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Heartland inspiration

Idaho-born playwright finds middle America ripe for exploration

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‘A Bright New Boise’
Through Nov. 6
Woolly Mammoth Theatre Company
641 D Street, NW
$20-$67.50
202-393-3939

From left, Joshua Morgan, Emily Townley, Felipe Cabezas, Michael Russotto and Kimberly Gilbert in ‘A Bright New Boise’ by Samuel D. Hunter. (Photo by Stan Barouh; courtesy Woolly Mammoth Theatre)

For up-and-coming gay playwright Samuel D. Hunter, Idaho is an outsized source of inspiration.

“I’m originally from Idaho, and most of my plays are set there,” he says. “It’s a sort of canvas for me. Typically I like to use places and things I know as a jumping off point to explore things I’m not quite so sure about.”

Hunter’s best known play, “A Bright New Boise” for which he won a 2011 Obie Award (the off-Broadway Tony) for playwriting, is running at Woolly Mammoth and is the first of his plays to be produced in D.C. Set in the break room at a big box craft store called Hobby Lobby, “Boise” is a dark comedy whose central character is obsessed with the rapture.

“I’m very interested in people who want the world to end,” says Hunter, 30. “They’re so hard to figure out. But the play is about a lot more than the rapture. The spine of the story is the reunion of a father and his long lost son. It’s a human story that’s pretty universal.”

In recent weeks, Manhattan-based Hunter has been in D.C. completing rewrites and spending extra time with his partner John Baker, Woolly’s literary manager. Thus far, Hunter reports positively about the quality of the production (staged by gay director John Vreeke and featuring, among others, gay actors Michael Russotto and Joshua Morgan as the father and son, respectively).

Hunter’s characters aren’t particularly glamorous: They hold menial jobs, profess fundamentalist beliefs and are in many ways similar to a lot of Americans. “I like to write about folks who aren’t typically written about. Do we really need another play about rich white people getting divorced? Granted there are some good plays on the subject, but there’s so much more to put on our stages.”

Growing up in smallish Moscow, Idaho, Hunter (who goes by Sam) attended a Christian day school and worked part time at Wal-Mart. After high school, he attended New York University where he majored in dramatic writing and minored in Middle Eastern Studies. Later, he received an master’s degree from the Iowa Playwrights Workshop. Since then, he’s taught at Fordham University, as well as in the Occupied Palestinian Territories at Ashtar Theater (Ramallah) and Ayyam al-Masrah (Hebron). But mostly he writes plays.

Winning the Obie Award was definitely a turning point in Hunter’s increasingly busy career. “It’s not like I won an Oscar, but yes, it lifted my career. It used to be there were all the fancy people and then there’s me. After winning I began to feel like a member of the club. I finally believed it was possible for me to sustain a career in theater.”

And now as a hot emerging playwright with a progressively more demanding schedule, Hunter has had to give up the regular teaching gig. In addition to “Boise’s” D.C. run, Hunter soon has other plays opening at the Denver Center, and, yes, the Boise Contemporary Theater. Sounding almost entirely convinced, he says, “I have my life figured out for the next year and a half, and I’m pretty certain I can survive on what I earn as a playwright. Considering the economy, I think that’s pretty good.”

And what’s Hunter writing about now?

“A lot of my past plays involve dull jobs and parking lots. Currently I’m working on a play about the Home Shopping Network and the culture of all that. I enjoy exploring boring things. If I still lived in Idaho, I’d probably be writing about New York City.”

 

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Photos

PHOTOS: Vitamin C at JR.’s

Live drag show follows ‘Drag Race All Stars’ viewing party

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Brooke N Hymen performs at JR.'s at the Vitamin C drag show on Friday. (Washington Blade photo by Landon Shackelford)

JR.’s Bar held a “RuPaul’s Drag Race: All Stars” watch party followed by a live drag show on Friday, July 17. The Vitamin C weekly drag show was hosted by Citrine with performers Brooke N Hyman and Rosie Beret.

(Washington Blade photos by Landon Shackelford)

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Photos

PHOTOS: Rehoboth Beach Pride Festival

LGBTQ celebration held at convention center

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A scene from the 2026 Rehoboth Beach Pride Festival. (Washington Blade photo by Daniel Truitt)

The 2026 Rehoboth Beach Pride Festival was held at the Rehoboth Beach Convention Center on Saturday, July 18.

(Washington Blade photos by Daniel Truitt)

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Books

Liza’s book a tale that’s better than most celebrity memoirs

‘Kids, Wait Till You Hear This!’ dishes on marriages, heartbreak

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(Book cover image courtesy of Grand Central)

‘Kids, Wait Till You Hear This! My Memoir’
By Liza Minnelli, as told to Michael Feinstein
c.2026, Grand Central
$36/ 421 pages

Twenty feet In front of you, and you can’t see a thing.

Even the closest faces are in shadow – lit, but not quite enough for you to see for sure what the people there are thinking. Still, you can hear them, their gasps, their laughter, and applause. Such is life, on-stage. Now read “Kids, Wait Till You Hear This! My Memoir” by Liza Minnelli, as told to Michael Feinstein, and read about it beyond the spotlight.

Almost from the moment she was born, Liza Minnelli was famous.

It was inevitable: her mother was Judy Garland. Her father was director Vincente Minnelli. Her godparents were Hollywood glitterati, her neighbors were famous, her playmates would be famous someday, too.

But her life wasn’t all starlight and happiness.

She made her stage debut as a toddler. She became her “mother’s caretaker” at age 13.

At 16, she had a growing career of her own – one that her mother tried to stop. But, she says, “In her own way, Mama was wonderful to me. Try understanding – she was my mother, not a movie star…. I knew her as the person who loved me and always would.”

At 19, Minnelli was working, happy, and madly in love with the man who’d become her first husband, and life was wonderful – until she came home one day to find him in their bed with another man. Before they were divorced, she lost her beloved mother, and became “engaged” to two other men simultaneously, neither of which made it to the altar with her.

She married her second husband, the son of one of her mother’s former co-stars, in 1974 but her love affairs and addictions led to a second divorce.

Her third husband was a stage manager.

She doesn’t have much good to say about her fourth, and last, husband.

Overall, she says, “You gotta play the comedy for all it’s worth and leave ‘em laughing. Even when your heart is breaking.”

Are you expecting bluntness, sass, or attitude here? Good, because that’s what you get inside “Kids, Wait Till You Hear This!” It’s strong on honesty and don’t-give-a-flip. It’s wonderfully edited, so it moves fast. It’s eye-opening and funny and a pleasant surprise for a first, and only (so far), memoir.

Even better, author Liza Minnelli (with best friend, Michael Feinstein) is really quite candid and nicely gossipy, starting from the beginning. There are some Hollywood folks, in fact, who are feeling edgy because of what’s inside this book and the secrets spilled. Minnelli and Feinstein seemed to have fun telling her story, and they comfortably lure readers in.

That’s not to say that it’s all a cabaret. Minnelli tells about her addictions and recoveries, her marriages and why she wed two gay men, and the losses she endured, including miscarriages, deaths, and broken relationships. The bad balances well with the good for a tale that’s several notches above most celebrity memoirs. “Kids, Wait Till You Hear This!” is, in fact, a real joy to read, a genuine bright spot.

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