Arts & Entertainment
Sam Smith takes Twitter hiatus after Oscars debacle
singer is “logging off” from the social media site
Sam Smith announced on Tuesday he would be leaving Twitter following the fall out from his Oscars acceptance speech on Sunday.
Smith received backlash from social media after he misquoted an article by Sir Ian McKellen insinuating he was the first openly gay man to win an Academy Award. One tweet from screenwriter Dustin Lance Black, who won an Oscar as screenwriter for “Milk,” brought widespread attention to the flub with Black linking his own acceptance speech and asking Smith to “stop texting my fiancé,” Olympic diver Tom Daley.
Hey @SamSmithWorld, if you have no idea who I am, it may be time to stop texting my fiancé. Here’s a start: https://t.co/8hGTRtIaMK
— Dustin Lance Black (@DLanceBlack) February 29, 2016
Black returned to Twitter and insisted his tweet was meant as a joke.
Dear Internet: @TomDaley1994 and @samsmithworld are pals. They text. Thus my surprise Sam took me for a closet case! Feel free to laugh. — Dustin Lance Black (@DLanceBlack) February 29, 2016
Smith has since told his Twitter followers not to expect any Tweet updates from him anytime soon.
I’m logging off for a while. Some Martinis shaken not stirred are definitely in order. — Sam Smith (@samsmithworld) March 1, 2016
Smith received an Academy Award for Best Original Song for “Writing’s on the Wall” featured on the “Spectre” soundtrack.
The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)










a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
(Washington Blade photos by Michael Key)


























