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Howard renaissance

Historic D.C. theater reopens with lesbian Sykes headlining

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Wanda Sykes
8 p.m. (doors open 6)
April 13
Howard Theatre
630 T Street, NW
$95 general admission tables, $125 booths

Wanda Sykes returns to D.C. next weekend to open the Howard Theatre. (Photo courtesy Howard)

 

Some venues, especially large arenas and sheds named after financial institutions or phone companies, are just venues — big sterile caves with concrete slab floors and tacky concession stands selling hot dogs and nachos in the lobby. They usually have less personality than your average shopping mall.

Then there are spots whose walls practically hum with historic significance — the Apollo, Radio City Music Hall, Red Rocks and so on. One of the country’s lost gems has been rediscovered and after a $29 million restoration, is almost ready to be unveiled — D.C.’s Howard Theatre, the Shaw-based concert hall that hosted singers such as Duke Ellington, Ella Fitzgerald, Marvin Gaye and the Supremes. The refreshingly cool catch? One of the anchor performers for opening weekend is an out-and-proud lesbian — comedian Wanda Sykes.

And Sykes is psyched.

“I’m really honored they asked me to come help open it,” she says during a phone interview last week from Australia where she’s touring. “I was like, ‘Of course, yeah,’ I’m very excited, very honored. It’s pretty spectacular. They wanted to send me some pictures, but I said, ‘No, let me wait and see it when it’s fully done.’ I wanna get the full impact in person.”

The 12,000-square-foot space, which, depending on the show, can accommodate either 650 seated or 1,100 standing, opened in 1910 as a spot for vaudeville, theater, talent shows and two performance companies, the Lafayette Players and the Howard University Players (it’s never been affiliated with nearby Howard University). After the stock market crashed in 1929, it was briefly a church until 1931 when it was changed back into a performance space and launched with Washingtonian Duke Ellington playing the first night. Fitzgerald and Billy Eckstine won early talent contests there. After black performers as diverse as Lena Horne, Pearl Bailey, Aretha Franklin, James Brown, Smokey Robinson and more played there over the years, it suffered a blow after the 1968 D.C. riots and eventually closed in 1980.

The rapper Wales, a D.C. native, is officially the first performer for the refurbished theater. He plays a soft opening on Monday. A grand opening gala and tribute concert for Motown founder Berry Gordy is Thursday with performers Robinson, Al Jarreau, Keb Mo and others. Then Sykes plays next weekend with shows on April 13, 14 and 15.

But she’s not just an of-the-moment contemporary black performer who happened to be available. Reps from the theater say she’s a logical successor to Moms Mabley, the late great comedian who did lesbian stand-up routines as far back as the ‘20s.

“Wanda is perfect to re-launch the Howard Theatre because she really represents a continuum between herself and Moms Mabley,” says Marc Powers, director of marketing for the Howard. “Moms Mabley was one of the leading women comedians in America in the ‘20s and ‘30s and she really got her start here at the Howard. Wanda Sykes is also kind of that charming, girl-next-door type. She helps people get close to her as she criticizes America about sexuality, about class warfare … Moms Mabley was much the same thing and even though people say she wasn’t a lesbian, she was … Moms Mabley was cutting edge and there’s a very strong gay and lesbian history at the Howard.”

Other performers slated for the coming months include the Roots (April 15), Chaka Khan (May 5), Esperanza Spalding (May 12) and Bettye LaVette (Oct. 27). Bi bassist/singer Meshell Ndegeocello plays April 25.

The venue will be managed by Blue Note Entertainment Group. After being added to the National Register of Historic Places in 1974 and tagged on President Clinton’s “Save America’s Treasures” list in 2000, a non-profit Howard Theatre Restoration was formed in 2006 to raise funds for the restoration. The Restoration raised nearly $2 million — city government gave $12 million in grants and tax credits while Eagle Bank stepped in with the remainder. Work began in September 2010.

Powers says there’s a lot of buzz and excitement at the theater as staff gear up for next weekend’s opening festivities. Some finishing touches are still being added — seat padding, sound system and lighting tweaks, paneling.

He says the Howard won’t be a relic — it’s designed to be a versatile, thriving space where music of many genres and performers of all races can thrive.

“We’re going to have such an array of talent, it’s really going to be what the Howard has always been — the theater of the people,” Powers, who’s straight, says. “The people of D.C. are diverse, so we’ll represent that and there will be shows that appeal to people from all walks of life.”

Sykes busy with touring, film

Wanda Sykes says life is good. During a mid-week chat last week from Australia where she’s performing a two-week mini-standup tour, she says she’s having fun.

“They’re very nice here, but it’s kind of a phony nice,” she says from her hotel in Melbourne. “It’s that passive-aggressive-type nice. Like the other day at breakfast, I asked for a mimosa and she looked at me kinda funny. I said, ‘You know, Champagne and orange juice,’ and she smiled but it was that fake smile like she was saying, ‘That’s the shit you drink for breakfast.’”

Sykes and her wife, Alex, have twins who will be 3 at the end of the month. She says they’re “doing great” and though both parents travel extensively for work, they’re in a solid routine that works.

“When I’m there, we get the real quality time together and they’re used to both of us traveling so it just works,” she says.

Sykes is mainly touring these days though she just finished an independent film called “Hot Flashes.” Listen for her in “Ice Age 4” this summer.

When we talked, Sykes hadn’t heard of her former co-star Jane Fonda’s latest turn as Nancy Reagan but says she’ll be curious to see the film when it’s finished.

“I love Jane and we keep in touch,” Sykes says. “She’s great. She’s just totally Hollywood royalty and she was so gracious when we worked together. I was nervous [about “Monster-in-Law”]. I’m thinking, ‘Oh my God, I’m gonna be in this movie with Jane Fonda,’ but after you meet her, you just calm down and you realize she’s just a good broad, she really is.”

Sykes says other than getting invited to every LGBT event imaginable, the biggest difference in her work since coming out is her ability to be freer on stage.

“It was so liberating,” she says. “There’s nothing hanging over my head, so it’s been great career wise. There hasn’t been anything that would make me go, ‘Oh no, I regret it.’ It’s all been very positive. I’m very happy and grateful.”

JOEY DiGUGLIELMO

 

 

 

 

 

 

 

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Arts & Entertainment

The very few queer highlights of the Oscars

Streisand’s live performance, a shocking tie, and more

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(Photo courtesy of AMAS)

LOS ANGELES — While Sunday’s Academy Awards saw the expected winners “One Battle After Another” and “Sinners” nab a collective 10 Oscars throughout the evening, dominating most of the major categories, there were a few moments for queer film fans to celebrate.

During the ceremony’s prolonged and emotional In Memoriam segment, which paid tribute to Robert Redford, Rob Reiner, and Catherine O’Hara, queer icon Barbra Streisand went on stage and gave a rare live performance of “The Way We Were” as a tribute to Redford, who died last September at the age of 83. Before singing, Streisand said, “Now, Bob had real backbone on and off the screen. He spoke up to defend freedom of the press, protect the environment, and encouraged new voices at his Sundance Institute — some of whom are up for Oscars tonight, which is so great. He was thoughtful and bold.”

Both “I Lied to You” from “Sinners” and “Golden” from “KPop Demon Hunters” were performed live; Alabama Shakes front woman Brittany Howard performed during the evening’s powerful rendition of “Sinners’” “pierce the veil” scene. “Golden” ended up winning the Best Original Song award.

One of the most shocking moments of the night arrived early on when Kumail Nanjiani presented the Best Live Action short category, which was a tie between “The Singers” and “Two People Exchanging Saliva” — only the seventh tie in Oscars history (one of which involved Streisand’s 1969 win for “Funny Girl”). The latter short, which is currently streaming on The New Yorker, is described as “a dystopian version of Paris where kissing is forbidden and purchases are made through small acts of violence” and follows the unexpected connection between two women.

When accepting the award, “Two People Exchanging Saliva” director and producer Natalie Musteata said: “Thank you to the Academy for supporting a film that is weird, and that is queer, and that is made by a majority of women!”

“One Battle After Another’s” editor, Andy Jurgensen (who collaborated with Paul Thomas Anderson on “Licorice Pizza” and “Phantom Thread”), kissed his husband before going on stage to accept his award for film editing. He said, “To my partner, Bill, who brings so much joy to my life every day.”

Overall, the 2026 award season did not feature many queer films or actors in the lineup, and that was reflected in both the Oscar nominees and eventual winners. Smaller award shows like the Gotham Awards and the Film Independent Spirit Awards provided opportunities for indies like “Sorry, Baby,” “Twinless,” and “Lurker” to get proper recognition. “One Battle After Another” won Best Picture and Best Director for Paul Thomas Anderson; “Sinners” star Michael B. Jordan won Best Actor; and “Hamnet’s” Jessie Buckley won Best Actress.

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Photos

PHOTOS: Awesome Con

George Takei speaks on the main stage

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George Takei was among the featured guests at Awesome Con on March 14. (Washington Blade photos by Michael Key)

The annual fantasy, comics and science fiction convention Awesome Con was held at the Walter E. Washington Convention Center on March 13-15. Featured guests included openly gay actor, author and activist, George Takei. The convention included LGBTQ panels and a “Pride Alley” with LGBTQ-specific booths in the exhibit hall.

(Washington Blade photos by Michael Key)

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Theater

A season of renewal for D.C. theater

‘Streetcar,’ ‘Hamnet,’ ‘Hamlet,’ and many more

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Ismenia Mendes plays Ana in ‘Jonah’ at Studio Theatre. (Photo by Krystena Patton)

Ideally, spring is our season of renewal – personal, emotional, and social. Lucky for those in the DMV, there’s a lot of exhilarating new theater to help make it happen. 

At Arena Stage, there’s still time to catch the world premiere production of “Chez Joey” (extended through March 22). Set around the 1940s Chicago jazz scene, this smart reboot of the Broadway classic “Pal Joey” effervesces with music by Rodgers and Hart and a terrific cast brimming with big talent (including Myles Frost, Awa Sal Secka, and out comedic actor Kevin Cahoon). 

Also at Arena, is “Inherit the Wind” (through April 5), the extraordinarily timely work based on the real-life Scopes “Monkey” Trial. It’s a courtroom drama that pits two towering legal minds against each other in a small-town battle over science, religion, and the right to think. The large, talented cast includes Billy Eugene Jones, Dakin Matthews, and out actors Holly Twyford and Alyssa Keegan.  Arenastage.org 

La Pluma Theatre, a queer Latin company housed in Dupont Underground, presents “The Ladybird of Saint John” (April 6-12), a powerful story about two sisters navigating immigration, separation, and the fragile bonds of family. @laplumatheatre – Instagram 

Great gay playwright Tennessee Williams’ “A Streetcar Named Desire” (April 20–May 4) is also coming to the Dupont Underground space. Directed by out actor/director Nick Westrate, the touring production of Williams’s classic work set in New Orlean’s steamy Vieux Carré is performed with neither set nor props. It focuses on the words. Lucy Owen and Brad Koed star as fragile Blanche Dubois and her brutal brother-in-law Stanley. Dupontunderground.org

Folger Theatre is serving up one of the Bard’s best comedies, “As You Like It” (through April 12). Staged by out director Timothy Douglas, Folger’s production “offers a love note to D.C., imbuing the forest of Arden with the familiar vibes, culture, and characters that mark the District as a singular, resilient, and redemptive place of belonging.” Folger.edu 

As part of the country’s semi-quincentennial celebrations, Ford’s Theatre presents “1776” (through May 16), a Tony Award-winning musical about the Second Continental Congress’s struggle to adopt the Declaration of Independence in Philadelphia. Directed by Luis Salgado, the show features a large cast including queer talent like Tom Story, Jake Loewenthal, Jimmy Mavrikes, and Wood Van Meter. Fords.org 

In Falls Church, Creative Cauldron presents “Twelve Dancing Princesses” (through March 29), a Learning Theater Production targeting both kids and adults. Adapted from a Brothers Grimm tale, the eerie story features Spanish language elements and original music by husbands Matt Conner and Stephen Gregory Smith. Creativecauldron.org 

The National Theatre presents “Disney’s Beauty and the Beast” (March 18–April 5). This musical “tale as old as time” is a love story involving Belle, a cursed beast, and the arrogant and famously spurned Gaston played out actor Stephen Mark Lukas, a beauty in his own right. Broadwayatthenational.com 

At Mosaic Theater Company, Michael Bahsil-Cook plays the titular activist/congressman in Psalmayene 24’s “Young John Lewis: Prodigy of Protest.” (March 26–May 3). Staged by Mosaic’s out artistic director Reginald L. Douglas, focuses on Lewis’s formative years of ages 18-28, revealing the budding humanity and heart of this mighty historic figure. Talented out actor Vaughn Ryan Midder plays legendary civil rights activist Medgar Evers and other parts. Mosaictheater.org 

At Olney Theatre Center, it’s the anticipated area premiere of “Appropriate” (March 18–April 19). Penned by Tony Award-winning out playwright Branden Jacobs-Jenkins, the darkly comic work follows a dysfunctional white family that gathers on a plantation home to liquidate their late father’s estate where they uncover a dark history of racism.

Excellent area actors Kimberly Gilbert and Cody Nickell play siblings battling over possessions as well as their father’s shady legacy. Performed in Olney’s black box Mulitz-Gudelsky Theatre Lab, the company promises a unique staging of this important American play.  Jason Loewith directs. 

Also at Olney Theatre, celebrity chef and longtime queer ally Carla Hall debuts her one-woman show, “Carla Hall — Please Underestimate Me” (June 3–July 12). Olneytheatre.org 

British imports are striding the boards at Shakespeare Theatre Company this spring. The first is “Hamnet” (March 17–April 12), the U.S. premiere of the Royal Shakespeare Company’s 2023 stage adaptation of Maggie O’Farrell’s best-selling novel about the life of Shakespeare’s wife, Agnes, and the death of their son.

And then it’s “Eddie Izzard in the Tragedy of Hamlet” (March 27–April 11), a one-woman show in which the British comedian takes on 23 characters in a unique re-telling of the renowned work. Shakespearetheatre.org 

Woolly Mammoth Theatre presents “Travesty” (March 24–April 12). Created and performed by gender fluid drag performer Sasha Velour, the one-person show is part performance art, part history, and part call to action.

Also at Woolly, out actor Justin Weaks stars in his solo piece “A Fine Madness” (June 2–21), in which the Helen Hayes Award-winning actor shares his personal experience as a Black gay man receiving a positive HIV diagnosis. Woollymammoth.net

Spring at Studio Theatre is Rachel Bonds’ “Jonah” (through April 19), an exploration of a woman’s life through relationships with three men. Directed by Taylor Reynolds, the young five-person cast includes Rohan Maletira in the title role and Ismena Mendes as Ana. Mendes is an accomplished stage and screen actor whose described as bisexual/queer in her IMBD bio. Studiotheatre.org 

In Arlington, Signature Theatre’s out artistic director Matthew Gardiner stages “Pippin” (May 12–July 26), Stephen Schwartz’s musical about a young prince searching for a terrific life guided by a theatrical troupe. The original 1972 production featured stars like Ben Vereen and Irene Ryan (best known as TV’s Granny Clampett). Signature’s production’s big names have yet to be shared. Sigtheatre.org 

Exciting stuff ahead. 

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