and U streets, N.W. The latter had its heyday in 2002-2004 and featured the music of DJ Mandrill, who is fantastic.

Describe your dream wedding.

My husband and I would wed in a romantic outdoor setting, followed by a lavish reception and dancing under the stars.

What non-LGBT issue are you most passionate about?

Environmental issues. In fact, I Tweet a lot more about environmental issues than LGBT issues. Environmental degradation impacts every living thing on the planet.

What historical outcome would you change?

The 2000 presidential election, which remains the most disappointing election of my life.

What’s been the most memorable pop culture moment of your lifetime?

The release of the “Star Wars” prequels, although Episode III was the only one I really enjoyed.

On what do you insist?

Understanding and respect for other people’s culture and religious beliefs.

What was your last Facebook post or Tweet?

I Tweeted a petition in support of the Community Renewables Act of 2012, which is coming before D.C. City Council.

If your life were a book, what would the title be?

“On My Journey Now” would be the title. It is inspired by one of my favorite African-American spirituals.

If science discovered a way to change sexual orientation, what would you do?

Nothing. To quote the late Frank Kameny, “Gay is good.”

What do you believe in beyond the physical world?

A loving and inclusive God and an afterlife.

What’s your advice for LGBT movement leaders?

My advice is to attend a Tavistock group relations conference. These leadership conferences use experiential learning to uncover the unconscious processes that affect how organizations operate. I’ve been to at least five of these conferences, four as a member and once as an administrator. I have learned something new about myself every time and acquired knowledge and skills that improved the effectiveness of organizations in which I served.

What would you walk across hot coals for?

Since I’m a foodie, I’d walk across hot coals for a great meal.

What LGBT stereotype annoys you most?

The assumption that LGBT people are trying to convert all heterosexuals to our sexual orientation. Sure, we’re trying to convert some of them, but not all!

What’s your favorite LGBT movie?

“Latter Days” is my favorite, although this changes often.

What’s the most overrated social custom?

Answering one’s cell phone or texting back as soon as someone calls or text messages you. It is important to have personal time. Besides, it is not appropriate to answer the phone or text everywhere.

What trophy or prize do you most covet?

I would like to receive the designation of Kammersänger by the Austrian government. It is a title given to a distinguished singer and it is rare for an American to receive it.

What do you wish you’d known at 18?

That the popular images of LGBT people in the media are not reflective of the entire community.

Why Washington?

Well, I was born here and just never left. While I do not plan to stay here forever, Washington is a nice place to live, despite my occasional frustrations with the city.

 

 

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Photos

PHOTOS: WorldPride Street Festival and Closing Concert

Doechii, Khalid among performers

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Doechii performs at the WorldPride Closing Concert on Sunday, June 8. (Washington Blade photo by Michael Key)

WorldPride 2025 concluded with the WorldPride Street Festival and Closing Concert held along Pennsylvania Ave., N.W. on Sunday, June 8. Performers on the main stage included Doechii, Khalid, Courtney Act, Parker Matthews, 2AM Ricky, Suzie Toot, MkX and Brooke Eden.

(Washington Blade photos by Michael Key)

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Photos

PHOTOS: WorldPride Parade

Thousands march for LGBTQ rights

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The 2025 WorldPride Parade (Washington Blade photo by Michael Key)

The 2025 WorldPride Parade was held in Washington, D.C. on Saturday, June 7. Laverne Cox and Renée Rapp were the grand marshals. 

(Washington Blade photos by Michael Key and Robert Rapanut)

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Theater

A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’

Nonbinary actor Alyssa Keegan stars as Duke Orsino

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Alyssa Keegan (Photo courtesy Folger Theatre)

‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu

Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within. 

Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.” 

Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few. 

In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting. 

WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about? 

ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all. 

BLADE: What’s your approach to the fetching, cod-piece clad nobleman?

KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness. 

So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.

Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.

BLADE: As an actor, do you ever risk taking on the feelings of your characters? 

KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character. 

So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character. 

BLADE: Has changing the way you work affected your performances?

KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way. 

BLADE: Is Orsino your first time playing a male role?

KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy. 

As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.

BLADE: Do you have a favorite part? Male or female? 

KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting. 

BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?

KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way. 

The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen.  It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.

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