a&e features

Trans filmmaker gets political with ‘Dark Money’

Football star-turned-documentarian will be in Washington this weekend for area premiere

Published

8 years ago

July 19, 2018

Kimberly Reed, gay news, Washington Blade

Kimberly Reed’s first film was autobiographical. ‘Dark Money’ follows the ripple effect of Citizens United. (Photo by Claire Jones)

Trans artist and activist Kimberly Reed is in the middle of an amazing career. Her latest documentary “Dark Money” premiered to great acclaim at the Sundance Film Festival earlier this year (and opens in Washington this week) and her latest opera “Today It Rains” will premiere next spring.

Although Reed didn’t realize it at the time, “Dark Money” was born on Jan. 10, 2010 when the U.S. Supreme Court handed down its decision in the Citizens United case.

“It just didn’t make any sense to me,” she says, “that corporations are people and money is speech and therefore corporations can give unlimited money to campaigns. I am very skeptical of slippery slope arguments, but you could just see how more and more money was going to be consolidated in the hands of fewer and fewer people who were richer and richer and that the voice of the everyday citizen was going to get drowned out. And that is what has happened.”

“Dark Money” opens exclusively on Friday, July 20 at Landmark E Street Cinema (555 11th St., N.W.). Filmmaker Kimberly Reed will appear for Q&As after the 7:30 p.m. show on Friday and the 1:30 p.m. show on Saturday. Tickets at landmarktheatres.com.

Like the majority of Americans, Reed was outraged by the decision, but she didn’t know how to make a film about such an abstract and complex issue. She then learned that her home state of Montana was leading the charge for campaign finance reform.

Reed started following Attorney General Steve Bullock as he defended Montana’s century-old campaign finance laws against Citizens United, first in the Montana Supreme Court (where he won) and then in the U.S. Supreme Court (where he lost).

As a filmmaker and as an activist, Reed was disappointed by his loss.

“I originally wanted the whole film to be about that court case, a kind of ‘Mr. Bullock Goes to Washington,’ but that didn’t happen. I ended up following the story for five years after that,” she says.

Tracking the investigations of intrepid journalist John S. Adams and other state officials and legislators, Reed began to fully understand the harmful impact of “dark money,” a new type of political fundraising that was launched in the wake of the Citizens United decision. As Adams explains in the movie, dark money organizations like the “Americans for Prosperity” and the “Club for Growth” raise money from anonymous donors and fund a variety of right-wing causes and candidates.

Reed says the impact of “dark money” is especially insidious in primary elections and ballot initiatives. Dark money funders focus on unseating incumbents and replacing them with opponents who are more financially and socially conservative.

“In primary elections, in safe districts, it’s not about Republican versus Democrat,” Reed says. “It’s about how far to the right they can push the Republican party. Repeat that again and again and you’re going to have a vastly polarized political system.”

“Dark Money” was Reed’s second cinematic excursion into her home state of Montana. The first was the autobiographical documentary “Prodigal Sons,” which followed Kimberly and her girlfriend Claire as they returned to Helena for Reed’s 20th high-school reunion. While Reed’s high-school classmates knew that the former football star had transitioned, she had not seen any of them in person since her graduation.

The award-winning “Prodigal Sons,” which premiered at the Telluride Film Festival in 2008, also chronicles Reed’s stormy reunion with her estranged brother Marc, who was adopted by Reed’s parents the year before she was born. They ended up in the same grade when Marc was held back due to behavioral problems.

Marc’s issues with being adopted and with sibling rivalry were exacerbated after an automobile accident left him with severe brain injuries. Medications and several operations reduced his dangerous seizures but increased his violent mood swings. The movie captures several of his frightening outbursts, including one where he smashes a picture frame and another when he hurls transphobic insults at Reed.

While Marc’s medical issues remained unresolved, “Prodigal Sons” does contain a surprising revelation about his parentage. Shortly after the reunion, Marc learns that his birth mother was Rebecca Welles, daughter of legendary filmmaker Orson Welles and his second wife, screen goddess Rita Hayworth. While Rebecca died before she could meet Marc, the family does get to spend time in Croatia with Welles’ companion Oja Kadar.

As Reed notes, “Prodigal Sons” was an unusual and unexpected constellation of events that taught her a lot about the vagaries of documentary filmmaking. Making the movie also gave her fresh insights into her relationship with her family while she transitioned.

“Families can be very supportive and loving,” she says. “In my case, I was the one who was withholding. I wanted to go it alone, so I never really gave my family a chance to react.”

During the years she was filming “Dark Money,” Reed’s artistic life took an unexpected turn. Composer Laura Kaminsky and librettist Mark Campbell asked Reed if she wanted to make some films that would be part of an opera. Intrigued, Reed said yes.

The result was “As One,” a chamber opera for two voices and string quartet. In 15 songs, a mezzo-soprano (Hannah after) and a baritone (Hannah before) depict the experiences of its sole transgender protagonist as she endeavors to resolve the discord between herself and the outside world. As work on the opera progressed, Reed ended up working with Campbell on the libretto and several of the songs are based directly on her own experiences.

The award-winning piece has made operatic history for its subject matter and for it incredible popularity. Since its premiere in 2014, “As One” has become the most-produced modern opera in North America. According to Opera America it was performed 15 times and was number 14 on the list of most performed operas in the Unites States and Canada. It was the only new work to be included on the list and even beat out old warhorses “Turandot” and “The Barber of Seville.”

While her next film project is still under wraps, Reed and her operatic collaborators have already been commissioned by the William and Flora Hewlett Foundation to start work on their next opera.

Based on an original concept by Campbell, “Today It Rains” is a new chamber opera inspired by the life of bisexual artist Georgia O’Keefe. Reed is again creating new films to frame the action and is working with Campbell on the libretto.

The new opera envisions O’Keeffe’s personal journey on a life-changing train ride as she reexamines her tumultuous marriage with photographer Alfred Stieglitz, her artistic stasis, and her need for new inspiration to guide her work.

“Today It Rains” will premiere in March under the banner of American Opera Projects.

So how bleak in Reed’s opinion is the dark money phenomenon? She says it’s flooded into states facing ballot initiatives on a variety of progressive issues including unions, reproductive rights and LGBT issues.

“Because bigots don’t want to stand up and say they support discrimination against LGBT people, they hide behind dark money. It’s really maddening. The reason I find campaign finance reform so compelling is that it is the fundamental issue,” Reed says. “You can’t solve any other political problem without knowing where the money is coming from, where the influence is coming from, what you’re up against.”

According to Reed, the antidote is disclosure: enforcing existing laws and fighting to get new ones in place.

“What you see in our film, what you see happening across the country, is that states are calling for disclosure. You see it moving like marriage equality did. Pretty soon we’ll hit the tipping point.”

Reporter John S. Adams in the Montana Capitol building in a scene from ‘Dark Money.’ (Photo courtesy PBS Distribution)

Up Next

QUEERY: Mark Hunker

Don't Miss

Sean Doolittle: The all-around All-Star

FUND LGBTQ JOURNALISM

a&e features

Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard

Published

3 days ago

July 29, 2026

Kyle Rood

Lily Erin, one of Rainbows in Revolt’s signature artists, performed at Capital Pride in June. (Photo courtesy of Rainbows in Revolt)

Last month’s Pride celebration in D.C. was so fun. Walking around my first Capital Pride with a $15 lemonade I was loving the madness and the color. Artists and small businesses battling banks you’ve never heard of collecting your personal information so you can spin a wheel to snag free merch. Great music blaring, people actually smiling and enjoying themselves, the “Great” American State Fair could never!

The Monument Stage was on Pennsylvania Avenue, directly in front of the National Gallery of Art and I can’t think of a better venue to see live music. How does someone get on the lineup for Pride? How do we accelerate the visibility of the most talented voices in our community to perform in places like this?

There is certainly not a talent gap, but there is a visibility gap. Chappell Roan went from playing for two people in a parking lot to owning the main stage at Coachella in one year. Whether it is shadowbanning or bias in AI, algorithms have been shown to suppress queer artists. In a digital age, how can queer people break through and show the world how talented they are?

Allison and Matt of Rainbows in Revolt are on a mission to make openly LGBTQ+ artists’ voices heard. Their goal is to find “musicians whose queerness is central to their identity as an artist,” and accelerate them to a place where they can actually reach fans.

The only time queer events seem to be in the spotlight is June, but this should be year round, according to Allison and Matt. Rainbows in Revolt wants to act as a “nucleus” for different sub-communities, finding common ground in the universal language of music.

Matt and Allison founded Rainbows as a way to make cheaper, higher quality merchandise for queer artists. While Rainbows has already pledged 20% of their profits to the LGBTQ+ community, with 10% to Whitman-Walker Health and 10% to LGBTQ+ organizations in need, this is just the beginning of the work that they do.

Rainbows “does the dirty work” that artists normally struggle to do on their own with limited resources. Interviews, artist profiles, social promotion, playlist discovery, radio outreach, and merch-funded support. This work is normally expensive, time consuming, and requires lots of different skills. Musicians don’t want to be editing clips to post online. Standup comedians don’t want to make graphics for their tour dates. They want to write more. They want to focus on their craft.

In addition to helping artists find their audience, Rainbows has built other digital tools to help queer people connect, including an interactive Safe Space Map for most major cities. It is hard to know which places are truly safe and supportive just from a simple Google search. Attitudes and actions change, and there should be a simple way for queer people to find other places that align with them. The Safe Spaces Maps are all up to date, and are tagged and filterable. Instead of relying on forums and word of mouth, Rainbows has created a centralized way to find authentic community quickly.

I had a chance to talk with Allison and Matt at Pride where Lily Erin, one of their signature artists, was performing on the Monument stage. Lily Erin is a folk singer who is familiar and forging her own path. Her bittersweet sound echoes through Acadia, and her garb mirrors the New England athletes I grew up with. Gorp Core meets streetwear. A graphic tee, hiking shorts, and creamsicle Jordans.

Her debut single, “Bus Stop,” tells a sad story about unconditional love, and the conditions that still seem to come with it. Graduating into lockdown, Erin needed a new way to connect with herself and others. Lily made “Bus Stop” without an intention to share it, but doing so was a liberation. People have been responding to her honesty around queer-ness, family, and the “ghosts which haunt us” even in the daytime.

Rainbows in Revolt has helped Lily Erin go from bars and backyards to The Monument Stage at Pride. This is a meteoric rise, and a testament to both Erin’s talent and the work of Rainbows to promote her. “A little encouragement goes a long way with early artists,” and by “planting a seed” Rainbows is already seeing their artist garden grow. Community is power, and Erin is a perfect example of how effective simple modern techniques of promotion can be.

A next step for Rainbows is putting on shows themselves. On Oct. 3, Rainbows in Revolt will host an Evening with Ray Boltz at the National City Christian Church. Boltz grew up in the Catholic Church and for many years was the soundtrack to many services, youth camps, and church groups. He was celebrated by millions until he came out in 2008. Allison remembers her community “never playing his music again.”

Rainbows in Revolt is helping him to return to the church, and proving that identity does not need to be exclusive. We live in a complicated world with complicated lines being drawn. Boltz proves that these lines don’t exist, and will be breaking down barriers to bring together communities. To Allison, “a trans woman standing next to a straight white man in church is a powerful teacher.”

The Safe Space maps bridge all types of spaces, and one of the unlikely ones is, perhaps, churches. Matt said that “BYU has only nine safe spaces around their campus and seven of them are churches.” Not all churches are anti-gay, and many times they are the only place for people to find community.

Rainbows in Revolt is just getting started bridging gaps and building community.

a&e features

Summer in the City: Free exhibits, movies, more fill D.C.’s calendar

America 250 celebrations continue

Published

6 days ago

July 26, 2026

Emma LaPointe

Cynthia Erivo and Ariana Grande star in ‘Wicked,’ screening Sept. 12 at Union Market. (Photo courtesy of Universal Pictures)

From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.

Museum exhibitions

The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free.

The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.

The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.

The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.

Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.

The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.

At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.

The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.

The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3.

Live performances

On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game.

Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.

From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.

Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances.

DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace.

Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.

Other events

Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.

Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary.

The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.

For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.

Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.

a&e features

Summer in D.C. brings sports, Restaurant Week, festivals, and more

Published

1 week ago

July 23, 2026

Evan Caplan

Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.