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‘Fight the Power’

From ‘Homocats’ to gender-bending video installations, region’s galleries not offering same old thing

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HOMOCATS, museum, gay news, Washington Blade
HOMOCATS, museum, gay news, Washington Blade

‘HOMOCATS’ (Courtesy Transformer)

“Fade 2 Grey,” a solo exhibition by artist Adrian Loving featuring six video art installations that explore androgyny, gender roles, fashion and sensationalism of style in ‘80s pop music through artists such as Patti Smith, David Bowie, Grace Jones, Sylvester, Boy George, Prince and more, opens with a reception tonight from 6-9 p.m. and runs through April 25. It’s at Vivid Solutions Gallery inside the Anacostia Arts Center (1231 Good Hope Road, S.E.). Visit vividsolutionsgallery.com for full details.

Transformer (1404 P St., N.W.) is featuring “HOMOCATS: Fight the Power” by Brooklyn-based artist J. Morrison through March 15. Morrison, who is gay, combines the internet phenomenon of cats and socio-political LGBT issues on a psychedelic wallpaper design and printed c-prints. His work pays homage to historic queer symbols like the rainbow flag and pink triangle.

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‘Behind Fourth Wall’ (Courtesy Royal Books)

AFI Silver Theatre and Cultural Center (8633 Colesville Rd., Silver Spring, Md.) and Royal Books presents “Behind the Fourth Wall: Actors and Directors on the Set, Photographs 1926-2001,” a behind-the-scenes movie exhibit. It opens today and runs through May 26. The exhibit is a collection of vintage behind-the-scenes of classic films from the silent era to the 20th century. The photos are candid and were taken by famous photographers such as Mario Tursi and Bob Willoughby, working professionals and anonymous photographers. For more details, visit afi.com/silver.

Kreeger Museum (2401 Foxhall Rd., N.W.) is currently featuring “K@20,” a celebration of the museum’s 20th anniversary, through July 31. The exhibit features 14 D.C.-area artists in a variety of mediums including installations, paintings, sculptures and paper to video. On April 16 from 6-7:30 p.m., a roundtable discussion will occur. For more information, visit kreegermuseum.com.

Touchstone Gallery (901 New York Ave., N.W.) presents “Light and Dark,” an exhibit that explores darkness and light in the spring equinox, through March 30. Touchstone member artists produced various forms of artwork such as ceramics, paintings, sculpture and drawing. For more details, visit touchstonegallery.com.

Corcoran Gallery (500 17th St., N.W.) features Rineke Dijkstra’s “The Krazyhouse, Liverpool UK, 2009” a four-channel video installation exhibit, March 29-June 15. Dikstra filmed guests at a popular dance club in Liverpool. It shows five young people (Megan, Simon, Nikky, Phillip and Dee) as they dance and sing to music they selected themselves. The half-hour show intends to look at each individual in a broader social spectrum.

Corcoran Gallery is also showing “Jennifer Steinkamp and Jimmy Johnson: Loop,” a visual art and music installation, March 15-April 20. Visitors are surrounded by digital colorful rope and can see their shadows on the walls. The combination makes for a multi-colored three dimension moving abstraction. Admission for the gallery is $10 for adults, $8 for seniors and students and free for children under 12. Visit corcoran.org for more details.

Gallery B (770 Wisconsin Ave., Bethesda, Md.) is showing “Ideal Form,” featuring paintings and drawings by artist Robert O’Brien, through March 29. O’Brien is a Maryland native and received his Certificate in Painting from Washington Studio School. His work has been shown in galleries throughout the area. For more details, visit bethesda.org.

Foundry Gallery (1314 18th St., N.W.) presents Ana Elisa Benavent’s “Shifting Gears” through March 30. Benavent uses color expressionism to demonstrate revival, healing, reinvention and change through a painting interpretation of riding in a car. Visit foundrygallery.org for more information.

The Phillips Collection (1600 21st St., N.W.) is showing “Intersections: 50-65 Horizon Line” by Jean Meisel, a D.C.-based artist, through May 4. The exhibit displays more than 50 watercolor paintings of horizon lines.

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‘Edward Hopper’s Sunday’ (Courtesy Phillips Collection)

The Phillips Collection is also featuring “Made in the USA,” the most comprehensive on-site installation of the Phillip’s American collection to date, through Aug. 31. The exhibit includes prominent American artists of the late 19th century, as well as a display of Abstract Expressionists. Admission is $12 for adults, $10 for students and seniors and free for members and children under 12. Featured artists are Edward Hopper, Milton Avery, Man Ray and many more. Visit phillipscollection.org for details.

Artisphere (1101 Wilson Blvd., Arlington, Va.) presents “Coast to Coast” by Empty Stretch, an online photography curation group, April  2-Aug. 3 on the Town Hall Video Wall. Empty Stretch selected approximately 400 photographs that feature different coastlines and bodies of water. The photographs were collected through email submissions and Flickr. Visit artisphere.com for more details.

Hirshhorn (700 Independence Ave., S.W.) is featuring Santiago Sierra and Jorge Galindo in the Hirshhorn’s “Black Box” series with “Los Encargados (Those in Charge)” through May 18. Sierra staged a performance in 2012 with a motorcade of seven black Mercedes-Benz sedans with portraits of prominent Spanish leaders on top. By-standers filmed the spectacle on their phones and the footage can be seen in black and white.

The Smithsonian Craft Show is now in its 32nd year and scheduled for April 10-13 at the National Building Museum (401 F St., N.W.). It features 123 craft artists selected in a “quest for the best” and sale of limited edition and one-of-a-kind works available in 12 different media. Visit Smithsoniancraftshow.org for full details.

And though Gay Day isn’t until September, Hillwood Estate, Museum & Garden always has tons of great events, lectures and concerts on its slate. Visit hillwoodmuseum.org for full details.

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Theater

‘Inherit the Wind’ isn’t about science vs. religion, but the right to think

Holly Twyford on new role and importance of listening to different opinions

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Holly Twyford

‘Inherit the Wind’
Through April 5
Arena Stage
1101 Sixth St., S.W.
Tickets start at $73
Arenastage.org

When “Inherit the Wind” premiered on Broadway in 1955 with a cast of 50, its fictional setting of Hillsboro, an obscure country town described as the buckle on the Bible Belt, was filled with townspeople. And now at Arena Stage, director Ryan Guzzo Purcell has somehow crowded Arena’s large Fichandler space with just 10 actors, five principals and a delightful ensemble of five playing multiple roles. 

Inspired by the real-life Scopes Monkey Trial of 1925, Jerome Lawrence and Robert E. Lee’s fictionalized work pits intellectual freedom against McCarthyism via the imagined trial of Bertram Cates (Noah Plomgren), a Tennessee educator charged with teaching evolution. Drawn into the fracas are big shot lawyers, defense attorney Henry Drummond (Billy Eugene Jones), and conservative prosecutor, Matthew Harrison Brady (Dakin Matthew). On hand to cover the closely watched story is wisecracking city slicker and Baltimore reporter E.K. Horneck (played by nonbinary actor Alyssa Keegan). 

Out actor Holly Twyford, a four-time Helen Hayes Award winner who has appeared in more than 80 Washington area plays, is part of the ensemble. In jeans and boots, she memorably plays Meeker, the bailiff at the Hillsboro courthouse and the jailer responsible for holding Cates in the days leading to his trial. 

Twyford also plays Sillers, a slack jawed earnest employee at the local feed store who’s called to serve on the jury. And more importantly she plays Brady’s quietly strong wife Sarah whom he affectionately calls “Mother.”

When Twyford makes her memorable first entrance as Meeker, she’s wiping shaving cream from her face with a hand towel. With shades of Mayberry R.F.D., the jail is run casually. Meeker says Cates isn’t the criminal type, and he’s not. 

“There’s a joke among actors,” says Twyford. “When an actor gets his shoes, they know who their character is. And it’s sort of true. When you put on boots, heels, or flip flops, there’s a different feeling, and you walk differently.”

Similarly, shares Twyford, it goes for clothes too: “When Mother slips a pink coat dress over her cowboy boots, dons a little hat and ties her scarf, or Meeker puts on his work shirt, I know where I am. And all of that is thanks to a remarkable wardrobe crew. 

“Additionally, some of the ensemble characters are played broadly which is helpful to the actors and super identifying for the audience too.”   

During intermission, an audience member loudly described the production as “a proper play” filled with beautifully written passages. And it’s true. Twyford agrees, adding “That’s all true, and it’s also been was fun for us to be a part of the Arena legacy as well. Arena took ‘Inherit the Wind’ to the Soviet Union in the early ‘70s when the respective governments did a cultural exchange. At the time, the iron curtain was very much in place, and they traveled with a play about a man with his own thoughts.”

When the ensemble was cast, actors didn’t know which tracts exactly they were going to play. “What came together was a cast, diverse in different ways. Some directors, including myself when I direct, are interested in assembling a cast that’s a good group. No time for egos. It’s more about who will make the best group to help me tell this story.” 

At one point during rehearsal, ensemble members began to help one another with minor onstage costume changes, like jackets and hats: “We just started doing it and Ryan [Guzzo Purcell] picked up on it, saying things really began to come alive when we helped each other, so we went with that.”

“For me, it was reminiscent of ‘The Laramie Project’ [Ford’s Theatre in 2013] when we played five different parts and we’d help each other with a vest or jacket in a similar way. It worked so well then too,” says Twyford.

“Inherit the Wind” isn’t about science versus religion. It’s about the right to think, playwright Jerome Lawrrence has been quoted as saying. And it’s a quote that makes the play that much more relevant today. 

Twford remembers a chat in a hair salon: “I was getting my hair cut and the woman next to me shared that she was tired of message plays. Understandably there are theater makers who believe that message plays are the point, while others think it’s all about entertainment. I feel like ‘Inherit the Wind’ sits in a nice place in the middle.” 

She adds “the work is a creative way of showing different opinions and that, I think, is what we should be paying attention to right now. Clearly, it’s not right or wrong to express what you think.”

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Out & About

‘How We Survived’ panel set for March 25

‘Living History’ discussion to be held at Spark Social

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Local activist Earline Budd will serve on a panel discussion titled, ‘Part One, Living History: How We Survived.’ (Washington Blade file photo by Michael Key)

Friends of Dorothy Cafe will host “Part One, Living History: How We Survived,” will take place on Wednesday, March 25 at 7:30 p.m. at Spark Social House.

This event will be moderated by Abby Stuckrath, host of the “Queering the District” podcast. Panelists include: Earline Budd, activist, trans rights advocate; TJ Flavell of Go Gay DC; DC LGBTQ+ Center Board Member David Bissette; and Alexa Rodriguez, founder and executive director, Trans-Latinx DMV.

This event is part of a four-part storytelling series called “Living History,” which centers LGBTQ elders, activists, artists, and icons sharing their lived experiences and reflections with younger generations. The conversations explore themes like resilience, community organizing, chosen family, and the lessons earlier generations hope today’s LGBTQ+ and ally communities will carry forward.

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Calendar

Calendar: March 21-26

LGBTQ events in the days to come

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Saturday, March 21

Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation.  Attendance is free and more details are available on Eventbrite.

The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. It’s more than just an event; it’s an opportunity to step away from the busyness of life and invest in something meaningful, and enjoy delicious food, genuine laughter, and conversations that spark connection and inspiration. For more details, visit the Center’s website

Sunday, March 22

LGBTQ+ Community Coffee and Conversation will be at 12 p.m. at As You Are. This event is for people looking to make more friends and meaningful connections in the LGBTQ community. Attendance is free and more details are available on Eventbrite

Monday, March 23

Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).

Queer Book Club will be at 7 p.m. on Zoom. The Queer Book Club meets on the fourth Monday of the month to discuss queer books by queer authors. For more details, visit the DC Center’s website

Tuesday, March 24

Coming Out Discussion Group will be at 7 p.m. on Zoom. This is a safe space to share experiences about coming out and discuss topics as it relates to doing so — by sharing struggles and victories the group allows those newly coming out and who have been out for a while to learn from others. For more details, visit the group’s Facebook

Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit www.genderqueerdc.org or Facebook

Wednesday, March 25

Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit www.thedccenter.org/careers.

Thursday, March 26

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.  

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