Connect with us

Arts & Entertainment

Henry Gerber: Ahead of his time

Celebrating LGBT History Month

Published

on

Henry Gerber, Society for Human Rights, gay news, Washington Blade
Henry Gerber, Society for Human Rights, gay news, Washington Blade

Henry Gerber started a gay rights group in Chicago in 1924.

By ST. SUKIE DE LA CROIX

WINDY CITY TIMES

 

On May 15, 1871, the German Criminal Code was revised to include Paragraph 175, a law making sexual acts between males illegal. The first challenge to the law came in 1897 when Dr. Magnus Hirschfeld founded the gay organization Wissenschaftlich-humanitäres Komitee (Scientific-Humanitarian Committee). Its first action was to draft a petition against Paragraph 175 with 6,000 signatures of prominent people in the arts, politics and the medical profession; it failed to have any effect.

One American inspired by the work of Hirschfeld was Henry Gerber, who in 1924 was granted an official charter by the state of Illinois for the Society for Human Rights, the first gay-rights organization in the United States, which he ran from his home on Crilly Court in Chicago.

Gerber was born Josef Henry Dittmar on June 29, 1892, in Passau, Bavaria, Germany. On Oct. 27, 1913, Gerber (still called Dittmar at the time) arrived at New York’s Ellis Island on the SS George Washington and then traveled west to Chicago, where he worked briefly for Montgomery Ward’s mail-order house. His first known address in the United States was 507 Stone St., Joliet, Ill., from where he enlisted in the Army on Jan. 26, 1914. In his military documents, he described himself as 5-foot-7 and one-half, 180 pounds, with blue eyes and brown hair. He changed his name to Gerber afterward — though he was still using the name Joseph Henry Dittmar on his June 5, 1917, draft registration card, which described him as 5-foot-8, slender, with blue eyes and blond hair. On it, he mentioned prior military service but now claimed exemption on grounds of conscientious objection to war.

On April 6, 1917, the United States declared war on Germany, and the newspapers became filled with lurid tales of German spies. As a result, the United States opened internment camps; 50,000 unnaturalized aliens of German birth were now “alien enemies,” and 8,000 were detained using presidential arrest warrants. Gerber was “offered internment,” which he accepted, as it guaranteed three meals a day. After the war, he re-enlisted in the Army on Oct. 2, 1919, at Jefferson Barracks, near Lemay, Mo., a training and recruitment center for soldiers being sent to fight in Europe, or, in Gerber’s case, to join a regiment of the American Forces in Germany, where he was part of a company engaged in publishing the daily AMAROC News for troops.

It was while serving in Koblenz that Gerber found Hirschfeld’s Scientific-Humanitarian Committee. He wrote later: “In Coblenz on the Rhine, I had subscribed to German homophile magazines and made several trips to Berlin, which was then not occupied by American forces. I had always bitterly felt the injustice with which my own American society accused the homosexual of ‘immoral acts.’

“What could be done about it, I thought. Unlike Germany, where the homosexual was partially organized and where sex legislation was uniform for the whole country, the United States was in a condition of chaos and misunderstanding concerning its sex laws, and no one was trying to unravel the tangle and bring relief to the abused.”

Gerber returned to Chicago, took up residence at 1710 N. Crilly Ct. and began work for the Post Office Department. In the spring of 1924, he formed SHR with a handful of friends. Gerber’s strategy was to network and gain support from other “sex reform” leaders, including Margaret Sanger, the American birth-control advocate, but nobody seemed interested. Undeterred, he decided to go it alone. Through a lawyer, SHR applied for and received a charter from the state of Illinois on Dec. 10, 1924. It is thought the group never had more than 10 members. Gerber elected himself secretary; president was the Rev. John T. Graves, “a preacher who preached brotherly love to small groups of Negroes”; vice president was Al Meininger, an “indigent laundry queen”; and treasurer was Ralph Ellsworth Booher, whose job with a railroad was threatened when his homosexuality became known. Throughout the rest of his life, Gerber lamented that SHR failed to attract “men of good reputation.” In Germany, the homophile movement included enlightened politicians, doctors and scientists, as well as those in the arts, but in the United States nobody was willing to stick a neck out for homosexuals.

Gerber produced two issues of the SHR newsletter Friendship and Freedom, of which no known copies exist, although in “Paris Gay 1925” (1981), a French book co-written by Gilles Barbedette and Michel Carassou, is reprinted a review of Friendship and Freedom, written by Clarens and published in the magazine L’amitié in 1925. (See this author’s “Chicago Whispers: A History of LGBT Chicago Before Stonewall” for translation.)

The SHR was short-lived. In July 1925, the group was raided and the headline in the Chicago Examiner read “Strange Sex Cult Exposed.” Even though the case was thrown out of court, Gerber was suspended from the post office.

After the demise of SHR, Gerber became despondent about homosexuals. He later wrote, “I have absolutely no confidence in the Dorian crowd, mostly a bunch of selfish, uncultured, ignorant egoists who have nothing for the ideal side of life.” Gerber re-enlisted in the Army, serving another 17 years; in 1945, he retired with an honorable discharge and a $100-a-month pension. As late as 1942, his primary World War II draft registration was still under the name Joseph H. Dittmar, though the records also contain a cross-reference from the name Henry Gerber; by then, “Gerber” appears to have been how he was known to the military.

Gerber spent his twilight years in the U.S. Soldiers’ and Airmen’s Home in Washington, D.C., where he died from pneumonia on Dec. 31, 1972, age 80.

Gerber was posthumously inducted into the Chicago Gay and Lesbian Hall of Fame in 1992 and the Henry Gerber House, located at 1710 N. Crilly Ct., was designated a Chicago Landmark on June 1, 2001.

The above article is an abbreviated version of the chapter “Henry Gerber and the German Sex Reformers” in St. Sukie de la Croix’s book “Chicago Whispers: A History of LGBT Chicago Before Stonewall,” published in 2012 by the University of Wisconsin Press.

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

Theater

Reggie White relishing first season as artistic director of Woolly Mammoth

First five shows a reminder that ‘pressure is a privilege’

Published

on

Reggie D. White (Photo by Ambe J. Williams)

Madly talented and preternaturally energetic, Reggie D. White, 38, is about to launch his first season as artistic director of D.C.’s boundary-pushing Woolly Mammoth Theatre Company.

White brings a lot to the job. As actor, playwright, and director, his varied resume includes a 2019 Broadway acting debut in Matthew López’s Tony Award–winning play “The Inheritance,” his semi-autobiographic play “Fremont Ave.” that opened to acclaim last season at Arena Stage, and a number of exciting regional directing credits.

A longtime admirer of Woolly, the out theater-maker was selected from a pool of candidates before receiving the offer last November and starting work in January. His season of five world premieres kicks off with gay playwright Steve Yockey’s “Venus” (Sept. 9-Oct. 4), a darkly funny study of modern relationships told through two lesbians looking back on their first encounter.

White was introduced to Woolly Mammoth as a pre-law student at Cal State Hayward in the San Francisco Bay Area, long before he foresaw a life in the arts. “As part of a random theater history course, I was assigned to write a paper on a counterculture company called Woolly Mammoth,” he recalls “Strange name. I was like what the hell is that?” 

Nineteen-year-old White was intrigued. Research acquainted him with Howard Shalwitz who co-founded Woolly in 1980, and the company’s commitment to living playwrights and new work. He also learned how theater could be used as a tool for difficult conversations and shape the way people thought about social issues by employing imagination and rigor. 

“Never in a million years did young me envision that one day I’d be Woolly’s third artistic director in its 46-year history,” says White. “It’s kind of serendipitously insane.” 

WASHINGTON BLADE: Was there a moment when the enormity of the job hit you?

REGGIE D. WHITE: After I’d signed my contract and finished all the paperwork, I got my keys and sat in the theater by myself in the dark and thought about what an incredible honor it is to be trusted with what happens in this beautiful space [in D.C.’s Penn Quarter]. I might have cried. Sometimes I have to pinch myself to remember it’s real. 

BLADE: Are you curating the upcoming 2026–2027 season? 

WHITE: Yes, I am.  It’s very rare that an incoming artistic director gets to program their first season, but I was lucky in terms of time. After being hired late last year, I asked Woolly’s managing director Kimberly E. Douglas, if she thought it would be crazy if I programmed the season. She warned me it would be hard. 

I invoked tennis legend Billie Jean King’s maxim “pressure is a privilege” and got to work. 

These plays [dubbed White’s “first five”] represent both the kind of theater that Woolly can do really well and speak directly to my voice as curator and how I want to contribute to the larger theatrical conversation in the DMV. 

Getting here has meant a lot of late nights. But I knew the juice would be worth the squeeze.

BLADE: As a queer artistic director, what makes you unique? 

WHITE: When I was playing in “Inheritance” on Broadway, after a performance, U.S. Supreme Court Justice Sotomayer came backstage to meet the cast. She spoke about how her lens on the world as a Puerto Rican woman shapes her decisions. Similarly, because I’m a queer Black man I see through a lens that shapes my work.

I know I’m not the only queer artistic director in town. For me, it influences how I make editorial decisions. Out of this season’s five plays there are explicitly queer characters in four [“Venus,” “Chanukkah Spectacular,” “Ten Grand,” and “Love I Awethu Further”] and I’m directing two [“Venus,” “Ten Grand”].

BLADE: Will we see familiar faces?

WHITE: Every show this season will feature a Woolly Mammoth company member in its cast. Our company also includes designers and directors who we’ll include. I’m invested in continuing to provide a showcase for their work. 

BLADE: How do you think queer audiences will receive the season? 

WHITE: Very well, I think. For queer people who’ve had to navigate the world subversively and solve problems in unique ways, I think it will be especially interesting. I find theater a potent place for questions.

Like all artistic directors. I’ll show up for the job in my own way. I’m just excited that I’ve been invited to bring the fullness of myself to the role.

Continue Reading

Photos

PHOTOS: Amsterdam Pride Canal Parade

Annual LGBTQ celebration held in Dutch city during World Pride

Published

on

A scene from the 2026 Amsterdam Pride Canal Parade. (Washington Blade photo by Michael Key)

Editor’s note: International News Editor Michael K. Lavers and Photo Editor Michael Key are on assignment in the Netherlands through Aug. 10.

AMSTERDAM — The 2026 Amsterdam Pride Canal Parade was held on Saturday, Aug. 1.

(Washington Blade photos by Michael Key and Michael K. Lavers)

View on Threads
Continue Reading

Photos

PHOTOS: Lambda Legal in the Pines

Fundraiser held at ‘Normal Heart’ house

Published

on

A scene from the 'Lambda Legal in the Pines' fundraiser on July 25. (Photo by Santiago Felipe)

The LGBTQ organization Lambda Legal held its annual “Lambda Legal in the Pines” fundraiser on Saturday, July 25. The event was held at a house on Fire Island featured in Ryan Murphy’s 2014 HBO film, “The Normal Heart.”

Organizers say over $500,000 was raised to support Lambda Legal’s national litigation and advocacy work.

(Photos by Santiago Felipe)

Continue Reading

Popular