Connect with us

a&e features

Adam Rippon gets sassy

Out figure skater makes history en route to Winter Olympics

Published

on

Adam Rippon, gay news, Washington Blade
Adam Rippon, gay news, Washington Blade

Gone are the days of figure skaters not coming out until years later a la Brian Boitano. Adam Rippon is making his Olympics debut this year. (Photo courtesy Rippon via Instagram)

Adam Rippon’s selection to the United States Olympic Team marks the first time an openly gay American man has qualified for any Winter Olympics. Originally from Clarks Summit, Pa., he has been based in Los Angeles for the past six years. He is coached by Rafael Arutyunyan and trains with Ashley Wagner and rival Nathan Chen.

Rippon had success early on in his career becoming the first junior man to win back-to-back world junior titles in 2008 and 2009. At 28, his skating career has soared since he came out publicly in October, 2015.

The Blade caught up with Rippon before he left on Feb. 5 to represent the United States at the XXIII Olympic Winter Games in Pyeongchang, South Korea. The opening ceremony is tonight (Friday, Feb. 9). The games run through Feb. 25. The men’s short and free programs are Feb. 16-17.

WASHINGTON BLADE: Let’s start with the beginning of your short program at the U.S. Figure Skating Championships which also served as the final criteria event for selection to the U.S. Olympic team. You lined up on the side of the rink instead of the middle, struck a bitchy pose and glared at the camera. Johnny Weir called you the sass master.

ADAM RIPPON: I told my choreographer that I needed it to be in your face and fun. I also wanted it to be bitchy which is why I stared right into the camera. I practiced that look in the mirror a thousand times.

BLADE: Halfway through that same short program, you skated up to the judges and held up your finger as if to say, “Hold on, watch this.” Bold, ballsy and the crowd loved it. What was the thought process behind that move?

RIPPON: I wanted to do something that my younger competitors would be too intimidated to do and I have qualified for the U.S. Olympic team as the oldest rookie since 1936. I’m super excited.

BLADE: This was your third attempt at qualifying for the U.S. Olympic team. What is it like to achieve one of your dreams?

RIPPON: To realize that goal after three attempts is incredible. I considered retiring after not making the team in 2014, but I felt I had more to give as an athlete. I would never know if I didn’t try and I have been focused on being my best.

BLADE: You have had your share of injuries including a broken foot one year ago. At Skate America in November, you dislocated your shoulder in your free skate attempting a quad lutz. You stood up, popped your shoulder back in place and landed eight triples to win the silver medal. What the hell?

RIPPON: I have been using the mentality that nothing is going to get in my way. I had dislocated my shoulder in practice a few months before and wanted to cry blood and throw up. Everyone said it wouldn’t hurt as much the second time, but they lied. After I moved it back in place I made eye contact with my coach and saw doubt. I thought, if he thinks I might stop then I am absolutely not stopping. I am going to take it one step at a time and keep going — do it three times if I have to and show those bitches.

BLADE: Right before that shoulder incident, you had a little run-in with the referee. She made you clean up bugs off the ice right before you skated. Weirdest thing ever?

RIPPON: That was one of the most bizarre things ever in an international skating competition. I had picked up a huge wasp while I was warming up because I knew if I skated over it, it was going to be crunchy. Right when I was starting my program she blew the whistle at me and called me over like she was Judge Judy. Really, are we really doing this right now? I know she doesn’t think I am going to do some rink maintenance.

BLADE: You ended up skating around with a tissue, cleaning up bugs.

RIPPON: I told her I would do it if she gave me an extra 30 seconds. That can’t ever happen again. I was trying to focus on my skate. I skated back over to my coach and he shoved me really hard which snapped me back into it. The shoulder happened next.

BLADE: You won your first U.S. national title three months after coming out in October of 2015. Since that time, your skating has been more powerful, consistent and confident. Is there a parallel?

RIPPON: Completely. My success as a skater and coming out go hand in hand. Figure skating is a performance sport and I wear my skating on my sleeve. In years past I didn’t really know who I was, so when I came out I felt like I was representing myself. The stories I was reading about other athletes coming out helped me to realize nothing was going to change. You can be an out gay athlete and be successful, even more than before.

BLADE: It’s common in elite figure skating to have adoring teenage girls watching your every move. In your case, the LGBT community has also hitched their wagon to your star. What do you think of your status as a gay icon?

RIPPON: Hitch your wagon to a star, it will take you far (laughing). Sometimes we feel unrepresented and I think it’s important to stay visible. I follow the careers of other LGBT athletes and I know that it comes with backlash. I am fully embracing all of it. I consider everyone in the community to be my brothers and sisters.

BLADE: Do you feel their presence?

RIPPON: I feel their presence. There have been so many different people coming forward to engage with me and I am comfortable with it. I’m glad that I shared my story and that it is resonating with people.

BLADE: You have said in the past that your skating outfits are an expression of your personality. Your two outfits at U.S. Nationals featured leather, sheer fabric and sparkles. Any surprises for Pyeongchang?

RIPPON: I am getting together with my costume designer, Braden Overett, to make some minor changes and Olympify them. I usually just tell him I want to skate in something slutty. It takes my mind off the competition because I can’t believe I am wearing it. It takes a village and he is one of the villagers.

BLADE: You recently shot down the rumors that you wear butt pads during your competitions with the following statement: “There’s been a lot questions to whether I compete with butt pads on and I’d like to set the record straight and let it be known that no, it’s just my real butt. Thank you for your interest, comments and concern. Love you.”

RIPPON: People were defending me saying the pads helped when I fall. I also heard things like, “What a beautiful performance, are the butt pads really necessary”? I mean c’mon, I’m wearing very thin pants out there. I thought it would be funny if I addressed it directly. Yes, I have the butt necessary to make it to the Olympics.

BLADE: Because of your sport, music must be a big part of your life. What is on your personal music playlist right now?

RIPPON: I love music. It’s something I work out to and its part of my sport. On the personal side, I like EDM (electronic dance music) — David Guetta and deadmau5. I also like all the gay staples — Beyoncé, Astrid S, Lady Gaga, Lana Del Rey.

BLADE: What are you hoping to take from your experience in Pyeongchang?

RIPPON: It has always been my dream to be an Olympian. I can’t wait to walk into the opening ceremonies and also to see the Olympic rings on the ice for the first time. Then it’s down to business. I’m going to zero in on what needs to be done to have the best skate of my career.

BLADE: Are you ready?

RIPPON: I am ready for this opportunity and grateful for this opportunity. I feel powerful on the inside and the outside.

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

a&e features

D.C. LGBTQ sports bar Pitchers listed for sale

Move follows months of challenges for local businesses in wake of Trump actions

Published

on

Pitchers is for sale at an undisclosed price. (Washington Blade file photo by Michael Key)

A Santa Monica, Calif.-based commercial real estate company called Zacuto Group has released a 20-page online brochure announcing the sale of the D.C. LGBTQ sports bar Pitchers and its adjoining lesbian bar A League of Her Own.

 The brochure does not disclose the sale price, and Pitchers owner David Perruzza told the Washington Blade he prefers to hold off on talking about his plans to sell the business at this time.

He said the sale price will be disclosed to “those who are interested.” 

“Matthew Luchs and Matt Ambrose of the Zacuto Group have been selected to exclusively market for sale Pitchers D.C., located at 2317 18th Street, NW in Washington, D.C located in the vibrant and nightlife Adams Morgan neighborhood,” the sales brochure states.

 “Since opening its doors in 2018, Pitchers has quickly become the largest and most prominent LGBTQ+ bar in Washington, D.C., serving as a cornerstone of D.C.’s modern queer nightlife scene,” it says, adding, “The 10,000+ SF building designed as a large-scale inclusive LGBTQ+ sports bar and social hub, offering a welcoming environment for the entire community.”

It points out that the Pitchers building, which has two years remaining on its lease and has a five-year renewal option, is a multi-level venue that features five bar areas, “indoor and outdoor seating, and multiple patios, creating a dynamic and flexible layout that supports a wide range of events and high customer volume.”

“Pitchers D.C. is also home to A League of Her Own, the only dedicated lesbian bar in Washington, D.C., further strengthening its role as a vital and inclusive community space at a time when such venues are increasingly rare nationwide,” the brochure says. 

Zacuto Group sales agent Luchs, who serves as the company’s senior vice president, did not immediately respond to a phone message left by the Blade seeking further information, including the sale price. 

News of Perruzza’s decision to sell Pitchers and A League of Her Own follows his Facebook postings last fall saying Pitchers, like other bars in D.C., was adversely impacted by the Trump administration’s deployment of National Guard soldiers on D.C. streets   

In an Oct. 10 Facebook post, Perruzza said he was facing, “probably the worst economy I have seen in a while and everyone in D.C. is dealing with the Trump drama.” He told the Blade in a Nov. 10 interview that Pitchers continued to draw a large customer base, but patrons were not spending as much on drinks.

The Zacuto Group sales brochure says Pitchers currently provides a “rare combination of scale, multiple bars, inclusivity, and established reputation that provides a unique investment opportunity for any buyer seeking a long-term asset with a loyal and consistent customer base,” suggesting that, similar to other D.C. LGBTQ bars, business has returned to normal with less impact from the Trump related issues.

The sales brochure can be accessed here.

Continue Reading

a&e features

Alexander Skarsgård describes ‘Pillion’ in 3 words: lube, sweat, leather

Highly anticipated film a refreshingly loving look at Dom-sub life

Published

on

Harry Melling and Alexander Skarsgård star in ‘Pillion,’ which premieres in the U.S. on Feb. 6. (Photo courtesy of A24)

Whether you’ve seen him in popular HBO series like “True Blood,” “Succession,” or “Big Little Lies,” the dynamic Swedish actor Alexander Skarsgård has that smoldering gaze that immediately draws viewers in. 

Following in the footsteps of his father Stellan, (who just won the Golden Globe for “Sentimental Value”) the Golden Globe, Emmy, and SAG winner Skarsgård continues to be an actor who is fearless in the roles he takes on. 

That courageousness is evident in Skarsgård’s latest film, the BDSM black comedy “Pillion,”which he also executive produces. He plays Ray, the handsome, hyper-dominant leader of a gay bike gang. The film was written and directed by Harry Lighton, and is based on the 2020 novel “Box Hill,” by Adam Mars-Jones. 

“This was a small film by a first time filmmaker and it wasn’t financed when I read it,”  Skarsgård told journalists at a recent awards news conference. “And I felt that, if I could help in any small way of getting it financed, I wanted to, because I thought it was such an incredible screenplay and I believe in Harry Lighton so much as a filmmaker. And it felt tonally unlike anything I’d ever read. It was such an exciting, surprising read.”

Skarsgård was blown away by the quality of the unconventional script. “When I heard BDSM relationship, biker culture, I expected something very different. I didn’t expect it to have so much sweetness and tenderness and awkwardness.”

For the sex scenes and nudity with co-star, Harry Melling — who excels in his portrayal as Ray’s submissive Colin — Skarsgård talked very early on with Lighton about how he wanted to shoot those scenes, and why they were in the film. 

“I often find sex scenes quite boring in movies because a lot of the tension is in the drama leading up to two people hooking up, or several people hooking up, as in our movie. But what I really enjoyed about these scenes — they are all pivotal moments in Colin’s journey and his development. It’s the first time he gets a blowjob. It’s the first time he has sex. It’s the first time he has an orgasm. And these are pivotal moments for him, so they mean a lot. And that made those scenes impactful and important.” 

Skarsgård was happy that Lighton’s script didn’t have gratuitous scenes that shock for the sake of just shocking. “I really appreciated that because I find that when this subculture is portrayed, it’s often dangerous and crazy and wild and something like transgressive.”

He continued: “I really love that Harry wanted it to feel real. It can be sexy and intense, but also quite loving and sweet. And you can have an orgy in the woods, rub up against a Sunday roast with the family. And that kind of feels real.”

One of the obstacles Skarsgård had to work with was Ray’s emotionally distant personality.

“Ray is so enigmatic throughout the film and you obviously never find out anything about him, his past. He doesn’t reveal much. He doesn’t expose himself. And that was a challenge to try to make the character interesting, because that could easily feel quite flat…That was something that I thought quite a lot about in pre production…there are no big dramatic shifts in his arc.”

For the film, Lighton consulted the GMBCC, the UK’s largest LGBT+ biker club, attending their annual meetup at which 80 riders were present. 

“Working with these guys was extraordinary and it brought so much texture and richness to the film to have them present,” said Skarsgård. “They were incredibly sweet and guiding with us — I can’t imagine making this movie without them. I’d go on a road trip with them anytime.”

Added Skarsgård: “To sum up ‘Pillion’ in three words: lube, sweat, and leather. I hope people will connect with Colin and his journey, and come to understand the nuance and complexity of his bond with Ray.”

This year is shaping up to be a busy one for Skarsgård. “Pillion” premieres in select cities on Feb. 6 and then moves into wide release on Feb. 20. After that for Skarsgård is a role in queer ally Charli XCX’s mockumentary, “The Moment,” which premieres at the Sundance Film Festival. HIs sci-fi comedy series,  Apple TV’s “Murderbot,” which he also executive produces, will begin filming its second season. And this weekend, he hosts “Saturday Night Live.”

Continue Reading

a&e features

MISTR’s Tristan Schukraft on evolution of HIV prevention

From ACT UP to apps, embracing stigma-free care

Published

on

Tristan Schukraft (Photo courtesy of Schukraft)

It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say,  celebratory.

Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond,  prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.

In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.

BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you? 

SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for. 

BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach? 

SCHUKRAFT: This year, we held the first-ever National PrEP Day.  Dua Lipa performed, and Cardi B was there.  After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.  

When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.  

BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years? 

SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.  

For many sexually active gay men, taking PrEP is simply part of the gay experience.  For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door. 

BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level? 

SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance. 

BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic? 

SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States.  We have everything we need today.  All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years. 

HIV transmissions don’t pause because budgets change. 

BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health? 

SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding,  we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results. 

Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.  

Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs. 

Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business. 

When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening. 

BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding? 

SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care. 

BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs? 

SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together. 

BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level? 

SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP. 

BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026? 

SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal. 

Continue Reading

Popular