Arts & Entertainment
Highlights of the Blade’s 50 years
The LGBT paper of record celebrates milestone

The Washington Blade began in 1969 as a one-page, monthly newsletter compiled by volunteers and based in an activist’s apartment. It now has 17 full-time employees and a sister newspaper in Los Angeles.
1960s
October 1969: Nancy Tucker, Art Stone and a handful of activists publish the first issue of the Gay Blade. The newsletter, which is published monthly, consists of one side of a letter-size page, printed on a mimeograph machine in Tucker’s apartment. The 500 copies are distributed to the city’s gay bars.
1970s
July 1973: Original editor Nancy Tucker leaves the Blade, calling for interested parties to take over the newsletter. That call is answered by Pat Price, who goes by the pseudonym Pat Kolar. It is also the first time in the Blade’s history that stories contain bylines, although nearly all of them are pseudonyms. • July 1974: After undergoing several size changes, the Gay Blade is printed on newsprint for the first time. It uses a format that is slightly larger than tabloid size, but by November 1974, the paper is reduced to the standard tabloid format that is still used today. • November 1974: The Gay Blade moves into its first offices, located on 20th Street, N.W., in Dupont Circle. • November 1975: The Gay Blade officially changes its name to the Blade, and the newspaper also becomes incorporated as a non-profit corporation under the mantle Blade Communications Inc. • August 1976: The Blade moves to a two-room suite on the 2400 block of Pennsylvania Avenue, N.W. • November 1978: The Blade changes from being published monthly to bi-weekly, signifying the growth of D.C.’s gay readership.
1980s
February 1980: The Blade leaves its offices on Pennsylvania Avenue and moves to 930 F St., N.W., above what would later become the 9:30 Club. • October 1980: The Blade re-incorporates as a for-profit, employee-owned business and changes its name officially to the Washington Blade. • October 1984: In celebration of its 15th anniversary, the Blade presents D.C.’s first gay film festival, staged at the Biograph Theatre in Georgetown. • January 1987: The Blade starts the year with a new office, located in the Victor Building at 724 Ninth St., N.W.
1990s
September 1992: The Blade moves again, this time to 1408 U St., N.W. • April 1993: To coincide with the 1993 March on Washington, the Blade publishes its largest issue to date, containing 216 pages. • September 1995: The Blade launches its web site.
2000s
May 2001: The Blade is purchased by Window Media, a gay-owned media company that also owns the Southern Voice newspaper in Atlanta. Chris Crain, a co-founder of Window Media, becomes the Blade’s executive editor and William Waybourn its publisher. • September 2006: Crain leaves the Blade. He is succeeded by Kevin Naff, who remains the paper’s editor today. • December 2007: Lynne Brown is named publisher. • February 2008: The Blade relocates from U Street to the National Press Building at 14th and F streets, N.W. • November 2009: Window Media’s parent company files for Chapter 7 bankruptcy; Blade offices shuttered. Just four days later, the Blade staff publishes under a new name, the DC Agenda, a weekly placeholder publication.
2010s
April 2010: Business partners Lynne Brown, Kevin Naff and Brian Pitts purchase the Blade’s assets from the bankruptcy court and re-launch the Washington Blade brand. The new parent company is Brown Naff Pitts Omnimedia and its offices move to 1712 14th Street, N.W. October 2010: the Blade Foundation, a new 501(c)3, debuts to raise money to digitize the full Blade archive. January 2011: BNPO launches a new business unit, Azer Creative, a boutique marketing firm. March 2017: BNPO launches the Los Angeles Blade, a sister publication headed by publisher Troy Masters and later adds veteran journalist Karen Ocamb as news editor. 2019: The Blade announces plans for a yearlong celebration of the paper’s 50th anniversary culminating with an October 2019 gala.
Out & About
Plan your wedding the LGBTQ way
Washington D.C. LGBTQ+ Wedding Expo scheduled for Sunday
Rainbow Wedding Network will host “Washington D.C. LGBTQ+ Wedding Expo” on Sunday, March 1 at 12:30 p.m.
Guests can meet and mingle with a curated selection of LGBTQ-welcoming wedding professionals from across the region, each ready to help bring your vision to life, and spend a beautiful afternoon exploring everything they need to create a celebration that reflects them.
There will be a relaxed, self-guided look at the Watergate’s spaces and amenities, savor signature cocktails and delicious tasting samples, and connect with other couples who are on the same journey.
Visit Eventbrite to reserve a spot.
Friday, February 27
Center Aging Monthly Luncheon With Yoga and Drag Bingo will be at 12 p.m. at the DC Center for the LGBT Community. Email Mac at [email protected] if you require ASL interpreter assistance, have any dietary restrictions, or questions about this event.
Go Gay DC will host “LGBTQ+ Community Happy Hour Meetup” at 7 p.m. at Freddie’s Beach Bar and Restaurant. This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite.
Trans Discussion Group will be at 7 p.m. on Zoom. This group is intended to provide an emotionally and physically safe space for trans people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected].
Saturday, February 28
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. It’s more than just an event; it’s an opportunity to step away from the busyness of life and invest in something meaningful, and enjoy delicious food, genuine laughter, and conversations that spark connection and inspiration. For more details, visit the Center’s website.
Black Lesbian Support Group will be at 1 p.m. on Zoom. This is a peer-led support group devoted to the joys and challenges of being a Black lesbian. You do not need to be a member of the Beta Kappa Chapter or the Beta Phi Omega Sorority in order to join, but they do ask that you either identify as a lesbian or are questioning that aspect of your identity.Send an email to [email protected] to receive the zoom link.
Sunday, March 1
LGBTQ+ Community Coffee and Conversation will be at 12 p.m. at As You Are. This event is for people looking to make more friends and meaningful connections in the LGBTQ community. Attendance is free and more details are available on Eventbrite.
Monday, March 2
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Tuesday, March 3
Universal Pride Meeting will be at 7 p.m. on Zoom. This group seeks to support, educate, empower, and create change for people with disabilities. For more details, email [email protected].
Wednesday, March 4
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit www.thedccenter.org/careers.
Center Aging Women’s Social and Discussion Group will be at 6 p.m. on Zoom. This group is a place where older LGBTQ+ women can meet and socialize with one another. There will be discussion, activities, and a chance for guests to share what they want future events to include. For more information, email [email protected].
Thursday, March 5
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breathwork and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
a&e features
Transmission DC breathes new life into a storied sound space
A fresh home for boundary-pushing culture on H Street
Late last year, phoenix-style, a fresh home for boundary-pushing culture arose on the H Street corridor. Transmission DC – a queer, trans, and POC-owned, operated, and centered community-focused venue – powered on in the former home to the Rock & Roll Hotel (famously, not a hotel, but very much rock & roll). Transmission (1353 H St., N.E.) arrives secure in its mandate – or even birthright – to provide a place to celebrate creativity and music through a lens of inclusivity and respect.
Transmission’s team brings experience, but also representation. Owners/partners Kabir Khanna (who is also programming director), Katii B, Ellie McDyre, and Kelli Kerrigan together previously managed 618 productions, a venue in Chinatown, crafting “some of D.C.’s freakiest parties, raves, and mosh pits” they note.
They packed up operations last fall to a space curated specifically for D.C.’s underground music and culture scene, building their efforts in Chinatown to bring in more fans in queer and POC circles.
Transmission, Khanna points out, is built on DIY values. In the music scene, DIY means that promoters and organizers – often disconnected from the mainstream and part of marginalized communities – build shows and programs collaboratively, but independently from institutions, supporting each other as smaller, independent venues close. Here, Transmission aims to ensure that those putting together these underground inclusive shows have a more permanent and stable home, can have access to resources, and can provide more sustainable income to artists. “We’re trying to get more people to support and enjoy the music, and also give artists and organizers within the DIY community more structure and a larger cut,” says Khanna.
Khanna also notes that Transmission operates “under the principles of safety, inclusivity, and respect.” McDyre added that even at venues that claim inclusivity, that statement might not take place in practice. We’re “not just pitting up a rainbow flag,” says McDyre, but as some of the owners are trans and POC, audiences can see themselves reflected at the top.
Much like the DIY nature of the music community, the Transmission owners brought a DIY ethos to turning around their space.
In March 2020 – the height of COVID lockdowns – Rock & Roll Hotel suddenly shuttered, though not due to the pandemic; instead, the venue claimed that decreasing sales and increasing competition led to the closure. For 14 years, it was the central spot for cheap beer and lesser-known and celebrated acts. The space stood vacant for more than five years, until Transmission turned the power back on.
“When we got into the space, it was effectively abandoned for years,” says Khanna. “There was a ton of mold, and paint primer covering all surfaces. It was nearly falling apart.” Khanna noted that many music venues like this one, regardless of how well it was maintained, “get the shit kicked out of it,” given the nature of shows. The team called in mold removal contractors, ripped up most of the floorboards, and started fresh.
Transmission’s first floor is styled as a stripped-down black box: the better to take in the music. “It’s minimal on purpose to act as a canvas for set design and music,” without a specific aesthetic, says Khanna. Moving upstairs, the second floor has been opened up, removing some walls, and now has a larger dance area than the first floor. Beyond the first two performance levels, and a holdover from Rock & Roll Hotel, is the rooftop. Though without a stage, the rooftop space is filled with murals splashed across the walls, with a full bar. Transmission’s current capacity is 496, but the team is looking to grow that number. Transmission will also leverage the full kitchen that Rock & Roll Hotel operated, bringing in Third Hand Kitchen to offer a variety of food, including vegan and vegetarian options.
Khanna pointed out an upcoming show reflective of Transmission’s inclusive ethos: Black Techo Matters on Feb. 27. The event is set to be “a dynamic, collaborative night of underground electronic music celebrating Black History Month.” Khanna says that techno came from Black music origins, and this event will celebrate this genesis with a host of artists, including DJ Stingray 313, Carlos Souffront, and Femanyst.
