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Gay Mister Rogers actor no longer bound by oath to children’s TV titan

François S. Clemmons shares abusive childhood, closeted career in new memoir

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François Clemmons, gay news, Washington Blade
François Clemmons (Photo by Vincent Jones; courtesy Clemmons)

‘Officer Clemmons: A Memoir’

By François S. Clemmons

Catapult

May 5

$26

288 pages

In our polarized era, few people are loved by everyone from millennials to boomers. Yet, it’s a safe bet that even Darth Vader has a soft spot for Fred Rogers, creator and host of the children’s TV show “Mister Rogers’ Neighborhood,” which ran on PBS from 1968-2001. (Rogers died in 2003.)

François S. Clemmons, the black, gay opera singer and actor, played Officer Clemmons, one of the “neighbors” on the show. He was the first African-American to have a recurring role on a children’s TV show.

The moment in 1969 when Mister Rogers, a white man, invited Officer Clemmons, a black man, to dunk his feet in a wading pool with him is etched in our DNA. In the aftermath of the assassination of Martin Luther King, Jr., it was a quiet, but radical, stand against racism.

Officer Clemmons: A Memoir,” released in early May, is Clemmons’ honest, engaging account of his life. In it, Clemmons reflects on his experience as an abused child, encounters with racism, struggle with his sexuality, professional success and friendship with Rogers. The book is filled with warmth and love — for Rogers, music, his friends, colleagues, family and children. Yet, Clemmons doesn’t sugar-coat the difficulties he’s endured or the hard truths he’s learned.

The memoir begins with a letter that Clemmons writes to Rogers years after his death. Over the decades, Clemmons writes, fans have asked him questions ranging from “How’d you meet him? to “How did you get out of the television?”

These questions were one reason Clemmons wrote the memoir. Yet, there was another compelling reason. He’d read bios of Rogers, but after reading these accounts, he writes, “I concluded that … none of the other publications were authored by a black, gay, ordained person of the theater who had worked intimately with you (Rogers) for over 30 years.”

His friendship with Roger and his work with the “Neighborhood” were vitally important to him. Yet Clemmons’ life has encompassed far more than being a “neighbor.” Born in 1945 in Blackwater, Miss., he earned a degree in music from Oberlin College and a master’s from Carnegie Mellon University. Clemmons won a Grammy Award for his recording of “Porgy and Bess” and founded the Harlem Spiritual Ensemble. From 1997-2013, he was the Alexander Twilight artist in residence and director of the Martin Luther King Spiritual Choir at Middlebury College.

As a child in a racist Southern town, Clemmons watched as his father abused his mother.

“My dreams conjured up the dangerous kitchen knife that my mother used in her fight against my daddy,” Clemmons writes.

To get away from her abusive husband, Clemmons’ mother moved the family to Youngstown, Ohio. Because he was black, his high school guidance counselors discouraged him from applying to Oberlin.

“I learned about racial segregation well above the Mason-Dixon Line,” he writes.

In Youngstown, his mother remarried. His stepfather abused Clemmons. Clemmons realized he was gay.

“My family was a traditional Baptist, God-fearing one,” Clemmons writes, “And even before I understood what homosexuality meant, it was drilled into my brain that these (gay) men were wrong in the eyes of God.” 

At Oberlin, Clemmons embraced his sexuality forming friendships and relationships with queer men both out and closeted. With his school choir, he sang in the Soviet Union. He was inspired when he met Martin Luther King Jr. when King spoke at Oberlin.

Rogers met Clemmons when he heard him sing at a church. Clemmons began appearing on Rogers’ show when he was a grad student at Carnegie Mellon. Rogers loved Clemmons as a friend and respected his talent. Yet, he was a product of his time. “If you’re gay, it doesn’t matter to me at all,” Rogers told Clemmons, “but if you’re going to be on the show … you can’t be out as gay.” 

Clemmons stayed in the closet so he could continue to work with Rogers. He tried hetero marriage (it didn’t work out). Despite having to hide his sexuality, Clemmons treasured his friendship with Rogers, his spiritual father and mentor.

If you’re looking for hope, inspiration and grit, “Officer Clemmons: A Memoir” is the book for you. 

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Books

Film fans will love ‘Hollywood Pride’

A celebration of queer representation in Hollywood

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(Book cover image courtesy of Running Press)

‘Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film
By Alonso Duralde
c.2024, Running Press
$40/322 pages

You plan to buy lots of Jujubes.

They’ll stick to your teeth, but whatever, you’ll be too busy watching to care. You like the director, you know most of the actors as first-rate, and word is that the newcomer couldn’t be more right for the role. Yep, you’ve done your homework. You read Rotten Tomatoes, you’ve looked up IMDB, and you bought your ticket online. Now all you need is “Hollywood Pride” by Alonso Duralde, and your movie night is complete.

William Kennedy Laurie Dickson likely had no idea that what he’d done was monumental.

Sometime in the very late 1800s, he set up a film camera and a wax cylinder to record a short dance between two men, hands around one another’s waists, as Dickson played the violin. It “was one of the very first movies ever shot,” and probably the first film to record men dancing rather intimately alone together.

Back then, and until well into the 20th century, there were laws against most homosexual behavior and cross-dressing, and very rigid standards of activity between men and women. This led to many “intense relationships between people of the same gender.” Still, in World War I-era theaters and though LGBTQ representation “was somewhat slower to get rolling” then, audiences saw films that might include drag (often for comedy’s sake), camp, covert affection, and “bad girls of the era.”

Thankfully, things changed because of people like Marlene Dietrich, Ramon Novarro, Claudette Colbert, George Cukor, Alfred Hitchcock, and others through the years, people who ignored social mores and the Hays Code to give audiences what they wanted. Moviegoers could find LGBTQ actors and themes in most genres by the 1940s; despite politics and a “pink scare” in the 1950s, gay actors and drag (still for comedy’s sake) still appeared on-screen; and by the 1960s, the Hays Code had been dismantled. And the Me Decade of the 1970s, says Duralde, “ended with the promise that something new and exciting was about to happen.”

So have you run out of movies on your TBW list? If so, get ready.

You never want to start a movie at the end, but it’s OK if you do that with “Hollywood Pride.” Flip to the end of the book, and look up your favorite stars or directors. Page to the end of each chapter, and you’ll find “artists of note.” Just before that: “films of note.” Page anywhere, in fact, and you’ll like what you see.

In his introduction, author Alonso Duralde apologizes if he didn’t include your favorites but “Hollywood has been a magnet for LGBTQ+ people” for more than a century, making it hard to capture it completely. That said, movie-loving readers will still be content with what’s inside this well-illustrated, well-curated, highly readable historical overview of LGBTQ films and of the people who made them.

Come to this book with a movie-lover’s sensibility and stay for the wealth of photos and side-bars. If you’re up for binge-reading, binge-watching, or Date Night, dig into “Hollywood Pride.” Popcorn not necessary, but welcome.

The Blade may receive commissions from qualifying purchases made via this post.

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Books

‘On Bette Midler’ is a divine new read

Part charming, part nostalgic, and very affectionate

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(Book cover image courtesy of Oxford University Press)

‘On Bette Midler: An Opinionated Guide’
By Kevin Winkler
c.2024, Oxford University Press 
$29.99 232 pages 

Superb.

That word’s appropriate in this situation. Fantastic, that’s another. Transcendent or celestial, if you’re of that mind, or perhaps anointed. There are many adjectives you can use for a performer who transports you, one who sings to your soul. Sensational, breathtaking, outstanding, or – as in the new book “On Bette Midler” by Kevin Winkler – another, better word may be more suitable.

Born in Hawaii a few months after the end of World War II, Bette Midler was named after film star Bette Davis. It was a perhaps auspicious start: despite a minor disparity (Midler’s mother thought the movie star’s first name was pronounced “Bet”), young Midler seemed at a young age to want to follow in her almost-namesake’s footsteps. By age 11, she’d won accolades and prizes for her performances and she “yearned to be a serious actor.” As soon as she could, she headed for New York to seize her career.

Alas, her “unconventional” looks didn’t help win the roles she wanted but she was undeterred. Unafraid of small venues and smaller gigs, she “just blossomed” in New York City. Eventually, she landed at the Improv on 44th Street; the owner there helped her negotiate some minor work. Another man became her manager and secured a job for her at the Continental, a New York bath house strictly for gay men. She was hired for eight summer nights, Friday and Saturdays only, for $50 a night.

Almost immediately, her authenticity, her raunchy language, and her ability to relate to her audience made her beloved in the gay community. Midler’s tenure at the Continental expanded and, though legend points to a longer time, she worked at the bath house for just over two years before moving on and up, to television, recording studios, movies, and into fans’ hearts. Still, asks Winkler, “Did it really matter what stage she was on? She touched audiences wherever she performed.”

In his earliest words – and, in fact, in his subtitle – author Kevin Winkler reminds readers that “On Bette Midler” is a book that’s “highly opinionated, filled with personal contemplations…” He is, in other words, a super-fan, but that status doesn’t mar this book: Winkler restrains his love of his subject, and he doesn’t gush. Whew.

That will be a relief to readers who wish to relish in their own fervor, although you’ll be glad for Winkler’s comprehensive timeline and his wide look at Midler’s career. Those things come after a long and fascinating biography that starts in 1970, takes us back to 1945, and then pulls us forward through movies, television appearances, stage performances, and songs you might remember – with appearances from Barbara Streisand, Barry Manilow, and Cher. It’s a fun trip, part confidential, part charming, part nostalgic, and very affectionate.

Despite that this is a “personal” book, it’s great for readers who weren’t around during Midler’s earliest career. If you were and you’re a fan, reading it is like communing with someone who appreciates Midler like you do. Find “On Bette Midler.” You’ll find it divine.

The Blade may receive commissions from qualifying purchases made via this post.

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Books

Architecture junkies will love new book on funeral homes

‘Preserved’ explores how death industry evolved after WWII

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(Book cover image courtesy of Johns Hopkins University Press)

‘Preserved: A Cultural History of the Funeral Home in America’
By Dean G. Lampros
c.2024, Johns Hopkins University Press 
$34.95/374 pages

Three bedrooms upstairs. That’s a minimum.

You need a big kitchen, a large back room would be a bonus, you want lots of bathrooms, and if you can get a corner lot, that’d be great. The thing you need most is a gigantic all-purpose room or maybe a ballroom because you’re planning on a lot of people. As you’ll see in the new book “Preserved” by Dean G. Lampros, not all living rooms are for the living.

Not too long ago, shortly after he took a class on historic preservation, Dean Lampros’ husband dragged him on a weekend away to explore a small town in Massachusetts. There, Lampros studied the town’s architecture and it “saddened” him to see Victorian mansions surrounded by commercial buildings. And then he had an epiphany: there was once a time when those old mansions housed funeral homes. Early twentieth-century owners of residential funeral homes were, in a way, he says, preservationists.

Prior to roughly World War II, most funerals were held at home or, if there was a need, at a funeral home, the majority of which were located in a downtown area. That changed in 1923 when a Massachusetts funeral home owner bought a large mansion in a residential area and made a “series of interior renovations” to the building. Within a few years, his idea of putting a funeral home inside a former home had spread across the country and thousands of “stately old mansions in aging residential neighborhoods” soon held death-industry businesses.

This, says, Lampros, often didn’t go over well with the neighbors, and that resulted in thousands of people upset and lawsuits filed. Some towns then passed ordinances to prohibit such a thing from happening to their citizens.

Still, funeral home owners persevered. Moving out of town helped “elevate” the trade, and it allowed Black funeral home operators to get a toehold in formerly white neighborhoods. And by having a nice – and nice-sized – facility, the operators were finally able to wrest the end-of-life process away from individuals and home-funerals.

Here’s a promise: “Preserved” is not gruesome or gore-for-the-sake-of-gore. It’s not going to keep you up all night or give you nightmares. Nope, while it might be a little stiff, it’s more of a look at architecture and history than anything else.

From California to New England, author Dean G. Lampros takes readers on a cruise through time and culture to show how “enterprising” business owners revolutionized a category and reached new customers for a once-in-a-deathtime event. Readers who’ve never considered this hidden-in-plain-sight, surprising subject – or, for that matter, the preservation or re-reclamation of those beautiful old homes – are in for a treat here. Despite that the book can lean toward the academic, a good explanatory timeline and information gleaned from historical archives and museums offer a liveliness that you’ll enjoy.

This book will delight fans of little-know history, and architecture junkies will drool over its many photographs. “Preserved” is the book you want because there are other ways to make a house a “home.”

The Blade may receive commissions from qualifying purchases made via this post.

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