Arts & Entertainment
Grammy Awards return live from Las Vegas
After a delay of three months caused by the Omicron surge, the 64th Grammy Awards was held on the stage of the MGM Grand Garden Arena

After a delay of three months caused by the Omicron surge of the coronavirus, the 64th Grammy Awards was held on the stage the MGM Grand Garden Arena instead of its usual home in Los Angeles.
The show was hosted by comedian, actor, political commentator and anchor of The Daily Show, Trevor Noah who had presented the 63rd annual Grammy Awards last year. The awards kicked this year off with 64th Annual GRAMMY Awards Premiere Ceremony hosted by LeVar Burton prior to Sunday’s broadcast.
The Premiere Ceremony, featured 6 special performances and more than 70 GRAMMYs awarded across music genres ranging from classical and jazz to R&B, Global music and more. Tune-in to celebrate nominees, winners, and outstanding creators working behind the scenes.
In the category of Best Country Duo/Group Performance the winner was the Brothers Osbourne for the hit song ‘Younger Me’ which singer-songwriter T.J. Osborne credited the inspiration for by the reaction to publicly sharing for the first time in February, 2021 that he is gay.
CBS who broadcast the show noted that Jon Batiste scored the most nominations with 11, winning four Grammy Awards before the televised portion of the ceremony even began. Batiste is up for both Record of the Year and Album of the Year along with multiple nominations for his work on the animated film “Soul.” Justin Bieber, Doja Cat and H.E.R. all scored eight nominations of their own, with H.E.R. winning the Best Traditional R&B Performance award earlier in the evening.
Editor’s note the following full list of nominees and winners is below and will be updated after the ceremony ends:
Record of the Year
- “I Still Have Faith In You” – ABBA
- “Freedom” – Jon Batiste
- “I Get a Kick Out of You” – Tony Bennett and Lady Gaga
- “Peaches – Justin Bieber ft. Daniel Caesar and Giveon
- “Right On Time” – Brandi Carlile
- “Kiss Me More” – Doja Cat featuring SZA
- “Happier Than Ever” – Billie Eilish
- “Montero (Call Me By Your Name)” – Lil Nas X
- “drivers license” – Olivia Rodrigo
- “Leave the Door Open” – Silk Sonic – Winner
Album of the Year
- “We Are” – Jon Batiste – Winner
- “Love For Sale” -Tony Bennett and Lady Gaga
- “Justice” – Justin Bieber
- “Planet Her”- Doja Cat
- “Happier Than Ever” – Billie Eilish
- “Montero” – Lil Nas X
- “Back of my Mind” – H.E.R.
- “sour” – Olivia Rodrigo
- “Evermore” – Taylor Swift
- “Donda” – Kanye
Song of the Year
- “Leave The Door Open” – Silk Sonic — Winner
- “Bad Habits” – Ed Sheeran
- “A Beautiful Noise” – Alicia Keys & Brandi Carlile
- “drivers license” – Olivia Rodrigo
- “Fight For You” – H.E.R.
- “Happier Than Ever” – Billie Eilish
- “Kiss Me More” – Doja Cat featuring SZA
- “Montero (Call Me By Your Name)” – Lil Nas X
- “Peaches” – Justin Bieber featuring Daniel Caesar and Giveon
- “Right On Time” – Brandi Carlile
Best New Artist
- Olivia Rodrigo – Winner
- Arooj Aftab
- Jimmy Allen
- Baby Keem
- FINNEAS
- Glass Animals
- Japanese Breakfast
- The Kid LAROI
- Arlo Parks
- Saweetie
Best Pop Solo Performance
- “drivers license” – Olivia Rodrigo — Winner
- “Anyone” – Justin Bieber
- “Right On Time” – Brandi Carlile
- “Happier Than Ever” – Billie Eilish
- “Positions” – Ariana Grande
Best Pop Duo/Group Performance
- “I Get A Kick Out Of You” – Tony Bennett and Lady Gaga
- “Lonely” – Justin Bieber and Benny Blanco
- “Butter” – BTS
- “Higher Power” – Coldplay
- “Kiss Me More” – Doja Cat featuring SZA – Winner
Best Traditional Pop Vocal Album
- “Love For Sale” – Tony Bennett & Lady Gaga — Winner
- “Til We Meet Again (Live)” – Norah Jones
- “A Tori Kelly Christmas” – Tori Kelly
- “Ledisi Sings Nina” – Ledisi
- “That’s Life” – Willie Nelson
- “A Holly Dolly Christmas” -Dolly Parton
Best Dance/Electronic Recording
- “Alive” – Rüfüs Du Sol, Jason Evigan & Rüfüs Du Sol, producers; Cassian Stewart-Kasimba, mixer — Winner
- “Hero” – Afrojack & David Guetta, Kuk Harrell & Stargate, producers; Elio Debets, mixer
- “Loom” – Ólafur Arnalds Featuring Bonobo, Simon Green, producers; Ólafur Arnalds, mixer
- “Before” – James Blake, Dom Maker, producers; James Blake, mixer
- “Heartbreak” – Bonobo & Totally Enormous Extinct Dinosaurs, Simon Green & Orlando Higginbottom, producers; Simon Green & Orlando Higginbottom, mixers
- “You Can Do It” – Caribou Dan Snaith, producer; David Wrench, mixer
- “The Business” – Tiësto, Hightower, Julia Karlsson & Tiësto, producers; Tiësto, mixer
Best Dance/Electronic Music Album
- “Subconsciously” – Black Coffee — Winner
- “Fallen Embers” – ILLENIUM
- “Music Is The Weapon (Reloaded)” – Major Lazer
- “Shockwave” – Marshmello
- “Free Love” – Sylvan Esso
- “Judgement” – Ten City
Best Contemporary Instrumental Album
- “Tree Falls” – Taylor Eigsti — Winner
- “Double Dealin'” – Randy Brecker & Eric Marienthal
- “The Garden” – Rachel Eckroth
- “At Blue Note Tokyo” – Steve Gadd Band
- “Deep: The Baritone Sessions, Vol. 2” – Mark Lettieri
Best Rock Performance
- “Shot In The Dark” – AC/DC
- “Know You Better (Live From Capitol Studio A)” – Black Pumas
- “Nothing Compares 2 U” – Chris Cornell
- “Ohms” – Deftones
- “Making A Fire” – Foo Fighters – Winner
Best Rock Song
- “Waiting On A War” Dave Grohl, Taylor Hawkins, Rami Jaffee, Nate Mendel, Chris Shiflett & Pat Smear, songwriters (Foo Fighters) — Winner
- “All My Favorite Songs” – Rivers Cuomo, Ashley Gorley, Ben Johnson & Ilsey Juber, songwriters (Weezer)
- “The Bandit” – Caleb Followill, Jared Followill, Matthew Followill & Nathan Followill, songwriters (Kings Of Leon)
- “Distance” – Wolfgang Van Halen, songwriter (Mammoth WVH)
- “Find My Way” – Paul McCartney
Best Metal Performance
- “The Alien” – Dream Theater — Winner
- “Genesis” – Deftones
- “Amazonia” – Gojira
- “Pushing The Tides” – Mastodon
- “The Triumph Of King Freak (A Crypt Of Preservation And Superstition)” – Rob Zombie
Best Rock Album
- “Medicine At Midnight” – Foo Fighters — Winner
- “Power Up” – AC/DC
- “Capitol Cuts – Live From Studio A” – Black Pumas
- “No One Sings Like You Anymore Vol. 1” – Chris Cornell
- “McCartney III” – Paul McCartney
Best Alternative Music Album
- “Daddy’s Home” – St. Vincent — Winner
- “Shore” – Fleet Foxes
- “If I Can’t Have Love, I Want Power” – Halsey
- “Jubilee” – Japanese Breakfast
- “Collapsed In Sunbeams” – Arlo Parks
Best R&B Performance
- “Pick Up Your Feelings” – Jazmine Sullivan — Winner (tie)
- “Leave The Door Open” – Silk Sonic — Winner (tie)
- “Lost You” – Snoh Aalegra
- “Peaches” – Justin Bieber Featuring Daniel Caesar & Giveon
- “Damage” – H.E.R.
Best R&B Song
- “Leave The Door Open” – Brandon Anderson, Christopher Brody Brown, Dernst Emile II and Bruno Mars, songwriters (Silk Sonic) — Winner
- “Damage” – Anthony Clemons Jr., Jeff Gitelman, H.E.R., Carl McCormick and Tiara Thomas
- “Good Days” – Jacob Collier, Carter Lang, Carlos Munoz, Solána Rowe & Christopher Ruelas, songwriters (SZA)
- “Heartbreak Anniversary” – Giveon Evans, Maneesh, Sevn Thomas and Varren Wade
- “Pick Up Your Feelings” – Denisia “Blu June” Andrews, Audra Mae Butts, Kyle Coleman, Brittany “Chi” Coney, Michael Holmes and Jazmine Sullivan
Best R&B Album
- “Heaux Tales” – Jazmine Sullivan — Winner
- “Temporary Highs In The Violet Skies” – Snoh Aalegra
- “We Are” – Jon Batiste
- “Gold-Diggers Sound” – Leon Bridges
- “Back Of My Mind” – H.E.R.
Best Rap Performance
- “Family Ties” – Baby Keem Featuring Kendrick Lamar — Winner
- “Up” – Cardi B
- “M Y . L I F E” – J. Cole Featuring 21 Savage & Morray
- “Way 2 Sexy” – Drake featuring Future & Young Thug
- “Thot S***” – Megan Thee Stallion
Best Rap Song
- “Jail” – Dwayne Abernathy, Jr., Shawn Carter, Raul Cubina, Michael Dean, Charles M. Njapa, Sean Solymar, Brian Hugh Warner, Kanye West & Mark Williams, songwriters (Kanye West Featuring Jay-Z) — Winner
- “Bath Salts” – Shawn Carter, Kasseem Dean, Michael Forno, Nasir Jones & Earl Simmons, songwriters (DMX Featuring Jay-Z & Nas)
- “Best Friend” – Amala Zandelie Dlamini, Lukasz Gottwald, Randall Avery Hammers, Diamonté Harper, Asia Smith, Theron Thomas & Rocco Valdes, songwriters (Saweetie Featuring Doja Cat)
- “Family Ties” – Roshwita Larisha Bacha, Hykeem Carter, Tobias Dekker, Colin Franken, Jasper Harris, Kendrick Lamar, Ronald Latour & Dominik Patrzek, songwriters (Baby Keem Featuring Kendrick Lamar)
- “m y . l i f e” – Shéyaa Bin Abraham-Joseph & Jermaine Cole, songwriters (J. Cole Featuring 21 Savage & Morray)
Best Rap Album
- “Call Me If You Get Lost” – Tyler, The Creator — Winner
- “The Off-Season” – J. Cole
- “Certified Lover Boy” – Drake
- “King’s Disease II” – Nas
- “Donda” – Kanye West
Best Melodic Rap Performance
- “Hurricane” – Kanye West featuring the Weeknd and Lil Baby) – Winner
- “Pride Is the Devil” – J. Cole featuring Lil Baby
- “Need to Know” – Doja Cat
- “Industry Baby” – Lil Nas X featuring Jack Harlow
- “WusYaName” – Tyler, the Creator featuring Youngboy Never Broke Again and Ty Dolla Sign
Best Country Album
- “Starting Over” – Chris Stapleton – Winner
- “Skeletons” – Brothers Osborne
- “Remember Her Name” – Mickey Guyton
- “The Marfa Tapes” – Miranda Lambert, Jon Randall and Jack Ingram
- “The Ballad of Dood and Juanita” – Sturgill Simpson
Best Country Solo Performance
- “You Should Probably Leave” – Chris Stapleton – Winner
- “Forever After All” – Luke Combs
- “Remember Her Name” – Mickey Guyton
- “All I Do Is Drive” – Jason Isbell
- “camera roll” – Kacey Musgraves
Best Country Duo/Group Performance
- “Younger Me” – Brothers Osborne — Winner
- “If I Didn’t Love You” – Jason Aldean & Carrie Underwood
- “Glad You Exist” – Dan + Shay
- “Chasing After You” – Ryan Hurd & Maren Morris
- “Drunk (And I Don’t Wanna Go Home)” – Elle King & Miranda Lambert
Best Country Song
- “Cold” – Dave Cobb, J.T. Cure, Derek Mixon & Chris Stapleton, songwriters (Chris Stapleton) — Winner
- “Better Than We Found It” – Jessie Jo Dillon, Maren Morris, Jimmy Robbins & Laura Veltz, songwriters (Maren Morris)
- “camera roll” – Ian Fitchuk, Kacey Musgraves & Daniel Tashian, songwriters (Kacey Musgraves)
- “Country Again” – Zach Crowell, Ashley Gorley & Thomas Rhett, songwriters (Thomas Rhett)
- “Fancy Like” – Cameron Bartolini, Walker Hayes, Josh Jenkins & Shane Stevens, songwriters (Walker Hayes)
- “Remember Her Name” – Mickey Guyton, Blake Hubbard, Jarrod Ingram & Parker Welling
Best Progressive R&B Album
- “Table For Two” – Lucky Daye — Winner
- “New Light” – Eric Bellinger
- “Something To Say” – Cory Henry
- “Mood Valiant” – Hiatus Kaiyote
- “Dinner Party: Dessert” – Terrace Martin, Robert Glasper, 9th Wonder & Kamasi Washington
- “Studying Abroad: Extended Stay” – Masego
Best Traditional R&B Performance
- “Fight For You” – H.E.R. – Winner
- “I Need You” – Jon Batiste
- “Bring It On Home To Me” – BJ The Chicago Kid, PJ Morton & Kenyon Dixon featuring Charlie Bereal
- “Born Again” – Leon Bridges Featuring Robert Glasper
- “How Much Can A Heart Take” – Lucky Daye Featuring Yebba
Best New Age Album
- “Divine Tides” – Stewart Copeland & Ricky Kej – Winner
- “Brothers” – Will Ackerman, Jeff Oster & Tom Eaton
- “Pangaea” – Wouter Kellerman & David Arkenstone
- “Night + Day” – Opium Moon
- “Pieces Of Forever” – Laura Sullivan
Best Improvised Jazz Solo
- “Humpty Dumpty (Set 2)” – Chick Corea – Winner
- “Sackodougou” – Christian Scott aTunde Adjuah
- “Kick Those Feet” – Kenny Barron
- “Bigger Than Us” – Jon Batiste
- “Absence” – Terence Blanchard
Best Jazz Vocal Album
- “Songwrights Apothecary Lab” – Esperanza Spalding – Winner
- “Generations” – The Baylor Project
- “SuperBlue” – Kurt Elling and Charlie Hunter
- “Time Traveler” – Nnenna Freelon
- “Flor” – Gretchen Parlato
Best Jazz Instrumental Album
- “Skyline” – Ron Carter, Jack DeJohnette and Gonzalo Rubalcaba – Winner
- “Jazz Selections: Music from and Inspired by Soul” – Jon Batiste
- “Absence” – Terence Blanchard featuring the E Collective and the Turtle Island Quartet
- “Akoustic Band Live” – Chick Corea, John Patitucci and Dave Weckl
- “Side-Eye NYC (V1.IV)” – Pat Metheny
Best Large Jazz Ensemble Album
- “For Jimmy, Wes and Oliver” – Christian McBride Big Band – Winner
- “Live at Birdland!” – The Count Basie Orchestra directed by Scotty Barnhart
- “Dear Love” – Jazzmeia Horn and her Noble Force
- “Swirling” – Sun Ra Arkestra
- “Jackets XL” – Yellowjackets + WDR Big Band
Best Latin Jazz Album
- “Mirror Mirror” – Eliane Elias with Chick Corea and Chucho Valdés – Winner
- “The South Bronx Story” – Carlos Henriquez
- “Virtual Birdland” – Arturo O’Farrill and the Afro Latin Jazz Orchestra
- “Transparency” – Dafnis Prieto Sextet
- “El Arte del Bolero” – Miguel Zenón and Luis Perdomo
Best Gospel Performance/Song
- “Never Lost” – CeCe Winans – Winner
- “Voice of God” – Dante Bowe featuring Steffany Gretzinger and Chandler Moore
- “Joyful” – Dante Bowe
- “Help” – Anthony Brown & Group Therapy
- “Wait on You” – Elevation Worship and Maverick City Music
Best Contemporary Christian Music Performance/Song
- “Believe for It” – CeCe Winans – Winner
- “We Win” – Kirk Franklin and Lil Baby
- “Hold Us Together” (Hope Mix) – H.E.R. and Tauren Wells
- “Man of Your Word” – Chandler Moore and KJ Scriven
- “Jireh” – Elevation Worship and Maverick City Music featuring Chandler Moore and Naomi Raine
Best Contemporary Christian Music Album
- “Old Church Basement “– Elevation Worship and Maverick City Music – Winner
- “No Stranger” – Natalie Grant
- “Feels Like Home Vol. 2” – Israel and New Breed
- “The Blessing (Live)” – Kari Jobe
- “Citizen of Heaven (Live)” – Tauren Wells
Best Roots Gospel Album
- “My Savior” – Carrie Underwood – Winner
- “Alone with My Faith” – Harry Connick Jr.
- “That’s Gospel, Brother” – Gaither Vocal Band
- “Keeping On” – Ernie Haase & Signature Sound
- “Songs for the Times” – The Isaacs
Best Latin Pop Album
- “Mendó” – Alex Cuba – Winner
- “Vértigo” – Pablo Alborán
- “Mis Amores” – Paula Arenas
- “Hecho a la Antigua” – Ricardo Arjona
- “Mis Manos” – Camilo
- “Revelación” – Selena Gomez
Best Música Urbana Album
- “El Último Tour Del Mundo” – Bad Bunny – Winner
- “Afrodisíaco” – Rauw Alejandro
- “Jose” – J Balvin
- “KG0516” – Karol G
- “Sin Miedo (del Amor y Otros Demonios)” – Kali Uchis
Best Latin Rock or Alternative Album
- “Origen” – Juanes – Winner
- “Deja” – Bomba Estéreo
- “Mira Lo Que Me Hiciste Hacer (Deluxe Edition)” – Diamante Eléctrico
- “Calambre” – Nathy Peluso
- “El Madrileño” – C. Tangana
- “Sonidos de Karmática Resonancia” – Zoé
Best Regional Mexican Music Album (Including Tejano)
- “A Mis 80’s” – Vicente Fernández – Winner
- “Antología de la Musica Ranchera, Vol. 2” – Aida Cuevas
- “Seis” – Mon Laferte
- “Un Canto por México, Vol. 2” – Natalia Lafourcade
- “Ayayay! (Súper Deluxe)” – Christian Nodal
Best American Roots Performance
- “Cry” – Jon Batiste – Winner
- “Love and Regret” – Billy Strings
- “I Wish I Knew How It Would Feel to Be Free” – The Blind Boys Of Alabama and Béla Fleck
- “Same Devil” – Brandy Clark featuring Brandi Carlile
- “Nightflyer” – Allison Russell
Best American Roots Song
- “Cry” – Jon Batiste and Steve McEwan – Winner
- “Avalon” – Rhiannon Giddens, Justin Robinson and Francesco Turrisi
- “Bored” – Linda Chorney
- “Call Me a Fool” – Valerie June
- “Diamond Studded Shoes” – Dan Auerbach, Natalie Hemby, Aaron Lee Tasjan and Yola
- “Nightflyer” – Jeremy Lindsay and Allison Russell
Best Americana Album
- “Native Sons” – Los Lobos – Winner
- “Downhill from Everywhere” – Jackson Browne
- “Leftover Feelings” – John Hiatt with the Jerry Douglas Band
- “Outside Child” – Allison Russell
- “Stand for Myself” – Yola
Best Bluegrass Album
- “My Bluegrass Heart” – Béla Fleck – Winner
- “Renewal” – Billy Strings
- “A Tribute to Bill Monroe” – The Infamous Stringdusters
- “Cuttin’ Grass, Vol. 1: The Butcher Shoppe Sessions” – Sturgill Simpson
- “Music Is What I See” – Rhonda Vincent
Best Traditional Blues Album
- “I Be Trying” – Cedric Burnside – Winner
- “100 Years of Blues” – Elvin Bishop and Charlie Musselwhite
- “Traveler’s Blues” – Blues Traveler
- “Be Ready When I Call You” – Guy Davis
- “Take Me Back” – Kim Wilson
Best Contemporary Blues Album
- “662” – Christone “Kingfish” Ingram – Winner
- “Delta Kream” – The Black Keys featuring Eric Deaton and Kenny Brown
- “Royal Tea” – Joe Bonamassa
- “Uncivil War” – Shemekia Copeland
- “Fire It Up” – Steve Cropper
Best Folk Album
- “They’re Calling Me Home” – Rhiannon Giddens with Francesco Turrisi – Winner
- “One Night Lonely (Live)” – Mary Chapin Carpenter
- “Long Violent History” – Tyler Childers
- “Wednesday (Extended Edition)” – Madison Cunningham
- “Blue Heron Suite” – Sarah Jarosz
Best Regional Roots Music Album
- “Kau Ka Pe’a” – Kalani Pe’a – Winner
- “Live in New Orleans!” – Sean Ardoin and Kreole Rock and Soul
- “Bloodstains & Teardrops” – Big Chief Monk Boudreaux
- “My People” – Cha Wa
- “Corey Ledet Zydeco” – Corey Ledet Zydeco
Best Reggae Album
- “Beauty in the Silence” − SOJA − Winner
- “Pamoja” − Etana
- “Positive Vibration” − Gramps Morgan
- “Live N Livin” − Sean Paul
- “Royal” − Jesse Royal
- “10” − Spice
Best Global Music Album
- “Mother Nature” − Angélique Kidjo − Winner
- “Voice of Bunbon (Vol. 1)” − Rocky Dawuni
- “East West Players Presents: Daniel Ho & Friends Live in Concert” − Daniel Ho & Friends
- “Legacy +” − Femi Kuti and Made Kuti
- “Made in Lagos (Deluxe Edition)” − Wizkid
Best Global Music Performance
- “Mohabbat” − Arooj Aftab − Winner
- “Do Yourself” − Angélique Kidjo and Burna Boy
- “Pà Pá Pà” − Femi Kuti
- “Blewu” − Yo-Yo Ma and Angélique Kidjo
- “Essence” − Wizkid featuring Tems
Best Children’s Album
- “A Colorful World” − Falu − Winner
- “Actívate” − 123 Andrés
- “All One Tribe” − 1 Tribe Collective
- “Black to the Future” − Pierce Freelon
- “Crayon Kids” − Lucky Diaz and the Family Jam Band
Best Spoken Word Album
- “Carry On: Reflections for a New Generation from John Lewis” − Don Cheadle − Winner
- “Aftermath” − LeVar Burton
- “Catching Dreams: Live at Fort Knox Chicago” − J. Ivy
- “8:46” − Dave Chappelle and Amir Sulaiman
- “A Promised Land” − Barack Obama
Best Comedy Album
- “Sincerely” – Louis C.K. – Winner
- “The Comedy Vaccine” – Lavell Crawford
- “Evolution” – Chelsea Handler
- “Thanks for Risking Your Life” – Lewis Black
- “The Greatest Average American” – Nate Bargatze
- “Zero F***s Given” – Kevin Hart
Best Musical Theater Album
- “The Unofficial Bridgerton Musical” – Emily Bear – Winner
- “Andrew Lloyd Webber’s Cinderella” – Carrie Hope Fletcher, Ivano Turco, Victoria Hamilton-Barritt and Helen George
- “Burt Bacharach and Steven Sater’s Some Lovers” – Burt Bacharach, Michael Croiter, Ben Hartman and Steven Sater
- “Girl from the North Country” – Simon Hale, Conor McPherson, and Dean Sharenow
- “Les Misérables: The Staged Concert” – Michael Ball, Alfie Boe, Carrie Hope Fletcher and Matt Lucas
- “Stephen Schwartz’s Snapshots” – Daniel C. Levine, Michael J. Moritz Jr., Bryan Perri and Stephen Schwartz
Best Compilation Soundtrack for Visual Media
- “The United States vs. Billie Holiday” – Andra Day – Winner
- “Cruella” – Various artists
- “Dear Evan Hansen” – Various artists
- “In the Heights” – Various artists
- “One Night in Miami…” – Leslie Odom, Jr. and various artists
- “Respect” – Jennifer Hudson
- “Schmigadoon! Episode 1” – Various artists
Best Score Soundtrack for Visual Media
- “Soul” – Jon Batiste, Trent Reznor and Atticus Ross, composers – Winner (tie)
- “The Queen’s Gambit” – Carlos Rafael Rivera, composer – Winner (tie)
- “Bridgerton” – Kris Bowers, composer
- “Dune” – Hans Zimmer, composer
- “The Mandalorian: Season 2 – Vol. 2 (Chapters 13–16)” – Ludwig Göransson, composer
Best Song Written for Visual Media
- “All Eyes on Me” (from Bo Burnham: Inside) – Winner
- “Agatha All Along” (from WandaVision)
- “All I Know So Far” (from Pink: All I Know So Far)
- “Fight For You” (from Judas and the Black Messiah)
- “Here I Am (Singing My Way Home)” (from Respect)
- “Speak Now” (from One Night in Miami…)
Best Instrumental Composition
- “Eberhard” – Lyle Mays – Winner
- “Beautiful Is Black” – Brandee Younger
- “Cat and Mouse” – Tom Nazziola
- “Concerto for Orchestra: Finale” – Vince Mendoza
- “Dreaming in Lions: Dreaming in Lions” – Arturo O’Farrill
Best Arrangement, Instrumental or A Cappella
- “Meta Knight’s Revenge” – Charlie Rosen and Jake Silverman – Winner
- “Chopsticks” – Bill O’Connell
- “For the Love of a Princess” – Robin Smith
- “Infinite Love” – Emile Mosseri
- “The Struggle Within” – Gabriela Quintero and Rodrigo Sanchez
Best Arrangement, Instruments and Vocals
- “To The Edge of Longing (Edit Version)” – Vince Mendoza – Winner
- “The Bottom Line” – Ólafur Arnalds
- “A Change is Gonna Come” – Tehillah Alphonso
- “The Christmas Song (Chestnuts Roasting on an Open Fire)” – Jacob Collier
- “Eleanor Rigby” – Cody Fry
Best Recording Package
- “Pakelang” – Winner
- “American Jackpot / American Girls”
- “Carnage”
- “Serpentine Prison”
- “Zeta”
Best Boxed or Special Limited Edition Package
- “All Things Must Pass: 50th Anniversary Edition” – Winner
- “Color Theory”
- “The Future Bites (Limited Edition Box Set)”
- “77-81”
- “Swimming in Circles”
Best Album Notes
- “The Complete Louis Armstrong Columbia and RCA Victor Studio Sessions 1946-1966” – Winner
- “Beethoven: The Last Three Sonatas”
- “Creation Never Sleeps, Creation Never Dies: The Willie Dunn Anthology”
- “Etching The Voice: Emile Berliner and the First Commercial Gramophone Discs, 1889-1895”
- “The King of Gospel Music: The Life and Music of Reverend James Cleveland”
Best Historical Album
- “Joni Mitchell Archives, Vol. 1: The Early Years (1963-1967)” – Joni Mitchell – Winner
- “Beyond The Music: Her Complete RCA Victor Recordings” – Marian Anderson
- “Etching The Voice: Emile Berliner and the First Commercial Gramophone Discs, 1889-1895” – Various Artists
- “Excavated Shellac: An Alternate History of the World’s Music” – Various Artists
- “Sign O’ The Times (Super Deluxe Edition)” – Prince
Best Engineered Album, Non-Classical
- Love for Sale – Tony Bennett and Lady Gaga – Winner
- Cinema – The Marías
- Dawn – Yebba
- Hey What – Low
- Notes with Attachments – Pino Palladino and Blake Mills
Producer of the Year, Non-Classical
- Jack Antonoff – Winner
- Rogét Chahayed
- Mike Elizondo
- Hit-Boy
- Ricky Reed
Best Remixed Recording
- “Passenger” (Mike Shinoda remix) – Mike Shinoda, remixer (Deftones) – Winner
- “Back to Life” (Booker T Kings of Soul satta dub) – Booker T., remixer (Soul II Soul)
- “Born for Greatness” (Cymek remix) – Spencer Bastin, remixer (Papa Roach)
- “Constant Craving” (Fashionably Late remix) – Tracy Young, remixer (k.d. lang)
- “Inside Out” (3scape Drm remix) – 3scape Drm, remixer (Zedd and Griff)
- “Met Him Last Night” (Dave Audé remix) – Dave Audé, remixer (Demi Lovato featuring Ariana Grande)
- “Talks” (Mura Masa Remix) – Alexander Crossan, remixer (PVA)
Best Immersive Audio Album
- “Alicia” – Alicia Keys – Winner
- “Clique” – Patricia Barber
- “Fine Line” – Harry Styles
- “The Future Bites” – Steven Wilson
- “Stille Grender” – Anne Karin Sundal-Ask & Det Norske Jentekor
Best Engineered Album, Classical
- “Chanticleer Sings Christmas” – Winner
- “Archetypes”
- “Beethoven: Cello Sonatas – Hope Amid Tears”
- “Beethoven: Symphony No. 9”
- “Mahler: Symphony No. 8, ‘Symphony of a Thousand'”
Producer of the Year, Classical
- Judith Sherman – Winner
- Blanton Alspaugh
- Steven Epstein
- David Frost
- Elaine Martone
Best Orchestral Performance
- “Price: Symphonies Nos. 1 & 3” – Yannick Nézet-Séguin, conductor (Philadelphia Orchestra) – Winner
- “Adams: My Father Knew Charles Ives; Harmonielehre” – Giancarlo Guerrero, conductor (Nashville Symphony Orchestra)
- “Beethoven: Symphony No. 9” – Manfred Honeck, conductor (Mendelssohn Choir of Pittsburgh and Pittsburgh Symphony Orchestra)
- “Muhly: Throughline” – Nico Muhly, conductor (San Francisco Symphony)
- “Strauss: Also Sprach Zarathustra; Scriabin: The Poem of Ecstasy” – Thomas Dausgaard, conductor (Seattle Symphony Orchestra)
Best Opera Recording
- “Glass: Akhnaten” – Karen Kamensek – Winner
- “Bartók: Bluebeard’s Castle” – Susanna Mälkki
- “Janáček: Cunning Little Vixen” – Simon Rattle
- “Little: Soldier Songs” – Corrado Rovaris
- “Poulenc: Dialogues Des Carmélites” – Yannick Nézet-Séguin
Best Choral Performance
- “Mahler: Symphony No. 8, ‘Symphony Of A Thousand'” – Gustavo Dudamel, conductor – Winner
- “It’s a Long Way” – Matthew Guard, conductor
- “Rising w/The Crossing” – Donald Nally, conductor
- “Schnittke: Choir Concerto; Three Sacred Hymns; Pärt: Seven Magnificat-Antiphons” – Kaspars Putniņš, conductor
- “Sheehan: Liturgy of Saint John Chrysostom” – Benedict Sheehan, conductor
- “The Singing Guitar” – Craig Hella Johnson, conductor
Best Chamber Music/Small Ensemble Performance
- “Beethoven: Cello Sonatas – Hope Amid Tears” – Yo-Yo Ma and Emanuel Ax – Winner
- “Adams, John Luther: Lines Made by Walking” – JACK Quartet
- “Akiho: Seven Pillars” – Sandbox Percussion
- “Archetypes” – Sérgio Assad, Clarice Assad and Third Coast Percussion
- “Bruits” – Imani Winds
Best Classical Instrumental Solo
- “Alone Together” – Jennifer Koh – Winner
- “An American Mosaic” – Simone Dinnerstein
- “Bach: Sonatas & Partitas” – Augustin Hadelich
- “Beethoven & Brahms: Violin Concertos” – Gil Shaham; Eric Jacobsen, conductor (The Knights)
- “Mak Bach” – Mak Grgić
Best Classical Solo Vocal Album
- “Mythologies” – Sangeeta Kaur and Hila Plitmann – Winner
- “Confessions” – Laura Strickling; Joy Schreier, pianist
- “Dreams Of A New Day – Songs By Black Composers” – Will Liverman; Paul Sánchez, pianist
- “Schubert: Winterreise” – Joyce DiDonato; Yannick Nézet-Séguin, pianist
- “Unexpected Shadows” – Jamie Barton; Jake Heggie, pianist (Matt Haimovitz)
Best Classical Compendium
- “Women Warriors – The Voices Of Change” – Winner
- “American Originals – A New World, A New Canon”
- “Berg: Violin Concerto; Seven Early Songs and Three Pieces for Orchestra”
- “Cerrone: The Arching Path”
- “Plays”
Best Contemporary Classical Composition
- “Shaw: Narrow Sea” – Caroline Shaw, composer (Dawn Upshaw, Gilbert Kalish and Sō Percussion) – Winner
- “Akiho: Seven Pillars” – Andy Akiho, composer (Sandbox Percussion)
- “Andriessen: The Only One” – Louis Andriessen, composer (Esa-Pekka Salonen, Nora Fischer and Los Angeles Philharmonic)
- “Assad, Clarice & Sérgio, Connors, Dillon, Martin & Skidmore: Archetypes” – Clarice Assad, Sérgio Assad, Sean Connors, Robert Dillon, Peter Martin and David Skidmore, composers (Sérgio Assad, Clarice Assad and Third Coast Percussion)
- “Batiste: Movement 11′” – Jon Batiste, composer (Jon Batiste)
Best Music Video
- “Freedom” – Jon Batiste – Winner
- “Shot in the Dark” – AC/DC
- “I Get a Kick Out of You” – Tony Bennett and Lady Gaga
- “Peaches” – Justin Bieber featuring Daniel Caesar and Giveon
- “Happier Than Ever” – Billie Eilish
- “Montero (Call Me by Your Name)” – Lil Nas X
- “Good 4 U” – Olivia Rodrigo
Best Music Film
- “Summer of Soul” – Various Artists – Winner
- “Bo Burnham: Inside” – Bo Burnham
- “David Byrne’s American Utopia” – David Byrne
- “Happier Than Ever: A Love Letter to Los Angeles” – Billie Eilish
- “Music, Money, Madness… Jimi Hendrix in Maui” – Jimi Hendrix
Music & Concerts
Indigo Girls coming to Capital One Hall
Stars take center stage alongside Fairfax Symphony

Capital One Center will host “The Indigo Girls with the Fairfax Symphony Orchestra” on Thursday, June 19 and Friday, June 20 at 8 p.m. at Capital One Hall.
The Grammy Award-winning folk and pop stars will take center stage alongside the Fairfax Symphony, conducted by Jason Seber. The concerts feature orchestrations of iconic hits such as “Power of Two,” “Get Out The Map,” “Least Complicated,” “Ghost,” “Kid Fears,” “Galileo,” “Closer to Fine,” and many more.
Tickets are available on Ticketmaster or in person at Capital One Hall the nights of the concerts.

Friday, June 13
“Center Aging Friday Tea Time” will be at 2 p.m. in person at the DC Center for the LGBT Community’s new location at 1827 Wiltberger St., N.W. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].
Women in Their Twenties and Thirties will be at 8 p.m. at Wundergarten. An update will be posted the night of the event on where to find WiTT’s table. There’ll be a Pride flag to help people find the group. For more details, join WiTT’s closed Facebook group.
Go Gay DC will host “LGBTQ+ Community Pride Month Happy Hour” at 7 p.m. at Freddie’s Beach bar and Restaurant. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.
Saturday, June 14
Go Gay DC will host “LGBTQ+ Community Pride Month Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including Allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Rainbow History Project will host “Behind the Scenes With the Senior Curator of ‘Pickets, Protests and Parades’” at 7:30p.m. at Freedom Plaza. This behind-the-scenes experience offers a rare glimpse into the creative process behind this groundbreaking showcase of DC’s LGBTQ+ history. Learn about the bold design decisions that shaped the Quote Wall and Hero Cubes and the powerful stories that almost made the cut. Tickets cost $82 and can be purchased on Eventbrite.
Monday, June 16
“Center Aging Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].
Genderqueer DC will be at 7 p.m. in person at the DC Center for the LGBT Community. This is a support group for people who identify outside of the gender binary. Whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more information, visit their website at www.genderqueerdc.org or check us out on Facebook.
Tuesday, June 17
Bi+ Roundtable and Discussion will be at 7 p.m. on Zoom. This is an opportunity for people to gather in order to discuss issues related to bisexuality or as Bi individuals in a private setting. Check out Facebook or Meetup for more information.
Wednesday, June 18
Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
“Legends Live Loud: A Queer Karaoke Experience” will be at 7 p.m. at the DC Center for the LGBT Community. This will be a dynamic, Center-wide karaoke event celebrating the brilliance and cultural impact of some of our most colorful queer icons. The Center will honor legends through music, pop culture, dance, and inextinguishable liberation. For more details and to sign up, visit the DC Center’s website.
Thursday, June 19
Go Gay DC will host “LGBTQ+ Book Club” at 7:30 p.m. at Federico Ristorante Italiano. This book club is co-hosted by EQUALITY NoVa and is another opportunity to engage in a fun and rewarding activity. The group doesn’t discriminate when it comes to genres it reads – from classic literature to best selling novels to biographies to histories to gay fiction. For more details, visit Eventbrite.
Cultivating Change Foundation will host “Cultivating Pride Happy Hour” at 5:30 p.m. at Dacha Beer Garden. This Pride month, the organization is inviting LGBTQ+ people and allies in food and agriculture to come together in communities nationwide. These informal gatherings are a chance to connect, celebrate, and build community, whether it’s over coffee, a cocktail, or a conversation. Attendance is free and more details are available on Eventbrite.

There was a time, early in his career, that young filmmaker Wes Anderson’s work was labeled “quirky.”
To describe his blend of dry humor, deadpan whimsy, and unresolved yearning, along with his flights of theatrical fancy and obsessive attention to detail, it seemed apt at the time. His first films were part of a wave when “quirky” was almost a genre unto itself, constituting a handy-but-undefinable marketing label that inevitably became a dismissive synonym for “played out.”
That, of course, is why every new Wes Anderson film can be expected to elicit criticism simply for being a Wes Anderson film, and the latest entry to his cinematic canon is, predictably, no exception.
“The Phoenician Scheme” – released nationwide on June 6 – is perhaps Anderson’s most “Anderson-y” movie yet. Set in a nebulously dated (but vaguely mid-20th century) world, it’s the tall-tale-ish saga of Anatole “Zsa-Zsa” Korda (Benicio del Toro), a ruthlessly amoral arms dealer and business tycoon with a history of surviving assassination attempts. The latest – a bomb-facilitated plane crash – has forced him to recognize that his luck will eventually run out, and he decides to turn over his financial empire (on a trial basis, at least) to his estranged daughter Liesl (Mia Threapleton), currently a novice nun on the verge of taking her vows, in hopes of mending their relationship before it’s too late. She conditionally agrees, despite the rumors that he murdered her mother, and is drawn into an elaborate geopolitical con game in which he tries to manipulate a loose cadre of “world-building” financiers (Tom Hanks, Bryan Cranston, Riz Ahmed, Mathieu Amalric, and Jeffrey Wright) into funding a massive infrastructure project across the former Phoenician empire.
Joined by his new administrative assistant and tutor, Mr. Bjorn (Michael Cera), Korda and Liesl travel the world to meet with his would-be investors, dodging assassination attempts along the way. His plot is disrupted, however, by the clandestine interference of a secret international coalition of nations led by an American agent code-named “Excalibur” (Rupert Friend), who seeks to prevent the shift of geopolitical power his project would create. Eventually, he’s forced to target a final “mark” for the money he needs to pull it off – his own half-brother Nubar (Benedict Cumberbatch), with whom he has had a lifelong and very messy rivalry – or lose his fortune, his oligarchic empire, and his slowly improving relationship with his daughter, all at once.
It’s clear from that synopsis that Anderson’s scope has widened far beyond the intimate stories of his earliest works – “Bottle Rocket,” “Rushmore,” “The Royal Tenenbaums,” and others, which mostly dealt with relationships and dynamics among family (or chosen family) – to encompass significantly larger themes. So, too, has his own singular flavor of filmmaking become more fully realized; his exploration of theatrical techniques within a cinematic setting has grown from the inclusion of a few comical set-pieces to a full-blown translation of the real world into a kind of living, efficiently-modular Bauhaus diorama, where the artifice is emphasized rather than suggested, and realism can only be found through the director’s unconventionally-adjusted focus.
His work is no longer “quirky” – instead, it has grown with him to become something more pithy, an extension of the surreal and absurdist art movement that exploded in the tense days before World War II (an era which bears a far-too-uncomfortable resemblance to our own) and expresses the kind of politically-aware philosophical ideas that helped to build the world we are living in now. It is no longer possible to enjoy a Wes Anderson movie on the basis of its surface value alone; it is necessary to read deeper in the cinematic language that he has honed since the start of his career, informed by a deep knowledge of art, history, and intellectual exploration to which he pays open and unapologetic homage on the screen. Like all auteurs, he makes films that are shaped by his personal thought and vision, that follow a meticulous logic he has created himself, and that are less interested in providing entertainment than they are in providing insight into the wildly conflicted, often nonsensical, and almost always deplorable human behavior.
By typical standards, the performances in “Phoenician Scheme” – like those in most of Anderson’s films – feel stylized, distant, even emotionally cold. But within his meticulously stoic milieu, they are infused with a subtle depth that comes as much from the carefully maintained blankness of their delivery as it does from the lines themselves. Both del Toro and Threapleton manage to forge a deeply affecting bond while maintaining the detachment that is part of the director’s established style, and Cera – whose character reveals himself to be more than he appears as part of the story’s progression – begs the question of why he hasn’t become a “Wes Anderson regular” long before this. As always, part of the fun comes from the appearances of so many familiar faces, actors who have become part of an ever-expanding collection of regular players – including most-frequent collaborator Bill Murray, who joins fellow Anderson troupers Willem Dafoe and F. Murray Abraham as part of the “Biblical Troupe” that enact the frequent “near-death” episodes experienced by del Toro’s Korda throughout, and Scarlett Johansson, who shows up as a second cousin that Korda courts for a marriage of financial convenience – and the obvious commitment they bring to the project beside the rest of the cast.
But no Anderson film is really about the acting, though it’s an integral part of what makes them work – as this one does, magnificently, from the intricately choreographed opening credit sequence to the explosive climax atop an elaborate mechanical model of Korda’s dream project (a nod to Jean Renoir’s classic “The Rules of the Game,” which also examines the follies of the economic elite on the cusp of its own downfall). In the end, it’s Anderson himself who is the star, orchestrating his thoroughly-catalogued vision like a clockwork puzzle until it pays off on a note of surprisingly un-bittersweet hope which reminds us that the importance of family and personal bonds is, in fact, still at the core of his ethos.
That said, and a mostly favorable critical response aside, there are numerous critics and self-identified fans who have been less than charmed by Anderson’s latest opus, finding it a redundant exercise in a style that has grown stale and offers little substance in exchange. Frankly, it’s impossible not to wonder if they have seen the same movie we have.
“The Phoenician Scheme,” like all of its creator’s work, is ultimately an esoteric experience, a film steeped in language and concepts that may only be accessible to those familiar with them – which, far from being a means of shutting out the “unenlightened,” aims instead to entice and encourage them to explore and expand their knowledge, and with it, their perspective. It might be frustrating, but the payoff is worth it.
In this case, the shrewdly astute political and economical realities he illuminates behind the “Hollywood” intrigue and artifice touch so profoundly on the current state of our world that, despite its lack of directly queer subject matter, we’re giving it our deepest recommendation.
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