Arts & Entertainment
Traveling with M-I-C-K-E-Y
Former competitive figure skater found home with Disney on Ice

Joshua Flores as Mowgli from ‘The Jungle Book’ in Disney on Ice, which opens at the Patriot Center next week. (Photo courtesy Disney on Ice)
When he was 10 years old, Joshua Flores laced up a pair of ice skates for the first time and knew skating was something he wanted to do for a long time.
“I always loved the music that came with figure skating as well as the movement and gracefulness,” he says. “I loved to jump and spin. I remember being little and pretending to skate with my socks on, on the living room floor when I first saw figure skating on TV.”
Almost two decades later, the out and proud young man continues to live his dream as part of the Disney on Ice tour.
“I competed in figure skating until I was 18 and then when it was over, I wanted to find something that would still let me do what I loved,” he says. “My coach suggested I send in a videotape to Disney on Ice and see what happens, and I filmed me doing all my tricks and a week later they called me.”
That was 10 years ago, and Flores has traveled the globe as he skates in productions all over the world. It’s more than the Rockford, Ill., resident ever imagined.
“I’ve been to Japan, Australia, Europe, South America … it’s hard to keep track of all the places I have been,” he says. “The traveling is awesome because I get to experience cultures around the world, and I’m a huge food person. I love tasting food from everywhere.”
Currently, Flores skates as “The Jungle Book’s” Mowgli in a Disney on Ice production entitled, “Let’s Celebrate!” but he’s also seen time playing John Darling from “Peter Pan,” a turtle in “Finding Nemo” and a student in “High School Musical.”
“At first, it was difficult to get used to skating with a mask or in costume, but you get used to it and learn more about your skills,” he says. “I love the rush of adrenaline when I skate out and see a huge audience screaming with smiles and laughter. I always like performing to a crowd.”
The best thing that’s come from being with Disney on Ice, he says, it that he met his boyfriend (Nicholas Kelly, also a skater in the show) five years ago and they’ve been able to travel the world together.
“We work together and are around each other 24/7 because of our jobs, and we learn so much about each other, nothing can really break us apart,” Flores says. “Touring the world together is amazing and I am very lucky, definitely.”
Being gay has never been a problem for Flores in his dealings with Disney or the other skaters. There are a number of ice skaters working for the company who are part of the LGBT community.
“We have a huge, diverse group with people from around the world so everyone gets used to each other, and I’ve never experienced any problems on tour,” he says. “We’re one big happy family.”
Flores calls Lady Gaga one of his role models because she is a constant reminder to him that you can be completely different in so many ways. “You should love yourself for who you are and enjoy and love life,” he says.
“Let’s Celebrate,” which plays the Patriot Center from Oct. 23-27 and the Baltimore Arena from Oct. 30-Nov. 3, features 50 Disney characters paying tribute to different holidays around the world.
“It’s kind of like walking into Disneyland and seeing all the characters on the ice right at the opening of the show,” Flores says. “We have a Tea Party with the Mad Hatter, Mickey and Minnie are there of course, and we all help to clean up the party with Fantasia Mickey. It’s so much fun.”
Flores is on the road 10-11 months each year, and while he misses his family, they understand that he’s doing something he loves.
When he finally does hang up the skates, Flores hopes to stay with the company and explore the wardrobe- and character development-side of productions.
“There are people who have been here almost 20 years, and I’m going to stick with it until my body gives out — to the very last piece of the music,” he says.
Tickets for Disney on Ice range from $20-$75 and can be purchased at all Ticketmaster outlets via charge by phone at 1-800-745-3000; via ticketmaster.com; and at the Patriot Center box office.
Glitterati Productions held the “Studio 69” party at Bunker on Friday, May 8.
(Washington Blade photos by Michael Key)

















Arts & Entertainment
Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week
Pride on the Pier officially launches Pride Week in D.C.
The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.
Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.
“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”
Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip.
Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.
Event Details:
📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026
⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP

Theater
National tour of ‘Gatsby’ comes to National Theatre
Out actor Edward Staudenmayer talks playing the show’s gangster
‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com
Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read.
Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan.
It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”
Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24).
While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater.
WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?
EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”].
There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball.
BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life.
STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].
BLADE: When did the 1925 novel first surface on your radar?
STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel.
Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students.
BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?
STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.
Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel.
BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?
STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer.
BLADE: Have you had to do that in your career?
STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy.
It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.
BLADE: What was your coming of age like?
STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating.
BLADE: Did he live to see your success in theater?
STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close.
BLADE: Looking ahead, is there a part you’d especially like to play?
STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time.
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