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Politics, sex, activism highlight memoir on AIDS survival

POZ magazine founder Strub recounts journey from Capitol Hill to HIV fight

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Sean Strub, AIDS, HIV, Body Counts, gay news, Washington Blade
Sean Strub, AIDS, HIV, Body Counts, gay news, Washington Blade

Sean Strub’s new memoir revisits closeted Washington in the ‘70s and the AIDS fight in New York. (Photo courtesy Public Impact Media Consultants)

Sean Strub’s newly published book Body Counts: A Memoir of Politics, Sex, AIDS, and Survival provides a vivid, first-hand account of how his own struggle with AIDS intersected with his role as an AIDS activist during the tumultuous early years of the epidemic in New York City.

But Strub, 55, also reveals a part of his life that those who know him as founder of the influential AIDS publication POZ magazine may not have known – his political and personal coming out following his move to Washington, D.C., from his home state of Iowa in 1976 at the age of 17.

After delaying his start at Georgetown University for a year to work on political campaigns in Iowa and through help from then-Sen. Dick Clark (D-Iowa), Strub landed a patronage job as an elevator operator at the U.S. Capitol in March of 1976.

“I couldn’t imagine anything more exciting for an ambitious political junkie than employment literally a few steps away from the Senate chamber,” he writes in his book.

Strub is scheduled to read from his book and take questions from listeners Tuesday night, Jan. 28, at D.C.’s Politics and Prose bookstore at 5015 Connecticut Ave., N.W., from 7-9 p.m.

As Strub tells it, over the next three years (from 1976-1979) he cautiously came to terms with his status as a gay man after having struggled with self-denial in his younger years. His gradual evolution toward self-acceptance, he writes, came in part through the help of closeted gay men in influential political positions in Washington and later in New York who became his mentors.

Like them, Strub writes, he became comfortable with his own sexual orientation but remained deep in the closet, fearing that public disclosure of his “hidden” life would destroy his long-held aspirations to become involved in politics and public policy making. His earlier dream of one day getting elected to public office would no longer be possible due to his sexual orientation, he concluded during the years from the late 1970s to early 1980s.

Before going on to chronicle his early career operating a direct mail fundraising business while helping to raise money for AIDS-related causes, Strub provides a behind-the-scenes glimpse into the closeted gay scene in the nation’s capital in the late 1970s.

Gay men of the Baby Boom generation who lived in D.C. at that time will likely relate to Strub’s stories about meeting and befriending Capitol Hill staffers and others involved in politics at the Lost and Found, the then highly popular gay disco located in a hidden warehouse district in Southeast D.C. less than a mile from the Capitol.

“Going to the Lost and Found marked my first appearance in a public gay venue, and that felt irreversible, crossing a threshold from which I could not return,” he writes.

“I learned that meeting gay men in a gay context – whether at a bar, private party or other circumstance – invoked an unspoken omerta-like agreement not to share the secret life with others, even if it meant pretending we didn’t know each other,” he says in the book.

Among those who became his mentor was Washington political operative turned journalist Alan Baron, publisher of the widely read Baron Report on Washington politics. Others – both gay and straight – gave him what he called the equivalent of a Harvard MBA in the field of fundraising through direct mail and telemarketing techniques.

Still others introduced him to the world of gay sex and gay male cruising spots both in D.C. and during his first few years in New York. It was at a time just before AIDS burst on the scene that epidemiologists later described as a “perfect storm” for the sexual transmission of HIV between men who have sex with men.

Through a friend he met at the D.C. gay bar Rascals, Strub says he was invited to a dinner party in 1978 at the home of D.C. gay businessman Bob Alfondre and his partner Carroll Sledz. Strub says it was there that he met and became friends with famed playwright Tennessee Williams, a guest of honor at the dinner party, who later invited Strub to visit him at his home in Key West, Fla.

Other VIPs with whom Strub met and befriended in subsequent years included Andy Warhol, Keith Haring, Gore Vidal and Larry Kramer.

In what his activist friends considered a major coup, Strub tells of how he mustered all of his courage and salesmanship in 1982 to persuade Tennessee Williams to sign his name to a fundraising letter for the Human Rights Campaign Fund, an arm of the then Gay Rights National Lobby that became the forerunner to today’s Human Rights Campaign.

The letter was written by Baron at the request of Steve Endean, the executive director of GRNL and whose idea it was to create the HRCF. Among other things, the letter urged potential donors to give money to HRCF, a political action committee or PAC, to help prevent anti-gay candidates backed by the Rev. Jerry Falwell from getting elected to Congress.

“I emphasized how influential the new PAC would be and how critical his signature on the letter would be to its success,” Strub wrote in describing his pitch to Williams at a hotel room in New York City where Williams was staying at the time. When Strub entered the hotel room Williams was dressed in pajamas and a bathrobe and had a glass of wine in his hand.

“I said he could set a powerful example to others,” Strub wrote. “Getting him to sign the letter, I declared, would be the most important thing I had ever done in my life.”

Over the next 90 minutes or more Williams talked about his plans for a new play and all kinds of things unrelated to the letter. At one point the then 24-year-old Strub nearly froze when Williams asked him what he would do to persuade him to sign the letter, thinking Williams might be making a pass at him, Strub writes.

“Almost anything, but I hope I don’t have to,” Strub says he replied.

Finally, thinking Williams was politely indicating he wouldn’t sign the letter, Strub got up from where he was sitting and put on his coat and walked toward the door. “Wait a minute, baby, what about your letter?” Strub quotes Williams as shouting.

The famous playwright signed the letter, which, according to Strub, became the most successful gay rights fundraising appeal to date, generating over 10,000 new donors to the gay rights cause and paving the way for the future HRC to become the nation’s leading LGBT rights organization.

Strub’s success in getting Tennessee Williams to sign the fundraising letter came after he moved to New York in 1979 to continue his studies at Columbia University. A short time later Strub and various partners established a direct mail fundraising businesses that did work for gay rights and other progressive causes as well as for Democratic Party candidates running for public office.

By the mid-1980s, around the time he discovered he was HIV positive, he helped raise money for AIDS advocacy groups, including New York’s pioneering Gay Men’s Health Crisis, the American Foundation for AIDS Research (AmfAR), and ACT UP.

 

NIH official Fauci disputes claim he was ‘uncooperative’

 

By 1987, Strub says he became further disillusioned over the federal government’s response to AIDS when fellow activist Michael Callen told him about a tense meeting in May of that year between Callen and several other AIDS activists and Dr. Anthony Fauci, who headed AIDS research programs at the National Institutes of Health.

Callen and the other activists urged Fauci to arrange for the NIH to issue guidelines recommending that doctors treating AIDS patients prescribe the drug Bactrim as a prophylaxis to prevent the onset of pneumocystis carinii pneumonia, the opportunistic infection that killed most people with AIDS at the time. Strub notes that Callen cited promising results in New York and other places where AIDS doctors, especially New York physician and researcher Joseph Sonnabend, reported Bactrim was succeeding in preventing patients from contracting the deadly pneumonia.

“Fauci was uncooperative,” Strub reports in his book. “He dismissed previous research, saying he wanted data proving that prophylaxis [Bactrim] helped prevent PCP specifically in patients with HIV.”

Strub noted that NIH ultimately issued the guidelines two years later after confirming through a drug trial that Bactrim did, indeed, effectively prevent PCP.  But during the two years prior to the release of the guidelines, Callen estimated that nearly 17,000 people with AIDS died of PCP, Strub says in his book. He says Callen expressed outrage that many of them might have survived if their doctors were informed of the effectiveness of Bactrim as a preventive measure.

When contacted by the Blade last week, Fauci disputed Callen’s account of what happened, saying he made it clear to Callen during their 1987 meeting that he did not have the authority to issue guidelines on prescription drugs.

“So what actually happened is that Michael came to me and said you know there is this preliminary activity and some small trials that Bactrim works,” Fauci said. “Would you come out and make a guideline to say it should be used by everybody. And I said ‘Michael I can’t do that but what I can do is help design and make sure that the grantees that we fund do a clinical trial in Bactrim to prove or not that it was safe and effective,’” he said.

“So I did exactly what I promised Michael,” Fauci said. “It took obviously longer than he would have wished. But I didn’t blow him off and say I don’t want to issue guidelines. The fact is that’s neither within my purview nor within the responsibility or authority I have to issue guidelines.”

In 1990, Strub ran for Congress in a district just north of New York City where he had been living while operating a fundraising business. Although he lost in the Democratic primary, many familiar with his race said he broke new ground by becoming the first openly HIV-positive candidate to run for a federal office.

Four years later, in 1994, he founded POZ magazine, a first-of-its-kind upscale publication reporting on the experiences of people with HIV and the trials and tribulations they faced – including Strub himself – in struggling to stay alive.

By that time Strub was out publicly, was a veteran of AIDS protests, and had experienced several years earlier the death of his first partner from AIDS.

In keeping with the belief at the time that nearly everyone with AIDS would die, Strub raised the bulk of the capital needed to launch POZ by selling two life insurance policies he had to a “viatical” investment company for $345,000.

The company expected to yield $75,000 in profit by cashing in the $450,000 combined value of the two policies when Strub died.

Although Strub survived, he tells in great detail how during the years immediately following the launching of POZ, he struggled with Kaposi’s sarcoma and pneumocystis pneumonia. His says his decision to discontinue treatment with the harsh drug AZT, which had side effects that caused fellow patients to become sick and weak, most likely kept him alive long enough to be saved by the new generation of protease inhibitor drugs.

In 2004 Strub sold POZ and began spending more time at his home in the small town of Milford, Penn., while retaining his home in Manhattan.

Following are excerpts of the Blade’s interview with Strub.

 

Washington Blade: What prompted you to write the book at this time?

Sean Strub: I had thought about it over the years and I kind of resisted it in the years after I left POZ. Then about five years ago enough time had passed from the very worst days that I thought I was getting more perspective on it. I felt more of a sense of wanting to remember people and I think most importantly to document a history that had not been well documented.

And there are fewer and fewer people who are around to tell the story firsthand who were really on the front lines over such a long period of time.

 

Blade: You describe in a moving way in your book how sick you were in the middle 1990s. You wrote that you expected to die. Why do you feel you survived long enough to benefit from the new generation of effective drugs such as protease inhibitors when others did not?

Strub: I think that is the question thousands of people who survived that time ask themselves often. I thought of it once as a sort of survivor’s guilt. But today it just seems like an existential question. It’s a question I don’t think I will ever answer but also one I don’t think I should ever stop asking.

The quality of care a person received is probably the most important factor, but there are others. When [the late New York AIDS activist] Michael Callen wrote “Surviving AIDS” in 1990 he recognized three shared traits amongst people with HIV at that time that were surviving. This was before combination treatment, of course. The three were, one, a belief that some people would survive; two, they could identify a reason to survive — raising a child, loving a partner, running a business, completing school, etc.; and, three, when asked how they treated their illness, they could list many different strategies. It wasn’t so much which strategy they pursued, but it was the length of the list that mattered because that indicated they were people who were seeking to survive. I think that is apt for me. I sought to survive…

Survival for me was a path, not a place. The bullet I narrowly missed was AZT mono-therapy. My doctor recommended it to me. Michael Callen constantly harangued me against it. I took it for a few weeks then stopped it. I believe if I had continued on AZT mono-therapy, I wouldn’t have survived to benefit from protease therapy.

 

Blade: To jump ahead a bit, what are you doing these days?

Strub: I’m the executive director of the Sero Project, which is a network of people and their allies fighting for freedom from stigma and injustice. And that’s our tagline. And we are particularly focused on HIV criminalization. So we have been engaged with a lot of the decriminalization advocates across the country.

 

Blade: You go into that in the last chapter of your book, saying in no uncertain terms that laws making it a crime for someone who is HIV positive to have sex with another person without telling them they are positive should be repealed.

Strub: You can see SeroProject.com. If you go to that website there is a little short film. It’s the trailer to a documentary I’ve been working on called HIV is Not a Crime. It really explains our work.

 

Blade: Wasn’t there a bill introduced in Maryland to increase the penalties for so-called intentional HIV transmission?

Strub: A couple of years ago – I think it was State Sen. [Norman R.] Stone [D-Baltimore County] who wanted to increase the maximum penalty from three years to 35 years. And that was beaten back. And then last year Del. Shirley Nathan Pulliam [D-Baltimore County] introduced a bill to get rid of the statute entirely.

In Maryland like every other state they have assault statutes and someone who maliciously intends to harm someone else they can prosecute, whether they use a gun or a baseball bat…And the HIV specific statute doesn’t contribute anything to public safety or public health. It hurts public health and it’s profoundly stigmatizing. So she introduced that bill last year. It’s been withdrawn.

 

Blade: Is it mostly states that have these statutes? Is there a federal statute?

Strub: There is not a federal statute. So it’s state by state. About two thirds of the states have these HIV specific statutes; although in every state they can use someone’s HIV-positive status inappropriately in some criminal prosecutions in heightened charges. In Texas and New York, for example, they don’t have HIV-specific statutes.

But there is a guy in Texas spending 35 years for spitting at a cop and a guy in New York who just got out of jail after serving six and a half years for spitting when a New York appeals court ruled that in New York State saliva cannot be considered a deadly weapon. So the specific statutes are in about two thirds of the states.

At the federal level we did just get through Congress recently an amendment to the Armed Services Appropriations bill to have the Secretary of Defense have a review of the Uniform Code of Military Justice and how it relates to HIV to make sure that their policies and procedures are consistent with contemporary science and not inappropriately stigmatizing people. So that’s our only legislative victory so far on this. There will be more to come. We’re organizing in individual states and I hope there will be some pretty good action in a couple of them this year.

 

Blade: So is this your main activity at this point?

Strub: That’s correct – that and here in Milford [Pa.] I also co-own a historic hotel-restaurant called the Hotel Fauchere. So that’s my sort of business here. But I spend most of my time on the advocacy work.

 

Blade: Are you in Milford, Pennsylvania right now?

Strub: I’m in Milford at the moment. I live in Milford and also in Manhattan. But lately, for a year or so, I’ve been much more in Milford than in New York.

 

Blade: That seems to be the type of thing you have done throughout your professional career – a combination of activism and as you called it entrepreneurial activity. Would that be correct?

Strub: That’s correct.

 

Blade: Do you have any interest in going back into the direct mail and fundraising field?

Strub: Not really – I’m always, I’m frequently giving pro-bono counsel to the efforts I support around fundraising. But I’ve really been much more focused on the advocacy work, particularly recreating a grass roots network of people with HIV engaged in advocacy on the state and local level, which we had in the ‘80s and even in the early ‘90s and then it kind of dissipated through the ‘90s. And now it’s enjoying a bit of a revival. We are recreating these networks of people with HIV.

 

Blade: What is your assessment of the status of the national AIDS advocacy organizations right now? Some people have referred to them as AIDS incorporated. Some people say they have overlapping functions and maybe there is duplication of efforts and there should be more consolidation.

Strub: Well, this AIDS, Inc. phrase is often used in a pejorative way. But it’s also just descriptive. It’s a big industry now. Careers are made – institutions – it isn’t the epidemic of 30 years ago by any means – and thank goodness. But in terms of the advocacy organizations, I don’t really see the advocacy organizations at the federal level…

HRC was pretty consistent in terms of advocating for the Ryan White program in some of the big funding streams. But the other issues outside of funding for service providers, for example, the issues involving privacy, confidentiality, stigma, patient autonomy, criminalization and the whole range of human rights approaches to the epidemic became an orphan in Washington and no one was really working on those.

Now what has happened in the last several years…there is sort of a growing pressure on the national LGBT groups to re-engage in the epidemic. After combination therapy came out – first of all, a lot of advocates left AIDS work because a lot of them were personally concerned about – their engagement and advocacy was due to their own fear, right? And their AIDS activism was a singular effort. It wasn’t connected to any broader social justice movement. And so a lot of those people kind of left after combination therapy came out.

And a lot of the LGBT groups turned to other opportunities and exciting things – ‘Don’t ask, Don’t Tell’ repeal and marriage equality and so on. And all of these human rights-related issues kind of got neglected. And so then we end up with things like criminalization.

Now, that is a growing and scary phenomenon that leaves every person with HIV in the country just one disgruntled, ex-partner away from being in a courtroom.

And yet the survey work has shown that gay men overwhelmingly support having it be a criminal act for someone with HIV not to disclose that fact prior to being intimate, independent of whether there is any risk involved and independent of whether there is any HIV transmission involved.

So we’re kind of playing catch up in the gay community on these issues. There are good things happening. I think HRC is certain to focus on this. They’ve been quite receptive toward us and some other groups. So I think we’re going to see more advocacy from gay groups.

 

Blade: What about the issue of prevention and what is possible? The issue of sex is always with us. Frank Kameny, the veteran gay rights pioneer, said back when the epidemic began and we learned the virus was sexually transmitted that you can never change the sex urge.

Strub: Well, even in the worst years when people were presumably the most frightened we never got much more than half of gay men to consistently use condoms. So there definitely is a limit on how far that will go. But I’m also not a fan of just relying on the biomedical approaches.

I think in terms of prevention the things we need to do – first we need to target prevention funding. Two-thirds of the new cases are among gay men. Only a small percentage of federal prevention funds are targeted to men who have sex with men…

That’s one thing. Second, there still is a reluctance to talk honestly about how gay men have sex. And this goes back to the first days of the epidemic. I write about that in New York – the conflict between the AIDS establishment and [AIDS activists] Michael Callen, Richard Berkowitz and [AIDS doctor and researcher] Joe Sonnabend. Too much of the prevention messaging is either fear based, which is sort of relying on what might have been effective in the epidemic 25 years ago. But the truth is the consequences of HIV infection today are very different than they were 25 years ago. And you can’t use tactics and strategies that worked for that epidemic and expect them to work for this epidemic. You need to deal with the epidemic we have today and the realities of that today…

The New York City Health Department has this one ad that centers on HIV and the next minute you’ve got a brain fog and anal cancer and your bones are snapping. And all of those things can be side effects of the treatments. And I’m not saying they don’t happen. They do happen. I’ve said a lot about the side effects. But they aren’t happening to everybody. And to gay men they know this is a wild exaggeration. I compare it to the anti-drug campaign that sort of implies that if you smoke a joint and two weeks later you’re going to be starting heroin. People know better than that.

And we’re not focusing on getting people real practical information for them to integrate into their own risk reduction analysis, which is what I think most gay men and most people do before they have sex with someone they don’t know a lot about.

We need to give people the information so that they are doing that risk analysis. We need prevention campaigns that are fact based, that are non-judgmental, and that are supportive of gay male sexuality.

You know, Joe Sonnabend said early in the epidemic and I quoted him in the book, he said we’ll never defeat AIDS until we treat the anus as a sex organ with the same respect given to the vagina or the penis. And that remains true today.

 

Blade: You mentioned that Dr. Anthony Fauci appeared to be an impediment to the use of the drug Bactrim back in 1987 as a prophylaxis to prevent pneumocystis pneumonia for people with AIDS.

Strub: Absolutely.

 

Blade: Did he have what he might consider legitimate reasons for needing more time to promote this drug?

Strub: Well I don’t know what he would say. It was written about at the time. Michael Callen referred to it as one of the most egregious examples of federal indifference to the lives of gay men. At the time Michael met with him in 1987 and begged him to support publicizing and making this a recommendation because Bactrim… was around a long time and was very effective. It has been used in immune compromised patients before. There were even clinical trials done in transplant patients. So there was a fair amount of literature on its use by immune compromised patients to prevent PCP [pneumocystis carinii pneumonia].

So Callen went and met with Fauci and Fauci was doubtful. He wanted clinical trials done to prove it…So when the trial results were in that’s when the feds came out with the recommendation around Bactrim. And in that intervening period – I have the number in there — something like 12 or 14 or 16,000 people with AIDS died of pneumocystis, which is a horrible death. You probably know people who died of it. They suffocate to death.

And if they had been on this treatment the majority of them would not have died of pneumocystis. They may or may not have lived until combination therapy came up. Who knows? Some of them surely would have. You know I don’t get into personally bashing Fauci. But this is kind of an example indicative of the federal response then and to a certain extent today and how all sorts of bureaucracy and funding get in the way of what is effective and needed.

 

Blade: Going back to your years in Washington you name certain members of Congress as being gay. Do you ‘out’ some of these people or were they known publicly to be gay?

Strub: The people I talk about I knew before they were outed. I talked about [former Rep.] Gerry Studds [D-Mass.]. I talked about [former Rep.] Barney [Frank (D-Mass)]. I think I referenced [former Rep.] Peter Kostmayer [D-Penn.]. I talked about the Bob Bauman scandal [former Rep. Robert Bauman (R-Md.)]. I referenced [former Rep.] Stuart McKinney [(R-Conn.)]. I don’t think I’m outing any current or former member of Congress that isn’t already known to be gay.

 

Blade: You appear to be more than a little critical of the Clinton administration on the AIDS front.

Strub: I thought I went easy on him.

 

Blade: Richard Socarides, Clinton’s White House liaison to the LGBT community, may disagree with some of the things you say in the book about Clinton.

Strub: Well, Richard Socarides – there are a lot of people who will disagree with Richard Socarides’ version of that history. I tried not to take things personally because there is always another side. But the indifference and the opportunism and the manipulation of the issue for political purposes are something I and a lot of other people saw really clearly – really visibly. And there is no question about it. The needle exchange stuff. You know, that’s a sin right up there with Fauci on the Bactrim. That is something that was so immediate, so clear.

One of the biggest reasons that the heterosexual transmission in New York has declined so precipitously is because of needle exchange.

 

Blade:  Would the Clinton people argue that they didn’t have the political support in Congress and elsewhere to fund and promote needle exchange?

Strub: That’s always the argument – that’s always the argument. But you know that’s also a decision. The other way of saying it is they weren’t willing to expend the political capital to do that. And that becomes a little chicken and egg-ish, right? They could have done it. They could have gotten it done. There would have been some price they would have had to pay. Maybe it would have screwed up the rest of their legislative agenda. I don’t know. And I suppose they could have tried and ended up failing. But I think if the president had shown the leadership on it I think it would have happened because the science was so clear.

 

Blade: Didn’t at some point Congress enact into law a funding ban on needle exchange programs?

Strub: Sure. But that isn’t a reason for the Clinton administration not to have sought to change it. There are many different strategies. The problem was they decided to roll over on it. They were not going to go out on a limb on this issue and to bring about a change was not that important to them. You can say they had other priorities. Everyone in office only has so much political capital and they have to use it on what’s important to them. And we learned that this was not something that was important to them.

 

Blade: What can you say about the status of your marriage to a woman friend Doris O’Donnell that you tell about in the book? You said the marriage, among other things, would have allowed her to obtain your disability benefits and pass them on to your life partner Xavier Morales in the event of your death. Are you still married to her?

Strub: No. We got married. And then when my health came back and she had qualified for Medicare and Social Security we then got divorced because for tax reasons it made sense. She subsequently has died.

Blade: I’m sorry to hear that.

 

Strub: She was quite elderly. She used to joke that when we got married the only good reason to get married was for money. Her parents were both journalists. Her father was the Washington bureau chief for the Daily News for decades – John O’Donnell. And her mother was Doris Fleeson, who was the first female political columnist who was syndicated and was very close friends with Eleanor Roosevelt. I think her columns started in the 1940s and went right up into the 1960s. She was in a hundred and some papers. Mary McGrory was her protégé. So that’s just an aside but she grew up in that Washington media political world.

 

Blade: You mention in the book that your partner Xavier was not all that pleased about your decision to get married to a woman. Is he still part of your life now?

Strub: He’s roasting a chicken in the other room. After my health came back – there was a real stress on my relationship as this is for a lot of people. For most of the time we were together – it was usually unspoken – but the assumption was I was going to die and he would go on with his life. And he had moved in with me and then I got sick. And after my health got better there were stresses on the relationship and we broke up for a while and a number of years ago we got back together. We’re now [together] 22 years believe it or not.

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Fascinating mystery novel features gay private eye in 1947 Philly

‘Knock off the Hat’ explores a world before LGBTQ rights advances

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(Book cover image courtesy of Amble Press)

‘Knock Off the Hat: A Clifford Waterman Gay Philly Mystery’
By Richard Stevenson
c.2022, Amble Press
$18.95/200 pages

The Horn & Hardart automat is a great place to meet friends and eat (on the cheap) delicious meatloaf and coconut cream pie.

People wonder when Connie Mack, the Philadelphia Athletics’ manager, will retire and have a ballpark named after him.

If you’re queer, you dance, drink and hook-up in gay bars.

Life is good. Even on summer nights when few places are air conditioned. Except that if you’re queer, you can be  arrested if you’re in a gay bar that’s raided by the police. If you’re arrested, your name will likely appear in the Philadelphia Inquirer on a list of “deviants.”

This is the world of Clifford Waterman, a gay private eye, the protagonist of “Knock Off the Hat,” the fascinating new mystery by Richard Stevenson.

The novel is set in 1947 in Philadelphia. During World War II, Clifford, a former police detective, was in the Army. He was an Army MP in Cairo, where he jokes, “I was working with US Army unintelligence.”

Clifford was dishonorably discharged from the Army for being gay. Though ironically, his job in the service was to round up “drunks,” “dope fiends” and “perverts.”

An officer found him one night, “enjoying the company of a nice man named Idriss, who normally cleaned the latrines,” Clifford says. “On this particular occasion, this pleasant chappie was cleaning my latrine.” 

The era in which Clifford lives is repressive. The House Un-American Activities Committee is going after queer people and suspected Communists. If you’re LGBTQ and arrested in a bar raid, you’ll lose your job if your employer reads about it in the paper. 

Yet Clifford respects himself. He proudly hangs his dishonorable discharge on his office wall. 

In “Knock Off the Hat,” Clifford is called upon to use his detective skills, street-smarts and connections in the queer community, to solve a terrifying, puzzling mystery.

Usually, queer people who are arrested in a gay bar raid for “disorderly conduct,” can pay off Judge Harold Stetson. (Stetson is called “the Hat” because his surname is the name of a type of hat.) If they pay the judge $50 (a lot of money, but, with some belt-tightening, doable), they’ll avoid “public humiliation along with a hefty fine or even jail time,” Stevenson writes.

But now, the judge and his clerk have gone bonkers. They’re requiring queer people to pay Judge Stetson $500. If they don’t pay up, their professional and personal life will be ruined.

Scarcely anyone can afford this sum. A gay man, who’s proud to be a salesperson in the shoe department of the glam department store Wanamakers, is comparatively lucky. After he’s arrested in a bar raid, he sells his car to get the $500 to pay off the judge. Other queer people end up working at gas stations or even kill themselves because they don’t have that kind of money.

“Knock Off the Hat” takes place at a time when queer lives were, largely, devalued. Yet it’s far from grim.

The novel is filled with dark humor and engaging characters from an actress who pretends to be a deceased gay man’s fiancee to a left-wing queer farmer. In one scene, after Lauren Bacall drops into a dinner party, it’s revealed that her “dick” is “bigger than Bogie’s.”

Richard Stevenson is the pen name of the groundbreaking mystery writer Richard Lipez. “Knock Off the Hat,” was published after Lipez, who was openly gay, died at 83 in March 2022. Lipez envisioned “Knock Off the Hat” as being the first in a series featuring Clifford Waterman.

Also, under the pseudonym Richard Stevenson, Lipez over four decades (beginning in 1981 with “Death Trick”) wrote 17 mysteries featuring the queer detective Donald Strachey. “Chasing Rembrandt,” the last of the Donald Strachey series, will be released by ReQueered Tales in fall 2022.

The Strachey mysteries, set in Albany, N.Y., in the late 1970s, 1980s and 1990s, are less dark than “Knock Off the Hat.” Donald Strachey, his lover Timmy and many of the other queer characters dance, cruise, and indulge in camp humor. Yet without being preachy, the Strachey mysteries address AIDS and other serious issues.

“Knock Off the Hat” is as riveting as the best of Raymond Chandler. Though it’s highly entertaining, reading it in this “Don’t Say Gay” era, is sobering. The novel with its depiction of a time when queers had no rights is a chilling reminder that we can’t afford to be complacent.

This isn’t meant to be a downer. Libation in hand, treat yourself this summer. Check out “Knock Off the Hat.”   

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‘Portugal: The Cookbook’ explores the Arab roots of Portuguese cooking.

As a college student, I hungered for Arab and Muslim representation. Prejudice against our communities was mainstream and demoralizing. Things, however, can sometimes change sooner than we expect. 

Although Muslims and Arabs are still maligned, it is no longer as widespread and is often counterbalanced by allyship and, crucially, Muslim and Arab representation. From Hulu’s “Remy,” Netflix’s “Master of None,” HBO Max’s “Sort Of,” to the upcoming premiere of Disney+’s “Ms. Marvel” to Muslim characters on “Love Victor,” “Never Have I Ever,” and “Genera+ion,” Muslim characters and creators are now common. And these creators are diverse, proud, and often queer. 

Mahersalah Ali is a two-time Oscar winner (one for the Black queer Best Picture winner “Moonlight”) and Riz Ahmed is the first Muslim to be nominated for Best Actor; he won an Oscar this year for a short film taking on British xenophobia, and spearheading an initiative to boost Muslim representation in Hollywood from screenwriters to actors. 

From starving to satisfied, it has been quite a transformation in American culture. And it’s not only TV and film. Political representation isn’t novel anymore. I still remember when former Rep. Keith Ellison was asked on CNN to prove his loyalty by the conservative host Glenn Beck. Today, Reps. Ilhan Omar and Rashida Tlaib are progressive trailblazers. Irvine, Calif., has a Muslim mayor in Farrah Khan. Joe Biden has nominated the first Muslims to the federal judiciary, one has been confirmed and the other, civil rights lawyer Nusrat Choudhury, awaits Senate confirmation. And Biden, lest we forget, said “inshallah” (God willing) on the presidential debate stage. “We’ve made it,” I want to shout. But I know we’re still fighting for full normalization in American life.

Hence my excitement over three new books (two cookbooks and one art text) that feature Arab and Muslim heritage, art, and gastronomy. 

Arab roots of Portuguese cooking 

“To these new rulers [the Moors], cuisine was an art, and food a gift from God that should be consumed in moderation and shared with those in need,” writes Leandro Carreira, the author of “Portugal: The Cookbook.” It’s not surprising to learn that Arabs and Berbers shaped the evolution of Portuguese cuisine, but what’s striking is the nature of its legacy. In this cookbook of 700 recipes, half draw from the Moors. 

When Moors conquered the Iberian Peninsula (Portugal and Spain) they brought with them not only warriors and administrators but architects, astronomers, poets, and, inter alia, cooks along with cookbooks, such as the Medieval “Kitab al Tabikh.” 

The Moors introduced hydraulics that irrigated the farmland (along with orchards and leafy gardens) and beautified the land by planting citrus trees both for the fruit and scent. The list of crops introduced by Moors includes eggplant, artichoke, carrot, lentils, cucumber, and lettuce. The latter would later christen the residents of Lisbon, who are colloquially known as Alfachinhas (“little lettuces”). Moors popularized sour oranges, apricots, dates, melons, and watermelons; spices such as pepper and ginger; pickling of olives and nuts; sour marinade to preserve fish; rose water and orange blossom. The Moors’ vinegary salads were the precursor to gazpacho. The introduction of sugarcane later severed Portuguese colonization and fueled the slave trade, and transformed sugar from luxury to staple. 

Naturally, the North African rulers brought couscous, the main consumed wheat until the late 16th century. To this day, northwestern Portuguese villagers prepare couscous using the methods and utensils introduced by Berbers 900 years ago. 

The Moors cultivated hospitality and conviviality at the table along with the order in which food is served: soups followed by fish or meat and concluding with sweets. The Arabs’ cousins, the Jews played their part in shaping Portuguese cooking, too. Jews prepared their post-Sabbath meal by laying aside a slow-burning stew of meat, chickpeas, collard greens, hard-boiled eggs, and vegetables; today, the Portuguese call it Adafina. Jews introduced deep-fried vegetables and Portuguese missionaries later brought them to Japan and (voilà!) tempura. 

In its history, “Portugal” evokes our interwoven humanity. 

Arabiyya: Cooking as an Arab in America

The past few years have seen cookbooks with narratives of culture and personal journeys foregrounding recipes — many focused on Arab culture. “The Gaza Kitchen” by Laila el-Haddad and Maggie Schmitt and “The Palestinian Table” and “The Arabesque Table” by Reem Kassis, for example. To this list, we can add “Arabiyya: Recipes from the Life of an Arab in Diaspora” by the James Beard finalist Reem Assil. 

For connoisseurs of Arab food in America, Reem is no stranger. Reem’s California, a bakery in Oakland and San Francisco, has acquired temple status for its use of California’s ingredients in the service of Arab dishes. A few years ago, the New York Times praised Reem’s as an “Arab Bakery in Oakland Full of California Love.” (The bakery was, sadly, the target of vulgar anti-Palestinian prejudice for its mural of Palestinian activist Rasmeah Odeh.) 

Food was Reem’s saving grace. Facing a debilitating digestive disorder, and the wreck of familial stress, Reem left college and headed to the Bay Area live with her Arab uncle and Jewish aunt. Soothed by California’s climate, nature, and ingredients, she found mental and physical healing — and roots and purpose. 

“Arabiyya” is a guide to California-based, Arab-rooted recipes alongside tales of Reem’s journey and her family’s. Her grandparents fled the Nakba — the 1948 “catastrophe” of the forced exile of roughly 750,000 Palestinians at the hands of Israeli troops — and the Naksa, the 1967 War that forced her family to decamp once more for Lebanon. The Lebanese Civil War led to one more flight to Greece, and finally, California.

Growing up American, Reem knew little of her grandmother’s resilience. After her sitty’s (colloquial Arabic for grandmother) passing, she pasted together tales from relatives of her grandmother’s determination to uphold Arab hospitality no matter where she landed. Her identity as a Palestinian was threatening both in Lebanon and America — but she walked with dignity. Arab hospitality meant that home was a safe comfort no matter the headwinds outside, and, at times, her grandmother went lengths to survive. A tale of sneaking out during a pause in fighting in Beirut became family lore: sitty couldn’t forget her lemons (who would serve fish without lemons?!) even after a rocket attack knocked her down. 

Food’s healing and grounding became the thread uniting Reem with sitty. “I’ve come to realize that my grandmother, who loaded the table to its edges with tasty morsels of my favorite foods, lives through me,” Reem relates. 

Reem’s journey to cook and bake as love and spontaneity opened a window to heritage — a family’s history and Arab pride. Her recipes (like the California Fattoush Salad where traditional tomatoes are swapped for oranges and citrus and fried sunchokes) overflow with love. “Arabiyya” is destined to be a classic among Arab-Americans. 

Arab artists in their prime 

Artists from the Arab world exhibiting in the West face a challenge: Our culture is ubiquitous in Western depictions but poorly understood; a dilemma for the artist who must inevitably “interrogate the stereotypes that spectators bring to the practice of looking at mythologized places,” in the words of critic Omar Kholeif in his review of the Abu Dhabi-born and NYC and Dubai-based Farah Al Qasimi. 

Al Qasimi is one of five Arab artists featured in the new collection on “art’s next generation” entitled “Prime.” In “After Dinner 2” (2018), Al Qasimi captures the pressures of domestic life in her native UAE and the misconceptions westerners have about Arab domesticity. A mother stands behind her daughter kneeling on the couch while looking out at the window. The mother’s stance is recognizable to any child raised by an Arab mother: head tilted up and her arms stretched out — a plea for God’s mercy in the face of a stubborn child. The pink and white staging of the drapes and couch suggest the mother-daughter dispute is about marriage, the daughter having sights on another admirer. Neither the daughter’s nor the mother’s face is visible. The mother’s face overflows out of frame while the daughter’s rests behind the drapes. Al Qasimi’s photograph turns on its head the Western conception that Arab women are hidden “behind the veil;” their life is plain to see if one discards their preconceived notions and recognizes that mothers and daughters differ universally. 

Gulf Arab states, soaked in oil and gas money, however, pander to Western standards. Alia Farid scrutinizes the imitation. Urbanization has upended life in the Gulf, including in the official representation of culture. Seeking to parade heritage, Gulf states are crafting historical narratives that embody less the realization of culture and more a contrived display that weaves together disparate artifacts, as Farid displays in a mock-museum exhibition titled “Vault” (2019). These exhibitions stand as staid advertisements — a defensive declaration: “We, too, have culture!” — placing together all manners of ancient and modern objects without telling a coherent story or inspiring new creativity. 

In a juxtaposition, “At the Time of the Ebb” (2019) is a video installation documenting the celebration of Nowruz Sayadeen (Fisherman’s New Year) on the island of Qeshm, Iran. “We are brought close to culture at its grassroots level — the suggestion being that cultural life is built in communities as opposed to something to represent within the entanglements of a global museum industry, one that willfully neglects the culture it seeks to validate,” observe critics Hana Noorali and Lynton Talbot. 

The Middle East’s wars and rivalries inform the work of Lebanese artist Rayyane Tabet, who works in Beirut and San Francisco. “Steel Rings” (2013) is a recreation of the Trans-Arabian Pipeline that was abandoned due to political upheaval but not before hundreds of miles of pipes were laid (and remain) underground. In Tabet’s exhibition, steel rings laid on the floor stand in for the pipeline’s route with engravings on the rings marking the locations passed underneath. The uncompleted pipeline is the only material project to exist between five regional nations. It is a sad statement on the region’s divisions that the only thing crossing that many borders is abandoned and buried steel. Humanization of the region’s troubles comes into relief in “Cyprus” (2015). The installation consists of a 1,800-pound wooden boat suspended from the ceiling. The boat was deployed by the artist’s father to flee Lebanon’s civil war but was unable to complete the journey to the neighboring island. Years later, the family found it on the coastline. Suspended in midair, solitary, the boat speaks to the anguish burdening people in the face of conflict — a hardship that is often insurmountable, like the boat drawback by the current. “Cyprus” centers our thoughts beyond the headlines — obscuring the human toil — and toward people struggling in their wake. 

It is refreshing to see Arab artists creating thought-provoking art on their own terms. And so, the wheels of American life roll on as we crave our hearts on its road.

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New book explores history of Fire Island

Scholarly memoir recounts 1938 hurricane and its aftermath

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(Book cover image courtesy of Hanover Square Press)

‘Fire Island: A Century in the Life of an American Paradise’
By Jack Parlett
c.2022, Hanover Square Press
$27.99/272 pages

Ugh, it’s been a week.

Two hours into Monday and your brain was already screaming for something fun, something far removed from work, a getaway that lets you play. You need to dance this weekend. You need to feel the sun on your face and sand between your toes. And you may need to bring “Fire Island” by Jack Parlett with you, too.

Geographically speaking, Manhattan and Fire Island are a mere 60 miles apart.

Sixty miles – and half a world. Stretched out and  narrow but walkable, the island is home to several vacation communities. Two of them, Cherry Grove and Fire Island Pines, both located in about the middle of the island, feature prominently in LGBTQ history.

Parlett says that Native Americans sold Fire Island to white Europeans for a pittance, after which activities there were shifty and possibly illegal. By the 1820s, conversely, it was a hot vacation spot for the elite; in certain places, it was the place for finding romance, too, which Parlett says was a sign of the future. Famous men like poet Walt Whitman were big fans of Fire Island and over the next century, a then-quiet queer subculture began to grow.

Sometimes, it grew with families and children in the picture, the latter raised by nonconformists and theater people.

Even so, despite these many changes, Parlett says that Fire Island wouldn’t be what it is today, were it not for a hurricane that hit the island on the afternoon of Sept. 21, 1938. It devastated Fire Island and resulted in a real-estate bust. Cottage prices fell significantly, and vacationing there suddenly became affordable for gay New Yorkers.

Throughout the 20th century, Fire Island became a playground for performers, thinkers, and writers such as James Baldwin and W. H. Auden. It was a source of controversy for locals who objected to nude bathing. It was a source of embarrassment for Noel Coward. It allowed everyday gay men and women to dance, drink, and party freely.

And later on, it was a place to mourn.

Considering that this is a book about a getaway destination, “Fire Island” isn’t much of a vacation-y read. It’s actually pretty dry, in fact, and filled with people that were once very famous but aren’t exactly household names anymore. Their drama and the love triangles they struggled with are mildly interesting, in the way that you might perceive great-grandma’s old Confidential magazines in the attic.

And yet – the history. Author Jack Parlett offers a lot of solid information beyond those tired scandals to further show how Fire Island came to be a gay hot-spot and why that was important. These tales envelope the rest of the island, as well as current events in America, as a whole, and the impact those outside influences had on LGBTQ life, even today.

More scholarly than not, this book also includes a fair bit of memoir for readers who are looking for something less frivolous. If you want a book for fun, though, “Fire Island” is weak.

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