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Four Larks creates beautiful monster in world-class ‘Frankenstein’

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6 years ago

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Max Baumgarten in Four Larks’ ‘Frankenstein,’ onstage at the Wallis Annenberg Center for the Performing Arts (Photo credit: Kevin Parry)

From the moment the lights come up on the Four Larks production of “Frankenstein” to reveal a genteel 19th-century sea captain, singing a period chamber song while accompanied by live acoustic musicians in front of a stark white backdrop, it’s clear you are in for something unexpected.

One might argue that the LA-based performance troupe has already made a name for itself on the basis of delivering the unexpected, through its immersive, experiential productions that exist “at the intersection of theatre, music, visual art and dance” (as their online self-description puts it), and that anyone seeing their work should therefore expect, well, the unexpected.

Even so, thanks to the cultural saturation that has made the story of Frankenstein and his misbegotten creation familiar to almost every member of modern American civilization over the age of three, an audience member walking into the Lovelace Studio Theatre at the Wallis Annenberg Center for the Performing Arts, where Four Larks has mounted their latest effort for a now-extended run through March 7, will unavoidably be carrying their own well-encoded assumptions about the tale – and they likely won’t bear more than a passing resemblance to the 1818 novel with which Mary Shelley introduced it to the world.

Consequently, many members of the crowd probably won’t know, or won’t remember, that Shelley’s horror classic begins and ends in the frozen Arctic wasteland, with a naval officer on a mission to reach the North Pole (a situation rendered perfectly and instantaneously by the arresting opening tableau), or that the title character relates his sad history as a cautionary tale against the dangers of man’s insatiable desire to bend the universe to his own will.

Four Larks, however, has not forgotten. In this ingenious cabinet-of-curiosities-style production, troupe founders Mat Sweeney and Sebastian Peters-Lazaro, along with librettist Jesse Rasmussen, strip away the generations’ worth of cultural baggage that has been piled atop Shelley’s original, allowing it to serve as both their inspiration and their road map for a densely-packed unwinding of the narrative that takes us from its pre-Victorian setting up to the precipice of our own modern future within the space of 70 minutes.

Utilizing a breathtakingly talented ensemble of twelve performers (who rarely leave the stage), the multi-media performance reclaims the author’s voice in her name by making her a central presence onstage; it is Mary Shelley herself who speaks the words as her literary stand-in enacts the story of his own act of creation, serving as a constant reminder that this quintessential tale of terror came from the imagination of a woman – a fact that has particular resonance in a world in which the patriarchal urge to dominate and control has led us to the brink of self-destruction.

Underscoring the contemporary import of that radical motif – as well as the prescience of Shelley’s not-very-subtle warning about the dangers of unchecked technological advancement – is a near-hypnotic progression of sights, sounds, and ideas that incorporates speaking, singing, movement, sound, lights, projections, and environmental effects to connect the dots between Frankenstein’s transgressive creation – or rather, the reckless hubris it represents – and a modern world living in the ominous shadow of nuclear destruction, artificial intelligence, and climate change.

Along the way, the literal aspects of the story sometimes get lost within the conceptual flourishes – especially for those unfamiliar with the original text – but in this envisioning, which Four Larks actor Lukas Papenfusscline, calls a “collaboration” with Shelley herself, that is part of the point. Though the production has clung tightly to the novel in terms of remaining faithful to its plot, it revels in translating its ideas into a stylized, contemporary vision that clearly communicates them to an audience and allowing them to hit us in a more direct and visceral way.

Still, many of the show’s highlights are masterful renditions of segments from the book. The creature’s birth, brought to life through the acrobatic contortions of actor Max Baumgarten, is a master class of physical performance that evokes the loneliness, pain and transgression of the experience while dazzling us with an unforgettable display of sheer grace and prowess. Similarly, the lengthy episode depicting the creature’s secret spying on the life of a human family through the windows of their cabin in the woods is executed with a crystalline simplicity that both conveys its essence and illuminates its profound observations about humanity. Finally, in an electrified (and electrifying) climactic flourish, the story’s last act of creation is terrifyingly rendered in a jaw-dropping combination of performance, stagecraft and technology that unites past and present in a spectral vision conveying the all-encompassing dread of a future mankind has created in its own image.

It may all sound a bit overwhelming, and that is exactly what was intended, not just by Four Larks but by Mary Shelley herself; but although there is no effort to soften the “shock and awe,” it is countered by the precision with which this intricately choreographed theatrical exercise is executed.

As Papenfusscline put it in an interview with the Blade ahead of the show’s opening, “It’s like a Swiss watch with a million little parts, some of it is the music, design, some of it is the acting, and we’re creating this intricate work of art that as a performer is endlessly rewarding. I’ve just had a blast.”

Judging by the sleeper success this world-class production has enjoyed in its world-premiere run at the Wallis, audiences are having a blast, too.

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Bars & Parties

Mixtape Sapphics hosts holiday party on Dec. 13

‘Sugar & Spice’ night planned for Saturday

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1 day ago

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December 12, 2025

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(Photo by New Africa/Bigstock)

Mixtape Sapphics will host “Sapphic Sugar & Spice: A Naughty-Nice Mixtape Holiday Party” on Saturday, Dec. 13 at 4 p.m. at Amsterdam Lounge.

This is a festive, grown holiday party for queer women and sapphics 35 and older at Revolt’s Christmas pop-up. There will be music, joy, and an optional White Elephant.

This is Mixtape Sapphics’ first-ever holiday party — a cozy, flirty, intentionally grounded night created just for queer women and sapphics 35+ who want real connection, festive joy, and a warm place to land at the end of the year.

Tickets start at $13.26 and can be purchased on Eventbrite. 

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Calendar

Calendar: December 12-18

LGBTQ events in the days to come

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1 day ago

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December 12, 2025

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Friday, December 12

“Center Aging Friday Tea Time” will be at 12 p.m. in person at the DC Center for the LGBT Community’s new location at 1827 Wiltberger St., N.W. To RSVP, visit the DC Center’s website or email [email protected]. 

Go Gay DC will host “LGBTQ+ Community Happy Hour” at 7 p.m. at Freddie’s Beach Bar and Restaurant. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite. 

Women in Their Twenties and Thirties will be at 8 p.m. on Zoom. This is a social discussion group for queer women in the Washington, D.C. area. For more details, go to Facebook. 

Saturday, December 13

Go Gay DC will host “LGBTQ+ Community Brunch” at 12 p.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation.  Attendance is free and more details are available on Eventbrite. 

The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. D.C.’s queer community will gather for good food, laughter, and community. For more information, email [email protected]. 

Sunday, December 14

SADBrunch will host “HokiSlay Drag Brunch” at 12 p.m. at Throw Social. This festive affair brings fierce performances, over-the-top holiday looks, and more sparkle than a tinsel explosion. Expect powerhouse lip-syncs, laughter, and cheer hotter than your spiked cocoa. Cake Pop will host the event. Tickets cost $28.52 and are available on Eventbrite. 

Monday, December 15

“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).

Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit genderqueerdc.org or Facebook.

Tuesday, December 16

Center Bi+ Roundtable will be at 7 p.m. on Zoom. This is an opportunity for people to gather and discuss issues related to bisexuality or as Bi individuals in a private setting. Visit Facebook or Meetup for more information.

The DC Center for the LGBT Community will host “Self-Defense Class with Avi Rome” at 12:30 p.m. Rome is a proud member of the LGBTQ community and a full-time martial arts instructor with 25 years of teaching experience. He holds a Fifth Degree Black Belt in Jhoon Rhee Tae Kwon Do and is the director of the studio’s Adaptive Tae Kwon Do program for students with special needs. He has also run numerous self-defense workshops for various groups and situations. For more details, visit the center’s website. 

Wednesday, December 17 

Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

Asexual and Aromantic Group will be at 7 p.m. on Zoom. This is a space where people who are questioning this aspect of their identity or those who identify as asexual and/or aromantic can come together, share stories and experiences, and discuss various topics. For more details, email [email protected]. 

Thursday, December 18

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.  

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Egypt

Iran, Egypt object to playing in Seattle World Cup ‘Pride Match’

Game to take place on June 26

Published

2 days ago

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December 11, 2025

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(Photo by fifg/Bigstock)

Iran and Egypt have objected to playing in a “Pride Match” that will take place in Seattle during the 2026 World Cup.

The Egyptian Football Association on Tuesday said it told FIFA Secretary General Mattias Grafström in a letter that “it categorically rejects holding any activities related to supporting (homosexuality) during the match between the Egyptian national team and Iran, scheduled to be held in Seattle, USA, on June 26, 2026, in the third round of the group stage of the 2026 World Cup.” Football Federation Islamic Republic of Iran President Mehdi Taj told ISNA, a semi-official Iranian news agency that both his country and Egypt “protested this issue.”

The 2026 World Cup will take place in the U.S., Canada, and Mexico. The draw took place at the Kennedy Center on Dec. 5.

Iran is among the handful of countries in which consensual same-sex sexual relations remain punishable by death.

The State Department’s 2023 human rights report notes that while Egyptian law “did not explicitly criminalize consensual same-sex sexual activity, authorities regularly arrested and prosecuted LGBTQI+ persons on charges including ‘debauchery,’ prostitution, and ‘violating family values.’” Egyptian authorities “also reportedly prosecuted LGBTQI+ individuals for ‘misuse of social media.’”

“This resulted in de facto criminalization of same-sex conduct and identity,” notes the report.

The 2024 human rights report the State Department released earlier this year did not include LGBTQ-specific references.

Soccer has ‘unique power to unite people across borders, cultures, and beliefs’

The June 26 match between Iran and Egypt coincides with Seattle Pride. The Washington Post reported the Seattle FIFA World Cup 2026 Local Organizing Committee decided to hold the “Pride Match” before last week’s draw.

“As the Local Organizing Committee, SeattleFWC26’s role is to prepare our city to host the matches and manage the city experience outside of Seattle Stadium,” said SeattleFWC26 Vice President of Communications Hana Tadesse in a statement the committee sent to the Washington Blade on Wednesday. “SeattleFWC26 is moving forward as planned with our community programming outside the stadium during Pride weekend and throughout the tournament, partnering with LGBTQ+ leaders, artists, and business owners to elevate existing Pride celebrations across Washington.”

“Football has a unique power to unite people across borders, cultures, and beliefs,” added Tadeese. “The Pacific Northwest is home to one of the nation’s largest Iranian-American communities, a thriving Egyptian diaspora, and rich communities representing all nations we’re hosting in Seattle. We’re committed to ensuring all residents and visitors experience the warmth, respect, and dignity that defines our region.”

The 2034 World Cup will take place in Saudi Arabia.

Consensual same-sex sexual relations remain punishable by death in the country. The 2022 World Cup took place in neighboring Qatar, despite concerns over the country’s anti-LGBTQ rights record.

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