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Caitlyn Jenner: American hero or ‘arrogant’ dilettante?
Former Olympian’s prominence a mixed bag for trans community
Transgender visibility in mainstream culture is at an all-time high thanks to Caitlyn Jenner’s media exposure this summer. (Photo courtesy NBC Media Village)
Few would argue that Caitlyn Jenner is the most prominent transgender person in the country right now.
The Olympic champion, who found a second wind of fame as patriarch on reality show “Keeping Up with the Kardashians, is now in the national spotlight after coming out in a Diane Sawyer interview on ABC’s “20/20” that aired in April, a Vanity Fair cover story and huge fashion spread in its July edition and a new reality show. She’s halfway through the eight-episode initial run of her own show “I Am Cait,” which airs Sunday nights at 8 p.m. on E!
For Jenner, who has publicly admitted to shortcomings as a parent to the four children she had with her first two wives — Burt, Cassandra, Brandon and Brody, all of whom have declined to participate on “I Am Cait” — there is early evidence that she hopes to be a worthy unofficial spokesperson for the transgender community. On the two-part Aug. 2 and Aug. 9 episodes, Jenner takes a road trip with newfound LGBT allies and discusses whether she’s a suitable person for the cause considering her new fame as a transgender icon.
Some transgender activists have approached the situation with a raised eyebrow. Posing in high-end fashion gowns and corsets in Vanity Fair, for some, highlights the huge gulf that exists between Jenner and the kinds of homeless transgender women of color Washington-based activists such as Earline Budd at HIPS (a resource agency for sex workers) and Ruby Corado (of Casa Rudy, a local LGBT resource center) have worked with for years, as well as everyday transgender people who struggle with health disparities, income inequality, access to health care for various gender-related procedures and a wide spate of other well-documented issues. Many agree Jenner’s prominence is a good thing but could it send the message to the straight, middle-America heartland that Jenner is anything close to representative of the trans experience?
Mara Keisling, executive director of the National Center for Transgender Equality, says it’s important to remember two major factors: both the unsung heroes of transgender rights who’ve been working on these issues for decades — she mentions names such as attorney Shannon Minter, activist Marsha C. Botzer, author/artist Kate Bornstein and several others — as well as recent transgender celebrities such as writer/activist Janet Mock and actress Laverne Cox (Sophia on “Orange is the New Black”).
While nobody’s calling it a contest, Keisling says it’s important to keep Jenner in perspective.
“I think Laverne and to a much lesser extent Caitlyn has done us all a really big favor by coming out,” Keisling, a trans woman, says. “I’m probably not in a majority position on that, but I think what Laverne and even Janet Mock have done is in a lot of ways bigger than the Jenner thing, which is burning really brightly right now, whereas Laverne has had this really fiery glow for a couple years now and it doesn’t show any signs of subsiding. I just cannot say enough about what Laverne has done. Being a model of possibility for trans women of color at a time when we really needed that and in a way that could really change some things, she’s done that really smartly and graciously and amazingly.”
Executive Director of the National Center for Transgender Equality Mara Keisling (Washington Blade photo by Michael Key)
Dr. Marci Bowers, a California-based trans gynecologist who performs gender reassignment surgeries and has been an outspoken advocate for trans rights for many years, says she “has a tremendous amount of respect” for Jenner, but says she also has concerns.
“Stepping on the stage and kind of self anointing as the spokesperson for the trans community — and I really don’t think she does this intentionally — but it smacks of being a little bit arrogant and a little naive to the community,” Bowers says. “She must not forget the real pioneers, people like (tennis player) Renee Richards who came out in the 1970s — now that was difficult. … I’ve done hundreds of series and documentaries and these are things that have paved the way for Caitlyn Jenner. … She is literally standing on our shoulders and it would be nice if that was acknowledged. It seems painfully obvious to me. I haven’t watched all of her programming but from what I’ve seen, she doesn’t seem to get it.”
Bowers agrees, though, that Jenner deserves a grace period for being new to LGBT matters.
“I hope acknowledgement will come in time,” Bowers says.
Long-time activist Dana Beyer of Gender Rights Maryland, a trans woman and former eye surgeon who has blogged extensively on Jenner for the Huffington Post, says, “I don’t think there’s any question” that Jenner is now “the most prominent trans person in the world and in history,” an occurrence she calls “a good thing.”
“I just hope the point is made that she is not everyone and we all have different stories,” Beyer says. “That is true of any movement but given the fact that there are so few trans people in the public eye, it becomes even more potent. I have no problem with it. I just hope she speaks properly and gets her facts right and learns a little history, a little about the law and medicine and biology and activism and legislation and all of that stuff. I hope she gets that right. She’s really obligated to do it and I think she will. She seems very humble.”
Possibly further securing Jenner’s spot in an ivory tower, Beyer says, may be her status as an “older, white-collar, Christian Republican.”
“Even if this is mired in identity politics, I think (she) could make a positive difference as long as she knows what she’s talking about.”
Is there a chance Jenner could blow it and set the transgender movement back? Beyer and Bowers both point to Zoey Tur, an Emmy-winning reporter noted for her use of helicopters for live news reporting, who drew heat in March for statements on “Dr. Drew On Call” about trans women in locker rooms, the legitimacy of trans men and more (Tur is trans herself).
“Here you have somebody who was a bit of a celebrity 20 years ago get on CNN and talking about stuff of which she knew nothing,” Beyer says. “The law, legislation — she was wrong about virtually everything she said. Somebody like that is dangerous. … She’s a good example of a recently transitioned person who is not a good spokesperson. … We tend to put the recently transitioned in the spotlight, and that’s not always good.”
Dr. Marci Bowers and Dr. Dana Beyer (Washington Blade file photo by Michael Key)
Shannon Minter, a trans man and legal director at the National Center for Lesbian Rights, says so far he’s been impressed with Jenner’s poise.
“Of course no one person can represent the diversity of any community, but Caitlin’s visibility has been hugely positive and has helped millions of people become more aware and supportive of transgender people,” Minter wrote in an e-mail to the Blade. “I know from my own experience as an advocate that she has helped many parents be more accepting of their transgender children. Her experience is different in some ways than that of trans people who are not as wealthy, but she seems to be keenly aware of that and to take her responsibility as a spokesperson and role model very seriously. I have been impressed by her thoughtfulness and especially by her concern for transgender children.”
Transgender author and teacher Alex Myers says it’s been amazing how much dialogue Jenner has generated among his trans friends and colleagues.
“My perspective on it is that she’s giving the movement and the identity better publicity than we’ve gotten in a long time, not even just coming from her and her own presentation but from the questions people are having,” Myers says. “We don’t want her to be the only voice, but I think she’s been well received and I think it’s a much more positive representation than anything else I can think of in recent history.”
Aside from Jenner’s reality show fame and status as an Olympic icon, Myers says stories of trans women tend to play well to middle America.
“I think the media in general is much more fascinated by trans women,” he says. “It’s much more perplexing for a guy who has all this privilege and status — why would they want to give that up? It makes for a much more sensational tale. When trans women transition, they often present in this very glamorous, very cisgender and dramatic way and that’s just not the case with trans men. We look like these short, dumpy guys and we don’t make such a sensational story for Joe Q. Public.”
Earline Budd says there’s a big difference between Jenner and many of the trans women she’s worked with over many years on Washington’s streets.
“I strongly support her but at the end of the day, I do feel it would serve her best if she did reach out to individuals such as myself who are leaders in the African-American transgender community who understand the struggles and the hardship and to engage folks,” Budd says. “She will never be the model for the African-American transgender experience. She doesn’t come from the same plight as many of us. Even my own personal experience of being openly HIV-positive, having been homeless before, having been an addict, having been incarcerated. I understand she is doing some work with some African-American trans women, helping one woman go through nursing school and that is really great, but … at the end of the day, we can’t put all our hopes and needs on one person. … We need to come together and figure out how we can put revenue behind where the real needs are.”
Earline Budd(Washington Blade file photo by Michael Key)
Further adding diversity to the wide umbrella that encompasses the trans experience, author and academic Genny Beemyn, who identifies as gender nonconforming, says Jenner is “an anachronism in a lot of ways.”
“It’s amazing how much visibility this has brought,” Beemyn says. “I have gotten more media inquiries in the last few months than I’ve gotten in the last few years combined. It’s unreal the number of people who are doing stories, not necessarily on Caitlyn going public, but trans issues. … I think there is some danger in her becoming the face of transgender people. Even with some of the other narratives that are out there, such as Laverne Cox and Janet Mock, they are all conventional, very feminine, trans women so we’re still seeing some erasure for people who don’t have the ability to look so glamorous or like cis women.”
Even with the concerns, Beyer says the visibility Jenner brings to the national dialogue far outweighs any concerns. She, too, has been barraged with requests for comment.
“A lot of these newspapers really never gave a damn about transgender people until a few months ago,” Beyer says. “This is a huge deal. People are calling to be educated. Nobody cared enough before Caitlyn to want to be educated. We are going to look back at this as being a post-Jenner moment and we’ll talk about things pre-Jenner and post-Jenner. Everything has changed as a result of this because all of a sudden now when these issues come up, people will have somebody to relate all this to. They don’t really know her, but it will be a lot easier to make the sale. ‘Oh really, you’re going to tell Caitlyn Jenner she can’t use the women’s restroom?’”
Beyer says it’s a new era of visibility and progress.
“Who were our options before? (Convicted murderer) Michelle Kosilek? Chelsea Manning? Somebody whom half the population thinks is a traitor? It’s a big difference to go from, ‘Hi, I’m a trans woman,’ ‘Oh, like Chelsea Manning,’ to ‘Oh, like Caitlyn Jenner.’ That changes everything. She’s a great athlete and an American hero and we’re basking in the reflections of that hero status. In today’s America, that’s about as good as it gets.”
a&e features
Marc Shaiman reflects on musical success stories
In new memoir, Broadway composer talks ‘Fidler,’ ‘Wiz,’ and stalking Bette Midler
If you haven’t heard the name Marc Shaiman, you’ve most likely heard his music or lyrics in one of your favorite Broadway shows or movies released in the past 50 years. From composing the Broadway scores for Hairspray and Catch Me if You Can to most recently working on Only Murders in the Building, Hocus Pocus 2, and Mary Poppins Returns, the openly queer artist has had a versatile career — one that keeps him just an Oscar away from EGOT status.
The one thing the award-winning composer, lyricist, and writer credits with launching his successful career? Showing up, time and time again. Eventually, he lucked out in finding himself at the right place at the right time, meeting industry figures like Rob Reiner, Billy Crystal, and Bette Midler, who were immediately impressed with his musical instincts on the piano.
“Put my picture under the dictionary definition for being in the right place at the right time,” Shaiman says. “What I often try to say to students is, ‘Show up. Say yes to everything.’ Because you never know who is in the back of the theater that you had no idea was going to be there. Or even when you audition and don’t get the part. My book is an endless example of dreams coming true, and a lot of these came true just because I showed up. I raised my hand. I had the chutzpah!”
Recalling one example from his memoir, titled Never Mind the Happy: Showbiz Stories from a Sore Winner ( just hit bookshelves on Jan. 27), Shaiman says he heard Midler was only hiring Los Angeles-based artists for her world tour. At the young age of 20, the New York-based Shaiman took a chance and bought the cheapest flight he could find from JFK. Once landing in L.A., he called up Midler and simply asked: “Where’s rehearsal?”
“Would I do that nowadays? I don’t know,” Shaiman admits. “But when you’re young and you’re fearless … I was just obsessed, I guess you could say. Maybe I was a stalker! Luckily, I was a stalker who had the goods to be able to co-create with her and live up to my wanting to be around.”
On the occasion of Never Mind the Happy’s official release, the Bladehad the opportunity to chat with Shaiman about his decades-spanning career. He recalls the sexual freedom of his community theater days, the first time he heard someone gleefully yell profanities during a late screening of The Rocky Horror Picture Show, and why the late Rob Reiner was instrumental to both his career and his lasting marriage to Louis Mirabal. This interview has been edited and condensed.
BLADE: Naturally, a good place to start would be your book, “Never Mind the Happy.” What prompted you to want to tell the story of your life at this point in your career?
SHAIMAN: I had a couple of years where, if there was an anniversary of a movie or a Broadway show I co-created, I’d write about it online. People were always saying to me, “Oh my God, you should write a book!” But I see them say that to everybody. Someone says, “Oh, today my kitten knocked over the tea kettle.” “You should write a book with these hysterical stories.” So I just took it with a grain of salt when people would say that to me. But then I was listening to Julia Louis-Dreyfus’ podcast, and Jane Fonda was on talking about her memoir — not that I’m comparing myself to a career like Jane Fonda’s — but she felt it was time to take a life review. That really stuck in my head. At the time, I was sulking or moping about something that had not gone as well as I wished. And I guess I kind of thought, “Let me look back at all these things that I have done.” Because I have done a lot. I’m just weeks short of my 50th year in show business, despite how youthful I look! I just sat down and started writing before anyone asked, as far as an actual publisher.
I started writing as a way to try to remind myself of the joyous, wonderful things that have happened, and for me not to always be so caught up on what didn’t go right. I’ve been telling some of these stories over the years, and it was really fun to sit down and not just be at a dinner party telling a story. There’s something about the written word and really figuring out the best way to tell the story and how to get across a certain person’s voice. I really enjoyed the writing. It was the editing that was the hard part!
BLADE: You recall experiences that made you fall in love with the world of theater and music, from the days you would skip class to go see a show or work in regional productions. What was it like returning to those early memories?
SHAIMAN: Wonderful. My few years of doing community theater included productions that were all kids, and many productions with adults, where I was this freaky little 12-year-old who could play show business piano beyond my years. It was just bizarre! Every time a director would introduce me to another cast of adults, they’d be like, “Are you kidding?” I’d go to the piano, and I would sightread the overture to Funny Girl, and everybody said, “Oh, OK!” Those were just joyous, wonderful years, making the kind of friends that are literally still my friends. You’re discovering musical theatre, you’re discovering new friends who have the same likes and dreams, and discovering sex. Oh my god! I lost my virginity at the opening night of Jesus Christ Superstar, so I’m all for community theater!
BLADE: What do you recall from your early experiences watching Broadway shows? Did that open everything up for you?
SHAIMAN: I don’t remember seeing Fiddler on the Roof when I was a kid, but I remember being really enthralled with this one woman’s picture in the souvenir folio — the smile on her face as she’s looking up in the pictures or looking to her father for approval. I always remember zooming in on her and being fascinated by this woman’s face: turns out it was Bette Midler. So my love for Bette Midler began even before I heard her solo records.
Pippin and The Wiz were the first Broadway musicals I saw as a young teenager who had started working in community theater and really wanted to be a part of it. I still remember Pippin with Ben Vereen and all those hands. At the time, I thought getting a seat in the front row was really cool — I’ve learned since that it only hurts your neck, but I remember sitting in the front row at The Wiz as Stephanie Mills sang Home. Oh my god, I can still see it right now. And then I saw Bette Midler in concert, finally, after idolizing her and being a crazed fan who did nothing but listen to her records, dreaming that someday I’d get to play for her. And it all came true even before I turned 18 years old. I just happened to be in the right place at the right time, and met one of her backup singers and became their musical director. I was brought to a Bette Midler rehearsal. I still hadn’t even turned 18, she heard me play and said, “Stick around.” And I’ve stuck around close to 55 years! She’s going to interview me in L.A. at the Academy Museum. Would I have ever thought that Bette Midler would say yes to sitting with me, interviewing me about my life and career?
BLADE: That’s amazing. Has she had a chance to read the book yet?
SHAIMAN: She read it. We just talked yesterday, and she wants to ask the right questions at the event. And she even said to me, “Marc, I wasn’t even aware of all that you’ve done.” We’ve been great friends for all these years, but sometimes months or almost years go by where you’re not completely in touch.
a&e features
D.C. LGBTQ sports bar Pitchers listed for sale
Move follows months of challenges for local businesses in wake of Trump actions
A Santa Monica, Calif.-based commercial real estate company called Zacuto Group has released a 20-page online brochure announcing the sale of the D.C. LGBTQ sports bar Pitchers and its adjoining lesbian bar A League of Her Own.
The brochure does not disclose the sale price, and Pitchers owner David Perruzza told the Washington Blade he prefers to hold off on talking about his plans to sell the business at this time.
He said the sale price will be disclosed to “those who are interested.”
“Matthew Luchs and Matt Ambrose of the Zacuto Group have been selected to exclusively market for sale Pitchers D.C., located at 2317 18th Street, NW in Washington, D.C located in the vibrant and nightlife Adams Morgan neighborhood,” the sales brochure states.
“Since opening its doors in 2018, Pitchers has quickly become the largest and most prominent LGBTQ+ bar in Washington, D.C., serving as a cornerstone of D.C.’s modern queer nightlife scene,” it says, adding, “The 10,000+ SF building designed as a large-scale inclusive LGBTQ+ sports bar and social hub, offering a welcoming environment for the entire community.”
It points out that the Pitchers building, which has two years remaining on its lease and has a five-year renewal option, is a multi-level venue that features five bar areas, “indoor and outdoor seating, and multiple patios, creating a dynamic and flexible layout that supports a wide range of events and high customer volume.”
“Pitchers D.C. is also home to A League of Her Own, the only dedicated lesbian bar in Washington, D.C., further strengthening its role as a vital and inclusive community space at a time when such venues are increasingly rare nationwide,” the brochure says.
Zacuto Group sales agent Luchs, who serves as the company’s senior vice president, did not immediately respond to a phone message left by the Blade seeking further information, including the sale price.
News of Perruzza’s decision to sell Pitchers and A League of Her Own follows his Facebook postings last fall saying Pitchers, like other bars in D.C., was adversely impacted by the Trump administration’s deployment of National Guard soldiers on D.C. streets
In an Oct. 10 Facebook post, Perruzza said he was facing, “probably the worst economy I have seen in a while and everyone in D.C. is dealing with the Trump drama.” He told the Blade in a Nov. 10 interview that Pitchers continued to draw a large customer base, but patrons were not spending as much on drinks.
The Zacuto Group sales brochure says Pitchers currently provides a “rare combination of scale, multiple bars, inclusivity, and established reputation that provides a unique investment opportunity for any buyer seeking a long-term asset with a loyal and consistent customer base,” suggesting that, similar to other D.C. LGBTQ bars, business has returned to normal with less impact from the Trump related issues.
The sales brochure can be accessed here.
a&e features
Alexander Skarsgård describes ‘Pillion’ in 3 words: lube, sweat, leather
Highly anticipated film a refreshingly loving look at Dom-sub life
Whether you’ve seen him in popular HBO series like “True Blood,” “Succession,” or “Big Little Lies,” the dynamic Swedish actor Alexander Skarsgård has that smoldering gaze that immediately draws viewers in.
Following in the footsteps of his father Stellan, (who just won the Golden Globe for “Sentimental Value”) the Golden Globe, Emmy, and SAG winner Skarsgård continues to be an actor who is fearless in the roles he takes on.
That courageousness is evident in Skarsgård’s latest film, the BDSM black comedy “Pillion,”which he also executive produces. He plays Ray, the handsome, hyper-dominant leader of a gay bike gang. The film was written and directed by Harry Lighton, and is based on the 2020 novel “Box Hill,” by Adam Mars-Jones.
“This was a small film by a first time filmmaker and it wasn’t financed when I read it,” Skarsgård told journalists at a recent awards news conference. “And I felt that, if I could help in any small way of getting it financed, I wanted to, because I thought it was such an incredible screenplay and I believe in Harry Lighton so much as a filmmaker. And it felt tonally unlike anything I’d ever read. It was such an exciting, surprising read.”
Skarsgård was blown away by the quality of the unconventional script. “When I heard BDSM relationship, biker culture, I expected something very different. I didn’t expect it to have so much sweetness and tenderness and awkwardness.”
For the sex scenes and nudity with co-star, Harry Melling — who excels in his portrayal as Ray’s submissive Colin — Skarsgård talked very early on with Lighton about how he wanted to shoot those scenes, and why they were in the film.
“I often find sex scenes quite boring in movies because a lot of the tension is in the drama leading up to two people hooking up, or several people hooking up, as in our movie. But what I really enjoyed about these scenes — they are all pivotal moments in Colin’s journey and his development. It’s the first time he gets a blowjob. It’s the first time he has sex. It’s the first time he has an orgasm. And these are pivotal moments for him, so they mean a lot. And that made those scenes impactful and important.”
Skarsgård was happy that Lighton’s script didn’t have gratuitous scenes that shock for the sake of just shocking. “I really appreciated that because I find that when this subculture is portrayed, it’s often dangerous and crazy and wild and something like transgressive.”
He continued: “I really love that Harry wanted it to feel real. It can be sexy and intense, but also quite loving and sweet. And you can have an orgy in the woods, rub up against a Sunday roast with the family. And that kind of feels real.”
One of the obstacles Skarsgård had to work with was Ray’s emotionally distant personality.
“Ray is so enigmatic throughout the film and you obviously never find out anything about him, his past. He doesn’t reveal much. He doesn’t expose himself. And that was a challenge to try to make the character interesting, because that could easily feel quite flat…That was something that I thought quite a lot about in pre production…there are no big dramatic shifts in his arc.”
For the film, Lighton consulted the GMBCC, the UK’s largest LGBT+ biker club, attending their annual meetup at which 80 riders were present.
“Working with these guys was extraordinary and it brought so much texture and richness to the film to have them present,” said Skarsgård. “They were incredibly sweet and guiding with us — I can’t imagine making this movie without them. I’d go on a road trip with them anytime.”
Added Skarsgård: “To sum up ‘Pillion’ in three words: lube, sweat, and leather. I hope people will connect with Colin and his journey, and come to understand the nuance and complexity of his bond with Ray.”
This year is shaping up to be a busy one for Skarsgård. “Pillion” premieres in select cities on Feb. 6 and then moves into wide release on Feb. 20. After that for Skarsgård is a role in queer ally Charli XCX’s mockumentary, “The Moment,” which premieres at the Sundance Film Festival. HIs sci-fi comedy series, Apple TV’s “Murderbot,” which he also executive produces, will begin filming its second season. And this weekend, he hosts “Saturday Night Live.”
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