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Lil Nas X receives “Suicide Prevention Advocate of the Year Award”

Through his bold music Lil Nas X continues to fight for mainstream queer representation and elevate important issues around mental health

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Screenshot via Lil Nas X MONTERO Call Me By Your Name Official Video

NEW YORK – The Trevor Project, the world’s largest suicide prevention and crisis intervention organization for lesbian, gay, bisexual, transgender, queer & questioning (LGBTQ) young people, honored Grammy Award-winning artist Lil Nas X this week with its inaugural Suicide Prevention Advocate of the Year Award.

Lil Nas X has demonstrated an ongoing commitment to supporting The Trevor Project’s mission to end suicide among LGBTQ young people with his openness about struggling with his sexuality and suicidal ideation, his continued advocacy around mental health issues, and his unapologetic celebration of his queer identity.

The Trevor Project’s inaugural Suicide Prevention Advocate of the Year Award marks the start of National Suicide Prevention Awareness Month and the crucial work that needs to be done to end suicide among LGBTQ youth.

According to The Trevor Project’s National Survey on LGBTQ Youth Mental Health, 42% of LGBTQ youth seriously considered attempting suicide in the past year, including more than half of transgender and nonbinary youth. Due to higher rates of discrimination, rejection, and social isolation, LGBTQ young people are at increased risk for negative mental health outcomes such as anxiety, depression, seriously considering suicide, and more.

In accepting the award, Lil Nas X said: “Thank you so much to The Trevor Project for this award and for all they do for the LGBTQ community. Discrimination around sexuality and gender identity is still very real, and our community deserves to feel supported and totally free to be themselves. I often get messages from fans telling me about their struggles with depression and suicidal thoughts, and it made me realize that this was something bigger than myself. If using my voice and expressing myself in my music can help even one kid out there who feels alone, then it was all worth it.”

Amidst a record-breaking year for anti-LGBTQ legislation and violence against the LGBTQ community, The Trevor Project is highlighting the importance of queer representation in the media, and the powerful message of visibility and hope it sends to LGBTQ young people.

“The Trevor Project is thrilled to honor Lil Nas X with the Suicide Prevention Advocate of the Year Award,” said Amit Paley, CEO and Executive Director at The Trevor Project.

“His vulnerability in his journey to self acceptance and expression has created space for candid conversations around mental health and sexual identity, signaling to LGBTQ youth that they are not alone. The Trevor Project’s research shows that over 80% of LGBTQ youth say that LGBTQ celebrities positively influence how they feel about being LGBTQ, further affirming the cultural impact of Lil Nas X being proud of who he is and an ideal recipient of this inaugural award.”

Following his chart-topping, genre-defying debut “Old Town Road” in 2019, Lil Nas X quickly became a global LGBTQ icon recognized for his fearless effort in changing the status quo around what it means to be queer and Black in the mainstream music industry. Throughout his career, he has been an outspoken and unapologetic advocate for the LGBTQ community, using his platform to shed light on mental health issues many LGBTQ young people face.

In February, Lil Nas X shared a series of intimate TikTok videos documenting his life story, including his silent battle with depression, anxiety, and suicidal ideation during his rise to fame. The following month, he penned a heartfelt letter to his 14-year-old self about coming out publicly to mark the release of “MONTERO (Call Me By Your Name).”

In the letter he states, “I know we promised to die with the secret, but this will open doors for many other queer people to simply exist.” In May, he released the music video for his single “SUN GOES DOWN,” which depicts Lil Nas X uplifting a younger version of himself in high school when he was contemplating suicide and struggling to come to terms with his sexuality.

Through his bold music videos, poignant song lyrics, and candor on social media, Lil Nas X continues to fight for mainstream queer representation and elevate important issues around mental health, igniting change and spotlighting the experiences of LGBTQ young people around the world. 

In news related to National Suicide Prevention Awareness Month, the California State Senate passed the LGBTQ Violent Death Data Collection Pilot Program (AB 1094) this week. The bill now heads to Governor Gavin Newsom for his signature.

The bill, introduced by Assemblymember Dr. Joaquin Arambula (D-Fresno) and co-sponsored by Senator Susan Eggman (D-Stockton), would equip coroners and medical examiners in six participating counties across California with the training necessary to identify and collect data on an individual’s sexual orientation or gender identity (SOGI) in cases of violent death, including homicide, suicide and the use of deadly force by police.

The number of LGBTQ youth who actually die by suicide (or other violent deaths) remains unknown due to the lack of SOGI data collected on a broad scale in the U.S. However, suicide is the second leading cause of death among youth ages 10–24 nationwide — and according to the CDC, LGBTQ youth are more than four times more likely to attempt suicide than their straight/cisgender peers.

The Trevor Project’s 2021 National Survey on LGBTQ Youth Mental Health found that 42% of LGBTQ youth seriously considered attempting suicide in the past year, including more than half of transgender and nonbinary youth. 

“The first of its kind in the nation, this bill marks an important milestone in the movement to protect and save LGBTQ lives,” said Amit Paley, CEO and Executive Director for The Trevor Project. “There is a critical need to track cases of suicide, homicide, and police brutality among the LGBTQ community, allowing us to better understand these crises, respond more effectively with solutions, and help prevent future tragedies. We thank all the sponsors and advocates for championing this historic bill in California and hope that decision-makers across the country take note of this pilot program to model it in their respective communities.”

“I believe AB 1094 is an important and humane step in ultimately preventing these deaths. Data may sound like a scientific subject, but, at its core, it leads us to better help and serve all our communities with compassion and empathy,” said Assemblymember Arambula. “We must have better data to understand the scope of what’s happening in our LGBTQ community – especially among the youth – when it comes to violent deaths, including homicide and suicide. This information will be a crucial guidepost to prevention efforts and saving lives.”

AB 1094 would establish a three-year pilot program with the California Department of Public Health (CDPH) where coroners and medical examiners would be trained in cultural competency and best practices on how to properly identify a victim’s sexual orientation or gender identity before being required to do so. The bill explicitly requires respect for confidentiality — all personally identifiable information, including names, addresses, and dates of birth would be removed before being reported.

“Recognizing LGBTQ identity matters — in life and in death,” said Carrie Davis (she/her pronouns), Chief Community Officer for The Trevor Project. “Particular members of our LGBTQ community, such as transgender women and queer young people of color, face disproportionate rates of violence and suicide. Better data around the occurrence of these preventable deaths can help us create life-saving programs to protect our most marginalized community members.”

“AB 1094 will begin the work to bring dignity and visibility to those in the LGBTQ community who have been taken from us too soon,” said Senator Eggman. “I’m grateful for the broad support in the Senate today because this will allow us to craft better informed solutions to prevent this violence and save lives.”

This bill comes at a time with public support for the tracking of this type of data. According to polling conducted by The Trevor Project and Morning Consult, more than four in five adults (84%) feel it is important to include sexual orientation and gender identity when evaluating suicide and other violent death statistics, including 91% of Democrats, 80% of independents and 77% of Republicans.

If you or someone you know needs help or support, The Trevor Project’s trained crisis counselors are available 24/7 at 1-866-488-7386, via chat www.TheTrevorProject.org/Help, or by texting START to 678678.

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Photos

PHOTOS: Night of Champions

Team DC holds annual awards gala

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Team DC President Miguel Ayala speaks at the 2024 Night of Champions Awards on Saturday. (Washington Blade photo by Michael Key)

Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.

(Washington Blade photos by Michael Key)

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Photos

PHOTOS: National Cannabis Festival

Annual event draws thousands to RFK

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Growers show their strains at The National Cannabis Festival on Saturday. (Washington Blade photo by Michael Key)

The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.

(Washington Blade photos by Michael Key)

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Theater

‘Amm(i)gone’ explores family, queerness, and faith

A ‘fully autobiographical’ work from out artist Adil Mansoor

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Adil Mansoor in ‘Amm(i)gone’ at Woolly Mammoth Theatre. (Photo by Kitoko Chargois)

‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W. 
$60-$70
Woollymammoth.net

“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre. 

Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother. 

Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.

WASHINGTON BLADE: What spurred you to create “Amm(i)gone”? 

ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?

I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs. 

BLADE: Are you more director than actor?

MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning. 

I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention. 

BLADE: Describe your mom. 

MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me. 

She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.

BLADE: So, you weren’t exactly hiding your sexuality? 

MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full. 

So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.

BLADE: Have you encountered much Islamophobia? 

MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways. 

BLADE: What prompted you to lead your creative life in Pittsburgh? 

MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity. 

Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career. 

BLADE: What are you trying to achieve with “Amm(i)gone”? 

MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this. 

 I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.

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