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Film ‘Wonderfully Made LGBTQ+R(eligion)’ set for D.C. premiere

Documentary explores challenges faced by queer Catholics

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‘Wonderfully Made LGBTQ+R(eligion)’ premieres in D.C. on Dec. 12.

A feature-length documentary film called “Wonderfully Made LGBTQ+R(eligion),” which explores how religion has played a leading role in perpetuating anti-LGBTQ attitudes and highlights the challenges and aspirations of LGBTQ Catholics, is scheduled for a special D.C. screening on Dec. 12 at the E Street Cinema.

The film’s director is gay filmmaker, actor, and LGBTQ rights advocate Yuval David. It was jointly produced by David and his husband, attorney and LGBTQ Catholic advocate Mark McDermott. The premiere D.C. showing of the film is being hosted by Real Affirmations, D.C.’s LGBTQ film festival.

“The film focuses on the Catholic Church because it is one of the largest religious organizations in the world, and because its anti-LGBTQ+ stance is known and growing more hardline, at least in some circles,” a statement announcing the D.C. showing of the film says.

“The narrative of the film is shaped by the process of a fine art project creating unprecedented, photographic iconography depicting Jesus as a member/ally of the LGBTQ+ community, represented by multiple LGBTQ+ models,” the statement says.

David and McDermott told the Washington Blade in a Nov. 21 interview that production of the film was completed at the end of August of this year, and it has since been shown at film festivals across the U.S. and overseas. It was honored as the Best Feature Film at the LGBTQ Toronto Film Festival.

“One of the things we discuss in our film and the way this makes it contemporary, and even pertaining to this horrible shooting [at the LGBTQ nightclub in Colorado] and the various other attacks on the LGBTQ community, is the fact that the vast majority of anti-LGBTQ and homophobic beliefs, including laws and legislation, are on the basis of religion,” David said.

“Ninety something percent of homophobia and anti-LGBTQ beliefs are on the basis of religion,” David said he and McDermott saw in research findings.

David and McDermott said one of their objectives for the film, which includes interviews with leading LGBTQ Catholic activists and supportive Catholic priests, was to show how images of the church and Jesus through art and iconography going back several centuries has impacted the religious views of Catholics, including LGBTQ Catholics.

Among the LGBTQ supportive people interviewed in the film include Sister Jeannine Gramick, a Catholic nun who co-founded New Ways Ministry, the LGBTQ Catholic advocacy organization; Marianne Duddy-Burke, president of Dignity USA, the national LGBTQ Catholic group; and Father James Martin, a Jesuit priest, author, and outspoken advocate for LGBTQ supportive policies in the Catholic Church.

The film also discusses the fact that the top leader of the Catholic Church, Pope Francis, has issued statements in support of LGBTQ Catholics while at the same time some if not many Catholic cardinals and bishops have continued to promote traditional church doctrine condemning homosexuality.

David and McDermott point to their film’s groundbreaking use of a form of iconography that they and their creative team, including photographers, created as part of an art project to make the church’s imagery more welcoming to LGBTQ people.

“The idea behind this is in Christianity and Catholicism, Jesus has always been portrayed one way for the last 1,700 years,” McDermott told the Blade. “That he has been portrayed as a white man of Northern European descent with blond hair and blue eyes. And as we set up the film, we wanted to challenge that history of art, change it,” he said, to show that “the divine is in all of us,” including LGBTQ people.

McDermott and David told how they conducted a casting call for actors and models to portray Jesus as LGBTQ people who were highly diverse by way of ethnicity, gender, and gender expression. To their amazement, about 500 people responded to the casting call.

“And out of that enormous group we selected nine models,” David said. “And the people we cast are truly a diverse array of LGBTQIA+ people representing different ethnicities, different races, different genders, different body types,” he said. “We wanted to cast people who not only were models but actors and people who truly identify with this topic,” David said.

Several of the actor-models are interviewed in the film, with some describing their own experiences as a person of faith in a church that is sometimes not accepting of them.

David said several thousand still photos were taken of the nine model-actors selected to portray Jesus. He said about 160 of the photo images were selected to be shown in the film in which the actor-models portray Jesus in various stages of his life as described in the scriptures, including scenes of the crucifixion.

The still photos are shown in a dramatic presentation at the conclusion of the film, with each of the model-actors exhibiting highly emotional facial expressions, especially as they are shown tied to a cross with a crown of thorns.

McDermott said he and David came up with the film’s “Wonderfully Made” title from a biblical passage known as the Book of Psalms in which the biblical figure David says while praying to God, “I praise you because I am fearfully and wonderfully made.”

Biblical scholars have said the word “fearfully” as used in that biblical passage by David was intended to mean with great reverence, heart-felt interest and with respect.

Mark McDermott and Yuval David told the Blade that while their film shows the hardship faced by LGBTQ Catholics and people of faith, many people of faith, including the religious experts they interview in the film, believe Catholicism and religion in general can be interpreted to be supportive of all people, including LGBTQ people.

But the two say a positive perspective on how religion has and continues to impact LGBTQ people, such as the story told in their film, is needed.

“Forty percent of our homeless kids are LGBTQ – 40 percent,” McDermott said. “And we know why they ended up homeless. They got thrown out of their houses by their own family,” he said. “And it’s almost always because of their family’s religious views.”

Added McDermott, “One in three LGBTQ kids in the last year contemplate or seriously think about suicide.”

According to he and David, stress or conflict with their family’s religious beliefs is very often the root cause of stress and depression among LGBTQ people. They are hopeful, they said, that their film will be seen by many facing these problems and who may be helped by the film’s strong message that it’s ok to be a person of faith and LGBTQ.

“We created this for those who must see this, so they don’t feel that way,” said David.
Tickets for the Dec. 12, 7 p.m. screening of “Wonderfully Made LGBTQ+R(eligion),” which is open to the public, can be purchased online or at the E Street Cinema at the time of the showing if tickets are still available.

A trailer preview of the film can be viewed here: wonderfullymadefilm.com; you can follow news of the film on social media, instagram.com/WonderfullyMadeMovie. Tickets can be purchased from the Reel Affirmations website and more information can be found on the Facebook event page here.

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Rehoboth Beach

Rehoboth’s Blue Moon is for sale but owners aim to keep it in gay-friendly hands

$4.5 million listing includes real estate; business sold separately

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The real estate at Rehoboth’s Blue Moon is for sale for $4.5 million. (Washington Blade photo by Michael Key)

Gay gasps could be heard around the DMV earlier this week when a real estate listing for Rehoboth Beach’s iconic Blue Moon bar and restaurant hit social media.

Take a breath. The Moon is for sale but the longtime owners are not in a hurry and are committed to preserving its legacy as a gay-friendly space.

“We had no idea the interest this would create,” Tim Ragan, one of the owners, told the Blade this week. “I guess I was a little naive about that.”

Ragan explained that he and longtime partner Randy Haney are separating the real estate from the business. The two buildings associated with the sale are listed by Carrie Lingo at 35 Baltimore Ave., and include an apartment, the front restaurant (6,600 square feet with three floors and a basement), and a secondary building (roughly 1,800 square feet on two floors). They are listed for $4.5 million. 

The bar and restaurant business is being sold separately; the price has not been publicly disclosed. 

But Ragan, who has owned the Moon for 20 years, told the Blade nothing is imminent and that the Moon remains open through the holidays and is scheduled to reopen for the 2026 season on Feb. 10. He has already scheduled some 2026 entertainment. 

“It’s time to look for the next people who can continue the history of the Moon and cultivate the next chapter,” Ragan said, noting that he turns 70 next year. “We’re not panicked; we separated the building from the business. Some buyers can’t afford both.” 

He said there have been many inquiries and they’ve considered some offers but nothing is firm yet. 

Given the Moon’s pioneering role in queering Rehoboth Beach since its debut 44 years ago in 1981, many LGBTQ visitors and residents are concerned about losing such an iconic queer space to redevelopment or chain ownership.

“That’s the No. 1 consideration,” Ragan said, “preserving a commitment to the gay community and honoring its history. The legacy needs to continue.” He added that they are not inclined to sell to one of the local restaurant chains.

You can view the real estate listing here.

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Comings & Goings

Tristan Fitzpatrick joins TerraPower

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Tristan Fitzpatrick

The Comings & Goings column is about sharing the professional successes of our community. We want to recognize those landing new jobs, new clients for their business, joining boards of organizations and other achievements. Please share your successes with us at [email protected]

Congratulations to Tristan Fitzpatrick on his new position as Digital Communications Manager with TerraPower. TerraPower creates technologies to provide safe, affordable, and abundant carbon-free energy. They devise ways to use heat and electricity to drive economic growth while decarbonizing industry.

Fitzpatrick’s most recent position was as Senior Communications Consultant with APCO in Washington, D.C. He led integrated communications campaigns at the fourth-largest public relations firm in the United States, increasing share of voice by 10 percent on average for clients in the climate, energy, health, manufacturing, and the technology. Prior to that he was a journalist and social media coordinator with Science Node in Bloomington, Ind. 

Fitzpatrick earned his bachelor’s degree in journalism with a concentration in public relations, from Indiana University.

Congratulations also to the newly elected board of Q Street. Rob Curis, Abigail Harris, Yesenia Henninger, Stu Malec, and David Reid. Four of them reelected, and the new member is Harris. 

Q Street is the nonprofit, nonpartisan, professional association of LGBTQ+ policy and political professionals, including lobbyists and public policy advocates. Founded in 2003 on the heels of the Supreme Court’s historic decision in Lawrence v. Texas, when there was renewed hope for advancing the rights of the LGBTQ community in Washington. Q Street was formed to be the bridge between LGBTQ advocacy organizations, LGBTQ lobbyists on K Street, and colleagues and allies on Capitol Hill.

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District of Columbia

New queer bar Rush beset by troubles; liquor license suspended

Staff claim they haven’t been paid, turn to GoFundMe as holidays approach

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A scene from the dance floor of Rush at a preview night on Friday, Nov. 28. (Washington Blade photo by Michael Key)

The D.C. Alcoholic Beverage and Cannabis Board on Dec. 17 issued an order suspending the liquor license for the recently opened LGBTQ bar and nightclub Rush on grounds that it failed to pay a required annual licensing fee.

Rush held its grand opening on Dec. 5 on the second and third floors of a building at 2001 14 Street, N.W., with its entrance around the corner on U Street next to the existing LGBTQ dance club Bunker. 

It describes itself on its website as offering “art-pop aesthetics, high-energy nights” in a space that “celebrates queer culture without holding back.” It includes a large dance floor and a lounge area with sofas and chairs.

Jackson Mosley, Rush’s principal owner, did not immediately respond to a phone message from the Washington Blade seeking his comment on the license suspension.  

The ABC Board’s order states, “The basis for this Order is that a review of the Board’s official records by the Alcoholic Beverage and Cannabis Administration (ABCA) has determined that the Respondent’s renewal payment check was returned unpaid and alternative payment was not submitted.”

The three-page order adds, “Notwithstanding ABCA’s efforts to notify the Respondent of the renewal payment check return, the Respondent failed to pay the license fee for the period of 2025 to 2026 for its Retailer’s Class CT license. Therefore, the Respondent’s license has been SUSPENDED  until the Respondent pays the license fees and the $50.00 per day fine imposed by the Board for late payment.”

ABCA spokesperson Mary McNamara told the Blade that the check from Rush that was returned without payment was for  $12,687, which she said was based on Rush’s decision to pay the license fee for four years. She said that for Rush to get its liquor license reinstated it must now pay $3,819 for a one-year license fee plus a $100 bounced check fee, a $750 late fee, and $230 transfer fee, at a total of $4,919 due.

Under D.C. law, bars, restaurants and other businesses that normally serve alcoholic beverages can remain open without a city liquor license as long as they do not sell or serve alcohol. 

But D.C. drag performer John Marsh, who performs under the name Cake Pop and who is among the Rush employees, said Rush did not open on Wednesday, Dec. 17, the day the liquor board order was issued. He said that when it first opened, Rush limited its operating days from Wednesday through Sunday and was not open Mondays and Tuesdays. 

Marsh also said none of the Rush employees received what was to be their first monthly salary payment on Dec. 15. He said approximately 20 employees set up a GoFundMe fundraising site to raise money to help sustain them during the holiday period after assuming they will not be paid.

He said he doubted that any of the employees would return to work in the unlikely case that Mosley would attempt to reopen Rush without serving liquor or if he were to pay the licensing fee to allow him to resume serving alcohol without having received their salary payment. 

As if all that were not enough, Mosley would be facing yet another less serious problem related to the Rush policy of not accepting cash payments from customers and only accepting credit card payments. A D.C. law that went into effect Jan. 1, 2025, prohibits retail businesses such as restaurants and bars from not accepting cash payments. 

A spokesperson for the D.C. Department of Licensing and Consumer Protection, which is in charge of enforcing that law, couldn’t immediately be reached to determine what the penalty is for a violation of the law requiring that type of business to accept cash payments.

The employee GoFundMe site, which includes messages from several of the employees, can be accessed here.

Mosley on Thursday responded to the reports about his business with a statement on the Rush website. 

He claims that employees were not paid because of a “tax-related mismatch between federal and District records” and that some performers were later paid. He offers a convoluted explanation as to why payroll wasn’t processed after the tax issue was resolved, claiming the bank issued paper checks.

“After contacting our payroll provider and bank, it was determined that electronic funds had been halted overnight,” according to the statement. “The only parties capable of doing so were the managers of the outside investment syndicate that agreed to handle our stabilization over the course of the initial three months in business.”  

Mosley further said he has not left the D.C. area and denounced “rumors” spread by a former employee. He disputes the ABCA assertion that the Rush liquor license was suspended due to a “bounced check.” Mosley ends his post by insisting that Rush will reopen, though he did not provide a reopening date.  

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