Arts & Entertainment
‘This is a very big deal’
Obama, NAACP announcements infuse Black Pride festivities with celebratory flair
Revelers at last year's Black Pride. (Blade file photo by Pete Exis)
Change is in the air and prominent local black LGBT activists say its effects will be palpable at this weekend’s Black Pride festivities.
It’s debatable what led to the timing of President Obama’s announced change of heart on same-sex marriage — he told ABC’s Robin Roberts in a May 9 interview that he “think(s) same-sex couples should be able to get married,” an unprecedented statement for a sitting U.S. president — but whether it was the timing of the North Carolina amendment to ban same-sex marriage, Vice President Joe Biden’s shockingly unbridled comments the weekend before on “Meet the Press” or just the final stop on his self-proclaimed “evolution” on the issue, the announcement came as a shock to many, especially since it’s an election year. But the comments and the subsequent announcement by the NAACP of its endorsement of same-sex marriage make for a radically altered climate for D.C. Black Pride and several other piggy-backing black LGBT events happening this weekend.
Local black activists and promoters say almost universally it’s an exciting turn of events.
“It made me very happy,” says Kenya Hutton, a Black Pride board member. “Being the first American president to do so is very important.”
“I was absolutely elated,” says Linda McAllister, owner of D.C. lesbian bar Lace. “It’s a very historic moment … It’s unbelievable. I could not have been more pleased.”
“My first reaction was, ‘Yes, thank God he did it,’” says lesbian event promoter Ebone Bell. “It was like, ‘Thank you,’ for the first time in history we have a president who stood up for the right thing.”
Others say the announcement itself was not such a shock, so much as the timing of it.
“My initial thoughts were ones of astonishment that a sitting president up for reelection would come out so strongly in support, that’s the first thing,” says lesbian Khadijah Tribble. “Then I thought, yes, this is the man we all got behind as a staunch supporter of LGBT rights, so I was not surprised on one level but I just didn’t expect this timing at all.”
Sharon Lettman-Hicks, who prefers the term “sister of the movement” to straight ally (she’s married to a man but is also executive director of the LGBT rights group National Black Justice Coalition), agrees.
“I was extremely proud,” she says. “I was in shock and awe, but also just extremely proud that he would do this in such a polarizing political climate, but he was willing to step outside of the world of politics and really put human dignity first.”
And although the announcement has no legislative impact — marriage in the U.S. continues to be largely a state issue — many locals the Blade spoke to for this piece say it’s still a watershed moment because it’s giving straight black Americans a forum in which to discuss the LGBT people in the community.
The announcement has many angles — the fact that Obama, as the first U.S. president of color, is the first sitting president to make such an unequivocal statement is one thing. But it’s perhaps doubly significant that Obama is black since many African-American Baptist ministers preach anti-gay theology. White U.S. clergy do as well, of course. Just this week, the YouTube-posted video of North Carolina minister Charles Worley advocating putting gays and lesbians in an electrified pen like cattle until they starve to death went viral. But there’s perhaps a vociferousness to the rhetoric in black America that is often a bit different.
“It’s going to take a while to digest the issue but the big thing is that people are talking about it now,” says Earl Fowlkes, president of the Federation of Black Prides and also a long-time board member for D.C. Black Pride. “To have a black president talking about gay issues and same-sex marriage, these things are largely unspoken of in the black community, which is pretty much where the straight white community was 10 years ago. But when the president speaks and you have an organization as well respected as the NAACP, where half the chapter presidents are church people and they’re saying, ‘What’s the big deal?,’ it allows activists like myself to step forward and gives us ammunition.”
Several interesting points come up in these conversations — Tribble says that growing up in the South, black LGBT people were largely accepted as long as they abided by an unwritten “Don’t Ask, Don’t Tell”-type social policy.
“There were a lot of LGBT people growing up that although technically they were closeted, we all knew it,” she says. “They were still accepted within the church, they were still at the family cookouts, this is Aunt so-and-so and the aunt’s best friend who’s always with her. They came to everything and really weren’t treated any differently, but we just didn’t name it or talk about it even though they still had a place in the African-American community.”
Sheila Alexander-Reid says Obama’s announcement gives straight black Americans a catalyst to finally talk about LGBT issues.
“This way they can say, ‘What do you think about what Obama said,’ not, ‘What do you think about Johnny or Suzie?,” she says. “These are conversations that are long overdue. A lot of these people are very entrenched in their homophobia.”
Lettman-Hicks says black straight Americans aren’t so much squeamish about LGBT issues as they are uncomfortable with any talk of sexuality.
“It’s not an LGBT issue, it’s a sexuality issue in which LGBT issues fall under that,” she says. “If you want to have an intelligent debate about black people, you have to understand black people and black sexuality … so many discount the challenges that our community has faced. We were beaten, raped, brought here and sold as slaves, there’s a level of indignity that we faced as an oppressed people so in many ways we’re having the wrong conversation. Black America needs to have a robust conversation about human sexuality in general.”
She says, though, that Obama and the NAACP’s positions are excellent jumping-off points for those discussions.
But what about Obama’s reelection odds — will the LGBT support he picks up offset straight black Americans who may jump ship?
“I think it will help him overall,” says SaVanna Wanzer, a transgender activist and Whitman-Walker Health board member. “Number one, because it was the right thing to do. I think he will lose some support, yes, but the people who want human interests and civil rights first will still be on his side.”
“There will be some who back off, but no one in my family in Alabama is not going to vote for him because of this issue, I’m sure,” Tribble says. “Even the ones who tell me I’m going to hell, they still think I’m going to hell, but they won’t back away from Obama just because of this.”
Others say that while Obama’s statements are to be celebrated, the black LGBT community in D.C. spends too much time worrying about marriage rights when it has more pressing issues — transgender health, homelessness, HIV/AIDS, drug abuse and more — that should be on the front burner.
“I usually refrain from commenting,” says Earline Budd, a long-time advocate for disadvantaged transgender D.C. residents. “Day in and day out, like right here just now in my office, I have a 21-year-old HIV-positive person with a major infection. I just don’t have time to think about marriage. I do believe those who are out there on the front lines in the marriage battles, that we need that, but it’s just not on my agenda at this time … This whole thing with HIV, which is affecting more and more young people all the time, is much more pressing.”
Wanzer agrees.
“I’m thankful for his support, but there are much more pressing needs, especially with the transgender community,” she says.
Even so, many expect the Black Pride festivities to have an increased excitement and energy this year because of recent events.
“I know Eleanor [Holmes Norton] will be commenting on it, the mayor will be commenting on it, there’s definitely going to be a huge acknowledgement about this at Black Pride,” Fowlkes says. “Every time I’m at the mic, I’ll say something about it. What you’re really doing is giving people permission to celebrate it … we’re going to be making that acknowledgement at all our events so people can clap and feel happy because this is a very big deal.”
Black Pride, related events abound this weekend
Today (Friday)
An opening reception is held for Leandrea Gilliam this evening at 6:30 at the Hyatt Regency (400 New Jersey Ave., N.W.). Gilliam is the care advocacy program manager of the Sexual Minority Youth Assistance League and a Wellmore Cook Community Service Awardee. Admission to this event is free. For details, go to dcblackpride.org.
Author of “King Peggy,” Peggielene Bartels, signs copies of her book tonight at 7:30 at the Hyatt Regency (400 New Jersey Ave., N.W.). The book is about Bartels’ journey to becoming king of the African village Otuam in Ghana. The book costs $25. Proceeds will go to the nonprofit organization, Otuam Community Development Corp. Find more information at dcblackpride.org.
RainbowConnects is hosting speed dating in the Yellowstone/Everglades Room at the Hyatt Regency (400 New Jersey Ave., N.W.) tonight at 7. Admission is free. For details, visit dcblackpride.org.
“She’Baltimore,” a play written and directed by Ira Kip, opens at Warehouse Theater (1071 7th St., N.W.) tonight at 8. Admission is $25. For more information, email [email protected] or go to dcblackpride.org.
The 5000 Men Pride Mega Party featuring Ashanti is tonight at FUR Night Club (33 Patterson St., N.E.). Doors open at 10. Cover charge ranges $20-$50. For more information, visit omegapartydc.net.
Saturday, May 26
Representatives from Capital One Bank will be on-site at the Capital One Job Fair held from 11 a.m.-3 p.m. in the Olympic Room at the Hyatt Regency (400 New Jersey Ave., N.W.). The event is free. For details, visit dcblackpride.org.
Angela Harvey presents “The Key to the Perfect Orgasm” today at 12:30 at the Hyatt Regency (400 New Jersey Ave., N.W.) in Congressional Room A. Admission is free. For more information, visit dcblackpride.org.
New York Life Job Fair is held in the Sequoia Room at the Hyatt Regency (400 New Jersey Ave., N.W.) today from 12:30-3 p.m. The event is free. For details, visit dcblackpride.org.
A film festival is being held at the Hyatt Regency (400 New Jersey Ave., N.W.) from 2-5 p.m. The films that are playing include “Change,” “Finding Me: Truth” and “Taboo Yardies.” Admission is $15. For details, visit dcblackpride.org.
Terry W. Sidney is reading “The Four of Us” at the Mead Lab Theater (916 G St., N.W.) today at 2 p.m. Admission is $20. For more information visit beyonddarkcorners.com or dcblackpride.org.
Chocolate City Pride hosts the Tropical Heat Rooftop Party today from 3-8 p.m. on top of the Ibiza Roof (1222 1st St., N.E.). The event will include free food. Admission is $10. For more information, visit omegapartydc.net.
Buttafly Soul is hosting a Poetry Slam today from 5-8 p.m. at the Hyatt Regency (400 New Jersey Ave., N.W.). Admission is $15. For details, visit dcblackpride.org.
Black Men’s Xchange D.C. presents Revelation tonight at 7 at the Hyatt Regency (400 New Jersey Ave., N.W.). The panel discussion will be moderated by the reality T.V. star Karamo Brown. For details, visit dcblackpride.org.
Layla Lounge (501 Morse St., N.E.) hosts the annual Manhunt Party tonight from 9 p.m.-3 a.m. Passes are on sale at omegapartydc.net.
A soul train dance party is being held at the Hyatt Regency (400 New Jersey Ave., N.W.) tonight from 10 p.m.-1 a.m. The event features DJ Mandrill. Admission is $15. For details visit dcblackpride.org.
Lace Nightclub (2214 Rhode Island Ave., N.E.) hosts Insomniac, the after-party tonight from 3:30-8 a.m. Complimentary breakfast will be provided. For details, visit omegapartydc.net.
Sunday, May 27
A faith service is today from 9-11 a.m. at the Hyatt Regency (400 New Jersey Ave., N.W.). The event is free. For more information, visit dcblackpride.org.
“It’s a Family Affair” is held at Francis-Stevens Educational Campus (23 & O St., N.W.) today from noon-6. Admission is free. For details, visit dcblackpride.org.
Island Inferno annual pool party takes place at Great Waves Water Park (4001 Eisenhower Ave., Alexandria, Va.) today at 3. There will be free food, cash bar and a body contest. For more information visit omegapartydc.net.
Klimex Mega Party is tonight at the Love Nightclub (1350 Okie St., N.E.) from 9 p.m.-4 a.m. Table reservations begin at $500. For details, visit omegapartydc.net.
Monday, May 28
Chocolate City Pride hosts a cookout at Fort Dupont Park (3600 F St., S.E.) today from noon to 5 p.m. For more information, visit omegapartydc.net.
Layla Lounge (501 Morse St., N.E.) hosts the Apocalypse party tonight from 9 p.m.- 2 a.m. Admission is $10. For details, visit omegapartydc.net.
— ERIN DURKIN
Transgender Day of Remembrance was observed at the Metropolitan Community Church of Washington, D.C. on Thursday, Nov. 20. The event was emceed by Rayceen Pendarvis and Dwight Venson. Musical selections were provided by Agape Praise and Dynamic Praise. Proclamations from the D.C. Council and the D.C. Office of the Mayor were presented. The Pouring of the Libation was conducted by Rev. Elder Akousa McCray and Rev. Paul Fulton-Woods of Unity Fellowship Church.
Remarks were given by trans survivors of violence. Family members of slain trans woman Dream Johnson were featured speakers. Prayers were given by Rev. Cathy Alexander and Rev. Dwayne Johnson of Metropolitan Community Church of Washington, D.C. Yael Shafritz gave a Jewish prayer through a video presentation. Closing remarks were given by community leader, Earline Budd.
(Washington Blade photos by Michael Key)
Books
Pioneering gay journalist takes on Trump 2.0 in new book
Nick Benton’s essays appeared in Fall Church News-Press
Nicholas Benton is a well-known local LGBTQ advocate and journalist and the longtime owner and editor of the Falls Church News-Press, a weekly newspaper.
In his eighth book out now, Benton offers a new set of remarkable essays all crafted in the first eight months of Trump 2.0 and its wholesale effort at dismantling democracy and the rule of law. Most were published in the Falls Church News-Press, but he adds a new piece to this volume, as an addendum to his “Cult Century” series, revealing for the first time his experiences from decades ago in the political cult of Lyndon LaRouche, aimed at providing a clearer grasp of today’s Cult of Trump.
His “Please Don’t Eat Your Children” set takes off from the satire of Jonathan Swift to explore society’s critical role of drumming creativity out of the young.
Below is an excerpt from “Please Don’t Eat Your Children, Cult Century, and other 2025 Essays.”
Please Don’t Eat Your Children
In his famous short essay, “A Modest Proposal: For Preventing the Children of Poor People in Ireland From Being a Burden to Their Parents or Country and for Making Them Beneficial to the Public,” author and Anglican priest Jonathan Swift (1667-1745) uses cutting satire to suggest that cannibalism of the young might help solve a battery of social ills.
As we examine our broken society today, it seems to me that reflecting on Swift’s social critique can be quite useful. Now we face a nation filled with anger and division and there is little to suggest any real solutions other than insisting people “don’t do that!” We can start out with the observation that young children, left to their own, are neither hateful nor cruel. How do they get that way later on in their lives? What drives them toward such emotional states and behaviors? It is not a problem only for the margins of society, for the extreme misfits or troubled. It is defining the very center of our culture today. Our divisions are not the cause, but the result of something, and nobody is saying what that is.
Swift doesn’t say what it is in his biting little essay. But it is implied by a context of a lack of bounty, or poverty, on the one hand, and an approach to it characterized by obscenely cruel indifference, on the other. He coined the phrase “useless eaters” in defining his radical solution. In Hitler’s Germany, that term resonated through the death camps and some in our present situation are daring to evoke it again as the current administration pushes radical cuts in Medicaid funding.
But while that refers to the old and infirm, mostly, it is the young we are talking about here. The problem is that our society is structured to devour our young and as they begin to find that out, they rebel. Not in all cases is this the practice, of course. Where there is little or no lack, things are different. We nurture our young, as we should, and we love them. Lucky is the child who is born to parents who are of means, and in a community where nurture is possible and valued. But even such children are ultimately not immune from facing a destiny of pale conformity battered by tightly delimited social expectations and debt slavery. If they have enough ambition, education and doors opened for them, some can run the gauntlet with relative effectiveness. Otherwise, our young are raised to die on battlefields, or to struggle in myriad other painful social conflicts aimed at advancing the world of their elders. In the Bible, there is a great admonition against this process that comes at the very precondition for the tradition it represents that begins with Abraham.
It is in the book of Genesis at the beginning of the Biblical story when, as that story goes, God commanded Abraham to kill his son, Isaac, as a sacrifice. As Abraham is about to obey, God steps in and says no. The entire subsequent eons-long struggle to realize Abraham’s commission by God to make a great nation that would be a light to the world would have been cut short right then if Abraham had slain his own son. The message is that all of the Abrahamic traditions, Judaism, Islam and Christianity, owe their source, and in fact are rooted, in God’s command to reject the sacrifice of children to the whims of their elders. The last thousands of years can be best defined in these terms, where nurture is pitted against exploitation of our young with, at best, vastly mixed results. Scenes like that at the opening of “All Quiet on the Western Front,” the World War I novel and film where a teacher rallies a classroom full of boys to enlist in the war, is bone chilling. Or, the lyric in Pink Floyd’s iconic song, Comfortably Numb, “When I was a child, I caught a fleeting glimpse out of the corner of my eye. I turned to look but it was gone. I cannot put my finger on it now. The child is grown, the dream is gone.”
Nick Benton’s new book is available now at Amazon.
The Blade may receive commissions from qualifying purchases made via this post.
Theater
New take on ‘Some Like It Hot’ offers diverse casting
National Theatre production includes non-binary character
‘Some Like It Hot’
Nov. 25 – Dec. 7
The National Theatre
1321 Pennsylvania Ave., N.W.
Tickets starting at $67
Broadwayatthenational.com
For more than a year, out actor Edward Juvier has been part of the national tour of “Some Like It Hot,” the musical adaption of the 1959 classic comedy starring Marilyn Monroe and written and directed by Billy Wilder.
Juvier, 49, plays Osgood Fielding III, a cheery millionaire in Depression-era America.
With music by Marc Shaiman, lyrics by Scott Wittman and Shaiman, and a book by Matthew López and Amber Ruffin, the 2022 musical is quite different as well with diverse casting, increasingly complicated backstories, and a non-binary character (Daphne).
A talented tenor and Houston native, Juvier is a Cuban American who’s been working in musical theater since graduating from the Boston Conservatory in 2000.
“I personally love touring,” says Juvier. “I like the life on the road and visiting these old theater houses across the country. Seeing the locals that I remember and my friends and family that live all over. For me, a transient life is great. Maybe not so great for others.”
Early in his career, he toured with “Phantom of the Opera” for six years. He began in the ensemble and covered two principal roles, and moved to swing which gave him the longevity covering 11 different roles in that show, a life-changing gig that he remembers fondly.
WASHINGTON BLADE: As a gay actor touring in a hot musical with some queer themes do you feel that you make an impact?
EDWARD JUVIER: Oh yeah, it’s important for queer people to see representation on stage. Our version of the show is a sneak attack; it doesn’t hit you over the head with themes. Seeing an old story that takes a turn where you’re left to accept what’s happening onstage and by that time, you’re in love and rooting with the characters. You feel it from the audiences and we play some of the reddest of states.
Queer, trans, nonbinary people meet us at the stage door in tears thanking us for the representation. They didn’t even know when they came to the show that they’re going to see something with such an affirming message to their lives, and they’re thrilled when they find that out.
BLADE: How were you drawn into musical theater?
JUVIER: I was lucky that my Texas high school made annual trips to New York to see Broadway shows. On one trip, I remember seeing “Will Rogers Follies,” I felt like Keith Carradine was looking and talking right to me.
And the next day, we saw “Falsettos,” the original production. After seeing those two very different shows it was as if I blasted off into the Broadway world.
BLADE: Did “Falsettos,” a musical about AIDS, resonate with you as young gay student?
JUVIER: Absolutely. It shook me to the core.
BLADE: Has being gay made you a better actor?
JUVIER: I think what makes a great actor is somebody who has enormous empathy, able to put themselves in someone else’s shoes, and what better than a queer artist to be able to empathize.
I came out pre- “Will and Grace.” A different time to be coming out than it is now, which shows immense progress but also put us through challenges. It’s been a part of my journey.
I’m lucky to have the best, most supportive family. No Trumpers to deal with when I go home for the holidays. So, I’m grateful for that especially at this time of year.
BLADE: How do you approach a comic character like Osgood.
JUVIER: I approach him with honesty and simplicity and try to get out of the way of cheap jokes.
When I’m feeling that I’m pushing myself I remind myself to just say the words. I think the musical is so beautifully crafted in a way to brings the show to a new audience. Changes aren’t a diss on the original but the world has changed.
BLADE: Are you a big fan of the original?
JUIVIER: I respect the original. It’s been with me all my life especially being a queer artist. We grew up watching “Some Like It Hot.” This takes old themes and jokes that don’t land so well and brings it to a new audience.
Particularly with my role played originally and so brilliantly by famed comedian Joe E. Brown. In the movie he’s not a multi-dimensional character. He’s more of an old, rich pervy guy. That’s just how it was back then. And I’ve had the great privilege to play him differently.
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