Arts & Entertainment
Another side of a legend
Bi painter Kahlo’s photos displayed in new exhibit
‘Frida Kahlo: Her Photos’
Artisphere
1101 Wilson Blvd.
Arlington, VA
Feb. 23-March 25
Fans of Frida Kahlo and students of photography in the D.C. area have a rare opportunity to see a collection of photographs that document and explore the fascinating life and rich legacy of this influential queer artist.
From Feb. 23 through March 25, Artisphere will be the only venue in the United States to show “Frida Kahlo: Her Photos,” an exhibition of personal photographs that have been hidden from public view since Kahlo’s death in 1954.
The extraordinary work of bisexual Mexican artist Frida Kahlo (1907-1954) is celebrated by a diverse group of dedicated fans. Best known for a series of stunning self-portraits that use costume and color to great effect, Kahlo is now seen as an important member of the surrealist movement. Artist André Breton hailed her work as a “ribbon around a bomb” and it’s admired in Mexico as an exploration of national and indigenous traditions. Feminists celebrate her painting as an uncompromising depiction of female bodies and lives and a powerful testament to her incredible strength in facing a life of chronic pain.
Writing in the online encyclopedia glbtq, queer cultural critic Tamsin Wilton also underscores the importance of Kahlo as a queer artist. During her long tempestuous marriage to famous activist and artist Diego Rivera, Kahlo had several affairs with both men and women. More artistically significant, however, is her bold use of costume to challenge traditional notions of female sexuality. Just as her depictions of ornate Mexican costumes were used to celebrate indigenous Amerindian culture, Wilton writes that Kahlo was often pictured in male attire to “make a statement about her own independence from feminine norms. She was a masterly and magical exponent of cross-dressing, deliberately using male ‘drag’ to project power and independence.”
During her life, Kahlo created and collected more than 2,500 photographs from her international travels and from visitors to the house that she and Rivera shared. After Rivera’s death, in accordance with his will, this collection of snapshots was sealed and put in storage. In 2007, on the 50th anniversary of Rivera’s death, the collection was opened and cataloged by Mexican photographer and curator Pablo Ortiz Monasterio.
Monasterio has assembled 259 of these photographs into “Frida Kahlo: Her Photos,” which opens next week in Arlington. He has arranged the photographs into six thematic areas that align with the periods in Kahlo’s life. Each area was displayed in a separate room of the Blue House, a display that is recreated at Artisphere.
The first room, called Origins, documents the profound influence that Kahlo’s family had on her work. Her father Guillermo Kahlo, a German émigré, was a portrait photographer. He taught Frida the art of photography and trained her in the darkroom. Her mother, Matilde Calderón y Gonzalez, was a Roman Catholic with mixed Spanish and Amerindian heritage. The second room, The Blue House, explores Casa Azul, the Kahlo family home in Coyoacán Mexico, a sister city of Arlington, Va., where Frida was born, lived most of her life and died.
The third room, The Broken Body, displays photographs examining a central theme in Kahlo’s life and work, her serious physical injuries and her struggles with intense chronic pain. Kahlo contracted polio at age 6. As a result, her right leg was significantly thinner than her left. She often disguised this by wearing long skirts. In 1925, while she was a student in medical school, Kahlo was in a serious bus accident that left her with significant injuries, including multiple broken bones and internal injuries. These injuries made it impossible for her to bear children, a fact that haunted her for life. Over the course of 29 years, Kahlo endured 35 operations and suffered three miscarriages. She was frequently in intense pain and had to be bedridden or confined to a hospital for long periods.
Kahlo began her career as an artist when she was in a body cast after her accident. Her mother designed a special easel for her and her father lent her paint and brushes. In addition to themes of national and sexual identity, her work often drew on images of bodily pain and expressed feelings of pain.
The fourth room of the exhibition is called Love and includes images of Kahlo’s family and friends, including her husband Diego and two of her male lovers. (The exhibition does not include any pictures of her known female lovers.) Cynthia Connelly, Artisphere’s Visual Arts Curator, is amazed by the incredible relationships Kahlo developed during her life.
“When you walk through this room — and the entire exhibition — you get a sense of a really strong woman who surrounded herself with creative and challenging people,” Connelly says. “She lived a wonderful life and opened herself up to all kinds of ideas and experiences. She and Diego lived through so much history, but they were also creating history.”
The fifth room, Photography, looks at the connection between Kahlo’s painting and her snapshot collection. Curator Ortiz traces several images, including a black cat and a dead baby, from Kahlo’s canvases back to their photographic origins. The sixth room, Diego’s Eyes, presents a series of photographs that directly and indirectly influenced Rivera’s huge political murals.
Connolly says those visiting the exhibition should be sure to read the photos’ descriptions, which contain a bounty of back story.
Each of the pictures is displayed with detailed information on the subject and artist (where they are known), date and media. In addition, Kahlo has left handwritten notes on the back of many of the snapshots, and in one case even left a lipstick print over an image of her husband Diego. Connolly also points out that the exhibit is a little like a mystery. “Each of the photographs fills in a little bit of her story,” she says, “but many of them bring up further questions and we can’t answer all of them for you. Pay attention to the details.”
These pictures also document an important moment in art history — the emergence of photography as a public art form. “In a time where almost everyone has a camera phone, we take photographs for granted,” Connolly says. “This was a time when photography was just coming into mass consumption. Snapshots were becoming less formal. Think about the kind of cameras being used and who processed the film.”
Given her skills in the darkroom, Kahlo may have developed many of them herself, though the photos shown at Artisphere are copies. Under the terms of Rivera’s will, the artifacts from Casa Azul are not allowed to leave Mexico. The local exhibition has been arranged in the same layout used by Monasterio in the original exhibition.
In addition to the historic photographs, the celebration of Frida Kahlo at Artisphere includes a variety of related events. There are two film series, one on women filmmakers (including Julie Taymor’s biopic “Frida” with Selma Hayek as the famous artist) and one featuring Robert Rodriguez; performances by flamenco artists, female salsa artists and the Mexican Institute of Sound; and hands-on workshops on surrealism.
Artisphere has produced this exhibition in collaboration with the Frida Kahlo Museum (Coyoacán, Mexico), Museo Diego Rivera Anahuacalli (Coyoacán, Mexico), the Embassy of Mexico, the Mexican Cultural Institute and Arlington County, with additional support from the Rosslyn Business Improvement District. This international collaboration was initially facilitated by the Arlington Sister City Association.
Out & About
Gala Hispanic Theatre’s Flamenco Festival returns
Gala Hispanic Theater will host the 21st Annual “Fuego Flamenco Festival” from Thursday, Nov. 6 to Saturday, Nov. 22.
The festival will feature American and international artists who will gather in the nation’s capital to celebrate the art of Flamenco. Guests can save 20% on tickets with a festival pass.
The festival kicks off now through Nov. 10 with the D.C. premiere of Crónica de un suceso, created, choreographed and performed by Rafael Ramírez from Spain, accompanied by renowned flamenco singers and musicians. In this new show, Ramírez pays homage to the iconic Spanish Flamenco artist Antonio Gades who paved the way for what Flamenco is today. GALA’s engagement is part of an eight-city tour of the U.S. by Ramírez and company.
The magic continues Nov. 14-16 with the re-staging of the masterpiece Enredo by Flamenco Aparicio Dance Company, a reflection of the dual nature of the human experience, individual and social, which premiered at GALA in 2023.
For more information, visit the theatre’s website.
Friday, November 7
“Center Aging Friday Tea Time” will be at 12 p.m. in person at the DC Center for the LGBT Community’s new location at 1827 Wiltberger St., N.W. To RSVP, visit the DC Center’s website or email [email protected].
Go Gay DC will host “LGBTQ+ Community Social” at 7 p.m. at Silver Diner Ballston. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.
Saturday, November 8
Go Gay DC will host “LGBTQ+ Community Brunch” at 12 p.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Sunday Supper on Saturday will be at 2 p.m. at the DC Center for the LGBT Community. This event will be full of food, laughter and community. For more information, email [email protected].
Monday, November 10
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
“Soulfully Queer: LGBTQ+ Emotional Health and Spirituality Drop-In” will be at 3 p.m. at the DC Center for the LGBT Community. This group will meet weekly for eight weeks, providing a series of drop-in sessions designed to offer a safe, welcoming space for open and respectful conversation. Each session invites participants to explore themes of spirituality, identity, and belonging at their own pace, whether they attend regularly or drop in occasionally. For more details visit the DC Center’s website.
Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit genderqueerdc.org or Facebook.
Wednesday, November 12
Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
“Gay Men Speed Dating” will be at 7 p.m. at Public Bar Live. This is a fresh alternative to speed dating and matchmaking in a relaxed environment. Tickets start at $37 and are available on Eventbrite.
Thursday, November 13
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breathwork, and meditation. For more details, visit the DC Center for the LGBT Community’s website.
Sports
Gay speedskater racing toward a more inclusive future in sports
Conor McDermott-Mostowy says anti-DEI push is driving away corporate sponsors
LOS ANGELES — As the countdown begins to the February Winter Olympic Games in Milan, Pride House LA is shining a spotlight on queer athletes who are breaking boundaries both on and off the field. Among them is Team USA speedskater Conor McDermott-Mostowy – a fierce competitor and proud member of the queer community. With blistering speed on the ice and a steadfast commitment to equity in sports, Conor is doing so much more than winning medals – he’s redefining what it means to represent one’s country while representing one’s community.
McDermott-Mostowy is one step closer to the 2026 Winter Olympics after winning the recent silver and bronze medals at the U.S. Championships in speedskating. He appeared at a Nov. 1 event presented by Out Athlete Fund/Pride House LA in the organization’s efforts to raise funds to support Conor and other out athletes as they pursue their Olympic dreams in Milan 2026 and beyond.The Blade spoke to the star athlete to talk about resilience, representation, and the legacy he hopes to leave one day.
Blade: Huge congrats, Conor! Winning a World Cup gold is no small feat. Do you feel like this win proved something to the world – or more importantly, to yourself?
McDermott-Mostowy: Winning gold with my team last year was definitely a major goal achieved. That said, the event we won isn’t yet an Olympic event. The races that have had the most profound impact on me actually happened two years ago.
The first was the team pursuit in Obihiro, Japan. I’d always been more of an alternate for that event, since it’s typically raced by skaters who compete in both the 1500m and 5000m. But I’d been itching for the opportunity to race it at the World Cup level. I finally got that chance when a teammate had to pull out at the last minute due to a back issue. We led the race through six of eight laps, ultimately finishing third. While it was a little disappointing to fall out of the lead, I was proud to prove that I could contribute meaningfully and help the team medal.
The second race was later that year in Salt Lake City, my home ice. After competing in Japan, I came down with a lung infection that affected my performance at the next few World Cups. Fortunately, I had time to recover before the North American World Cups and World Championships. At the Salt Lake City World Cup, I was balancing competition with completing my undergraduate degree. I didn’t know what to expect, but I ended up finishing fifth in the 1000m—my highest individual finish ever—and posted a time of 1:06.91. That’s a very significant time in speedskating; only three other Americans have gone under 1:07 in that event, all of whom became world champions. That result felt like a turning point, showing me that an Olympic or World Championship medal wasn’t just a dream—it was within reach.
Blade: This PrideHouse LA event is a huge moment. What does that support from the queer community mean to you?
McDermott-Mostowy: It’s incredibly meaningful. Being queer in Olympic sport can be very isolating, both inside and outside the sport. I barely have time to socialize outside of skating, and relocating to Salt Lake City doesn’t exactly help when it comes to queer community. So having that kind of solidarity and support from the wider LGBTQ+ community really means a lot.
Blade: Do you remember the moment you realized skating could take you all the way to the Olympics?
McDermott-Mostowy: There hasn’t been one single moment. It’s been a series of them. Over the years, I’ve had many races that shattered the limits I thought I had and inspired me to reach higher. That Salt Lake City race was one of them. It made me realize I shouldn’t just aim for the Olympics. I should aim for medals.
Another key moment came in 2018 at my last Junior World Cup, when my teammate and I finished 2nd and 3rd in the mass start. That event is similar to short track but held on a long track. It was my first full year focusing on long track after previously dabbling in it, and we had no expectation of medaling. But after we did, I realized I might actually have a future in this discipline—and that I could be competitive on the world stage. It was a pivotal realization, especially as I was trying to decide whether to continue skating or pursue a traditional college experience.
Blade: What initially drew you to speedskating? How did you get into the sport—and what’s kept you motivated?
McDermott-Mostowy: I grew up on skates. I started at age two and became a strong skater early on. But I never had any interest in hockey or figure skating. One winter, I was skating with my family on the C&O Canal in Washington, D.C., when a guy skated past us on these wild-looking speed skates. I was immediately intrigued. My parents found a local club, which happened to be run by three-time Olympian Nathaniel Mills, and I was hooked.
What’s kept me going is simple: I love it. This isn’t a sport you get rich in. I’ve only earned more than $20,000 a year twice in my career, and you can’t use it to pay for college either. The motivation has to come from within—the pursuit of excellence, the dream of going to the Olympics, and pure love for the sport.
Blade: What’s been your toughest race to date, and what did it teach you?
McDermott-Mostowy: That would be the team pursuit in Japan. I wasn’t expecting to race it and had already competed in a full weekend of events before getting the call. Team pursuit is arguably the toughest event in speedskating. Stepping up without being mentally or physically prepared was a challenge, but I did it. It showed me I could push through, even under extreme circumstances.
Blade: You’ve made headlines not just for your speed, but for your openness. What was it like coming out publicly in the world of elite sport?
McDermott-Mostowy: By the time I was publicly identified as gay, I had already been out to anyone who asked. So “coming out” doesn’t feel like the right term. It wasn’t a big declaration. I had the benefit of growing up seeing openly gay athletes and being part of a supportive community. I never felt the need to hide who I was.
Eventually, as I started achieving more on the ice, people began noticing me and the content I posted, and they put two and two together. When I was asked to speak publicly about being an openly gay athlete in speedskating, I didn’t hesitate.
Blade: What have been the biggest challenges in your career – physically, mentally, or otherwise?
McDermott-Mostowy: Honestly, my entire career has been about overcoming challenges. The two biggest obstacles have been illness and finances.
I’ve dealt with asthma, a norovirus that derailed my chances in 2022, and a fatigue condition last season that affected my performance. These setbacks take a toll. Not just physically, but mentally. When you invest everything into your sport, being forced to pause or scale back is a huge emotional hurdle.
Financially, speedskating is a tough path. Even as a consistent top-20 skater in the world, I’ve only broken $20k twice in a year, and we’re paid for just nine months, even though we train year-round. I’ve leaned on friends and family for support many times just to make ends meet.
Blade: Have you ever been told – explicitly or implicitly – that being openly gay could hurt your chances with sponsors or coaches?
McDermott-Mostowy: Never with coaches. In our sport, selections are based on the clock, not someone’s opinion. My coaches have always been great.
But when it comes to sponsorships, especially over the past year, I’ve noticed a shift. As anti-DEI sentiment grows, brands are backing away from anything that could be seen as “controversial.” Being openly gay seems to fall into that category now. Since most of our income comes from sponsorships, that retreat is deeply felt.
-
District of Columbia2 days ago‘Sandwich guy’ not guilty in assault case
-
Sports2 days agoGay speedskater racing toward a more inclusive future in sports
-
Celebrity News4 days agoJonathan Bailey is People’s first openly gay ‘Sexiest Man Alive’
-
Michigan4 days agoFBI thwarts Halloween terror plot targeting Mich. LGBTQ bars

