Music & Concerts
New Backstreet Boys album predictable yet fun
First new studio project in six years finds original lineup still intact

Boy bands are one of pop music’s many curiosities. Often they disappear almost as quickly as they break onto the scene. One Direction and 5 Seconds of Summer are recent examples.
But the stranger phenomenon is the boy bands that manage to stick around for years and sometimes decades. After all, the appeal of groups is often more visual than musical, so what does it mean to mean to be a “boy band” when the members have long outgrown the name?
Have they evolved into a legit pop music outfit? One might convincingly argue The Beatles were originally a boy band of sorts. Or are they riding the nostalgia train with pleasant if hardly innovative results? On new Backstreet Boys album “DNA,” it’s definitely the latter.
This year marks the 20th anniversary of the release of their third album, “Millenium.” The enormous success of their diamond-selling-and-then-some album cemented the group’s place as pop music icons with the songs such as “I Want It That Way” and “Larger than Life.” And the Backstreet Boys were only one part of the larger late-‘90s boy band phenomenon. NSYNC, Hanson and LFO all experienced major success. Capitalizing on nostalgia, the Backstreet Boys and their forebearers New Kids on the Block even launched a major tour and released a compilation album together in 2011.
Yet “DNA” is more than just the boy band’s eighth studio album. It follows after the biggest break in the group’s history, even longer than the official hiatus following the release of “Black & Blue” (2000). After the group reunited for the 2005 album “Never Gone,” they released music regularly — but with limited chart success — until 2013.
Breaking a six-year gap at this point in their history makes something of a statement. And it may pay off since we’ve had long enough to miss them (if we were ever inclined to do so). Billboard reports this week early sales figures are strong enough that the group could have the top U.S.-selling album of the week. Yeah, it’s first quarter doldrums so competition isn’t stiff, but that’s still remarkable for a boy band 15 years past its prime.
Remarkably, the original lineup is intact — AJ McLean, Howie Dorough, Nick Carter, Brian Littrell and even Kevin Richardson who left the group in 2006 but was back by 2012. Despite the intrinsic gayness of the boy band concept, none have followed in the steps of NSYNC’s Lance Bass and come out. All the “boys” are now married to women and have kids.
“DNA” revisits the group’s fundamental musical makeup, which has been a recipe for success: multi-layered harmonies, simple lyrics, uptempo pop beats. The album’s lead single, “Don’t Go Breaking My Heart,” charted on the Billboard Hot 100. It’s a catchy, inoffensive pop tune that sounds not unlike everything else on pop radio. Some of the vocal effects used on the bridge are even reminiscent of Taylor Swift’s “Delicate.”
Singles “Chances” and “No Place” are mostly inoffensive and lean slightly country, which has the unfortunate side effect of reminding us that the five are not all equally talented singers. Like the lead single, the sounds could be sung by virtually any pop group today with much the same effect.
“Chateau” is one of the more interesting songs on the album and it bucks the pop assimilation trend, sounding more like an outtake from one of their first albums. Perhaps it’s the nostalgic tone of the song (“Baby, I want you back”) that lends itself to this delightful anachronism. Instead of suggesting — as other cuts here seem to — that the Backstreet Boys are on the periphery of today’s pop scene, the song reminds us they used to be front and center.
There’s a perennial formula for boy bands — good looks and catchy, digestible hits. But when they inevitably outgrow both the boyish looks and the music, things can seem either fun and nostalgic or stuck in a time warp.
If the Backstreet Boys are still touring, then our own maturity seems plausibly deniable. And this is what groups like the Backstreet Boys continue to capitalize on, nearly two decades after they hit their peak.
To say there’s nothing remarkable about the new Backstreet Boys’ album is to miss the point. What’s remarkable is the group’s ability to stick around at all and to continue packing arenas with devoted fans who remember the days when the Backstreet Boys were really on top.
Music & Concerts
DJ Chanel Santini is bringing the heat and some gender-fluid diversity to XBIZ Miami
Pool party celebrates most charismatic personalities, creative artists in adult entertainment
Chanel Santini has crossed over to being a DJ, performing at clubs all over the country. Now known as Santini, they will be making music and hyping the pool party, DJ-ing at XBIZ, the conference for adult creators and digital players, in Miami.
Taking place on Monday to Wednesday, the event honors the most charismatic personalities and creative artists in entertainment.
“I am honestly so excited — getting to DJ in Miami Beach is literally a DJ’s dream!” Santini told the Los Angeles Blade.
“I thought it would be a good opportunity because I haven’t been around my industry peers in a long time. It’s a great event to network and show off the new me!” said Santini.
While Santini is unsure what music they will be playing, they want everyone to have a good time. “My goal is to ignite the dance floor and play great music that everyone will vibe to. My sound includes house music, bass house, tech house, and I always like to throw a little bit of hip-hop in my sets.”
Santini loves how DJ-ing brings people together.
“Music really ignites us all! It is so universal, no matter what language you speak. I think it’s the best high in the world when you play a banger track, and everybody on the dance floor screams loudly. You can’t describe that feeling until you’re up there on that stage.”
Santini describes DJs as the “modern rock stars” in today’s world.
“I always feel like such a superstar when I’m up on that stage. The best feeling is after my set when I have people come up to me and say, ‘Thank you for sharing that amazing music.’ That’s how you know that you’re a good DJ — I love when I get those types of compliments!”

While sometimes it’s hard to please everyone’s musical tastes, Santini endeavors to try! “You just have to go out there and give it your all and be the best DJ that you can be,” he noted.
Santini, who had previously identified as transgender, recently decided to transition back to being gender fluid.
“It’s definitely been a journey, but I’m definitely happier in my own skin now than I was. I don’t go by he/him pronouns. I don’t go by they/them either. I guess I just really don’t have a preference. Whatever you see me as is your opinion. I’ve learned over the years that I’m not trying to be one specific thing. I’m just Santini. I’m just me.”
Santini acknowledged they felt respected more when dressed as a woman.
“I think it’s just because femininity runs the world. When I started to de-transition, I felt like I had to just be a boy all the time. But I’ve realized over the years that I don’t need to stick to one specific thing. I am always gonna be feminine, and that’s OK.”
Recently, Santini has been embracing their feminine side more.
“I definitely feel more comfortable in female presentation, and more powerful when I’m on stage dressed as Chanel. I love DJ-ing in drag because there are so many straight male DJs in the world. It’s almost like a superhero when he puts on his cape! I think it makes me confident and stand out more as an artist.”
And because Santini loves makeup and fashion, they can incorporate that into their sets. “I’m not just bringing you good vibes and good music. I’m bringing you a show/ production!”

Santini is already working on big plans for the future.
“I’m opening up for a huge Pride block party in my hometown, Albuquerque, N.M., on June 12 and 13. It’s a two day festival and I’m super excited for this opportunity. I’m even hiring backup dancers and a choreographer.”
Santini plans to go “all out” for this show.
“It’s gonna be the biggest crowd that I’ve ever played for,” Santini enthused. “I’m putting my heart and soul into this performance, especially because it’s Pride in my hometown, and that means so much to me. I know the younger me would be so proud.”
Santini remembers going to Pride when they were younger and telling themself they couldn’t wait to be up on that stage.
“I’m truly living my dream right now, and I’m so excited for the future. The last 10 years of being in the adult entertainment business have been great and have given me major success. But I always knew that I didn’t want to be in this industry for long.”
Santini acknowledged that, in the recent past, it was a struggle.
“I’ve been trying to find myself and figure out what I wanna do next with my life. Now that I’ve found this passion for DJ-ing, it makes me want to go far in this business.”
In addition to being a DJ/artist, Santini is starting college next semester.
“I’m gonna get my degree in audio engineering,” Santini enthused. “I can’t wait to start producing my own tracks. I especially can’t wait till the day I’m headlining a major festival! I know with a little bit of patience and hard work that I can get there! I just have to continue believing in myself.”
Santini wanted to thank all of their fans for their support. “Truly, if it wasn’t for them, I wouldn’t be able to fund my art in the way that I have. I’m truly grateful. And I’m excited for the future!”
Music & Concerts
Gaga, Cardi B, and more to grace D.C. stages this spring
Shake off your winter doldrums at a local concert
D.C. shakes off its winter blues this spring as the music scene pops off. We all know the big star is coming: Lady Gaga will perform at Capital One Arena on March 23. But plenty of other stars, big and small, will grace D.C. stages, including many LGBTQ and ally artists.
March
3/15, 9:30 Club, St. Lucia – Indie electronic music project known for its synth-pop sound, which blends ‘80s influences with electronic and indie rock elements.
3/31, Lincoln Theatre, Perfume Genius – Indie/pop singer/songwriter Mike Hadreas, also known as Perfume Genius, has toured with a full band, but he is stripping things back for this tour.
April
4/8, Capital One, Cardi B. Cardi B, from New York, unapologetic and proud, is the first solo female artist to win the Grammy Award for Best Rap Album. This year, she’s on her Little Miss Drama Tour, in support of her second studio album, “Am I the Drama?”
4/13, Lincoln Theatre, The Naked Magicians. Australia’s The Naked Magicians are two performers who deliver live magic and laughs while wearing nothing but a top hat and a smile.
4/18, Capital One, Florence and the Machine. Longstanding indie rock back from Great Britain, much-loved for lead singer Florence’s powerful vocals. On their Everybody Scream Tour.
4/16, Capital One, Demi Lovato. Singer/songwriter from Texas, who came out as nonbinary, is traveling on her “It’s Not That Deep Tour.”
4/21, The Anthem, Calum Scott. Platinum-selling gay singer/songwriter Calum Scott released his latest project, Avenoir, last year. Scott rose to fame in 2015 after competing on Britain’s Got Talent, where he performed a cover of Robyn’s hit “Dancing on My Own“.
4/26, Atlantis, Caroline Kingsbury. American queer pop musician from Los Angeles. She released her debut album in 2021, and has two additional EPs. She’s played Lollapalooza 2025 and All Things Go 2025, as well as gone on a co-headlining U.S. tour with MARIS. Shock Treatment is her latest EP.
4/26, Anthem, Raye. This bisexual artist, known for her current chart-topping “”Where Is My Husband!” single, blends pop, jazz, R&B, and more.
4/30, Union Stage, Daya. This bisexual singer/songwriter is on her “Til Every Petal Drops Tour,” touring the album of the same name that was released last year.
May
5/1, The Anthem, Joost Klein. Eurovision comes to D.C. in Joost Klein: Originally a Youtuber, he was selected to represent the Netherlands at Eurovision in 2024 with his song “Europapa.” He released a new album on New Year’s Day.
5/1, Fillmore, MIKA. MIKA is on his Spinning Out Tour. Born in Beirut and raised in both Paris and London, MIKA sings in multiple languages and has co-hosted Eurovision.
5/7, 9:30 Club, COBRAH. Clara Christensen, is a Swedish singer, songwriter, record producer, and club queen, making electronic dance music.
5/19, Atlantis, Grace Ives. New York-born singer/songwriter, known for her high-energy synth/electronic, bedroom-pop-style music.
June
6/2, The Anthem, James Blake. English crooner got big from his self-titled debut album in 2011. He won two Grammys and just released his 7th album,Trying Times, in March.
Music & Concerts
Washington chorale kicks off Christmas with vibrant program
‘Thine Own Sweet Light’ concerts planned
The full Washington Master Chorale will return for its annual holiday concert tradition with “Thine Own Sweet Light” on Friday, Dec. 19 and Sunday, Dec. 21 at St. Ann’s Catholic Church (D.C.) and Church of the Epiphany (D.C.).
The concert will feature the rich sounds of the 50-voice, a cappella chorus performing lush, seasonal choral music inspired by the theme of light. Highlights include Edvard Grieg’s “Ave Maris Stella,” Eric Whitacre’s “Lux Aurumque,” and Christopher Hoh’s “Holy, Holy, Holy is the Lord God of Hosts.” The program will also present a new work by Barcelona composer Josep Ollé i Sabaté, along with charming holiday folk songs and seasonal favorites.
For more details, visit the Washington Master Chorale website.
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