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Queer nominees leave empty handed from disastrous Golden Globes

On the road toward a very ‘straight and narrow’ Oscar night?

Published

2 years ago

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Matt Bomer was one of a few queer nominees but lost the Golden Globe. (Washington Blade file photo by Michael Key)

By now, even if you didn’t watch them, you probably already know that Sunday night’s presentation of the 81st Annual Golden Globe Awards was pretty much a debacle.

From its tense first few minutes, when host Jo Koy (seriously, how many people had to say “no” to the job before they got to Jo Koy?) took his opening monologue rapidly past “irreverent” to “disrespectful” as his audience squirmed uncomfortably, it was clear that the evening’s attempt at a free-wheeling but good-natured roast of Hollywood disguised as an awards show was not going to go as planned. Koy’s efforts at snark were met with palpable hostility from the celebrity crowd, most of whom looked like they would rather be anywhere else but in the audience at the Beverly Hilton, and things just got worse from there.

We could go on about the lackluster, often tone-deaf writing, or the poorly conceived “stunt pairings” of stars as presenters, or the general sloppiness that made the show feel precarious from beginning to end, but fortunately, there’s no need for us to relive all that here. The reason you’re reading this (since this is the Blade, after all) is to find out about the “queer take” on the Golden Globes; unfortunately, the only one we can offer is that there really was no queer take on the Golden Globes.

Going into the ceremony, which, as always with the Hollywood Foreign Press Association’s annual awards show, bestowed the organization’s honors for both film and television, there were only a handful of out queer acting nominees. Two of these competed in a single category (Best Male Actor in a Motion Picture Drama): Colman Domingo, nominated for his star turn in the title role of “Rustin,” and Andrew Scott, who was up for his widely acclaimed performance in Andrew Haigh’s ethereal gay ghost story, “All of Us Strangers.” Both lost the award to Cillian Murphy, the star of Christopher Nolan’s “Oppenheimer.”

The other out nominee in the film acting categories, previous four-time Golden Globe winner Jodie Foster, was competing as Best Supporting Female Actor in Any Motion Picture for her performance in the Netflix biopic “Nyad,” but she lost to Da’Vine Joy Randolph of Alexander Payne’s “The Holdovers.”

On the TV side, out gay performer Matt Bomer, nominated as Best Actor in a Limited or Anthology Series or TV Movie for Showtime’s queer historical romance “Fellow Travelers,” lost to Steven Yuen in the Netflix smash, “Beef.” Natasha Lyonne – who identifies as straight but has always been open about her bisexual attractions – was up for Best Actress in a Musical or Comedy Series as the star of “Poker Face.” That award went instead to Ayo Edebiri of “The Bear.”

It’s true that Billie Eilish – who was nominated alongside brother Finneas O’Connell for co-writing Best Original Song nominee “What Was I Made For?” from “Barbie,” an award that they went on to win – has identified publicly as being attracted to both males and females, something she recently reasserted in a Variety interview (before following up with an Instagram post commenting that “literally who cares” about her sexuality), so at least there was one winner from the queer community during the evening.

As for the movies and shows themselves, several of the nominated titles included queer characters and themes, with Best Picture nominees “Maestro” (about bisexual composer/conductor Leonard Bernstein) and “May December” (from pioneering “New Queer Cinema” filmmaker Todd Haynes) as the most obvious examples. Both films received multiple nods; neither walked away with a single win. In the TV division, several queer-oriented shows, from “Fellow Travelers” to “The Last of Us” to “Ted Lasso,” lost in their respective categories, and “Wanda Sykes: I’m An Entertainer,” the out lesbian comedian’s Netflix special nominated for the newly added Best Standup Performance category, lost to former Golden Globes host Ricky Gervais’ “Ricky Gervais: Apocalypse.”

There were few queer moments of note, in fact, during the event, though the presence of trans “Euphoria” star Hunter Schaefer onstage as a presenter was a welcome nod to inclusion. A more positive spin can be found by acknowledging the show of diversity – an issue around which the Golden Globes has long been deservedly criticized – among the winners. Several acting wins went to Black performers (Randolph, Edebiri) and performers of Asian descent (Yuen and “Beef” co-star Ali Wong), while Lily Gladstone became the first indigenous American performer to win a Golden Globe as Best Leading Female Actor (Motion Picture Drama) for “Killers of the Flower Moon.” (Note: Gladstone has identified as “middle-gendered” in subsequent interviews and uses she/they pronouns.) We can only be thrilled for these well-deserved wins.

Still, if the Golden Globes are – as they’ve long been considered – the official “kick-off” of Awards Season and an important (if not always accurate) indicator of the likeliest big contenders at the subsequent (and more prestigious) ceremonies to follow over the next few weeks, it looks like we might be on the road toward very “straight and narrow” Oscar night.

The complete list of nominees and winners can be found at the Golden Globes website.

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Brazil

Black transgender singer from Brazil wins three Latin Grammy Awards

Liniker performed at Las Vegas ceremony

Published

6 days ago

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November 21, 2025

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Liniker (Screen capture via Liniker/YouTube)

A Black transgender singer and songwriter from Brazil on Nov. 13 won three Latin Grammy Awards.

Liniker, who is from Araraquara, a city in São Paulo State, won for Best Portuguese Language Song for her song “Veludo Marrom,” Best Portuguese-Language Urban Performance for her song “Caju” from her sophomore album of the same title, and Best Portuguese Language Contemporary Pop Album for “Caju.”

She accepted the awards during the Latin Grammy Awards ceremony that took place in Las Vegas. Liniker also performed.

“I’ve been writing since I was 16. And writing, and poetry, have been my greatest form of existence. It’s where I find myself; where I celebrate so many things I experience,” said Liniker as she accepted her first Latin Grammy on Nov. 13. “And being a composer … Being a trans composer in Brazil — a country that kills us — is extremely difficult.”

Liniker in 2022 became the first openly trans woman to win a Latin Grammy.

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Celebrity News

Jonathan Bailey is People’s first openly gay ‘Sexiest Man Alive’

‘It’s a huge honor. And it’s completely absurd.’

Published

3 weeks ago

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November 4, 2025

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Actor Jonathan Bailey made history Monday after he was named People magazine’s first openly gay “Sexiest Man Alive.”

Bailey is known for his starring role in “Wicked,” as well as well-received turns in “Bridgerton” and “Fellow Travelers,” for which he was nominated for an Emmy. He returns to the big screen on Nov. 21 in the “Wicked: For Good” sequel.

Bailey announced the news on the Nov. 3 “Tonight Show” with Jimmy Fallon.

“It’s the honor of a lifetime,” Bailey, 37, said. “I want to say, Jimmy, thank you so much for turning it down so that I could be here.”

Bailey told People, “It’s a huge honor. Obviously I’m incredibly flattered. And it’s completely absurd. It’s been a secret, so I’m quite excited for some friends and family to find out.”

People launched its popular “Sexiest Man Alive” issue in 1985 with inaugural winner Mel Gibson. Last year’s winner was actor John Krasinski.

Bailey came out publicly in 2018 and founded a nonprofit, Shameless Fund, which raises money for LGBTQ organizations and issues.

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Celebrity News

The queerest moments of the 2025 VMAs

LGBTQ artists a central part of the music industry at this year’s award show

Published

3 months ago

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September 9, 2025

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(CBS/MTV graphic)

Whether it be sultry Frank Ocean performances or Madonna reminding everyone that drag queens run the world, the MTV Video Music Awards (VMAs) have always been an unofficial honoring of the LGBTQ community’s contributions to music. Yet many fans were nervous going into the 2025 ceremony; during a time when marginalized voices are being attacked across the country, would there still be a queer presence at this historic award show? Luckily, they weren’t disappointed, as the VMAs quickly reminded everyone of a very important fact: there is no music industry without queer artists.

And with that in mind, let’s take a closer look at the moments that made the 2025 VMAs one of the gayest award shows ever!

Before it even began, the ceremony’s red carpet hosted some of the entertainment industry’s biggest queer stars (and their impeccable fashion choices.) Whether it be the eviscerating Law Roach, hilarious comedian Megan Stalter, or renowned drag queens like Lexi Love and Symone, this crimson runway was a space for these icons to strut their stuff.

The invite list alone made it clear that LGBTQ artists would continue being an integral part of the VMAs — a fact that was taken to unimaginable heights when Lady Gaga won the award for ‘Best Artist of the Year!’

Even after countless wins, it can’t be overstated just how important a triumph for Lady Gaga is for the LGBTQ community, especially when she’s being awarded for the massive amount of work she’s done this year. Not only has her new album, “Mayhem,” been the soundtrack for every gay bar, but in the face of rising discrimination, she is constantly speaking up for queer and trans individuals across the country. It was so cathartic for her LGBTQ fans to watch Mother Monster accept the award, starting the show with an uplifting, quintessential queer energy that would only get better from there. 

Not only did numerous LGBTQ artists perform — a huge shoutout to Lola Young and Conan Gray — but a portion of the night was focused on rewarding gay trailblazer Ricky Martin with the first-ever Latin Icon Award. He used his speech to encourage unity during this time of division, reminding listeners that music should be what brings us together during a time when people are literally trying to tear us apart. And he wouldn’t be the only LGBTQ artist going home with a Moon Man! Stans across the globe cheered when KATSEYE won the VMA for Push Performance of the Year, the inaugural award for a global girl group that is revolutionizing what it means to be an idol today. Not only are they breaking barriers, but with members Lara Raj and Megan Skiendiel, KATSEYE makes history as one of the only idol groups to openly feature two queer women!

Halfway through the VMAs, this award ceremony was already shaping up to be one of the queerest yet … but someone wanted to bring even more to the stage. Someone who used every moment she had to amplify LGBTQ artists and call for the respect these communities deserve. She was already regarded as an icon before the show, but with her performance and acceptance speech, Sabrina Carpenter solidified herself as one of the biggest advocates in music today. 

While every VMAs performer brings a unique concept to their performance, few are as instantly captivating as Carpenter’s performance of “Tears.” The faux-city streets of her stage bring to mind moments from history like the Stonewall Riots, acts of resistance that fueled LGBTQ liberation and made the modern music industry possible. Then, as the camera panned out, audiences learned that Carpenter brought queer royalty onstage with her: “Drag Race” queens Denali, Willam, Symone, Lexi Love, and Laganja Estranja, along with Ballroom legends Dashaun Wesley and Honey Balenciaga. The entire group took part in some visually stunning choreography before each held up a cardboard sign, with their sayings ranging from “Protect trans rights” to “In trans we trust” and “Support local drag.” With this song, Carpenter fought transphobia and called for equity with more bravery than anyone else that night — and she wasn’t done. 

“I do want to say: to my incredible cast and dancers and queens on stage with me tonight … this world, as we all know, can be so full of criticism and discrimination and negativity,” said Carpenter, as she accepted the award for “Best Album.” “So to get to be part of something so often, more than not, that is something that can bring you light, make you smile, make you dance, and make you feel like the world is yours … I am so grateful.” It’s an unfortunate truth that, while many celebrities enjoy featuring queer performers in their acts, too often these folks are treated as props rather than actual artists. Carpenter used every minute onscreen to show her love for these LGBTQ artists and grant them the national applause they deserve. It created many jaw-dropping, utterly LGBTQ moments throughout the night, and it gave everyone watching an exceptional model for how to be a true ally today. 

There were so many amazing moments at the 2025 VMAs, it’s unfair to label one as the best! From Eyekons to short n’ sweet activists, the award ceremony was stacked with reminders to everyone that queer people built the music industry they love — and that we’re not going anywhere. But, while each of these resonated with different fans for different reasons, there was a single instant that touched every queer person watching. 

When Ariana Grande accepted her award for “Video of the Year,” she succinctly surmised her appreciation for the LGBTQ community in a way that truly anyone can understand: “Thank you to my therapists, and gay people. I love you.”

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