Arts & Entertainment

Highlights of the Blade’s 50 years

The LGBT paper of record celebrates milestone

Published

7 years ago

October 15, 2019

The Washington Blade began in 1969 as a one-page, monthly newsletter compiled by volunteers and based in an activist’s apartment. It now has 17 full-time employees and a sister newspaper in Los Angeles.

1960s

October 1969: Nancy Tucker, Art Stone and a handful of activists publish the first issue of the Gay Blade. The newsletter, which is published monthly, consists of one side of a letter-size page, printed on a mimeograph machine in Tucker’s apartment. The 500 copies are distributed to the city’s gay bars.

1970s

July 1973: Original editor Nancy Tucker leaves the Blade, calling for interested parties to take over the newsletter. That call is answered by Pat Price, who goes by the pseudonym Pat Kolar. It is also the first time in the Blade’s history that stories contain bylines, although nearly all of them are pseudonyms. • July 1974: After undergoing several size changes, the Gay Blade is printed on newsprint for the first time. It uses a format that is slightly larger than tabloid size, but by November 1974, the paper is reduced to the standard tabloid format that is still used today. • November 1974: The Gay Blade moves into its first offices, located on 20th Street, N.W., in Dupont Circle. • November 1975: The Gay Blade officially changes its name to the Blade, and the newspaper also becomes incorporated as a non-profit corporation under the mantle Blade Communications Inc. • August 1976: The Blade moves to a two-room suite on the 2400 block of Pennsylvania Avenue, N.W. • November 1978: The Blade changes from being published monthly to bi-weekly, signifying the growth of D.C.’s gay readership.

1980s

February 1980: The Blade leaves its offices on Pennsylvania Avenue and moves to 930 F St., N.W., above what would later become the 9:30 Club. • October 1980: The Blade re-incorporates as a for-profit, employee-owned business and changes its name officially to the Washington Blade. • October 1984: In celebration of its 15th anniversary, the Blade presents D.C.’s first gay film festival, staged at the Biograph Theatre in Georgetown. • January 1987: The Blade starts the year with a new office, located in the Victor Building at 724 Ninth St., N.W.

1990s

September 1992: The Blade moves again, this time to 1408 U St., N.W. • April 1993: To coincide with the 1993 March on Washington, the Blade publishes its largest issue to date, containing 216 pages. • September 1995: The Blade launches its web site.

2000s

May 2001: The Blade is purchased by Window Media, a gay-owned media company that also owns the Southern Voice newspaper in Atlanta. Chris Crain, a co-founder of Window Media, becomes the Blade’s executive editor and William Waybourn its publisher. • September 2006: Crain leaves the Blade. He is succeeded by Kevin Naff, who remains the paper’s editor today. • December 2007: Lynne Brown is named publisher. • February 2008: The Blade relocates from U Street to the National Press Building at 14th and F streets, N.W. • November 2009: Window Media’s parent company files for Chapter 7 bankruptcy; Blade offices shuttered. Just four days later, the Blade staff publishes under a new name, the DC Agenda, a weekly placeholder publication.

2010s

April 2010: Business partners Lynne Brown, Kevin Naff and Brian Pitts purchase the Blade’s assets from the bankruptcy court and re-launch the Washington Blade brand. The new parent company is Brown Naff Pitts Omnimedia and its offices move to 1712 14^th Street, N.W. October 2010: the Blade Foundation, a new 501(c)3, debuts to raise money to digitize the full Blade archive. January 2011: BNPO launches a new business unit, Azer Creative, a boutique marketing firm. March 2017: BNPO launches the Los Angeles Blade, a sister publication headed by publisher Troy Masters and later adds veteran journalist Karen Ocamb as news editor. 2019: The Blade announces plans for a yearlong celebration of the paper’s 50^th anniversary culminating with an October 2019 gala.

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Photos

PHOTOS: Denali at Pitchers

‘Drag Race’ alum performs at Thirst Trap

Published

4 hours ago

April 14, 2026

Michael Key

Denali performs at the Thirst Trap Thursday drag show at Pitchers DC on April 9. (Washington Blade photo by Michael Key)

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.

(Washington Blade photos by Michael Key)

Arts & Entertainment

In an act of artistic defiance, Baltimore Center Stage stays focused on DEI

‘Maybe it’s a triple-down’

Published

1 day ago

April 13, 2026

Baltimore Banner

Last year, Baltimore Center Stage refused to give up its DEI focus in the face of losing federal funding. They've tripled down. (Photo by Ulysses Muñoz of the Baltimore Banner)

By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.

Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.

“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.

The rest of this article can be found on the Baltimore Banner’s website.

Books

Susan Lucci on love, loss, and ‘All My Children’

New book chronicles life of iconic soap star

Published

1 day ago

April 13, 2026

Terri Schlichenmeyer

(Book cover image courtesy of Blackstone Publishing)

‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages

They’re among the world’s greatest love stories.

You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.

When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.

Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.

That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”

She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.

Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.

She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.

And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.

And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”

“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.

If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.

These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.

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