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Ruby Rose addresses criticism for identifying as gender-fluid and a lesbian

The actress faced backlash when she was cast as ‘Batwoman’

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Ruby Rose. (Photo by Mithoron via Wikimedia Commons)

Actress Ruby Rose opened up about the backlash she received for being cast as the title character and lesbian superhero in “Batwoman.”

Rose, who identifies as a gender-fluid woman and a lesbian, told Entertainment Weekly for the publication’s LGBTQ special issue that people have reacted negatively to her two identities.

“I came to the States to get into acting, and I couldn’t even get a manager or agent, so I made a short film based on my life because I had the time to do it. I put it online, just to say, ‘This is something I wanted to do,’ and it went viral, which I didn’t ever expect. And then I got an opportunity to audition for ‘Orange Is the New Black’ because they wanted to have a gender-neutral character,” Rose says. “But I’ve also gotten backlash. And that’s when you realize you have to keep up with the terminology. When I got cast as a lesbian in ‘Batwoman’, I didn’t know that being a gender-fluid woman meant that I couldn’t be a lesbian because I’m not a woman not considered lesbian enough.”

Rose explains that it took her some time but she took a step back to evaluate why she was receiving backlash for her identity.

“My initial response was ‘Pfft!’ And then I was like, ‘Wait. Let me just figure this one out. How do I right this wrong, because if someone out there is upset by this, I need to know why and how to fix it.’ That’s when I sort of said, ‘I’m a woman that identifies as a woman. I’m not trans. But if being gender-fluid means that I can’t identify as a woman at any point, then I guess I can’t be that,'” Rose says. “Maybe I need to make up another term, one that doesn’t step on any toes. One where I can be fluid in my gender, but also a lesbian, because otherwise, I’m not sure what I am.”

“Batwoman” premieres on the CW this fall.

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Madonna announces release date for new album

‘Confessions II’ marks return to the dance floor

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Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.

Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit. 

The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”

“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”

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PHOTOS: Denali at Pitchers

‘Drag Race’ alum performs at Thirst Trap

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Denali performs at the Thirst Trap Thursday drag show at Pitchers DC on April 9. (Washington Blade photo by Michael Key)

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.

(Washington Blade photos by Michael Key)

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In an act of artistic defiance, Baltimore Center Stage stays focused on DEI

‘Maybe it’s a triple-down’

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Last year, Baltimore Center Stage refused to give up its DEI focus in the face of losing federal funding. They've tripled down. (Photo by Ulysses Muñoz of the Baltimore Banner)

By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.

Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.

“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.

The rest of this article can be found on the Baltimore Banner’s website.

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