District of Columbia
Dancing protesters denounce Trump’s Kennedy Center takeover
‘This is an attack, not only on free speech, but on artists’
Waiting in the windy cold of a 45-degree February day in Washington, Tara Hoot stood in Washington Circle wearing a canary yellow dress, heels, and a rainbow feather boa. Hoot was waiting, along with about 100 others, although most of them were wearing layers of clothes, for a protest to begin.
“I am here because, well, I’m angry at the situation we find ourselves in,” Hoot told the Blade amid a growing crowd of pro-drag and pro-LGBTQ protesters who gathered behind her. “I’m just so annoyed that this sitting president is attacking a marginalized population. It’s a distraction for the country when everything’s falling apart. The cost of eggs is up there, and inflation is rising, and he’s here attacking a marginalized population in D.C.? It’s like, go do your job, right? It’s immoral what he’s doing, and it’s weak to attack the marginalized population. He’s just showing his own weakness.”
Last week President Trump promised followers that he would remove anyone that “do not share our vision for a Golden Age in Arts and Culture,” specifically targeting drag performers at the Kennedy Center. On Wednesday he made that goal a reality by removing the 18 Democratic members on the formerly bipartisan Kennedy Center board, replacing them with Trump loyalists.
This raised questions of the legality of removing the board, and his seeming attempt to silence First Amendment rights. As a result, the Kennedy Center issued a statement following Trump’s post.
“Per the Center’s governance established by Congress in 1958, the chair of the board of trustees is appointed by the Center’s board members,” the statement read. “There is nothing in the Center’s statute that would prevent a new administration from replacing board members; however, this would be the first time such action has been taken with the Kennedy Center’s board.”
Of the newly appointed board members, all have stood behind the twice impeached president as he continues to slash the federal government. These loyalists include Richard Grenell, a gay man who served as Trump’s ambassador to Germany in his first term; Usha Vance, the second lady of the United States; Susie Wiles, the White House chief of staff; and Patricia Duggan, a philanthropist and top GOP donor.
The newly appointed board then elected Trump as chair.
When asked what Hoot, a local drag icon who has performed at the Kennedy Center, would say to the current board, she was quick with an answer.
“Well darling, they missed their chance!” Hoot said. “I was running for board president of the Kennedy Center, the people’s princess, I would say. Art is gorgeous and diverse and beautiful, and it’s a way that we all tell our stories. The board needs to keep the heart of the Kennedy Center in mind, no matter who their board chair is. They actually need to have a spine and push back when these ideas that art has to be one thing or another, the board needs to push back and keep the Kennedy Center a people’s place for art.”
Brooke N Hymen, a self-described “professional crossdresser” and trans person explained that to them, the changes in public attitude is more than a silencing of free speech, but an erasure of trans people.
“I find that attacks on drag are not just an attack on my heart, my livelihood, but also a veiled attack on trans people,” Hymen said. “They want to code trans people and what they do in their daily expression as drag as a way to ban trans people. So if we don’t stand up against these attacks on drag, trans people are the first people that will be harmed.”
Hymen went on to say there are clear and simple ways that the board could offset these actions that directly and negatively impact the LGBTQ community.
“More drag programming, more queer artists, more queer musicians, and more queer casts,” they said. “Tara Hoot was running for board of the Kennedy Center. I don’t know how possible that is under Trump, but I think that it’s a lovely sentiment and something that we should all push for.”
Putting Hoot back in the Kennedy Center was also on the mind of other participants of the protest dance party. John Borstel, a former arts administrator, also said that appointing someone like Hoot to the board would be beneficial—if only to ensure that someone would speak out at the Kennedy Center.
“Get out and let the bipartisan board back in,” Borstel said. “Get out and get people who know the arts back in. Let Tara Hoot in here! The drag queen who’s performed at the Kennedy Center. She’s been outspoken about this. She’s gone on record where the Biden appointed and ousted board members won’t even make a public statement about what happened. They’re afraid for themselves. We’ve got drag queens speaking out. The bureaucrats won’t speak up.”
His sentiment regarding the lack of response from former Kennedy Center officials was echoed in his grievances with other established members of the arts community who didn’t show up at the protest. It did make him proud in a unique way though.
“I have never been prouder than I am tonight, to be a gay man, to be queer, because it’s the queers who have come out to protest it — but it’s affecting everybody,” Borstel said. “He’s going to cut it all down. Everybody should be out here. I worked in the arts sector for over 30 years here. Where are those folks? But the queers are here. And they’re dancing!”

Bennett Shoop, one of the protest organizers with the Claudia Jones School for Political Education, told the crowd at Washington Circle—just before their march down New Hampshire Avenue to the front of the Kennedy Center—that drag is deeply intertwined with Washington’s history and that ignoring it means erasing that history.
“Drag is really important to D.C. and it’s important to D.C. history,” Shoop said to the diverse and growing crowd of people listening. “William Dorsey Swann was the first drag queen in the United States, an enslaved person who called themselves “the queen of drag,” who threw drag balls right here in this city. Drag is a D.C. institution, one that Trump has decided is going to be one of his top targets for his fascist administration. But it’s not just about drag performers at the Kennedy Center. This administration wants to remove all kinds of gender non-conformity and LGBTQ people at large from public life, just like the Nazis did at the Hirschfeld Institute when they burned all of those books.”
“This is D.C.,” he continued as the crowd cheered him on. “D.C. is the queerest city per capita in the United States. We may not have representation in the federal government, but we do have a fighting spirit…He could pass all the executive orders and do all of the fascist takeovers that he wants, but queer and trans people will still be here. You know, we will still dance, and that dance will long outlive them.”
One of those members of the LGBTQ community who resisted oppression through dance and protest, Shoop explained as he concluded his speech, could be credited with sparking the modern gay rights movement.
“Let us never forget that it was none other than drag king Stormé DeLarverie who inspired the Stonewall uprising that led to the gay liberation revolution of the ‘70s. Drag was a part of our revolution then, and it must be a part of our revolution now. I just want to end with a quote from the namesake of our school, Claudia Jones, who once said ‘that a people’s art is the genesis of their freedom.’ So like our predecessors, let this be the genesis of ours.”
Following speeches by the other organizing groups, the group of 200 or so walked in the middle of the road toward the Kennedy Center singing and occasionally stopping to dance. Onlookers from apartments along the road opened windows waving at the group, occasionally screaming words of support from stories up.
One of those marching in protest was Jennifer Ives of Germantown, Md. She was bundled up in a coat and hat while holding a sign, dancing along the protest route.
“I’m here because I want to support the trans and gay communities,” Ives told the Blade. “I believe that soldiers should get their hormone treatment, their therapy, their pills. I believe that Trump should get out of the Kennedy Center. I believe that right now, there’s an assault on the trans community, and we just can’t stand for it. So we gotta protest, and we gotta dance.”
Another participant, dressed in full drag—from voluminous black and red hair to a sparkly, tinsel-covered suit and thick white heels—emphasized that no matter what executive orders are signed or what bans pass through state legislatures, LGBTQ people have always been here and always will be.
“The main reason is to show that even though these actions have been taken, and though they want to strip us of our power, that we’re still here,” said drag performer Rhiannon LLC. “I think an important thing that stuck with me after the election, even though we lost, Kamala Harris, her main message was, we’re not going back. And if we let that message die, then we kind of go along with it. So to be here and to be out, it’s awesome.”
They continued, saying that if they had the ability to say one thing to the Kennedy Center board, it would be two words: “Have integrity. Although Trump may be there for the next four years, you are there after. These actions will follow you, and your job right now is to support the arts. So support the arts.”
One of the last speeches of the night was delivered directly in front of the Kennedy Center, its marble walls and gold columns providing a final backdrop for the protest. Pussy Noir, another local drag legend, was handed a mic to wrap up the night.
“This is an intense time for all of us,” said Noir, who currently has a residency with the Kennedy Center REACH program and performs in drag across the city. “I don’t know if you know this about me, but I’m the main drag queen that brought drag to the Kennedy Center, and with many other drag queens in this city, helped establish it as a real art form.”
Noir took a moment to look out at the crowd, their faces illuminated by the glow of the Kennedy Center, before finishing with a message of resilience and solidarity for all drag artists — those currently protesting in front of the Kennedy Center and those performing in hole-in-the-wall gay bars across the country.
“So no matter what anyone says, If you are a drag performer, you are an artist. If you support drag, you are supporting artists. Right now this is an attack, not only on free speech, but on artists, on small business owners, and I think that’s something that everyone in this country can understand. We must be supportive of each other and kind to each other. More than anything, that is the only way that we can fight this.”
District of Columbia
D.C. Council approves increased funding for Mayor’s Office of LGBTQ Affairs
Increase attached to 2027 budget bill
The D.C. Council on July 14 gave final approval for the city’s fiscal year 2027 budget that includes an amendment calling for increasing the number and size of funding grants that the Mayor’s Office of LGBTQ Affairs provides for local organizations providing services for the LGBTQ community.
The amendment, called the “LGBTQ Community Grant Amendment Act of 2026,” was introduced earlier this year by D.C. Council member Zachary Parker (D-Ward 5), the Council’s only gay member.
The D.C. LGBTQ Budget Coalition called the Parker amendment “a historic measure that establishes the District’s most sustainable model for a vehicle for investing in LGBTQ communities.”
The Council approved the version of the FY 2027 budget bill with the attached Parker amendment in its first of two required votes on June 9. Shortly after voting unanimously to give final approval of an earlier version of the two-part budget measure on July 7 that includes the Parker amendment, the Council sent the bill to Mayor Muriel Bowser for her signature.
Bowser has expressed strong opposition to several provisions in the $22 billion budget measure passed by the Council that are unrelated to the Parker amendment regarding the Office of LGBTQ Affairs. The mayor has yet to say whether she will sign, veto, or choose not to sign the bill.
The latter option would allow the bill to become law if Congress does not choose to overturn it during its required 30-day legislative review period for all D.C. bills. Political observers believe the Council will vote to override a veto if Bowser chooses to veto the bill.
When contacted by the Washington Blade on July 22 to determine where the mayor stands on the budget bill, mayoral spokesperson Daniel Gleick said only, there was “no update on the budget just yet.”
Among other things, the Parker amendment calls for the Mayor’s Office of LGBTQ Affairs to issue a $980,000 grant in FY 2027 to a private, nonprofit organization in partnership with the office “for the purpose of supporting programs that promote the welfare of the lesbian, gay, bisexual, transgender, and questioning community.”
It would allocate $680,000 of that funding total from existing funds from the city’s community affairs grants program and calls for $200,000 in newly appropriated funds.
It says the organization selected would also initiate its own fundraising effort to expand the amount of funds beyond the amount the office would provide, enabling it to provide larger grants to a greater number of local LGBTQ organizations.
“The legislation arrives at a critical moment, as LGBTQ-serving organizations face unprecedented uncertainty,” the D.C. Budget Coalition said in its comment on the Parker amendment. “Growing demand for services is colliding with shrinking resources, federal attacks on LGBTQ programs, and ongoing threats to local funding streams,” the coalition’s statement says.
In what some observers have called a highly controversial action; the budget bill approved by the Council reverses and restores millions of dollars in budget cuts proposed by Bowser in the budget she submitted to the Council earlier this year.
Among other things, the Council’s budget preserves the current level of funding for housing vouchers, childcare, paid family leave, and other programs slated to be cut in the mayor’s proposed budget, according to a report by the Washington Post.
Bowser points out that the Council approved budget bill calls for using $150 million from the city’s reserve fund, which she and others have said could put the city in jeopardy in future years. The mayor has said the cuts were needed to prevent a major funding shortfall brought about by the action by Republicans in Congress to cut the city’s budget by over a billion dollars.
District of Columbia
Is the Metro safe for riders?
WMATA says crime dropped 37 percent on system in 2025
I was inside Benning Road train station in April waiting for my train with two friends on the way to school. It usually took me 25-30 minutes to get from Benning Road Station to school at Congress Heights. As I waited for the train, I kept noticing that every train that got to five minutes away would disappear from the Metro screen before it got to my stop.
I found out from one of my friends that a Metro work vehicle had crashed into a train at Metro Center and that all trains were now delayed. While my friends were able to call their family to pick them up, I had no such luxury. The train was my only option. It took me more than an hour to get to school. I missed my first period because of it and had to make up my work later in the day. I was marked absent because when a student misses one class, they’re marked absent for the day and an email is sent to their parents. I felt irritated knowing that I had to deal with all of these problems that weren’t even my fault due to an incident that happened on a different side of town.
The incident at Metro Center isn’t the only incident that I have experienced on the subway. I have experienced kids fighting and almost pushing me on the tracks, massive delays because a woman was passed out on the train and Metro police pulling out their assault rifles and arresting someone in the station, which caused people to panic and start running.
I later learned the crash that led to me being late to school caused 11 injuries to people who were on the train, according to media reports. And the Metro has experienced other dangerous incidents this year. A man was beaten so badly on Cinco de Mayo that he needed staples in his head and another man was beaten to death by a stranger at the Addison Road station.
However, I’ve never experienced any incident that has led to me getting hurt, nor actually seen anyone get hurt.
So, is the Metro safe?
Metro experienced the lowest crime rate in its history in 2025, the Washington Metropolitan Area Transit Authority said. The crime rate decreased by 37 percent in 2025 compared to 2024.
Last year, the Metro Transit Police Department increased enforcement efforts department-wide by more than 25 percent, Metro said. WMATA said it is in the process of installing upgraded video systems on our 6000 and 7000-series rail cars, which make up most of the cars in the system. This new camera system allows for live video access to rail cars from Metro’s Integrated Command and Communications Center.
Asked if he felt unsafe using the Metro, Dr. Aruna Rajam, a teacher at Bard High School Early College DC and George Washington University, recalled being on the train with a man who was smoking weed and yelling.
“It didn’t turn physically violent, but it was alarming and made me feel like the situation could go sideways quickly,” said Rajam, who takes the train to both of his jobs, traveling day and night.
Incidents like these are what make Rajam feel unsafe occasionally when he is riding the subway at night: “Late at night — like my 8:45 ride from Foggy Bottom to Springfield — it’s a different atmosphere.”
Jayden Payne, a rising sophomore at Bard, worries even more.
“There was a man who seemed intoxicated, moving around his phone, pretending it was a gun-all up in ladies’ faces,” he said in an interview.
When asked if he would recommend the subway to others, he gave a firm “no” due to all of the incidents that he has heard about that have happened on the Metro.
Erin Bray, who graduated from Bard in June, recalled an incident when a man brought a gun on the train when she was on it. Asked if she felt safe on the subway, Bray said: “No, because there’s not enough security and people keep bringing [weapons] on there.”
Metro said it launched a Safety Risk Reduction Plan to improve riders’ safety and employs several other safety tactics, including Safe Passage patrols to help students in D.C. get to and from school safely.
While all of the people interviewed said that they saw or experienced an uncomfortable incident, Metro said it is increasing its security and safety protocols.
WMATA data coincides with what one of my interviewees said about his experience on Metro.
“I feel safer now than I felt riding the Metro today than I did 10 years ago,” Dr. Samuel Slattery, a social science teacher at Bard High School Early College, said.
He spoke of his experience with the Southeastern Pennsylvania Transportation Authority subway in Philadelphia in comparison: “… That’s what an unsafe train system feels like,” Slattery said.
The week before he was interviewed in May, Slattery said he was on SEPTA and there was a woman “eating beans off the floor of the train,” a homeless man “passed out in the middle of the train,” and a mentally ill woman yelling in his and other passengers’ faces that, “‘Jesus was watching her’ and the rest of us were in contact with demons.” This incident agitated Slattery so much that he said, “Screw this” to his friend and decided to pay extra for an Uber.
Metro riders who want to report an incident or safety concern can call Metro Transit Police (MTPD) at 202-961-2121 or text MYMTPD (696783). Metro also posts a daily Crime Blotter on its website where the public can see the calls MTPD responded to on a given day. The Crime Blotter can be found here: https://www.wmata.com/about/transit-police/crime-stats.cfm
Christian Jennings, a 2026 graduate of Bard High School Early College DC, is a rising freshman at North Carolina State University, where he plans to major in nuclear engineering. He worked with journalist-instructors at Youthcast Media Group on this article.
District of Columbia
Wanda Alston Foundation announces passing of founding executive director Brian Watson
D.C. activist praised as “passionate advocate” for homeless LGBTQ youth
The Wanda Alston Foundation, which provides housing and support services for homeless LGBTQ youth in the D.C. metro area, announced on July 20 that its founding executive director, Brian Watson, has passed away.
In a statement the Alston Foundation called Watson “one of Washington, D.C.,’s most passionate advocates for LGBTQ+ youth experiencing homelessness.”
Neither the statement nor others who knew Watson have disclosed the cause of death or his age. Longtime LGBTQ community activist Rayceen Pendarvis said she heard only that Watson’s passing followed “a long time illness.”
“The origins of the Wanda Alston Foundation can be traced to a meeting convened by then-Mayor Anthony Williams at the request of Wanda Alston, the Mayor’s Director of LGBTQ Affairs,” the statement says.
“During that meeting, Brian spoke powerfully about the growing crisis of homelessness among LGBTQ+ youth in the District of Columbia and the urgent need for dedicated housing and support services,” it says. “His advocacy helped crystalize a vision that every young person deserves a safe place to call home.”
The statement points out that following Alston’s untimely death, Watson joined other community leaders “to transform that vision into reality by establishing the Wanda Alston Foundation in her memory.”
It says that today the Alston Foundation “proudly carries forward the mission Brian helped create by providing emergency and transitional housing, counseling, workforce development, life-skills training, and other supportive services that empower LGBTQ+ youth to achieve stability, independence, and hope for the future.”
Watson’s LinkedIn page says he served as executive director of the Alston Foundation from July 2013 to March 2014. The Washington Blade reported in April 2014 that the Alston Foundation announced in a March 11, 2014, statement that Watson had resigned to “pursue other opportunities.”
His LinkedIn page shows he worked for or with in a supporting role three local nonprofit organizations since leaving the Alston Foundation, including serving from February 2019 to November 2019 as a Methamphetamine Services Specialist for the D.C. group HIPS, which provides services for drug users and sex workers.
According to his LinkedIn page, from October 2014 to “present,” he also served as Chief Innovation Officer for the Propel Foundation, Inc., which he described as a “501c3 nonprofit organization founded in D.C. that works to strengthen nonprofit organizations through fiscal sponsorship and capacity building.”
A Facebook posting by his brother, Vidale Watson, says his family will be making arrangements for a memorial service and will share the date, time, and location once the details have been finalized.
“There are no words to describe the heartbreak our family is feeling,” Vidale Watson wrote. “While we are grateful for every prayer, kind word, and act of support we’ve received over the past week, this loss is still incredibly fresh.”
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