Arts & Entertainment
Sisters in spirit
Gospel music vets Knapp, Becker unite for Christmas album, tour
Margaret Becker and Jennifer Knapp
āThe Hymns of Christmas Tourā
Monday, 7:30 p.m.
The Birchmere
3701 Mount Vernon Ave.
Alexandria, VA
$25
Any touring musician will tell you life on the road ā even when you can afford first class all the way ā can get to you after years of going through the endless recording/promoting/touring/repeat cycle.
Two gospel music veterans who, at different times and to varying degrees, each spent years out of the limelight, are back with a wildly unexpected joint project ā an album called āThe Hymns of Christmas.ā On it, Margaret Becker and Jennifer Knapp trade leads and harmonies and enjoy what they say is great musical repartee.Ā They’re half-way through a 14-date mini-tour to support it and play the Birchmere in Alexandria, Va., Monday night.
Knapp, 38, released her first major label album to the Christian market in 1998 and worked solidly touring and recording through 2002 at which time she went on a long hiatus, moved to Australia and pretty much gave up any thoughts of continuing her career. She came out as a lesbian in April 2010 and released a comeback album called āLetting Go.ā She maintains her Christian faith but says, though she doesnāt claim to be a theologian, she believes many of the scriptures traditionally used to condemn gays have been misunderstood and misinterpreted.
Becker, 53, was practically peerless among Christian music women rockers in her heyday. She released her first album in 1987 and though she recorded plenty of ballads and exhibited tremendous songwriting prowess, Becker always rocked harder than her contemporaries like Amy Grant or Twila Paris. Becker enjoyed a great run throughout the late ā80s and ā90s but slowed down tremendously by the ā00s. Her new effort with Knapp is her first new album since 2007ās āAir.ā
During a lunch break last week between back-to-back shows in Canton, Ohio and Indianapolis, Knapp fields a bevy of questions on how she has settled into being an openly gay singer, the collaboration with Becker and how it came about and what fans can expect from their show next week at the Birchmere.
Itās a highly non-glam tour and Knapp makes no attempt to hide it. Theyāre sharing a van and Becker is in line getting lunch at a Subway while Knapp answers Blade questions. Though the interview is with Knapp, Becker quickly follows up with e-mail inquiries later in the day.
āItās just gonna be Margaret and I with a couple of acoustic guitars, but donāt let that fool you,ā Knapp says. āItās one of the most fun times Iāve ever had and itās not gonna be some pared down girly acoustic thing. Itās gonna be a really good, full-voiced night. It shocks me when I look over at her and see how much she gives each night.ā
Though not as active as she formerly was, Becker still speaks at religious womenās events and participates in hymn recording projects. Her audience is very much part of the Nashville-based contemporary Christian industry, the ranks of which both she and Knapp came through.
The two met in about 2000 when they both participated in a pair of multiple-artist projects and became friends. Knapp, who long has admired Becker, says it took no arm-twisting to convince Becker to record and tour with her, though many gospel fans turned their back on Knapp.
āFortunately itās not really an issue weāve had,ā Knapp says. āTonightās going to be a prime example. Weāre playing at a United Methodist church in Indianapolis. It will be a lovely Christmas evening and the last thing weāll be talking about is our sexual orientation. Itās a huge step for that church to host somebody like me and just proceed as if itās business as usual but I think weāre seeing that more and more in terms of the public consciousness. I think we saw that in this last election. Itās great that people can take that and not draw this unusual amount of attention to it. Thatās really the extraordinary part of it.ā
Becker, in an e-mail exchange, says sheās not finding fans and those coming to the shows to be inferring anything about her life or ministry by her collaboration with Knapp.
āThe audiences who are supporting this are music lovers who recognize when the work is symbiotic and complementary,ā Becker says. āWeāve played this tour to those people, groups that I consider to be overlapping supporters from both of our bases. They are respectful and come for the music and spirit or the art of the material. I donāt think they give it much more thought than that and to me, thatās perfect. Thatās how it should be.ā
For the record, Becker declines to comment on her own sexual orientation. “My personal life is private and I’m very happy,” she wrote in an e-mail via her publicist. “I am very supportive of Jennifer and this musical partnership we’ve created and look forward to sharing it with her supporters and mine.”
The album features mostly acoustic arrangements of traditional church classes like āHark the Herald Angels Sing,ā āThe First Noel,ā āWhat Child is This,ā āSilent Nightā and more. Neither artist had recorded a Christmas album before and now that both are again living in the Nashville area, they decided this summer to go ahead and make it happen.
āWe finally said, āLetās just do it, letās just get it done,āā Knapp says. āThere was no pressure to write anything new, theyāre all hymns so thereās a great wealth of material there and lots of opportunities for us to harmonize. We just decided to put our money where our mouth was and go ahead and do it.ā
Becker concurs.
āOne night we just got serious and realized weād both put off making a Christmas record over the course of our careers, at least the kind that was indigenous to us. Thatās where the idea came from. Making music with a dear friend who is also an awesome talent was the catalyst for me. It was fun top to bottom.ā
The indie album was recorded on a shoestring with, Knapp says, basically āone mic and one computer.ā She says the advance of user-friendly recording software made it possible to do the album without spending thousands. They did some spring rehearsing, hit the studio in July (when most Christmas albums are recorded) and did most of the work in a four-week span. The mixing and packaging came soon after and the project wrapped in October.
āIt did feel a little weird at first singing all these Christmas songs while youāre just dripping in sweat in the middle of the hot Tennessee summer,ā she says. āSo at the beginning, yeah, it took a little time to wrap my head around a Christmas project but pretty quickly it really did start to feel like its own project. It didnāt feel kitschy or Christmasy really to me. We approached it in a very honest sense and didnāt want to make it kitschy. Maybe itās just because I was involved with it but I really was thinking, āWow, I could listen to this any time of the year.āā
The first half of the show is basically the new album. In the second half, the two revisit their hits, trade harmonies on each otherās songs and keep it loose enough that the set list varies from show to show.
āWeāve sort of got this telepathy thing going on for the last two or three shows,ā Knapp says. āWeāll just kind of riff on a theme for a bit and itās great knowing you donāt have to play it exactly the same way every night or carry the full weight of the evening by yourself.ā
Knapp ends the conversation weighing in on a blaze of topics. On whether or not Christians in the U.S. are becoming less rigid on homosexuality, Knapp says there āwill always be people who arenāt going to change their minds no matter what.ā She says she finds encouragement in the Mainline Protestant denominations that are making gay-friendly strides more and more as time progresses.
Why then, one wonders, have those kinds of churches not spawned their own cottage industry of gospel music the way the evangelical/Bible Belt world did starting with āJesus musicā in the late ā60s?
āItās a question Iāve been asking myself for years,ā Knapp says. āThere are thousands of singers who write about their faith from very different viewpoints but I really think a lot of it has to do with the circumstances in that world where the people who run the industry really see themselves as the gatekeepers and a great emphasis is placed on how the individual artist acts and who they hang out with and how you think about your faith. Weāve seen a lot of strong artists pulled from shelves because theyāve gotten divorced or had an alcohol problem or whatever. As a songwriter you really have to keep writing true and honest stories. If youāre only writing music for Christians, by Christians to make more Christians, you kind of lose out.ā
Lee Tucker, a long-time gay gospel music fan and Alexandria, Va., resident, says Knapp deserves enormous credit for being brave enough to come out, despite what it might cost her in lost airplay, space at Christian retail and fans.
āI think itās amazing she took the brave jump to come out,ā Tucker says. āIt was a big jump for Chely Wright too because a lot of country music is in the Midwest and in the Bible Belt, but itās even more of a leap for Jennifer because it will totally change her market. If you went into a Christian bookstore right now, you wouldnāt find any of her stuff on the shelves at all.ā
For LGBT teens who might be coming up in evangelical households, Knapp says hang in there and remember there are faith-based Christian groups out there that affirm gays.
āAbsolutely get online, there are so many people out there waiting with open arms,ā she says. āThe Christian Network, Believe Out Loud, Soulforce, Inside Out Faith ā there are a lot of people out there offering very compassionate, faith-based support. Itās not longer just churches being the bad guys here. A lot of them are starting to get the message.ā
Photos
PHOTOS: Taste of Point
Annual fundraiser held for LGBTQ youth scholarship, mentorship organization
The Point Foundation held its annual Taste of Point fundraiser at Room & Board on May 2.
(Washington Blade photos by Michael Key)
Theater
Miss Kitty tackles classical mythology in āMetamorphosesā
Folger production seen through the lens of the African diaspora
āMetamorphosesā
May 7-June 16
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Miss Kittyās words are thoughtful and measured, occasionally punctuated by flamboyant flourishes and uplifting proclamations. Her tried and tested tagline is ālive in fierce not fear.āĀ
She describes herself as āAMAB (assigned male at birth), nonbinary, genderqueer, transfemmeā as well as āchanteuse, noble blacktress, and dancer.ā
Currently, Miss Kitty is testing her talents in Mary Zimmermanās āMetamorphosesā at Folger Theatre on Capitol Hill.
At 90 minutes, āMetamorphoses,ā is made up of interwoven vignettes from classical mythology including the tales of Midas and his daughter, Alcyone and Ceyx, and Eros and Psyche.
āItās all stories that relate to the human condition: the follies, the happiness, the love, the loss,ā Miss Kitty explains. āAnd a thorough knowledge of mythology isnāt a requirement for enjoyment.ā
The language is contemporary and with its 11-person ensemble cast ā comprised exclusively of Black or indigenous people of color ā theyāre adding their own spin to its present-day feel, she adds.
In Zimmermanās famously staged premiere production, the actors performed in and around a pool of water. At Folger, director Psalmayene 24 has ditched actual aquatics; instead, he suggests the element by introducing Water Nymph, a new character constructed around Miss Kitty.
Water Nymph doesnāt speak, but sheās very visible from the opening number and throughout the play on stage and popping up in unexpected places around the venue.
āItās a lot of dancing; I havenāt danced the way Tony Thomas is choreographing me in a very long time. At 40, can she still make theater with just my body as her instrument?
The name āMiss Kittyā was born over a decade ago.
Miss Kitty recalls, āShe was still presenting as male and going by her dead name. Someone commented that with the wig she was wearing for a part, she looked like Eartha Kitt whom she deeply admires.ā
Her penchant for illeism (referring to oneself in third person) isnāt without good reason. She explains, āItās to reiterate that however she might look, sheās always there; and if you misgender, she will let you know.ā
Initially, the moniker was a drag persona at Capital Pride or the occasional fabulous cabaret performance at a nightclub.
But as time passed, she realized that Miss Kitty was something she couldnāt take off. She had always been a part of her.
āSheās helped me to grow and flourish; sheās given me the strength that I never would have had before. Iām so proud of myself for realizing that before it was too late.ā
Bringing Miss Kitty into her theatrical career presented some concerns. Would theater folks be open to the new her, especially those sheād worked with before?
Not always, but sheās found new companies whoāve welcomed Miss Kitty with open arms including Avant Bard, Spooky Action Theater, and now Folger.
Last fall, Miss Kitty appeared in Spooky Actionās Agreste (Drylands), a stunning queer story penned by gay Brazilian playwright Newton Moreno.
After being invited to audition and reading the script, Miss Kitty was determined to be a part of the production.
A work dealing with love and being trans, and transphobia, and how people can turn on a dime once they learn the truth about someone, resonated deeply with the actor.
āThe play speaks to the idea that if people just let people be who they are and love who they want to love weād all be a lot happier,ā she says.
For her sublime efforts, Miss Kitty nabbed a Helen Hayes Award nomination in the Outstanding Lead Performer category (winner to be determined on Monday, May 20 during a ceremony at The Anthem).
Itās her first time nominated and first time attending. Sheās thrilled.
Miss Kitty grew up in Oxen Hill, Md., and now lives near Washington Harbor. Her entry into performance was through music followed by high school plays. She graduated from Catholic University with a degree in music/concentration in musical theater, and from there dove directly into showbiz.
Looking back, Miss Kitty says, ābeing a person of color AND queer can be a double whammy of difficulty. You have to live in light and do the things youāre afraid to do. Thatās the game changer.ā
Presenting āMetamorphosesā through the lens of the African diaspora (the cast also includes Jon Hudson Odom and Billie Krishawn, among others) helps us to realize that every story can be universal, especially for marginalized people ā South Asian, Native American, or fully queer perspectives, she says.
āHaving an all-Black ensemble opens all new worlds for everyone.ā
Las Vegas, known for its vibrant and inclusive atmosphere, embraces LGBTQ culture with open arms, making it a thriving hub for the community. Iconic events like the annual Las Vegas Pride Parade and Festival bring together people from all walks of life to celebrate diversity and unity. The 2024 Las Vegas Pride festival is scheduled for Oct. 12, so start planning now.
The city’s commitment to inclusivity is reflected in the diverse range of LGBTQ-friendly accommodations, ensuring that visitors feel welcome and respected. Beyond the nightlife, Las Vegas hosts a variety of LGBTQ-focused community organizations, support groups, and cultural events that contribute to the rich tapestry of the city’s inclusive ethos. Whether exploring the famous entertainment offerings or participating in community-driven initiatives, LGBTQ individuals and allies alike find a warm and accepting home in the vibrant tapestry of LGBTQ culture in Las Vegas.
Ever since I was young, I have always wanted to stay at Bellagio. Its iconic foundations have fascinated me for decades. The hotel stands as an epitome of luxury and sophistication, offering an unparalleled experience that seamlessly blends opulence, entertainment, and fine dining. From the moment you step into the grand lobby, it’s evident that Bellagio is committed to providing a world-class stay, especially when you glance at the ceiling adorned with Chihuly glass sculptures.
I stayed in a recently renovated room in the Spa Tower with an unobstructed view of the Vegas Strip and the fountains. The attention to detail is evident in the tasteful decor, plush furnishings, and modern amenities. Beginning at 3 p.m. on weekdays and noon on weekends, the choreographed water show set against the backdrop of the Las Vegas Strip is a mesmerizing display of artistry, combining music, light, and water in perfect harmony. It sets the tone for the exquisite experiences that await within Bellagio.
Bellagio is also home to the famous Conservatory and Botanical Gardens, a lush oasis that undergoes seasonal transformations, displaying stunning floral displays and thematic installations. This botanical escape provides a serene contrast to the lively atmosphere of the casino and the bustling Strip. During our stay, the staff were completing the new springtime exhibition, which gave us Alice in Wonderland vibes.
For those seeking entertainment, Bellagio offers the spectacular “O” by Cirque du Soleil, a water-themed extravaganza that complements the hotel’s overall theme. Bellagio Gallery of Fine Art is another cultural gem within the hotel, featuring rotating exhibitions that display masterpieces from around the world.
Although it is possible to never leave the hotel, we wanted to experience other MGM Resorts properties, so we headed to LPM at the Cosmopolitan of Las Vegas for dinner. LPM offers an exquisite dining experience that effortlessly marries Mediterranean charm with the vibrant energy of the Strip. From the moment you step through the entrance, you are greeted by an ambiance that strikes a perfect balance between sophistication and conviviality.
LPM’s interior is a visual feast, adorned with chic decor, warm lighting, and an intimate atmosphere. The combination of contemporary design elements and classic French accents creates a welcoming space that feels both elegant and comfortable. Whether you’re celebrating a special occasion or seeking a romantic dinner, LPM’s ambiance sets the stage for an unforgettable dining experience.
LPM’s menu is a culinary triumph, highlighting the rich and diverse flavors of the French Riviera. The emphasis on fresh, high-quality ingredients is evident in every dish. We began our meal with a variety of appetizers, including the Yellowtail Carpaccio, Escargots, and their signature Burrata prepared with heritage tomatoes and basil and topped with white truffles. For our main courses, we decided to focus on seafood entrees, so we tried the Lobster Risotto and grilled Chilean Bass. Both were prepared to perfection and paired very well together if you are looking to share entrees.
Of course, one of the biggest attractions of Las Vegas is the Strip itself. Spend a few hours meandering through each hotel and taking in the Vegas vibe. There is no other place in the world quite like it.
If you are in the mood for a little adventure, head to Area15, located about 10 minutes from the strip. Area15 is an immersive entertainment complex that blends art, technology, and entertainment in a unique and captivating way. Boasting an otherworldly exterior and a dynamic interior, Area15 is home to a variety of innovative experiences, including interactive art installations and virtual reality adventures. Its anchor tenant, the Meow Wolf’s Omega Mart, is a surreal supermarket-like environment filled with mind-bending art and hidden mysteries. The venue also hosts concerts and live events including Beyond Brunch, a variety show hosted by drag queen extraordinaire Andrew Ryan. The two-hour spectacle includes a wonderful buffet and performances by talented acts ranging from hoop dancers to Cirque-style entertainers. The show is well worth the price of admission; it is not your typical drag brunch.
Spend the afternoon touring Area15 or head to The Sphere, Las Vegasās newest concert venue. Rock icons U2 opened the venue with a 40-night run, but guests can purchase tickets to Darren Aronofsky’s multi-sensory film āPostcard from Earth.ā
For a trip down memory lane, especially if you are in you were born in the ā70s or ā80s, check out Retro by Voltaggio at Mandalay Bay. The restaurant owned by Top Chef stars, Bryan and Michael Voltaggio, takes diners on a nostalgic journey through time, blending modern culinary techniques with comforting flavors reminiscent of classic American dishes set in a retro-chic environment. The space is adorned with quirky memorabilia, neon accents, and a colorful palette that captures a sense of nostalgia without feeling overly kitschy, creating a welcoming environment for diners to unwind and enjoy the culinary adventure.
Retro by Voltaggio’s menu is a playful exploration of classic American favorites. We started our dinner with the deviled eggs with smoked trout roe along with the beet steak tartare, which was incredible. Next came the bluefin tuna ceviche served over coconut crushed ice. For our entrees we tried the trout meuniere, which was served in a lemon and caper sauce, as well as the lobster thermidor with lobster waffles ā yes, you read that correctly. It was as delicious as it sounds.
Save room for the dessert cart, which contains innovative creations that satisfy the sweet tooth. Whether you’re a fan of nostalgic flavors or simply seeking a unique and enjoyable meal, Retro by Voltaggio is worth the visit.
After dinner, catch a performance of Michael Jackson āONEā by Cirque du Soleil also at Mandalay Bay. The show is a captivating tribute to the King of Pop that seamlessly blends the magic of Cirque du Soleil with the timeless music and iconic choreography of Michael Jackson. From the moment the lights dim to the final bow, the show is a high-energy, emotionally charged celebration of the legendary entertainer’s life and legacy. This isnāt your typical Cirque du Soleil show and is more like a concert featuring all of Michaelās greatest hits, memorable dance moves, and state-of-the-art production. I felt like āONEā is the type of concert Michael would have wanted to perform if he were still with us.
The thing I like most about Vegas is it is always evolving. Every time you visit, there is something new to see or do. Viva Las Vegas!