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Remembering those we lost in 2023
World’s oldest drag performer, PR guru to the stars among those who died
The many acclaimed LGBTQ people and allies who died in 2023 include:
Frank Galati, an internationally acclaimed writer, director, and actor, known for directing “Ragtime” on Broadway and his Chicago theater work, which included his adaptation of “The Grapes of Wrath,” died on Jan. 2 in Sarasota, Fla. at 79 from complications of cancer.
Lily Chavez, a beloved D.C. nightlife figure, died on Jan. 8 at age 35 from complications of Lupus. Chavez was the box office cashier at D.C.’s Town Danceboutique, a bartender at Annie’s and Level 1 restaurants and the gay bar Cobalt, the Blade reported.
Sal Piro, a fan of “The Rocky Horror Picture Show,” who saw the camp classic some 1,300 times and founded “The Rocky Horror Picture Show” fan club, died at 72 on Jan. 22 at his Manhattan home from an aneurysm in his esophagus.
Everett Quinton, an actor, director, and leader of the Ridiculous Theatrical Company after his partner Charles Ludlam’s death in 1987, died on Jan. 23 in Brooklyn, Ny. at 71 from glioblastoma, a fast-moving cancer.
Albert Russell, an acclaimed organist and music director from 1966 to 1984 of St. John’s Episcopal Church on Lafayette Square in D.C. (often called the “Church of the Presidents”), died at 91 from complications of a fall on Jan. 23 at his Washington home.
Dr. Charles Silverstein, a psychologist, whose presentation as a graduate student helped to persuade the American Psychiatric Association to stop pathologizing being queer, died on Jan. 30 at age 87 at his Manhattan home from lung cancer. He founded the Institute for Human Identity, which provides mental health service to LGBTQ clients.
Shinta Ratri, an Indonesian transgender activist, who founded an Islamic boarding school that provides a safe space for trans women, died on Feb. 1 at 60 from a heart attack in Yogyakarta, a city on the Indonesian island of Java.
Adrian Hall, the founding artistic director of the Trinity Repertory Company in Providence, R.I., who revitalized regional theater in Dallas and other cities, died at 95 on Feb. 4 in a hospital in Tyler, Texas.
Donald Spoto, a biographer whose more than two-dozen subjects included Joan of Arc, Jesus, Alfred Hitchcock and Grace Kelly, died at 81 on Feb. 11 in Koege, Denmark from a brain hemorrhage.
Howard Bragman, a publicist who advised celebrities involved in scandals and queer clients who were coming out, died at 66 on Feb. 11 from leukemia in Los Angeles.
John E. Woods, an award-winning translator of Thomas Mann, died on Feb. 15 in Berlin at 80 from a lung ailment and skin cancer.
Royston Ellis, a British Beat poet whose spoken word performances accompanied the Beatles, Jimmy Page and other performers before they became rock stars, died on Feb. 26 at 82 from heart failure in Induruwa, Sri Lanka.
Georgina Beyer, believed to be the first transgender member of Parliament in New Zealand, died on March 6 at 65 in a Wellington, New Zealand hospice.
Ian Falconer, whose popular children’s books featuring Olivia, an endearing, charming pig, delighted kids and adults, died on March 7 at 63 in Norwalk, Conn., from kidney failure.
Julie Anne Peters, author of “Luna,” whose books were widely banned, died on March 21 at 71 at her Wheat Ridge, Colo. home. “Luna,” released in 2004, is believed to be the first young-adult novel with a transgender character to come out from a mainstream publisher.
Walter Cole, the world’s oldest drag performer known as Darcelle XV died March 23 at 92 at a Portland, Ore. hospital.
James Bowman, a British countertenor known for his performance as Oberon in Benjamin Britten’s opera “A Midsummer Night’s Dream” and Apollo in Britten’s opera “Death in Venice,” died at 81 on March 27 at his home in Redhill, south of London.
Raghavan Iyer, an American-born chef and author who introduced Americans to Indian cuisine, died on March 31 at 61 in San Francisco from pneumonia complicated by colorectal cancer that had metastasized to his lungs and brain.
Rachel Pollack, a transgender activist and authority on tarot, who created the first trans DC Comics superheroine, died at 77 on April 7 from non-Hodgkin’s lymphoma in Rhinebeck, N.Y.
Gail Christian, a trailblazing, acclaimed Black NBC News and PBS correspondent, died on April 12 at 83 in Los Angeles from complications of intestinal surgery.
Helen Thorington, a trailblazer in radio and internet art, died at 94 on April 13 from complications of Alzheimer’s disease in Lincoln, Mass.
Koko Da Doll, 35, a Black transgender woman, who was featured in “Kokomo City,” an award-winning documentary about four Black transgender sex workers, was killed in Atlanta on April 18.
Barry Humphries, the Australian-born actor and comic, who created the divine and beloved Dame Edna, died on April 22 in Sydney at 89 several days after having hip surgery.
Robert Patrick, a playwright whose 1964 play “The Haunted Host,” The New York Times has called “a touchstone of early gay theater,” died at 85 on April 23 from atherosclerotic cardiovascular disease at his Los Angeles home.
Harry Belafonte, a barrier-breaking singer, actor, civil rights activist and LGBTQ ally, known as the “King of Calypso,” died on April 25 at 96 from congestive heart failure at his Manhattan home.
David Miranda, an ally of Edward J. Snowden and an advocate for LGBTQ rights in Brazil’s Congress, who was born in the slums of Rio de Janeiro, died at 37 on May 9. He died in a Rio de Janeiro hospital intensive care unit after battling an abdominal infection for nine months.
Renowned queer, avant-garde artist Kenneth Anger, known for his surreal films, died at 96 on May 11 in a care facility in Yucca Valley, Calif. Anger wrote two “Hollywood Babylon” books, which were filled with gossip. These works were thought to be based on rumors, not facts.
Helmut Berger, an Austrian actor who was known for his work in films directed by the acclaimed filmmaker Luchino Visconti, died at 78 on May 18 at his Salzburg home.
Tina Turner, the legendary singer, who performed at the first Gay Games in 1982, died on May 24 at 83 at her home in Kusnacht, Switzerland after a long illness.
George Maharis, an actor who was a star in the iconic TV show “Route 66,” died at 94 on May 24 at his Beverly Hills, Calif. home.
Jon Haggins, a fashion designer, who was acclaimed for, what The New York Times called his “sinuous, sensuous” 1960s and early 70s designs, died on June 15 at 79 at his Queens, N.Y. home.
The drummer for the Texas acid-punk band Butthole Surfers, Teresa Taylor, died at 60 on June 18 from lung cancer. She was beloved by Gen-Xers for her appearance in the 1990 movie “Slacker.”
Robert Black, an acclaimed bassist and a founding member of the renowned Bang on a Can All-Stars ensemble, died at 67 on June 22 from colon cancer at his Hartford, Conn. home.
David Richards, a theater critic, who was a Pulitzer Prize finalist for his work for the The Washington Post, and, briefly, chief drama critic for The New York Times, died at 82 on June 24 in a Warrenton, Va. hospital. The cause of death was complications from Parkinson’s disease.
Michele Judith Ballotta, a.k.a. Mickie, a beloved advocate for the fight against breast cancer and other causes, died on June 24 at age 67 in Seaford, Md.
Lilli Vincenz, a groundbreaking LGBTQ rights activist, psychotherapist and documentary filmmaker, died at 85 on June 27 of natural causes at her residence at an Oakton, Va. assisted living center.
Dr. Susan Love, a surgeon, public health advocate, author, researcher and founder of the National Breast Cancer Coalition, died at 75 on July 2 from a recurrence of leukemia at her Los Angeles home. At the time of her death, she was chief visionary office of the Dr. Susan Love Foundation.
Minnie Bruce Pratt, an acclaimed lesbian poet, essayist and LGBTQ activist, died at 76 from an aggressive brain tumor on July 2 at a hospice in Syracuse, N.Y.
Cheri Pies, author of the landmark 1985 book “Considering Parenthood: A Workbook for Lesbians,” died at 73 from cancer on July 4 at her Berkeley, Calif. home.
The Rev. A. Stephen Pieters, a gay minister, who had AIDS and spoke about being gay and having the disease to church congregations in the 1980s when homophobia was the norm, died at 70 on July 8 from a sepsis infection at a Glendale, Calif. hospital. His memoir “Love Is Greater Than AIDS: A Memoir of Survival, Healing, and Hope” will be released in 2024.
Amos Badertscher, a photographer whose empathetic portraits of hustlers, sex workers and drag queens in Baltimore are in institutions devoted to queer art from the Leslie-Loman Museum of Art in New York to the ONE Archives in Los Angeles, died on July 24. He died in Baltimore at age 86 from complications from a fall.
Sinead O’Connor, the pop singer, who was acclaimed, but reviled for denouncing pedophilia in the Catholic Church, and, in 1992, tearing up a photo of Pope John Paul II on “Saturday Night Live,” died at 56 on July 26.
James “Hawk” Crutchfield, a U.S. Air Force veteran and U.S. Federal Communications Commission career program analyst, died at 77 of natural causes in his D.C. home on July 29. For more than four decades, Crutchfield was “devoted” to volunteer leadership to at least eight D.C.-area LGBTQ D.C. organizations, the Blade reported.
Paul Reubens, the actor and comedian who created and portrayed the iconic and beloved character Pee-Wee Herman, died at 70 on July 30 from cancer in a Los Angeles hospital.
Jess Search, a gender nonconforming producer of documentaries focusing on marginalized groups, died at 54 on July 31 in a London hospital from brain cancer. Search helped to start-up the Doc Society, a group that supports documentarians.
Carmen Xtravaganza, a ballroom legend and transgender activist, who was featured in the documentary “Paris Is Burning,” died at 62 on Aug. 4. Before her death, she had been struggling with stage 4 lung cancer.
Sarah Wunsch, a civil liberties lawyer known for her work on race, gender ,and free speech issues, died at 75 on Aug. 17 at her Brookline, Mass. home from complications of a stroke.
Janne Marie Harrelson, who had a 32-year career at Gallaudet University, died at 70 on Aug. 23 from Ovarian cancer while in hospice care in Rockville, Md. She held multiple leadership positions at Gallaudet, including director, National Mission Planning and director, Gallaudet University Regional Centers.
Michael Leva, an acclaimed 1980s fashion designer, who was on the cover of the (now defunct) weekly “7 Days” for its “Designers on the Verge” feature, and later a prominent fashion executive, died at 62 on Sept. 14 in Providence, R.I. from heart failure.
Erwin Olaf, a Dutch photographer acclaimed for his portraits of counterculture celebs and Dutch royalty died at 64 on Sept. 20 in Groningen, the Netherlands from complications of a lung transplant.
John F. Benton, 72, who worked in management at the Smithsonian Institution’s National Air and Space Museum and other government agencies for more than four decades, died on Sept 20 after a short illness at the Virginia Hospital Center in Arlington the Blade reported.
Pat Arrowsmith, 93, a British author, anti-war activist and Campaign for Nuclear Disarmament co-founder, who worked with Amnesty International, died on Sept. 27 at her North London home.
Rudy Perez, a choreographer and postmodern dance pioneer died at 93 on Sept. 29 from complications of asthma at his Los Angeles home.
Beverly Willis, a trailblazing, acclaimed architect, who advocated for omen striving to break through in the profession, died at 95 on Oct. 1 from complications of Parkinson’s disease at her Branford, Conn., home.
James Jorden, a writer and creator of the high culture, yet punk opera zine-turned-website Parterre Box, died at 69 on Oct. 2. He was found dead at his Sunnyside, Queens home, The New York Times reported.
Terence Davies, 77, a British director whose acclaimed films included “The House of Mirth,” “A Quiet Passion” and “Benediction,” died on Oct. 7, after what his manager said was “a short illness,” at his home in Mistley, Essex in England.
Margot Polivy, a lawyer, champion of women in college sports and a tireless advocate for Title IX, died at 85 on Oct. 7 at her Washington home.
Steven Lutvak, 64, a composer and lyricist whose show “A Gentleman’s Guide to Love & Murder” won the Tony Award for best musical, died on Oct. 9 from a pulmonary embolism at his Manhattan work studio.
Eva Kollisch, 98, in her teens, fled Nazi-occupied Austria. Kollisch, who grew up to be a prominent lesbian rights advocate, feminist studies scholar and memoirist, died from a chest infection on Oct. 10 at her Manhattan home.
Jack Anderson, a dance critic for The New York Times for five decades, died at 88 in a New York City hospital from sepsis on Oct. 20.
Amber Hollibaugh, 77, an activist, organizer, author of “My Dangerous Desires: A Queer Girl Dreaming Her Way Home” and self-educated public intellectual in the LGBTQ+, feminist, sexual liberation and economic justice movements, died from complications of diabetes on Oct. 20, the Blade reported.
David Del Tredici, a Pulitzer Prize-winning composer, acclaimed for his pieces that set parts of “Alice in Wonderland” to music, died at 86 from Parkinson’s disease on Nov. 18 at his Greenwich Village home.
Carlton D. Pearson, a pastor who was cast aside by his evangelical megachurch after he said he didn’t believe in hell and began advocating for LGBTQ+ rights, died at 70 on Nov. 19 from cancer in a Tulsa, Okla. hospice. Pearson, whose life story was told in a Netflix movie, moved on from his evangelical church to become a minister with the United Church of Christ, a liberal Christian denomination.
Brandon “RBC” Gordon, 41, a Greenbelt City Council member, who started the Greenbelt Pride festival in 2022, died on Nov. 26. Gordon, who worked to make the community more inclusive, identified as a “transamorous heterosexual man,” The Washington Post, reported.
LGBTQ ally Norman Lear, the TV writer and producer whose TV shows, from “All in the Family” to “Maude,” transformed the culture, died at 101 on Dec. 5 at his Los Angeles home.
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Your guide to D.C.’s queer New Year’s Eve parties
Ring in 2026 with drag, leather, Champagne, and more
With Christmas in the rear view mirror, we can turn our attention to ringing in a much-anticipated New Year with a slew of local LGBTQ parties. Here’s what’s on tap.
Pitchers
This spacious Adams Morgan bar is hosting the “Pitchers’ Perfect New Year’s Eve.” There will be a midnight Champagne toast, the ball drop on the big screens, and no cover, all night long. The bar doesn’t close until 4 a.m., and the kitchen will be open late (though not until close). All five floors will be open for the party, and party favors are promised.
Trade
D.C.’s hottest bar/club combo is leaning into the Shark motif with its NYE party, “Feeding Frenzy.” The party is a “glitterati-infused Naughty-cal New Year’s Even in the Shark Tank, where the boats are churning and the sharks are circling.” Trade also boasts no cover charge, with doors opening at 5 p.m. and the aforementioned Shark Tank opening at 9 p.m.. Four DJs will be spread across the two spaces; midnight hostess is played by Vagenesis and the two sea sirens sensuously calling are Anathema and Justin Williams.
Number Nine
While Trade will have two DJs as part of one party, Number Nine will host two separate parties, one on each floor. The first floor is classic Number Nine, a more casual-style event with the countdown on TVs and a Champagne midnight toast. There will be no cover and doors open at 5 p.m. Upstairs will be hosted by Capital Sapphics for its second annual NYE gathering. Tickets (about $50) include a midnight Champagne toast, curated drink menu, sapphic DJ set by Rijak, and tarot readings by Yooji.
Crush
Crush will kick off NYE with a free drag bingo at 8 p.m. for the early birds. Post-bingo, there will be a cover for the rest of the evening, featuring two DJs. The cover ($20 limited pre-sale that includes line skip until 11 p.m.; $25 at the door after 9 p.m.) includes one free N/A or Crush, a Champagne toast, and party favors (“the legal kind”). More details on Eventbrite.
Bunker
This subterranean lair is hosting a NYE party entitled “Frosted & Fur: Aspen After Dark New Year’s Eve Celebration.” Arriety from Rupaul Season 15 is set to host, with International DJ Alex Lo. Doors open at 9 p.m. and close at 3 p.m.; there is a midnight Champagne toast. Cover is $25, plus an optional $99 all-you-can-drink package.
District Eagle
This leather-focused bar is hosting “Bulge” for its NYE party. Each District Eagle floor will have its own music and vibe. Doors run from 7 p.m.-3 a.m. and cover is $15. There will be a Champagne toast at midnight, as well as drink specials during the event.
Kiki, Shakiki
Kiki and its new sister bar program Shakiki (in the old Shakers space) will have the same type of party on New Year’s Eve. Both bars open their doors at 5 p.m. and stay open until closing time. Both will offer a Champagne toast at midnight. At Kiki, DJ Vodkatrina will play; at Shakiki, it’ll be DJ Alex Love. Kiki keeps the party going on New Year’s Day, opening at 2 p.m., to celebrate Kiki’s fourth anniversary. There will be a drag show at 6 p.m. and an early 2000s dance party 4-8 p.m.
Spark
This bar and its new menu of alcoholic and twin N/A drinks will host a NYE party with music by DJ Emerald Fox. Given this menu, there will be a complimentary toast at midnight, guests can choose either sparkling wine with or without alcohol. No cover, but Spark is also offering optional wristbands at the door for $35 open bar 11 p.m.-1 a.m. (mid-shelf liquor & all NA drinks).
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Local, last-minute holiday gift ideas
Celebrate the season while supporting area businesses
The DowntownDC Holiday Market is bustling. Union Station is decked out with its annual Christmas tree. Washingtonians have wrapped their houses and apartment balconies with festive lights and holiday decorations. The holiday season is here. And with stockings to fill and empty space under the tree, Washington’s local shops and artists have plenty to offer.
Show your LGBTQ and D.C. pride with the Washington Blade’s annual holiday gift guide.
To embrace the holiday buzz: The Blanco Nwèl cocktail from Alchy Cocktails. This Caribbean eggnog is one of Alchy Cocktail’s seasonal holiday cocktails. The flavor profile is similar to coquito, a traditional Puerto Rican Christmas drink with a coconut base. As a queer and Caribbean-owned business, Alchy Cocktails has been based out of Washington since 2021. Blanco Nwèl is available in both cocktail ($24) and mocktail ($12) online and at a variety of holiday markets, including the Tingey Plaza Holiday Market, the Flea Market at Eastern Market, Union Station’s Main Hall Holiday Market, and more. ($24)
A spicy bite: Gordy’s Cajun Okra from Salt and Sundry. These spicy, tangy pickles pull on Southern Cajun-style flavors, packing a punch with paprika, cayenne, and more. Gordy’s is an LGBTQ-owned and Washington-based brand, making this gift an opportunity to support a local LGBTQ business straight from the jar. This pantry staple is available on Salt & Sundry’s website and at its locations in Union Market, Logan Circle, and its Georgetown holiday pop-up store. ($14)
To celebrate Washington pride: The DC Landmark Tote Bag from The Neighborgoods. Native Washingtonians, visitors, friends and family alike will find something to love about this Washington-themed tote bag. Food trucks, the 9:30 Club, the Metro logo and pandas from the National Zoo are just some of the city’s landmarks depicted across the tote in a red, white, and blue color palette. The tote is a part of the DC Landmarks collection, which donates 10 percent of its sales to the American Civil Liberties Union. The Neighborgoods itself is a local, woman-owned business built out of a passion for screen-printing in 2013. The 100 percent cotton canvas tote is for sale online or at the DowntownDC Holiday Market. ($22)
To give friends and family their flowers: The Flowers Bandana from All Very Goods. This 100 percent cotton bandana was designed in Washington and hand printed in India. Its uniqueness comes in being covered with the faces of Black women, representing a “love letter to all women but especially Black women,” according to All Very Goods. The Black woman-owned and operated business, based out of Northwest Washington, has a mission to celebrate diversity and representation through its products. The bandana intends to give Black women their “flowers.” The Flowers bandana is available for purchase online. ($24)
To unlock culinary creativity: The Curious Chef Gift Collection from Each Peach Market. This customizable collection of kitchen oddities — ranging from tinned fish to chili oil — is a quirky gift for the most inventive chefs. The collection is available in a Standard Santa, Extra Goodies and Super Holiday Size for up to $165. The Washington-based market, founded in 2013, permits customers to make the collection special by specifying what unique ingredients are packaged, including products made by local or LGBTQ brands. Each Peach Market offers assembly and pick up in-person at its Mount Pleasant shop and also offers local delivery and nationwide shipping via its website. ($85)
To give a touch of sweetness: The DC Landmark Chocolate Covered Oreo Holiday Cookies from Capital Candy Jar. Wrapped in a festive red bow, this box of nine cookies embraces love for Washington and the holiday season in one. Among the dark and milk chocolate covered cookies are images of the U.S. Capitol, the White House, the Lincoln Memorial, the Jefferson Memorial and festive hollies. The treat, packaged in a Hill East facility just a few blocks from the Capitol, is available for purchase online and at the DowntownDC Holiday Market. ($23.95)
To celebrate queer gaming: Thirsty Sword Lesbians from Labyrinth Games & Puzzles. This roleplaying game embraces lesbian culture by unlocking a world of swords, romance, and battle. Ideal for group settings, the book presents a system of world building and character identities that are best brought to life by creative minds. Labyrinth, which has been a local Washington business for more than 15 years, celebrates non-digital fun through games and puzzles that connect the community. This gift is offered online and at Labyrinth’s Capitol Hill location. ($29.99)
To make a bold statement: The “Resist” T-shirt from Propper Topper. This locally screen-printed black tee features the Washington flag designed within a raised fist, symbolizing both Washington pride, and political resistance. The shirt is made exclusively by Propper Topper, a local Washington business that evolved from a hat shop to a gift store since opening in 1990. The tri-blend unisex shirt is available both for pickup at Propper Topper’s Cathedral Heights location and shipping via the online site. ($32)
To keep it c(g)lassy: The Glass Ball earrings from Blue Moon Aquarius. Gifting can rarely go wrong when it comes to a new pair of earrings. The unique statement earrings — made of polymer clay, glass, and 18k gold plating over surgical steel — are hand cut, sanded and assembled in Washington, meaning each set is unique. Blue Moon Aquarius, a local brand, is known for its small batch jewelry and home decor designed with clay materials. Available in oxblood, hunter green, lavender, and bluestone color palettes, these earrings are available for purchase on Blue Moon Aquarius’ website and at the DowntownDC Holiday Market. ($48)
To elevate a holiday tea or charcuterie party: The Honey Flight: Tea Lover’s Selection from BannerBee. This local honey company presents the ideal gift to make cozying up with a cup of tea slightly more special. The Honey Flight contains three types of raw wildflower honey infused with fair trade Ugandan vanilla bean, chai spices, and locally sourced lemon thyme herb. The gift is also an opportunity to uplift a family company based in the Mid-Atlantic that offers all-natural, sustainable products. The flight is available online, at the DowntownDC Holiday Market or at the Arlington Courthouse and Dupont Farmers’ Markets. ($36)
For Baltimore shoppers: If you’re in Charm City, don’t miss Balston Mercantile, opened by a gay couple in June. Their gorgeous shop in the Hampden neighborhood offers an array of unique, upscale finds, from barware and artwork to cookbooks and home decor and more. (849 W. 36th St.)
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Have yourself a merry John Waters Christmas
Annual holiday show returns to Alexandria and Baltimore
When it comes to iconic Christmas scenes in movies, none can top the tree-toppling tantrum thrown by cha-cha heels-deprived Dawn Davenport in John Waters’s fifth full-length feature “Female Trouble” from 1974. Therefore, it’s not surprising that Waters continues to make art out of Christmas, performing his spoken word Christmas tour in cities across the country. Waters has even more reason to celebrate with the release of his new red vinyl 7” single, a cover of Little Cindy’s “Happy Birthday Jesus (A Child’s Prayer)” on the A-side, and “A Pig Latin Visit From St. Nicholas” on the B-side. If you’re still looking for unique Christmas gifts, consider this record. As always, John was kind enough to make time for an interview in advance of his tour dates.
BLADE: John, in preparation for this interview with you, I went back and listened to Little Cindy’s original rendition of “Happy Birthday Jesus (A Child’s Prayer)” on your “A John Waters Christmas” CD.
JOHN WATERS: One thing I did, if you notice, I make the same stumble in my recording that she did in the original.
BLADE: It sounded to me like she got choked up.
WATERS: No, I think she just stumbles over a word, so I stumbled over the same word. It’s appropriation, insanely.
BLADE: Is this a song you first became aware of in your youth or when you were an adult?
WATERS: When I was doing the Christmas album, I had this friend named Larry Benicewicz. He was kind of my idea man with music. He knew every single old record. I would say to him, “Weird Christmas songs,” when we were doing a soundtrack, or a song about bears, or a song about this, and he would give me all these tapes. It was one of the ones he played for me. A lot of the songs I put in my movies and on my records, I did know as a kid. I did not know this one, but I immediately embraced it. I don’t think it’s campy. I think it really is spiritual in a weird way. My doing it makes it a novelty record. I am really for novelty records, and there aren’t any anymore. Why was there not a COVID novelty record? That’s insane. The dance “The Bug” that’s on the “Hairspray” soundtrack would be perfect for COVID.
BLADE: The thing that struck me was that for a Christmas song in the voice of a child, a kind of death pall hangs over it, with lines like, “If I was good you’d let me live with you” and “they nailed you to the cross, they wanted you to die.”
WATERS: All of it! When I see children at midnight mass kneeling in front of a nude man nailed to a cross, I feel like I’m at The Eagle! It is S&M, it’s creepy. I took the same cover (photo) from her record to parody and put my face on it. The same thing I did with The Singing Dogs last year when I covered (their version of) “Jingle Bells.” I’m really into novelty records. I love them and I’m trying to bring them back. I don’t expect anybody to ever play these records. Even The Singing Dogs one said on it, “Please do not play this record” [laughs]. And the flipside, the Pig Latin version, is almost impossible to listen to.
BLADE: I’m so glad you mentioned that. “A Pig Latin Visit From St. Nicholas” reminded me of the lost art of speaking in Pig Latin. I also recall watching the PBS series “Zoom” as an adolescent and learning to speak “ubbi dubbi,” a distant relative of Pig Latin. Do you think that the time is right for a Pig Latin or ubbi dubbi revival?
WATERS: Here’s the thing, I never could pick up any language, except Pig Latin. I’ve been in every foreign country. Foreign countries have given me money to learn to speak the language. I can never do it! But Pig Latin…my parents and other parents in the ‘50s spoke Pig Latin so kids couldn’t understand what they were saying. Then my mother taught it to me, and I used it. The hardest take to shoot in “Pink Flamingos” was not eating the dog shit. It was when the cast skipped, in one take, saying “E-way, are-yay e-they ilthiest-fay eople-pay in-hay e-they ole-hay ide-way orld-way.” We’re the filthiest people in the whole wide world in Pig Latin. We had to do so many takes so they could do it once without screwing it up. In “Polyester,” Edith (Massey) answers the phone, “ello-hay.” I did a photo piece where it was all subtitled in Pig Latin. Like “osebud-Ray” (from “Citizen Kane”) or in “Streetcar,” “ella-Stay!” [Laughs] All the iconic dialogue translated into Pig Latin. My assistant who helped me do it, had never heard of Pig Latin. She really got good at it because she lived in many foreign countries and can pick up languages. But it’s not that easy to do it correctly and read it. Your computer will translate into Pig Latin.
BLADE: AI understands Pig Latin?
WATERS: I guess that’s AI. It wasn’t 100% right, but it was close. I can speak it if I look at it, but just do a bit at a time. It was a challenge that no one would possibly care about or want to do.
BLADE: I think you pulled it off very well.
WATERS: If you want people to leave on Christmas morning, you put it on. That’s how you get your guests to leave. It’s time to go.
BLADE: Ood-gay i-bay! How did your relationship with record label Sub Pop, which released 2021, 2022, 2024, and new 2025 holiday singles, come about?
WATERS: I believe the first thing I did for them was “Prayer to Pasolini.” They came to me through Ian Brennan. He’s won a couple Grammys for World Music, but he is also is one of my agents who does the Christmas tour and a lot of my shows, anything with music. He helped me arrange each one of the songs. He had a relationship with Sub Pop. It was perfect. My friends in Baltimore, (the band) Beach House, have had huge success.
BLADE: That’s right, they’re on Sub Pop!
WATERS: Yes! I’m happy to be on it. I’ve even been to the warehouse and posed for pictures like Jackie Suzanne used to do.
BLADE: Is there any chance that “A John Waters Christmas” might be reissued on vinyl by Sub Pop?
WATERS: No. It’s such a nightmare to get the rights and to renew them. You have to find the publisher and the writer, and they usually hate each other. It doesn’t matter if it’s obscure or famous, it’s hard to get. You have to make the deal. The singer doesn’t get anything unless they play it on the radio. It would be so complicated legally, and there would be such a [laughs] tiny audience for it. I hope it will come out again. The same thing with the one for Valentine’s Day. I had two of them that did quite well when they came out; “A Date With John Waters and “A John Waters Christmas.” The “John Waters Christmas” album is still the soundtrack that plays whenever I’m doing my spoken word Christmas show as people are entering the theater.
BLADE: Aside from your annual Christmas show tour, what else do you do for the holidays now, and are there any traditions that you’ve carried over from your family?
WATERS: Certainly! I have two sisters, my brother’s widow, and me, so there are four and we take turns each year to have the Christmas dinner. Mine was last year. An entire sit-down dinner. Mom’s China, the silverware, the entire full dinner. It’s pretty traditional. I don’t have a Christmas tree, but I do decorate the electric chair from “Female Trouble.” That is a tradition in my family. We do have Christmas decorations, but they’re usually weird ones that fans sent me. I have one with Divine knocking over the Christmas tree, and the Christmas tree lights up, all sorts of amazing things. There is definitely a tradition here that might be a little altered, but it is definitely a tradition. I used to have a giant party every year, but COVID ended that. I still wouldn’t want 200 people in my house breathing right now.
BLADE: I was looking at your tour schedule and wondered if there are any new cities in which you’ve never performed the John Waters Christmas show that have been added to this year’s schedule?
WATERS: I don’t think there’s a city in America in which I haven’t done one show! The only places I haven’t been to are Hawaii and Alaska. I could do it there, but it’s too long on a tour. I can’t think of a city I haven’t played in in America over the last 50 years. The Christmas show is completely different every year. It doesn’t matter if you saw it last year.
Out actor talks lead role in ‘Fiddler on the Roof’
This gay author sees dead people
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