a&e features
TV’s queer explosion
Every new show it seems has at least one LGBTQ character as Gen Zs embrace fluidity, eschew labels
Although queer representation is down slightly on scripted TV shows this year with 70 (9.1 percent) of all 773 series regular characters out as some form of LGBTQ+, representation has been so vast in recent years, there’s still more queer TV content than any one person could possibly consume. Last year’s record was 10.2 percent according to January’s GLAAD annual report.
Here’s what’s returning and upcoming. This list isn’t exhaustive, but it’s a thorough start.
Original dramedy “GENERA+ION” debuts this Friday on HBO Max with three episodes. Look for two more on March 25 and another on April 1. Eight more will drop later in the year. It’s being billed as a “dark yet playful half-hour series following a diverse group of high school students whose exploration of modern sexuality (devices and all) tests deeply entrenched beliefs about life, love, and the nature of family in their conservative community.” It explores sexuality and gender fluidity. Of its 15 writers, 11 are LGBTQ.
Prisha (Shalini Bathina) came out last year on Apple TV+’s dramedy “Little Voice.”
The current fourth season of ABC’s “The Good Doctor” has introduced Dr. Asher Wolke (Noah Galvin), who’s gay. Not much storyline prominence thus far, though. Mondays at 10 p.m.
“Search Party” on HBO Max is in its fourth season (a fifth has been announced) and features Elliott Goss (John Early), a gay narcissist.
CBS’s “S.W.A.T.” is in its fourth season and features Chris Alonso (Lina Esco), who’s bi and has explored polyamory. It’s on Wednesday nights at 10.
Josie Totah plays Lexi, a sharp-tongued trans cheerleader on the new “Saved by the Bell” reboot on Peacock. Premiering last November, it’s already been renewed for a second season.
Netflix’s “Bridgerton,” a period drama, debuted in December and has already been renewed for a second season. Gay content has been minor thus far. Fans were expecting more when a brief gay sex scene was teased in a trailer but didn’t show up until the fifth episode and featured a minor character at that.
The CW’s “Riverdale” (based on the Archie comics) was renewed last month for a sixth season. Season five is airing now. Despite many LGBTQ characters throughout its run, the show has been accused of queerbaiting by showing same-sex kisses in teasers that turned out to be larks or minor anomalies in the actual storylines. Fans have also balked at the limited attention same-sex couples on the show, such as Kevin Keller (Casey Cott) and Moose (Cody Kearsley) or Cheryl (Madelaine Peetsch) and Toni (Vanessa Morgan) (aka “Choni”) have received.
Season two of “Zoey’s Extraordinary Playlist” on NBC is in the midst of its second season. It moves to Sunday nights at 9 when it returns March 28. Alex Newell (“Glee”) plays Mo, Zoey’s genderfluid neighbor, a DJ.
The CW’s “Walker,” a reboot of “Walker, Texas Ranger,” debuted in January and has already been renewed for a second season. Keegan Allen plays Liam, the lead character’s gay brother. It airs Thursdays at 8 p.m.
The CW’s “Legacies,” a spin-off of “The Originals” that tells of the adventures of Hope Mikaelson (Danielle Rose Russell), airs Thursday nights at 9. It’s in the midst of its third season and has been renewed for a fourth. Character Josie Saltzman (Kaylee Bryant) is a bi witch.
NBC’s neverending warhorse “Law & Order: Special Victims Unit” continues on Thursday nights at 9 in its 22nd season (it’s been renewed for two more). It was revealed that Kat Azar Tamin (Jamie Gray Hyder) is bi in last season’s finale. It was a big deal for the franchise, which hadn’t featured a gay character in its regular cast (FBI psychiatrist George Huang) since season 12.
“Elite” continues on Netflix featuring the relationship of Omar (Omar Ayuso) and Ander (Aron Piper). This grisly Spanish teen drama has been renewed for fourth and fifth seasons. A Rolling Stone critic said the show “attempts to go places on the sexuality spectrum where few have dared to tread before.”
No date or title yet for season 10 of “American Horror Story” but look for it sometime this year on FX. Kathy Bates, Leslie Grossman, Billie Lourd, Sarah Paulson and more are back. Macaulay Culkin will also be in the cast. The show has been renewed through a 13th season. The gay-helmed series (Ryan Murphy) always features LGBTQ characters. Past seasons “Murder House,” “Asylum” and “Hotel” are fan favorites.
Netflix’s “Grace and Frankie,” starring Jane Fonda and Lily Tomlin as friends whose husbands leave them for each other, was slated to resume shooting its farewell seventh season, postponed by COVID, in June. It’s Netflix’s oldest still-running series. No premiere date has been announced.
HBO’s “Euphoria” season two is in limbo. Cast and crew were ready to start shooting last spring when COVID hit. It’s slated to start shooting in Los Angeles on April 5. No premiere date has been announced. The show has been widely praised for its varied, nuanced portrayal of Gen Z queer life with eschewing of traditional LGBTQ identities and way more fluidity on the sexual orientation and gender identity spectrums. Jules Vaughn (Hunter Schafer, who’s trans) is a trans girl who becomes friends with lead character Rue Bennett (Zendaya).
Look for the eighth season of “Brooklyn Nine-Nine” later this year. The police procedural comedy has drawn fans for its queer characters such as Rosa Diaz (Stephanie Beatriz) and Captain Raymond Holt (Andre Braugher).
Anissa (Nafessa Williams) made history on “Black Lightning” as the first queer superhero of color on TV. Look for its fourth and final season this year.
“Dear White People” wraps this year featuring Lionel Higgins (DeRon Horton), a black queer man struggling with his identity. It’s adapted from gay director Justin Simien’s film of the same name.
Filming began last month for season 11 of AMC’s “The Walking Dead” with 24 episodes slated to air into next year. A spin-off featuring Daryl and Carol is slated to air in 2023. The show drew fan ire when it axed off two queer characters (Tara and Jesus) in season nine in 2019. Character Felix Carlucci (Nico Tortorella), head of security at the Campus Colony, was kicked out of his house for coming out.
“Pose” returns May 2 with the first two episodes of its abbreviated third season. There will be just seven total. This will be the final season for the groundbreaking show that follows the ballroom scene/queer nightlife in the early 1980s. It’s another fan hit from the Ryan Murphy omniverse. The finale is June 6.
“Star Trek: Discovery’s” fourth season is slated for release on Paramount+ sometime this year. Filming started last November and is set to end in June. Paul Stamets (Anthony Rapp) and Hugh Culber (Wilson Cruz) became the first openly gay characters in a “Star Trek” franchise series in 2017. Adira (Blu del Barrio) and Gray (Ian Alexander, who is trans in “real life”) were introduced as the first trans and non-binary characters in the show’s third season. It’s set a decade before the action of the original series.
Hulu’s “The Handmaid’s Tale” returns with its fourth season on April 28. It’s also been renewed for a fifth season. Lesbian actress (and D.C. native) Samira Wiley is in the cast again as is Alexis Bledel, who plays lesbian character Emily Malek, an Emmy winner for her work on the show.
Season five of Showtime’s “Billions” was suspended mid-season last year with five episodes left to air (production — you guessed it — was halted by COVID). Although a sixth season has been ordered, no air dates for the rest of season five has been announced. Asia Kate Dillon, non-binary in “real life” and on the show, stars as Taylor Mason.
“The Conners” is airing its third season now on ABC Wednesday nights at 9. Darlene’s (out actress Sara Gilbert) 13-year-old son Mark (Ames McNamara) is non-binary and likes boys. It evolved out of the “Roseanne” reboot.
Fox’s “Call Me Kat” debuted in January and features out actor Leslie Jordan as Phil, a newly single gay man and head baker at Kat’s cafe, and out singer/actor Cheyenne Jackson playing straight as Max, Kat’s friend and former college love interest. The season wraps March 18. No word yet on a second season. It airs Thursday nights at 9. Reviews and ratings have been mixed.
The five-part Brit miniseries “It’s a Sin” finished its run in February on the U.K.’s Channel 4. Olly Alexander (Years & Years) stars as Ritchie Tozer, one of a group of gay men who move to London in 1981. The series follows them through a decade. Creator Russell T. Davies is the auteur behind the original British “Queer as Folk.” It’s streaming in the U.S. on HBO Max. Reviews have been stellar.
Sarah Paulson plays the titular role on Netflix’s “Ratched” and Cynthia Nixon co-stars as Gwendolyn, her love interest. It’s a prequel to “One Flew Over the Cuckoo’s Nest,” the classic 1975 film. No date yet on when season two will be released.
Amir Bageria plays “Sid” Pakam, a closeted gay Indian-American and high school senior on last fall’s teen Netflix drama “Grand Army.” It hasn’t been officially cancelled but no word yet on a second season either.
Also from last fall is the HBO drama “We Are Who We Are,” co-created and directed by Luca Guadagnino (“Call Me By Your Name”), a coming-of-age story set on a U.S. army base. Several of the teen characters are figuring out their sexuality and gender identity as the show unfolds. Chloe Sevigny and Alice Braga play same-sex moms to 14-year-old Fraser (Jack Dylan Grazer). “Call Me” alums Timothee Chalamet and Armie Hammer make cameos. No word yet on a second season.
No LGBT characters yet on “Emily in Paris,” the Netflix dramedy, but it’s from the “Sex and the City” creative team and has been renewed for a second season.
“The Real Housewives of Orange County” finished its 15th season in January. Braunwyn Windham-Burke, who joined in the 14th season in 2019, came out as a lesbian in December. Look for season 16 this fall.
Punky’s (Soleil Moon Frye) BFF Cherie (Cherie Johnson) is a lesbian on Peacock’s “Punky Brewster” revival. Its 10-episode debut season is available now.
The fourth and final season of Netflix’s “Atypical” will premiere sometime this year. It features lesbian duo Casey (Brigette Lundy-Paine) and Izzie (Fivel Stewart).
Peter (Brendan Scannell) is the gay best friend to Tiff (Zoe Levin), a dominatrix, on Netflix’s “Bonding.” Its second season dropped in January.
Netflix’s “Chilling Adventures of Sabrina” wraps this year and has featured a pan warlock romance and a trans character. Its fourth season dropped Dec. 31.
David Berry plays Lord John Grey who’s secretly gay and has been called “one of the most complex and interesting” characters in the historical Starz “Outlander” books and show. A sixth season is expected.
Netflix’s “The Haunting of Bly Manor” introduces Dani (Victoria Pedretti) and her girlfriend Jamie (Amelia Eve) against a gothic/thriller backdrop. No word yet on another season.
“Queer Eye” only had one season six episode in the can last year when COVID hit. Production has not resumed but the show will eventually return.
On Netflix’s “The Politician,” Ben Platt stars as Payton Hobart, a presidential hopeful who finishes high school (season one) and is now a student at NYU (season two). Rahne Jones plays Skye Leighton, his black, gender-nonconforming former running mate now helping with his campaign. Jessica Lange, Gwyneth Paltrow, Judith Light and even Bette Midler are in the cast. Another Ryan Murphy production. No word yet on a third season.
“RuPaul’s Drag Race” season 13 airs its 10th episode (of a likely 14) March 12 at 8 p.m. on VH1. That means the finale is about a month away. “All Stars” season six is expected this summer at its new home on Paramount+. A second season of the U.K. edition is airing now on BBC iPlayer.
Netflix British dramedy “Sex Education” will be back for a third season sometime this year. No date yet. Teen Otis Milburn (Asa Butterfield) lives with his sex therapist mom (Gillian Anderson) and gay best friend Eric (Ncuti Gatwa). Anwar (Chaneil Kular) is another out student in the cast. Netflix has said it’s one of its most popular shows.
Netflix’s “Special” is also in limbo it appears. In December, 2019 it was renewed for a second season but no updates since. It follows a gay man named Ryan Hayes (Ryan O’Connell; the series creator and star who based it on his memoir) with mild cerebral palsy who decides to go after the kind of life he wants. It has strong reviews and ratings on Rotten Tomatoes.
“Tiny Pretty Things” debuted in December on Netflix and features two primary gay characters. Brennan Clost plays Shane, an openly gay ballet dancer having sex with his roommate, Oren (Barton). A second season is likely but hasn’t been confirmed.
Several characters on the Netflix hit “The Umbrella Academy” are queer and it’s treated as mostly tangential. Klaus (Robert Sheehan), an addict who can commune with the dead, is pan, for one. The fantasy show is a comic book adaptation about a dysfunctional family who each possess superpowers. A third season is underway.
Canadian sitcom “Letterkenny” just released its ninth season in December and 10th and 11th seasons are planned. It streams on Hulu and tells of residents of a small farming town. Several are LGBT but it’s never treated as a big deal.
A second season of Hulu’s “Love, Victor” will premiere in June. Michael Cimino plays the title role, a hispanic gay teen. It’s a TV adaptation/spinoff of the hit 2018 gay teen dramedy “Love, Simon.”
The 2017 “Dynasty” reboot is proving surprisingly resilient. It was renewed for a fifth season last month on The CW. Production on the fourth season resumed last October and will start airing May 7. Steven, the gay son played by James Mackay, will be back. He was written out of the third season.
Hulu’s “Everything’s Gonna Be Okay,” from Aussie comedian Josh Thomas, features Matilda, a teen with high-functioning autism, exploring her fluid sexuality and her gay brother’s relationship failures. Its second season drops April 8.
The CW’s “Legends of Tomorrow” returns for its sixth season on May 2. White Canary (Caity Lotz) is bi. She’s one of the heroines in the Arrow-verse based on characters from DC Comics.
The CW’s “Batwoman” season two is airing now (regrouping with the absence of Ruby Rose in the title role) and a third season has been ordered. Ryan Wilder (Javicia Leslie)/Batwoman is now the central protagonist with Kate Kane/Batwoman presumed dead. The new Batwoman is also a lesbian.
“Wynonna Earp” returned to finish its fourth and final season this month on Syfy/Netflix. Lesbian side couple WayHaught have become fan favorites.
“Good Trouble,” with multiple queer characters, is in the midst of its third season. It’s on Wednesdays at 10 p.m. on Freeform and is a spin-off of “The Fosters.”
A “Gossip Girl” reboot on HBO Max promises “lots of queer content.” No date yet.
“This is Us” is in the middle of its fifth season. It airs Tuesday nights at 9 on NBC and features Tess Pearson (Eris Baker), who came out in season three.
“Good Girls” returned for its fourth season this month. It airs on NBC Mondays nights at 10 and features Isaiah Stannard as Ben Marks, a trans son of one of the main characters.
NBC’s “New Amsterdam” is airing its third season now and two more have been ordered. Dr. Iggy Frome (Tyler Labine) is gay. It’s on Tuesday nights at 9.
Martin Scorsese interviews lesbian Fran Lebowitz on the seven-part Netflix documentary “Pretend It’s a City.”
Max Baker (Sara Waisglass) is a lesbian teen on Netflix’s dramedy “Ginny & Georgia,” which has been generating buzz since its maiden season released on Feb. 24.
Jesse James Keitel plays Jerrie Kennedy, a transfeminine/nonbinary sex worker on ABC’s crime/thriller “Big Sky.” It’s on hiatus but will return.
Brian Michael Smith made history as the first out black trans man in a regular series role on network TV as Paul Strickland on Fox’s Ryan Murphy-created procedural drama “9-1-1- Lone Star,” a spin-off of “9-1-1.” Its second season is airing now on Monday nights at 9. There are also gay characters on both shows.
Safiya Masry (Indira Varma), a warden on ABC’s legal drama “For Life” is a lesbian. It’s in its second season now airing Wednesday nights at 10.
ABC’s new sitcom “Call Your Mother,” which debuted in January, features Lane (Austin Crute), Jackie’s (Racel Sennott) gay best friend and roommate. It’s on Wednesday nights at 9:30.
Son Ian (Cameron Monaghan) and daughter Debbie (Emma Kenney) are gay on Showtime’s longrunning dramedy “Shameless.” Its 11th season continues through April 11.
“Superstore” ends its sixth and final season on March 25. Mateo (Nico Santos) is gay on the NBC sitcom. It’s on Thursday nights at 8.
Jackson West (Titus Makin Jr.) is a gay officer on ABC’s “The Rookie,” currently in its third season. It’s on Sunday nights at 10.
Longrunning Brit soap “Hollyoaks” is teeming with LGBT characters presented multi-dimensionally. Gay character John Paul McQueen (James Sutton) has been on and off the front burner for a decade. Also worth checking out are “Emmerdale” and “EastEnders,” whose current Ben/Callum love story is a fan favorite.
Also of note:
“Tina,” a documentary on the life of rock icon Tina Turner, debuts on Sunday, March 28 at 8 p.m. on HBO and HBO Max. It promises “a wealth of never-before-seen footage, audio tapes … photos and new interviews.”
Aretha Franklin is the focus of the third season of National Geographic’s docudrama series “Genius.” Cynthia Erivo stars as the late soul legend. Its eight-episode arc debuts March 21.
Other shows with LGBT characters whose networks have said are returning but for which no date has been announced: “Betty” (HBO); “Feel Good” (Netflix); “Gentleman Jack” (BBC One/HBO); “It’s Always Sunny in Philadelphia,” renewed in December for four more seasons, a sitcom record (FX); “Killing Eve” (BBC America); “The L Word: Generation Q” (Showtime); “Sex Education” (Netflix); “Twenties” (BET); “Supergirl” (The CW); “Never Have I Ever” (Netflix); “What We Do in the Shadows” (FX); “Motherland: Fort Salem” (Freeform); “Hightown” (Starz); “The Flight Attendant” (HBO Max); “Dead to Me,” whose upcoming third season will be its last (Netflix); and “Insecure” (HBO, for a fifth and final season).
Recently ended shows with LGBT characters include: “The Queen’s Gambit” (Netflix), “How to Get Away With Murder” (ABC), “One Day at a Time” (POP), “The Magicians” (Syfy), “Schitt’s Creek” (CBC/POP TV), “Vida” (Starz), “Work in Progress” (Showtime/Hulu), “Council of Dads” (NBC), “Someone Has to Die” (Netflix), “Trinkets” (Netflix), “Teenage Bounty Hunters” (Netflix), “Tales of the City” (Netflix), “Kipo and the Age of the Wonderbeasts” (animated, Netflix) and “What/If” (Netflix).
Want a succinct overview of the history of LGBT people on TV? Check out “Visible: Out on Television,” last year’s five-episode survey on Apple TV+ from Ryan White.
a&e features
Marc Shaiman reflects on musical success stories
In new memoir, Broadway composer talks ‘Fidler,’ ‘Wiz,’ and stalking Bette Midler
If you haven’t heard the name Marc Shaiman, you’ve most likely heard his music or lyrics in one of your favorite Broadway shows or movies released in the past 50 years. From composing the Broadway scores for Hairspray and Catch Me if You Can to most recently working on Only Murders in the Building, Hocus Pocus 2, and Mary Poppins Returns, the openly queer artist has had a versatile career — one that keeps him just an Oscar away from EGOT status.
The one thing the award-winning composer, lyricist, and writer credits with launching his successful career? Showing up, time and time again. Eventually, he lucked out in finding himself at the right place at the right time, meeting industry figures like Rob Reiner, Billy Crystal, and Bette Midler, who were immediately impressed with his musical instincts on the piano.
“Put my picture under the dictionary definition for being in the right place at the right time,” Shaiman says. “What I often try to say to students is, ‘Show up. Say yes to everything.’ Because you never know who is in the back of the theater that you had no idea was going to be there. Or even when you audition and don’t get the part. My book is an endless example of dreams coming true, and a lot of these came true just because I showed up. I raised my hand. I had the chutzpah!”
Recalling one example from his memoir, titled Never Mind the Happy: Showbiz Stories from a Sore Winner ( just hit bookshelves on Jan. 27), Shaiman says he heard Midler was only hiring Los Angeles-based artists for her world tour. At the young age of 20, the New York-based Shaiman took a chance and bought the cheapest flight he could find from JFK. Once landing in L.A., he called up Midler and simply asked: “Where’s rehearsal?”
“Would I do that nowadays? I don’t know,” Shaiman admits. “But when you’re young and you’re fearless … I was just obsessed, I guess you could say. Maybe I was a stalker! Luckily, I was a stalker who had the goods to be able to co-create with her and live up to my wanting to be around.”
On the occasion of Never Mind the Happy’s official release, the Bladehad the opportunity to chat with Shaiman about his decades-spanning career. He recalls the sexual freedom of his community theater days, the first time he heard someone gleefully yell profanities during a late screening of The Rocky Horror Picture Show, and why the late Rob Reiner was instrumental to both his career and his lasting marriage to Louis Mirabal. This interview has been edited and condensed.
BLADE: Naturally, a good place to start would be your book, “Never Mind the Happy.” What prompted you to want to tell the story of your life at this point in your career?
SHAIMAN: I had a couple of years where, if there was an anniversary of a movie or a Broadway show I co-created, I’d write about it online. People were always saying to me, “Oh my God, you should write a book!” But I see them say that to everybody. Someone says, “Oh, today my kitten knocked over the tea kettle.” “You should write a book with these hysterical stories.” So I just took it with a grain of salt when people would say that to me. But then I was listening to Julia Louis-Dreyfus’ podcast, and Jane Fonda was on talking about her memoir — not that I’m comparing myself to a career like Jane Fonda’s — but she felt it was time to take a life review. That really stuck in my head. At the time, I was sulking or moping about something that had not gone as well as I wished. And I guess I kind of thought, “Let me look back at all these things that I have done.” Because I have done a lot. I’m just weeks short of my 50th year in show business, despite how youthful I look! I just sat down and started writing before anyone asked, as far as an actual publisher.
I started writing as a way to try to remind myself of the joyous, wonderful things that have happened, and for me not to always be so caught up on what didn’t go right. I’ve been telling some of these stories over the years, and it was really fun to sit down and not just be at a dinner party telling a story. There’s something about the written word and really figuring out the best way to tell the story and how to get across a certain person’s voice. I really enjoyed the writing. It was the editing that was the hard part!
BLADE: You recall experiences that made you fall in love with the world of theater and music, from the days you would skip class to go see a show or work in regional productions. What was it like returning to those early memories?
SHAIMAN: Wonderful. My few years of doing community theater included productions that were all kids, and many productions with adults, where I was this freaky little 12-year-old who could play show business piano beyond my years. It was just bizarre! Every time a director would introduce me to another cast of adults, they’d be like, “Are you kidding?” I’d go to the piano, and I would sightread the overture to Funny Girl, and everybody said, “Oh, OK!” Those were just joyous, wonderful years, making the kind of friends that are literally still my friends. You’re discovering musical theatre, you’re discovering new friends who have the same likes and dreams, and discovering sex. Oh my god! I lost my virginity at the opening night of Jesus Christ Superstar, so I’m all for community theater!
BLADE: What do you recall from your early experiences watching Broadway shows? Did that open everything up for you?
SHAIMAN: I don’t remember seeing Fiddler on the Roof when I was a kid, but I remember being really enthralled with this one woman’s picture in the souvenir folio — the smile on her face as she’s looking up in the pictures or looking to her father for approval. I always remember zooming in on her and being fascinated by this woman’s face: turns out it was Bette Midler. So my love for Bette Midler began even before I heard her solo records.
Pippin and The Wiz were the first Broadway musicals I saw as a young teenager who had started working in community theater and really wanted to be a part of it. I still remember Pippin with Ben Vereen and all those hands. At the time, I thought getting a seat in the front row was really cool — I’ve learned since that it only hurts your neck, but I remember sitting in the front row at The Wiz as Stephanie Mills sang Home. Oh my god, I can still see it right now. And then I saw Bette Midler in concert, finally, after idolizing her and being a crazed fan who did nothing but listen to her records, dreaming that someday I’d get to play for her. And it all came true even before I turned 18 years old. I just happened to be in the right place at the right time, and met one of her backup singers and became their musical director. I was brought to a Bette Midler rehearsal. I still hadn’t even turned 18, she heard me play and said, “Stick around.” And I’ve stuck around close to 55 years! She’s going to interview me in L.A. at the Academy Museum. Would I have ever thought that Bette Midler would say yes to sitting with me, interviewing me about my life and career?
BLADE: That’s amazing. Has she had a chance to read the book yet?
SHAIMAN: She read it. We just talked yesterday, and she wants to ask the right questions at the event. And she even said to me, “Marc, I wasn’t even aware of all that you’ve done.” We’ve been great friends for all these years, but sometimes months or almost years go by where you’re not completely in touch.
a&e features
D.C. LGBTQ sports bar Pitchers listed for sale
Move follows months of challenges for local businesses in wake of Trump actions
A Santa Monica, Calif.-based commercial real estate company called Zacuto Group has released a 20-page online brochure announcing the sale of the D.C. LGBTQ sports bar Pitchers and its adjoining lesbian bar A League of Her Own.
The brochure does not disclose the sale price, and Pitchers owner David Perruzza told the Washington Blade he prefers to hold off on talking about his plans to sell the business at this time.
He said the sale price will be disclosed to “those who are interested.”
“Matthew Luchs and Matt Ambrose of the Zacuto Group have been selected to exclusively market for sale Pitchers D.C., located at 2317 18th Street, NW in Washington, D.C located in the vibrant and nightlife Adams Morgan neighborhood,” the sales brochure states.
“Since opening its doors in 2018, Pitchers has quickly become the largest and most prominent LGBTQ+ bar in Washington, D.C., serving as a cornerstone of D.C.’s modern queer nightlife scene,” it says, adding, “The 10,000+ SF building designed as a large-scale inclusive LGBTQ+ sports bar and social hub, offering a welcoming environment for the entire community.”
It points out that the Pitchers building, which has two years remaining on its lease and has a five-year renewal option, is a multi-level venue that features five bar areas, “indoor and outdoor seating, and multiple patios, creating a dynamic and flexible layout that supports a wide range of events and high customer volume.”
“Pitchers D.C. is also home to A League of Her Own, the only dedicated lesbian bar in Washington, D.C., further strengthening its role as a vital and inclusive community space at a time when such venues are increasingly rare nationwide,” the brochure says.
Zacuto Group sales agent Luchs, who serves as the company’s senior vice president, did not immediately respond to a phone message left by the Blade seeking further information, including the sale price.
News of Perruzza’s decision to sell Pitchers and A League of Her Own follows his Facebook postings last fall saying Pitchers, like other bars in D.C., was adversely impacted by the Trump administration’s deployment of National Guard soldiers on D.C. streets
In an Oct. 10 Facebook post, Perruzza said he was facing, “probably the worst economy I have seen in a while and everyone in D.C. is dealing with the Trump drama.” He told the Blade in a Nov. 10 interview that Pitchers continued to draw a large customer base, but patrons were not spending as much on drinks.
The Zacuto Group sales brochure says Pitchers currently provides a “rare combination of scale, multiple bars, inclusivity, and established reputation that provides a unique investment opportunity for any buyer seeking a long-term asset with a loyal and consistent customer base,” suggesting that, similar to other D.C. LGBTQ bars, business has returned to normal with less impact from the Trump related issues.
The sales brochure can be accessed here.
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Alexander Skarsgård describes ‘Pillion’ in 3 words: lube, sweat, leather
Highly anticipated film a refreshingly loving look at Dom-sub life
Whether you’ve seen him in popular HBO series like “True Blood,” “Succession,” or “Big Little Lies,” the dynamic Swedish actor Alexander Skarsgård has that smoldering gaze that immediately draws viewers in.
Following in the footsteps of his father Stellan, (who just won the Golden Globe for “Sentimental Value”) the Golden Globe, Emmy, and SAG winner Skarsgård continues to be an actor who is fearless in the roles he takes on.
That courageousness is evident in Skarsgård’s latest film, the BDSM black comedy “Pillion,”which he also executive produces. He plays Ray, the handsome, hyper-dominant leader of a gay bike gang. The film was written and directed by Harry Lighton, and is based on the 2020 novel “Box Hill,” by Adam Mars-Jones.
“This was a small film by a first time filmmaker and it wasn’t financed when I read it,” Skarsgård told journalists at a recent awards news conference. “And I felt that, if I could help in any small way of getting it financed, I wanted to, because I thought it was such an incredible screenplay and I believe in Harry Lighton so much as a filmmaker. And it felt tonally unlike anything I’d ever read. It was such an exciting, surprising read.”
Skarsgård was blown away by the quality of the unconventional script. “When I heard BDSM relationship, biker culture, I expected something very different. I didn’t expect it to have so much sweetness and tenderness and awkwardness.”
For the sex scenes and nudity with co-star, Harry Melling — who excels in his portrayal as Ray’s submissive Colin — Skarsgård talked very early on with Lighton about how he wanted to shoot those scenes, and why they were in the film.
“I often find sex scenes quite boring in movies because a lot of the tension is in the drama leading up to two people hooking up, or several people hooking up, as in our movie. But what I really enjoyed about these scenes — they are all pivotal moments in Colin’s journey and his development. It’s the first time he gets a blowjob. It’s the first time he has sex. It’s the first time he has an orgasm. And these are pivotal moments for him, so they mean a lot. And that made those scenes impactful and important.”
Skarsgård was happy that Lighton’s script didn’t have gratuitous scenes that shock for the sake of just shocking. “I really appreciated that because I find that when this subculture is portrayed, it’s often dangerous and crazy and wild and something like transgressive.”
He continued: “I really love that Harry wanted it to feel real. It can be sexy and intense, but also quite loving and sweet. And you can have an orgy in the woods, rub up against a Sunday roast with the family. And that kind of feels real.”
One of the obstacles Skarsgård had to work with was Ray’s emotionally distant personality.
“Ray is so enigmatic throughout the film and you obviously never find out anything about him, his past. He doesn’t reveal much. He doesn’t expose himself. And that was a challenge to try to make the character interesting, because that could easily feel quite flat…That was something that I thought quite a lot about in pre production…there are no big dramatic shifts in his arc.”
For the film, Lighton consulted the GMBCC, the UK’s largest LGBT+ biker club, attending their annual meetup at which 80 riders were present.
“Working with these guys was extraordinary and it brought so much texture and richness to the film to have them present,” said Skarsgård. “They were incredibly sweet and guiding with us — I can’t imagine making this movie without them. I’d go on a road trip with them anytime.”
Added Skarsgård: “To sum up ‘Pillion’ in three words: lube, sweat, and leather. I hope people will connect with Colin and his journey, and come to understand the nuance and complexity of his bond with Ray.”
This year is shaping up to be a busy one for Skarsgård. “Pillion” premieres in select cities on Feb. 6 and then moves into wide release on Feb. 20. After that for Skarsgård is a role in queer ally Charli XCX’s mockumentary, “The Moment,” which premieres at the Sundance Film Festival. HIs sci-fi comedy series, Apple TV’s “Murderbot,” which he also executive produces, will begin filming its second season. And this weekend, he hosts “Saturday Night Live.”
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