Celebrity News
Queer nominees leave empty handed from disastrous Golden Globes
On the road toward a very ‘straight and narrow’ Oscar night?
By now, even if you didn’t watch them, you probably already know that Sunday night’s presentation of the 81st Annual Golden Globe Awards was pretty much a debacle.
From its tense first few minutes, when host Jo Koy (seriously, how many people had to say “no” to the job before they got to Jo Koy?) took his opening monologue rapidly past “irreverent” to “disrespectful” as his audience squirmed uncomfortably, it was clear that the evening’s attempt at a free-wheeling but good-natured roast of Hollywood disguised as an awards show was not going to go as planned. Koy’s efforts at snark were met with palpable hostility from the celebrity crowd, most of whom looked like they would rather be anywhere else but in the audience at the Beverly Hilton, and things just got worse from there.
We could go on about the lackluster, often tone-deaf writing, or the poorly conceived “stunt pairings” of stars as presenters, or the general sloppiness that made the show feel precarious from beginning to end, but fortunately, there’s no need for us to relive all that here. The reason you’re reading this (since this is the Blade, after all) is to find out about the “queer take” on the Golden Globes; unfortunately, the only one we can offer is that there really was no queer take on the Golden Globes.
Going into the ceremony, which, as always with the Hollywood Foreign Press Association’s annual awards show, bestowed the organization’s honors for both film and television, there were only a handful of out queer acting nominees. Two of these competed in a single category (Best Male Actor in a Motion Picture Drama): Colman Domingo, nominated for his star turn in the title role of “Rustin,” and Andrew Scott, who was up for his widely acclaimed performance in Andrew Haigh’s ethereal gay ghost story, “All of Us Strangers.” Both lost the award to Cillian Murphy, the star of Christopher Nolan’s “Oppenheimer.”
The other out nominee in the film acting categories, previous four-time Golden Globe winner Jodie Foster, was competing as Best Supporting Female Actor in Any Motion Picture for her performance in the Netflix biopic “Nyad,” but she lost to Da’Vine Joy Randolph of Alexander Payne’s “The Holdovers.”
On the TV side, out gay performer Matt Bomer, nominated as Best Actor in a Limited or Anthology Series or TV Movie for Showtime’s queer historical romance “Fellow Travelers,” lost to Steven Yuen in the Netflix smash, “Beef.” Natasha Lyonne – who identifies as straight but has always been open about her bisexual attractions – was up for Best Actress in a Musical or Comedy Series as the star of “Poker Face.” That award went instead to Ayo Edebiri of “The Bear.”
It’s true that Billie Eilish – who was nominated alongside brother Finneas O’Connell for co-writing Best Original Song nominee “What Was I Made For?” from “Barbie,” an award that they went on to win – has identified publicly as being attracted to both males and females, something she recently reasserted in a Variety interview (before following up with an Instagram post commenting that “literally who cares” about her sexuality), so at least there was one winner from the queer community during the evening.
As for the movies and shows themselves, several of the nominated titles included queer characters and themes, with Best Picture nominees “Maestro” (about bisexual composer/conductor Leonard Bernstein) and “May December” (from pioneering “New Queer Cinema” filmmaker Todd Haynes) as the most obvious examples. Both films received multiple nods; neither walked away with a single win. In the TV division, several queer-oriented shows, from “Fellow Travelers” to “The Last of Us” to “Ted Lasso,” lost in their respective categories, and “Wanda Sykes: I’m An Entertainer,” the out lesbian comedian’s Netflix special nominated for the newly added Best Standup Performance category, lost to former Golden Globes host Ricky Gervais’ “Ricky Gervais: Apocalypse.”
There were few queer moments of note, in fact, during the event, though the presence of trans “Euphoria” star Hunter Schaefer onstage as a presenter was a welcome nod to inclusion. A more positive spin can be found by acknowledging the show of diversity – an issue around which the Golden Globes has long been deservedly criticized – among the winners. Several acting wins went to Black performers (Randolph, Edebiri) and performers of Asian descent (Yuen and “Beef” co-star Ali Wong), while Lily Gladstone became the first indigenous American performer to win a Golden Globe as Best Leading Female Actor (Motion Picture Drama) for “Killers of the Flower Moon.” (Note: Gladstone has identified as “middle-gendered” in subsequent interviews and uses she/they pronouns.) We can only be thrilled for these well-deserved wins.
Still, if the Golden Globes are – as they’ve long been considered – the official “kick-off” of Awards Season and an important (if not always accurate) indicator of the likeliest big contenders at the subsequent (and more prestigious) ceremonies to follow over the next few weeks, it looks like we might be on the road toward very “straight and narrow” Oscar night.
The complete list of nominees and winners can be found at the Golden Globes website.
Celebrity News
Perez Hilton’s live breakdown reveals social media mental health crisis
Blogger hospitalized after harming himself online
Fans were shocked to witness former celebrity blogger Mario Lavandeira, aka Perez Hilton’s, epic crashout on social media. While on TikTok Live, he was harming himself with what appears to be a metal chef-grade spreader. There was blood, gore, and a cry for help that broke the internet.
Police from Miami-Dade County were called to the scene; he has been hospitalized. The fact that this traumatic incident was broadcast on TikTok brought up the topic of moderation. Hilton’s account has since been banned from TikTok, but by now the cat is out of the bag, and the clip is circulating online.
It’s hard not to reflect on how Hilton both represents a major turning point in Internet culture, and this incident may be a warning of its potential end. A statement on his blog from his representatives confirms that his family was on the scene minutes before the incident but quickly fled to protect his children and niece from any future trauma.
Hilton’s agent, Dante Rusciolelli, told Us Weekly in a statement. “Our focus remains on Perez’s health, recovery, and the privacy of both him and his family during this incredibly difficult time … We respectfully ask that everyone continue to honor his privacy while he receives the care he needs.”
A recurring theme on social media is that Hilton, at the height of his fame and media reach, would not respect the privacy of any celebrity. After all, he was one of the regular outlets covering Britney Spears’s famous shaved-head meltdown and part of the “Leave Britney Alone” mythos.
A bit of background
Before Hilton, there were celebrities famous for being famous like Angelyne and Paris Hilton. However, some may say he was the first to monetize it. From his laptop at a coffee shop, he galvanized the Internet by skewering celebrities.
Nothing was off limits. He outed celebrities like Neil Patrick Harris, Clay Aiken, and Lance Bass. He spoiled the finale of season 3 of “RuPaul’s Drag Race,” and he posted celebrity nudes, including up-skirt photos of teen starlets like Paris Hilton, Britney Spears, and Lindsay Lohan, the same young women he also cyber-bullied.
Times have changed, and despite his many attempts to rehab his image, including having children, publicly apologizing, and even finding God, nothing brought him back to the public eye. He was recently hospitalized for sepsis and claims to have reflected on his behavior in the past.
This incident really shines a light on the intersection of mental health and fame in this country. In a post-Kardashian world, being a celebrity is not about talent or professional accolades. It has become about how you can increase your follower count. Whether it is stretching out Marilyn Monroe’s dress, becoming a Black Nazi like Kanye West, or even becoming President, it’s about how you can shock, awe, and find your base.
Los Angeles is a city that lives and dies by television and movies, but social media has shifted how this business works. People are cast from large social media followings. People who do manage to build a following face some of the darker aspects of fame. Whether it’s Chappell Roan’s beef with paparazzi and fans, or Hudson Williams and Connor Storrie having to ask for privacy and respect for their humanity, even if you reach the level of fame, it’s not all roses.
Add to this the fact that this is all tied to social media. Your fame is quantified by the number of followers, likes, and page views, while people are found in a negative feedback loop of dopamine addiction, clout chasing, and pushing themselves further to find more followers.
On Aug. 1, Floridian influencer Whitney Lynn was thrown off a flight claiming spiritual warfare when she was disrupting the flight by proselytizing. Was she doing this for social media follows? The Internet is now rampant with people causing scenes in planes, staging pranks and scenarios, and violating people’s privacy all in the pursuit of attention.
Hopefully Hilton finds the help he needs. This entire incident has called into question the entirety of internet culture. Who is responsible for the trauma that people inflict on other people? At what point do we intercede in Internet use before people have no other recourse but to harm themselves on live? And at what point does the toxic energy we put onto the net bounce back to us?
Similar to Hilton, Wendy Williams faced her own crisis, and maybe she put it best: “I would ask you to respect our privacy, but please, I don’t respect people’s privacy; that’s why I do the Hot Topics. So turnabout is fair game.”
If you know anyone struggling with self-harm, text CONNECT to 741741 for free confidential support or dial 988 for the suicide and crisis helpline.
Celebrity News
My evening with Madonna
Gay icon headlined the World Pride Music Festival in Amsterdam
Editor’s note: International News Editor Michael K. Lavers and Photo Editor Michael Key will be on assignment in the Netherlands through Aug. 10. They will be covering World Pride in Amsterdam.
AMSTERDAM — Madonna and 6,000 of her closest friends celebrated World Pride at Amsterdam’s AFAS Live concert hall early Sunday morning. I was fortunate enough to be one of them.
Madonna last Wednesday nearly broke the internet when she said on social media in Dutch that “I got somethin’ I wanna talk about,” referring to an opening line in “Danceteria,” one of the tracks on her “Confessions II” album that has received rave reviews since its July 2 release. The track has been on near constant replay on my playlist since I first heard it.
— Madonna (@Madonna) July 28, 2026
MISTR — a telehealth platform that offers free access to PrEP, Doxy PEP, STI testing, and long-term care that has organized Madonna’s Club Confessions shows in the U.S. and the U.K. — later confirmed the rampant speculation. I woke up on July 30 to an email in my inbox from MISTR and the World Pride Music Festival PR team that said I was on the press list.
Madonna was indeed going to headline the World Pride Music Festival that Jake Resnicow and Insomniac produced, and I was going to be there. OMFG!!!!
The gay icon had one more surprise in store.
The Dutch internet on Saturday once again broke over speculation that Kylie Minogue was going to appear alongside Madonna. I was getting ready to leave our hotel in Amsterdam on Saturday night when I saw a video of the two of them together.
“Madonna is now teasing Kylie Minogue on her social media … she may be one of her ‘special guests’ tonight,” I wrote in a text to Washington Blade Editor Kevin Naff at 8:46 p.m.
“Have fun! This is turning into the gayest concert ever,” he responded.
I arrived at AFAS Live shortly before 11 p.m. My press contact walked me and two other Dutch journalists into the venue’s cavernous main room known as the Black Box. We made small talk for a few minutes before I started to walk around and listen to Josh Harrison who was on the decks.
Madonna was scheduled to take the stage at 1:30 a.m., but she is known for being late — she is Madonna and she does what she wants. Hayla, a British singer, and Bebe Rexha are among those who performed ahead of Madonna. Thousands of sweaty men — including a group of Australians next to me who were eagerly awaiting Kylie’s anticipated appearance — packed the Black Box and were dancing, anticipating what was to come.

MISTR CEO Tristan Schukraft at one point came on stage and declared Madonna was indeed in the building. The moment for which we were all eagerly waiting finally came shortly before 2:30 a.m.
“Mother is here and this is gay heaven,” said Madonna when she took the stage.
Stuart Price, who produced her “Confessions on a Dance Floor” album in 2005, manned the decks during Madonna’s set.
She opened it with “I Feel So Free” from “Confessions II.” Madonna then sang “Bring Your Love” and “Danceteria” to which this reporter — and everyone else — sang along.
Madonna then teased a surprise before she began to perform “Love Sensation.” Kylie soon appeared on stage. It was nearly too much for my fellow partygoers from Australia. It was indeed the gayest concert ever!
Madonna and Kylie performed “Love Sensation” together. They then sang “Hung Up” and “Sorry” from “Confessions on a Dance Floor” to round out the set that ended shortly after 3 a.m.
Madonna and I share the same birthday — Aug. 16 — and I would like to think she and Kylie gave me an early birthday present. In all seriousness though, it was an amazing night for me and for everyone else who was fortunate enough to be there.
“On the dance floor I feel so free,” says Madonna in the opening of “I Feel So Free.”
For those few precious hours at AFAS Live I did not think about the Trump-Vance administration and the myriad ways it is destroying the U.S. I did not think about the National Guard troops deployed to D.C. I did not think about the pointless wars that continue to ravage Ukraine and other countries around the world. I simply lost myself on the dance floor and celebrated an icon who has always stood with my community.
Thank you, Madonna.
Celebrity News
Madonna headlines World Pride Music Festival in Amsterdam
Kylie Minogue made surprise appearance alongside gay icon
AMSTERDAM — Madonna on Sunday headlined the final night of the World Pride Music Festival in Amsterdam.
The gay icon took the stage shortly before 2:30 a.m. local time (8:30 p.m. ET on Saturday) during Club Confessions, a set that MISTR, a telehealth platform that offers free access to PrEP, Doxy PEP, STI testing, and long-term HIV care, organized.
“Mother is here and this is gay heaven,” said Madonna when she took the stage inside Amsterdam’s AFAS Live concert hall that can hold up to 6,000 people.
Stuart Price, who produced Madonna’s 2005 “Confessions on a Dance Floor” album and “Confessions II,” which debuted on July 2, DJed the set.
Kylie Minogue made a surprise appearance. She and Madonna performed a new remix of “Love Sensation” from “Confessions II.”
(Washington Blade video by Michael K. Lavers)
“Throughout my career, I’ve always supported efforts to fight HIV and AIDS, and that fight begins with education and access,” said Madonna in a MISTR press release. “With MISTR, (CEO) Tristan (Schukraft) is expanding access to HIV prevention and sexual healthcare for everyone. Through this work, he’s helping preserve and strengthen LGBTQ+ spaces while investing in the communities and culture that have long sustained us.”
Minogue in an Instagram post thanked Madonna, Price, Schukraft, and MISTR.
Madonna appeared at The Abbey in West Hollywood, Calif., in April. Madonna in June celebrated Pride month with a pop-up performance in New York’s Times Square.
Jake Resnicow and Insomniac produced the World Pride Music Festival that also featured Bebe Rexha and Paris Hilton, among others.
“Pride has always been about bringing our community together,” said Resnicow. “At a moment when too many people are being told to hide or make themselves smaller, gathering openly, joyfully, and without apology matters more than ever. I couldn’t be prouder of what this festival brought to life in Amsterdam — one dance floor, completely free.”
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