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Lil Nas X receives “Suicide Prevention Advocate of the Year Award”

Through his bold music Lil Nas X continues to fight for mainstream queer representation and elevate important issues around mental health

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Screenshot via Lil Nas X MONTERO Call Me By Your Name Official Video

NEW YORK – The Trevor Project, the world’s largest suicide prevention and crisis intervention organization for lesbian, gay, bisexual, transgender, queer & questioning (LGBTQ) young people, honored Grammy Award-winning artist Lil Nas X this week with its inaugural Suicide Prevention Advocate of the Year Award.

Lil Nas X has demonstrated an ongoing commitment to supporting The Trevor Project’s mission to end suicide among LGBTQ young people with his openness about struggling with his sexuality and suicidal ideation, his continued advocacy around mental health issues, and his unapologetic celebration of his queer identity.

The Trevor Project’s inaugural Suicide Prevention Advocate of the Year Award marks the start of National Suicide Prevention Awareness Month and the crucial work that needs to be done to end suicide among LGBTQ youth.

According to The Trevor Project’s National Survey on LGBTQ Youth Mental Health, 42% of LGBTQ youth seriously considered attempting suicide in the past year, including more than half of transgender and nonbinary youth. Due to higher rates of discrimination, rejection, and social isolation, LGBTQ young people are at increased risk for negative mental health outcomes such as anxiety, depression, seriously considering suicide, and more.

In accepting the award, Lil Nas X said: “Thank you so much to The Trevor Project for this award and for all they do for the LGBTQ community. Discrimination around sexuality and gender identity is still very real, and our community deserves to feel supported and totally free to be themselves. I often get messages from fans telling me about their struggles with depression and suicidal thoughts, and it made me realize that this was something bigger than myself. If using my voice and expressing myself in my music can help even one kid out there who feels alone, then it was all worth it.”

Amidst a record-breaking year for anti-LGBTQ legislation and violence against the LGBTQ community, The Trevor Project is highlighting the importance of queer representation in the media, and the powerful message of visibility and hope it sends to LGBTQ young people.

“The Trevor Project is thrilled to honor Lil Nas X with the Suicide Prevention Advocate of the Year Award,” said Amit Paley, CEO and Executive Director at The Trevor Project.

“His vulnerability in his journey to self acceptance and expression has created space for candid conversations around mental health and sexual identity, signaling to LGBTQ youth that they are not alone. The Trevor Project’s research shows that over 80% of LGBTQ youth say that LGBTQ celebrities positively influence how they feel about being LGBTQ, further affirming the cultural impact of Lil Nas X being proud of who he is and an ideal recipient of this inaugural award.”

Following his chart-topping, genre-defying debut “Old Town Road” in 2019, Lil Nas X quickly became a global LGBTQ icon recognized for his fearless effort in changing the status quo around what it means to be queer and Black in the mainstream music industry. Throughout his career, he has been an outspoken and unapologetic advocate for the LGBTQ community, using his platform to shed light on mental health issues many LGBTQ young people face.

In February, Lil Nas X shared a series of intimate TikTok videos documenting his life story, including his silent battle with depression, anxiety, and suicidal ideation during his rise to fame. The following month, he penned a heartfelt letter to his 14-year-old self about coming out publicly to mark the release of “MONTERO (Call Me By Your Name).”

In the letter he states, “I know we promised to die with the secret, but this will open doors for many other queer people to simply exist.” In May, he released the music video for his single “SUN GOES DOWN,” which depicts Lil Nas X uplifting a younger version of himself in high school when he was contemplating suicide and struggling to come to terms with his sexuality.

Through his bold music videos, poignant song lyrics, and candor on social media, Lil Nas X continues to fight for mainstream queer representation and elevate important issues around mental health, igniting change and spotlighting the experiences of LGBTQ young people around the world. 

In news related to National Suicide Prevention Awareness Month, the California State Senate passed the LGBTQ Violent Death Data Collection Pilot Program (AB 1094) this week. The bill now heads to Governor Gavin Newsom for his signature.

The bill, introduced by Assemblymember Dr. Joaquin Arambula (D-Fresno) and co-sponsored by Senator Susan Eggman (D-Stockton), would equip coroners and medical examiners in six participating counties across California with the training necessary to identify and collect data on an individual’s sexual orientation or gender identity (SOGI) in cases of violent death, including homicide, suicide and the use of deadly force by police.

The number of LGBTQ youth who actually die by suicide (or other violent deaths) remains unknown due to the lack of SOGI data collected on a broad scale in the U.S. However, suicide is the second leading cause of death among youth ages 10–24 nationwide — and according to the CDC, LGBTQ youth are more than four times more likely to attempt suicide than their straight/cisgender peers.

The Trevor Project’s 2021 National Survey on LGBTQ Youth Mental Health found that 42% of LGBTQ youth seriously considered attempting suicide in the past year, including more than half of transgender and nonbinary youth. 

“The first of its kind in the nation, this bill marks an important milestone in the movement to protect and save LGBTQ lives,” said Amit Paley, CEO and Executive Director for The Trevor Project. “There is a critical need to track cases of suicide, homicide, and police brutality among the LGBTQ community, allowing us to better understand these crises, respond more effectively with solutions, and help prevent future tragedies. We thank all the sponsors and advocates for championing this historic bill in California and hope that decision-makers across the country take note of this pilot program to model it in their respective communities.”

“I believe AB 1094 is an important and humane step in ultimately preventing these deaths. Data may sound like a scientific subject, but, at its core, it leads us to better help and serve all our communities with compassion and empathy,” said Assemblymember Arambula. “We must have better data to understand the scope of what’s happening in our LGBTQ community – especially among the youth – when it comes to violent deaths, including homicide and suicide. This information will be a crucial guidepost to prevention efforts and saving lives.”

AB 1094 would establish a three-year pilot program with the California Department of Public Health (CDPH) where coroners and medical examiners would be trained in cultural competency and best practices on how to properly identify a victim’s sexual orientation or gender identity before being required to do so. The bill explicitly requires respect for confidentiality — all personally identifiable information, including names, addresses, and dates of birth would be removed before being reported.

“Recognizing LGBTQ identity matters — in life and in death,” said Carrie Davis (she/her pronouns), Chief Community Officer for The Trevor Project. “Particular members of our LGBTQ community, such as transgender women and queer young people of color, face disproportionate rates of violence and suicide. Better data around the occurrence of these preventable deaths can help us create life-saving programs to protect our most marginalized community members.”

“AB 1094 will begin the work to bring dignity and visibility to those in the LGBTQ community who have been taken from us too soon,” said Senator Eggman. “I’m grateful for the broad support in the Senate today because this will allow us to craft better informed solutions to prevent this violence and save lives.”

This bill comes at a time with public support for the tracking of this type of data. According to polling conducted by The Trevor Project and Morning Consult, more than four in five adults (84%) feel it is important to include sexual orientation and gender identity when evaluating suicide and other violent death statistics, including 91% of Democrats, 80% of independents and 77% of Republicans.

If you or someone you know needs help or support, The Trevor Project’s trained crisis counselors are available 24/7 at 1-866-488-7386, via chat www.TheTrevorProject.org/Help, or by texting START to 678678.

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Movies

‘Hedda’ brings queer visibility to Golden Globes

Tessa Thompson up for Best Actress for new take on Ibsen classic

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Tessa Thompson is nominated for Best Performance by a Female Actor in a motion picture for ‘Hedda’ at Sunday’s Golden Globes. (Image courtesy IMDB)

The 83rd annual Golden Globes awards are set for Sunday (CBS, 8 p.m. EST). One of the many bright spots this awards season is “Hedda,” a unique LGBTQ version of the classic Henrik Ibsen story, “Hedda Gabler,” starring powerhouses Nina Hoss, Tessa Thompson and Imogen Poots. A modern reinterpretation of a timeless story, the film and its cast have already received several nominations this awards season, including a Globes nod for Best Actress for Thompson.

Writer/director Nia DaCosta was fascinated by Ibsen’s play and the enigmatic character of the deeply complex Hedda, who in the original, is stuck in a marriage she doesn’t want, and still is drawn to her former lover, Eilert. 

But in DaCosta’s adaptation, there’s a fundamental difference: Eilert is being played by Hoss, and is now named Eileen.

“That name change adds this element of queerness to the story as well,” said DaCosta at a recent Golden Globes press event. “And although some people read the original play as Hedda being queer, which I find interesting, which I didn’t necessarily…it was a side effect in my movie that everyone was queer once I changed Eilert to a woman.”

She added: “But it still, for me, stayed true to the original because I was staying true to all the themes and the feelings and the sort of muckiness that I love so much about the original work.”

Thompson, who is bisexual, enjoyed playing this new version of Hedda, noting that the queer love storyline gave the film “a whole lot of knockoff effects.”

“But I think more than that, I think fundamentally something that it does is give Hedda a real foil. Another woman who’s in the world who’s making very different choices. And I think this is a film that wants to explore that piece more than Ibsen’s.”

DaCosta making it a queer story “made that kind of jump off the page and get under my skin in a way that felt really immediate,” Thompson acknowledged.

“It wants to explore sort of pathways to personhood and gaining sort of agency over one’s life. In the original piece, you have Hedda saying, ‘for once, I want to be in control of a man’s destiny,’” said Thompson.

“And I think in our piece, you see a woman struggling with trying to be in control of her own. And I thought that sort of mind, what is in the original material, but made it just, for me, make sense as a modern woman now.” 

It is because of Hedda’s jealousy and envy of Eileen and her new girlfriend (Poots) that we see the character make impulsive moves.

“I think to a modern sensibility, the idea of a woman being quite jealous of another woman and acting out on that is really something that there’s not a lot of patience or grace for that in the world that we live in now,” said Thompson.

“Which I appreciate. But I do think there is something really generative. What I discovered with playing Hedda is, if it’s not left unchecked, there’s something very generative about feelings like envy and jealousy, because they point us in the direction of self. They help us understand the kind of lives that we want to live.”

Hoss actually played Hedda on stage in Berlin for several years previously.

“When I read the script, I was so surprised and mesmerized by what this decision did that there’s an Eileen instead of an Ejlert Lovborg,” said Hoss. “I was so drawn to this woman immediately.”

The deep love that is still there between Hedda and Eileen was immediately evident, as soon as the characters meet onscreen.

“If she is able to have this emotion with Eileen’s eyes, I think she isn’t yet because she doesn’t want to be vulnerable,” said Hoss. “So she doesn’t allow herself to feel that because then she could get hurt. And that’s something Eileen never got through to. So that’s the deep sadness within Eileen that she couldn’t make her feel the love, but at least these two when they meet, you feel like, ‘Oh my God, it’s not yet done with those two.’’’

Onscreen and offscreen, Thompson and Hoss loved working with each other.

“She did such great, strong choices…I looked at her transforming, which was somewhat mesmerizing, and she was really dangerous,” Hoss enthused. “It’s like when she was Hedda, I was a little bit like, but on the other hand, of course, fascinated. And that’s the thing that these humans have that are slightly dangerous. They’re also very fascinating.”

Hoss said that’s what drew Eileen to Hedda.  

“I think both women want to change each other, but actually how they are is what attracts them to each other. And they’re very complimentary in that sense. So they would make up a great couple, I would believe. But the way they are right now, they’re just not good for each other. So in a way, that’s what we were talking about. I think we thought, ‘well, the background story must have been something like a chaotic, wonderful, just exploring for the first time, being in love, being out of society, doing something slightly dangerous, hidden, and then not so hidden because they would enter the Bohemian world where it was kind of okay to be queer and to celebrate yourself and to explore it.’”

But up to a certain point, because Eileen started working and was really after, ‘This is what I want to do. I want to publish, I want to become someone in the academic world,’” noted Hoss.

Poots has had her hands full playing Eileen’s love interest as she also starred in the complicated drama, “The Chronology of Water” (based on the memoir by Lydia Yuknavitch and directed by queer actress Kristen Stewart).

“Because the character in ‘Hedda’ is the only person in that triptych of women who’s acting on her impulses, despite the fact she’s incredibly, seemingly fragile, she’s the only one who has the ability to move through cowardice,” Poots acknowledged. “And that’s an interesting thing.”

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Arts & Entertainment

2026 Most Eligible LGBTQ Singles nominations

We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

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We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

Are you or a friend looking to find a little love in 2026? We are looking for the most eligible LGBTQ singles in the Washington, D.C. region. Nominate you or your friends until January 23rd using the form below or by clicking HERE.

Our most eligible singles will be announced online in February. View our 2025 singles HERE.

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Photos

PHOTOS: Freddie’s Follies

Queens perform at weekly Arlington show

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The Freddie's Follies drag show was held at Freddie's Beach Bar in Arlington, Va. on Saturday. (Washington Blade photo by Michael Key)

The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.

(Washington Blade photos by Michael Key)

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