Arts & Entertainment
‘Heart’ of the matter
Gay-penned classic gets first-ever D.C.-area production

Patrick Breen, left, as Ned and Luke MacFarlane as Felix in ‘The Normal Heart’ at Arena Stage. (Photo by Scott Suchman; courtesy Arena )
‘The Normal Heart’
Through July 29
Arena Stage
1101 6th Street, SW
$40-$94
202-488-3300
arenastage.org
Larry Kramer’s “The Normal Heart,” is aging well, breathtakingly so. This was proved last year on Broadway and it’s being demonstrated again with a powerfully searing production now playing at Arena Stage.
When Kramer’s biographical take on the early days of the AIDS crisis premiered in New York in 1985, gay men were dying in large numbers and then-President Reagan had yet to utter the word “AIDS” publicly, so not surprisingly the gay playwright’s words reportedly rang angry and alarmed. Today, Arena’s stripped-down and fast-paced revival helmed by gay director George C. Wolfe (who co-staged the Tony-winning Broadway version) still conveys the fury and fear while embracing the empathy and sadness also found in Kramer’s stunning play.
Kramer’s script wastes no time in establishing the horror of the situation. Seated in their doctor’s waiting room (circa 1981 Manhattan), several gay men tensely discuss the still nameless plague that is making them ill and killing their friends. They talk early symptoms (swollen glands, night sweats, fatigue), treatment (almost nothing) and chances of survival (slim). As one patient exits the office revealing a youthful face jarringly marred by Kaposi sarcoma lesions, another enters collapsing from the effects of a violent seizure. The plague is on and it’s going to get worse.
The action focuses on irascible but likeable writer/activist Ned Weeks, a Kramer stand-in superbly played with nuance and great heart by Patrick Been. After several informational meetings and an examination with Dr. Brookner (Patricia Wettig), a prickly physician whose patients include many of the epidemics’ first victims, Ned is convinced that gay men will need to save themselves. He suspects the disease is sexually transmitted.
Determined to rally gays to action, Ned creates an advocacy group similar to Gay Men’s Health Crisis (co-founded by Kramer), and manages to grow the organization despite a lack of support from closeted New York City Mayor Ed Koch and a largely apathetic gay community. Eventually, Ned’s co-members, wrongly but understandably, reject his increasingly angry style as well as his promotion of total abstinence (the concept of safe sex would come later). “We just feel that you can’t tell people how to live,” says Bruce (Nick Mennell), one of the organization’s more popular members. Ned is forced out.
More than a tirade, “The Normal Heart” is also an absorbing family drama. Ned has the love and support of his hotshot lawyer brother played by John Procaccino, but yearns for his total acceptance. It’s also a medical mystery and quite strikingly, a sweet love story. While the plague rages, Ned unexpectedly finds love with Felix, a New York Times style writer beautifully played by handsome gay actor Luke Macfarlane. He’s Ned’s first serious lover.
In the second act when Felix is diagnosed with the deadly virus, he warns Ned that things will become messy, and indeed they do. Messy and heartbreaking, as evidenced by the ongoing sniffles and stifled sobs heard throughout Arena’s Kreeger Theatre.
Plague weary, the central characters finally crack in a series of emotionally raw monologues. Beleaguered activist Mickey (subtly played by Michael Berresse) considers suicide; the typically reserved Dr. Brookner rails against the smug government doctor who refuses her application for a grant; conservative Bruce, a bank V.P. and former Green Beret, dissolves to tears explaining his late lover’s humiliating death; and Ned fiercely expresses his disappointment with the gay community’s inadequate early response to the epidemic.
David Rockwell’s stark set is quietly monumental: White walls embossed with AIDS-related words and phrases (also white) which — depending on the David Weiner’s smart lighting — can or cannot be seen in relief. Also, various locale descriptions and, most affectively, the names of actual AIDS victims are projected on to the set. As the play progresses, these projected names grow exponentially.
The terrific cast also includes Christopher J. Hanke as Tommy Boatwright, a saucy but caring southerner; Jon Levenson as the mayor’s imperious aide de camp; local actor Chris Dinolfo is the young patient with K.S; and Tom Berklund plays Grady, a dim but well-built volunteer.
For Kramer, who learned he was HIV-positive in 1988, “The Normal Heart” might simply serve as proof that he was right all along, but that’s antithetical to his fighting spirit. At Arena, leaflets penned by Kramer decrying the un-won global war on AIDS are distributed to audience members as they leave. The battle continues.
Impulse Group DC held “10’s Across the Board: A Celebration of 10 Years” at Bravo Bravo (1001 Connecticut Ave., N.W.) on Sunday, Dec. 14. Impulse Group DC is a volunteer-led 501(c)(3) and affinity group of AIDS Healthcare Foundation dedicated “to engaging, supporting, and connecting gay men” through culturally relevant health and advocacy work.
(Washington Blade photos by Michael Key)













Rob Reiner, most known for directing untouchable classics like “The Princess Bride,” “Misery,” “When Harry Met Sally…,” and “Stand by Me,” died Dec. 14 alongside his wife, Michele Singer Reiner, in their Los Angeles residence. While investigations are actively underway, sources have told PEOPLE Magazine that the pair’s son, Nick Reiner, killed his parents and has been taken into custody.
Reiner was a master of every genre, from the romantic comedy to the psychological thriller to the coming-of-age buddy movie. But in addition to his renowned work that made him a household name, Reiner is also remembered as a true advocate for the LGBTQ community. In 2009, Reiner and his wife co-founded the American Foundation for Equal Rights, helping fight against California’s Prop 8 same-sex marriage ban. They were honored at the 2015 Human Rights Campaign Las Vegas Gala.
In a statement, HRC President Kelley Robinson said: “The entire HRC family is devastated by the loss of Rob and Michele Reiner. Rob is nothing short of a legend — his television shows and films are a part of our American history and will continue to bring joy to millions of people across the world. Yet for all his accomplishments in Hollywood, Rob and Michele will most be remembered for their gigantic hearts, and their fierce support for the causes they believed in — including LGBTQ+ equality. So many in our movement remember how Rob and Michele organized their peers, brought strategists and lawyers together, and helped power landmark Supreme Court decisions that made marriage equality the law of the land — and they remained committed to the cause until their final days. The world is a darker place this morning without Rob and Michele — may they rest in power.”
Reiner’s frequent collaborators have also spoken out as the industry is in mourning, including figures like Ron Howard and John Cusack.
A joint statement from Jamie Lee Curtis and Christopher Guest (who starred in Reiner’s “This is Spinal Tap”) reads: “Christopher and I are numb and sad and shocked about the violent, tragic deaths of our dear friends Rob and Michele Singer Reiner and our ONLY focus and care right now is for their children and immediate families and we will offer all support possible to help them. There will be plenty of time later to discuss the creative lives we shared and the great political and social impact they both had on the entertainment industry, early childhood development, the fight for gay marriage, and their global care for a world in crisis. We have lost great friends. Please give us time to grieve.”
While attending the 2019 HRC Los Angeles Dinner, Reiner spoke out about the need for equality: “We have to move past singling out transgender, LGBTQ, black, white, Jewish, Muslim, Latino. We have to get way past that and start accepting the idea that we’re all human beings. We’re all human beings, we all share the same planet, and we should all have the same rights, period. It’s no more complicated than that.”
The Gay Men’s Chorus of Washington perform “The Holiday Show” at Lincoln Theatre (1215 U St., N.W.). Visit gmcw.org for tickets and showtimes.
(Washington Blade photos by Michael Key)



















































