Arts & Entertainment
Highlights of the Blade’s 50 years
The LGBT paper of record celebrates milestone

The Washington Blade began in 1969 as a one-page, monthly newsletter compiled by volunteers and based in an activist’s apartment. It now has 17 full-time employees and a sister newspaper in Los Angeles.
1960s
October 1969: Nancy Tucker, Art Stone and a handful of activists publish the first issue of the Gay Blade. The newsletter, which is published monthly, consists of one side of a letter-size page, printed on a mimeograph machine in Tucker’s apartment. The 500 copies are distributed to the city’s gay bars.
1970s
July 1973: Original editor Nancy Tucker leaves the Blade, calling for interested parties to take over the newsletter. That call is answered by Pat Price, who goes by the pseudonym Pat Kolar. It is also the first time in the Blade’s history that stories contain bylines, although nearly all of them are pseudonyms. • July 1974: After undergoing several size changes, the Gay Blade is printed on newsprint for the first time. It uses a format that is slightly larger than tabloid size, but by November 1974, the paper is reduced to the standard tabloid format that is still used today. • November 1974: The Gay Blade moves into its first offices, located on 20th Street, N.W., in Dupont Circle. • November 1975: The Gay Blade officially changes its name to the Blade, and the newspaper also becomes incorporated as a non-profit corporation under the mantle Blade Communications Inc. • August 1976: The Blade moves to a two-room suite on the 2400 block of Pennsylvania Avenue, N.W. • November 1978: The Blade changes from being published monthly to bi-weekly, signifying the growth of D.C.’s gay readership.
1980s
February 1980: The Blade leaves its offices on Pennsylvania Avenue and moves to 930 F St., N.W., above what would later become the 9:30 Club. • October 1980: The Blade re-incorporates as a for-profit, employee-owned business and changes its name officially to the Washington Blade. • October 1984: In celebration of its 15th anniversary, the Blade presents D.C.’s first gay film festival, staged at the Biograph Theatre in Georgetown. • January 1987: The Blade starts the year with a new office, located in the Victor Building at 724 Ninth St., N.W.
1990s
September 1992: The Blade moves again, this time to 1408 U St., N.W. • April 1993: To coincide with the 1993 March on Washington, the Blade publishes its largest issue to date, containing 216 pages. • September 1995: The Blade launches its web site.
2000s
May 2001: The Blade is purchased by Window Media, a gay-owned media company that also owns the Southern Voice newspaper in Atlanta. Chris Crain, a co-founder of Window Media, becomes the Blade’s executive editor and William Waybourn its publisher. • September 2006: Crain leaves the Blade. He is succeeded by Kevin Naff, who remains the paper’s editor today. • December 2007: Lynne Brown is named publisher. • February 2008: The Blade relocates from U Street to the National Press Building at 14th and F streets, N.W. • November 2009: Window Media’s parent company files for Chapter 7 bankruptcy; Blade offices shuttered. Just four days later, the Blade staff publishes under a new name, the DC Agenda, a weekly placeholder publication.
2010s
April 2010: Business partners Lynne Brown, Kevin Naff and Brian Pitts purchase the Blade’s assets from the bankruptcy court and re-launch the Washington Blade brand. The new parent company is Brown Naff Pitts Omnimedia and its offices move to 1712 14th Street, N.W. October 2010: the Blade Foundation, a new 501(c)3, debuts to raise money to digitize the full Blade archive. January 2011: BNPO launches a new business unit, Azer Creative, a boutique marketing firm. March 2017: BNPO launches the Los Angeles Blade, a sister publication headed by publisher Troy Masters and later adds veteran journalist Karen Ocamb as news editor. 2019: The Blade announces plans for a yearlong celebration of the paper’s 50th anniversary culminating with an October 2019 gala.
Theater
‘Inherit the Wind’ isn’t about science vs. religion, but the right to think
Holly Twyford on new role and importance of listening to different opinions
‘Inherit the Wind’
Through April 5
Arena Stage
1101 Sixth St., S.W.
Tickets start at $73
Arenastage.org
When “Inherit the Wind” premiered on Broadway in 1955 with a cast of 50, its fictional setting of Hillsboro, an obscure country town described as the buckle on the Bible Belt, was filled with townspeople. And now at Arena Stage, director Ryan Guzzo Purcell has somehow crowded Arena’s large Fichandler space with just 10 actors, five principals and a delightful ensemble of five playing multiple roles.
Inspired by the real-life Scopes Monkey Trial of 1925, Jerome Lawrence and Robert E. Lee’s fictionalized work pits intellectual freedom against McCarthyism via the imagined trial of Bertram Cates (Noah Plomgren), a Tennessee educator charged with teaching evolution. Drawn into the fracas are big shot lawyers, defense attorney Henry Drummond (Billy Eugene Jones), and conservative prosecutor, Matthew Harrison Brady (Dakin Matthew). On hand to cover the closely watched story is wisecracking city slicker and Baltimore reporter E.K. Horneck (played by nonbinary actor Alyssa Keegan).
Out actor Holly Twyford, a four-time Helen Hayes Award winner who has appeared in more than 80 Washington area plays, is part of the ensemble. In jeans and boots, she memorably plays Meeker, the bailiff at the Hillsboro courthouse and the jailer responsible for holding Cates in the days leading to his trial.
Twyford also plays Sillers, a slack jawed earnest employee at the local feed store who’s called to serve on the jury. And more importantly she plays Brady’s quietly strong wife Sarah whom he affectionately calls “Mother.”
When Twyford makes her memorable first entrance as Meeker, she’s wiping shaving cream from her face with a hand towel. With shades of Mayberry R.F.D., the jail is run casually. Meeker says Cates isn’t the criminal type, and he’s not.
“There’s a joke among actors,” says Twyford. “When an actor gets his shoes, they know who their character is. And it’s sort of true. When you put on boots, heels, or flip flops, there’s a different feeling, and you walk differently.”
Similarly, shares Twyford, it goes for clothes too: “When Mother slips a pink coat dress over her cowboy boots, dons a little hat and ties her scarf, or Meeker puts on his work shirt, I know where I am. And all of that is thanks to a remarkable wardrobe crew.
“Additionally, some of the ensemble characters are played broadly which is helpful to the actors and super identifying for the audience too.”
During intermission, an audience member loudly described the production as “a proper play” filled with beautifully written passages. And it’s true. Twyford agrees, adding “That’s all true, and it’s also been was fun for us to be a part of the Arena legacy as well. Arena took ‘Inherit the Wind’ to the Soviet Union in the early ‘70s when the respective governments did a cultural exchange. At the time, the iron curtain was very much in place, and they traveled with a play about a man with his own thoughts.”
When the ensemble was cast, actors didn’t know which tracts exactly they were going to play. “What came together was a cast, diverse in different ways. Some directors, including myself when I direct, are interested in assembling a cast that’s a good group. No time for egos. It’s more about who will make the best group to help me tell this story.”
At one point during rehearsal, ensemble members began to help one another with minor onstage costume changes, like jackets and hats: “We just started doing it and Ryan [Guzzo Purcell] picked up on it, saying things really began to come alive when we helped each other, so we went with that.”
“For me, it was reminiscent of ‘The Laramie Project’ [Ford’s Theatre in 2013] when we played five different parts and we’d help each other with a vest or jacket in a similar way. It worked so well then too,” says Twyford.
“Inherit the Wind” isn’t about science versus religion. It’s about the right to think, playwright Jerome Lawrrence has been quoted as saying. And it’s a quote that makes the play that much more relevant today.
Twford remembers a chat in a hair salon: “I was getting my hair cut and the woman next to me shared that she was tired of message plays. Understandably there are theater makers who believe that message plays are the point, while others think it’s all about entertainment. I feel like ‘Inherit the Wind’ sits in a nice place in the middle.”
She adds “the work is a creative way of showing different opinions and that, I think, is what we should be paying attention to right now. Clearly, it’s not right or wrong to express what you think.”
Out & About
‘How We Survived’ panel set for March 25
‘Living History’ discussion to be held at Spark Social
Friends of Dorothy Cafe will host “Part One, Living History: How We Survived,” will take place on Wednesday, March 25 at 7:30 p.m. at Spark Social House.
This event will be moderated by Abby Stuckrath, host of the “Queering the District” podcast. Panelists include: Earline Budd, activist, trans rights advocate; TJ Flavell of Go Gay DC; DC LGBTQ+ Center Board Member David Bissette; and Alexa Rodriguez, founder and executive director, Trans-Latinx DMV.
This event is part of a four-part storytelling series called “Living History,” which centers LGBTQ elders, activists, artists, and icons sharing their lived experiences and reflections with younger generations. The conversations explore themes like resilience, community organizing, chosen family, and the lessons earlier generations hope today’s LGBTQ+ and ally communities will carry forward.
Saturday, March 21
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. It’s more than just an event; it’s an opportunity to step away from the busyness of life and invest in something meaningful, and enjoy delicious food, genuine laughter, and conversations that spark connection and inspiration. For more details, visit the Center’s website.
Sunday, March 22
LGBTQ+ Community Coffee and Conversation will be at 12 p.m. at As You Are. This event is for people looking to make more friends and meaningful connections in the LGBTQ community. Attendance is free and more details are available on Eventbrite.
Monday, March 23
Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Queer Book Club will be at 7 p.m. on Zoom. The Queer Book Club meets on the fourth Monday of the month to discuss queer books by queer authors. For more details, visit the DC Center’s website.
Tuesday, March 24
Coming Out Discussion Group will be at 7 p.m. on Zoom. This is a safe space to share experiences about coming out and discuss topics as it relates to doing so — by sharing struggles and victories the group allows those newly coming out and who have been out for a while to learn from others. For more details, visit the group’s Facebook.
Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit www.genderqueerdc.org or Facebook.
Wednesday, March 25
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit www.thedccenter.org/careers.
Thursday, March 26
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
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