Arts & Entertainment
Welcoming the world
Activists, filmmakers prepare for Int’l AIDS Conference with busy lineup of local events


Members of the World AIDS Institute team (l-r): Chad Johnson, Diego Alves, Noel Short, David Miller, Angela Kelly, Kevin Maloney, Dave Purdy and Mariel Selbovitz. (Washington Blade photo by Michael Key)
As Washington gears up to host the International AIDS Conference for the first time in 22 years, local organizations have planned a bounty of free or independent events for those who could not afford the $150-$1,045 registration fee.
Global Village, an international organization that brings together leaders, researchers and performers from all over the world to increase awareness of HIV/AIDS, is hosting several sessions within the conference ranging from video screenings and art exhibitions to networking zones and meeting rooms. Everything the Global Village is hosting is free and open to delegates and locals.
“We are trying to connect science, research and community,” coordinator Joseph Elias says. “It is important that the D.C. community participates to get a grasp of what is happening locally and globally.”
Several of the events will be geared toward youth under the age of 30 dealing with HIV/AIDS.
Emily Carson, youth program coordinator at Global Village, says the focus on youth has been in demand.
“Young people are disproportionally affected by HIV,” she says. “In the conference in 2000, there were only 50 young people, and they said this is a severe problem, no one is speaking for us.”
Among the many attractions in the Global Village area, there will be an interactive story telling booth called, “Generations HIV.” The booth looks like a photo booth, but it records video instead.
The booth was created by Marc Smolowitz and Jörg Fockele, both San Francisco-based filmmakers, as part of their HIV Story Project. The booth has been featured three times in the San Francisco Bay area and has so far collected about 250 clips. The HIV Story Project is a non-profit organization that compiles multi-platform story telling and short films about living with HIV/AIDS.
“The booth is a conversation starter,” Smolowitz says. “It is to connect different generations of people living with HIV. You can ask questions of different generations, answer questions or record your personal story.”
Smolowitz and Fockele are currently trying to start an archive online where all the videos will be posted.

A still from ‘Ours,’ one of the films being screened July 24-25 in the AIDS Film Festival. (Image courtesy the Festival)
Along with the booth, the HIV Story Project team also has a movie screening at the International AIDS Film Festival, which is occurring in conjunction with the conference from July 24-25. The film is titled, “Still Around,” and is a compilation of 15 short films portraying different people living with HIV/AIDS in the San Francisco area. The people were paired with 16 different directors and had direct say in their own films. The films vary, and include stories about how people are thriving with the disease. One subject is a man who copes with his HIV-positive status through a hooking ritual. Another is a couple that marries, has a daughter and faces HIV/AIDS together.
Fockele says the film is an update of what the face of HIV/AIDS looks like in the U.S. and in Europe today.
“In Europe and the U.S. there are mostly historic films about HIV and AIDS,” he says. “What we went out to do is to get a film that is right here, right now.”
The movie is opening the festival on July 24 at 7 p.m. Tickets are $10, and a pass for all four films is $25. For more information about the International AIDS Film Festival 2012, visit internationalaidsfilmfestival.org.
The film festival and several other community events are a part of the AIDS2012 Reunion, a resource for conference attendees to see what local events are taking place outside the main conference.
“The one thing we are doing is we are allowing anyone to participate,” managing director David Purdy says. “Low-income people are one group that needs support and to get educated about HIV/AIDS.”
Some of the events in the AIDS2012 Reunion as well as other community events include:
• On July 20-21, the DC Center, National Coalition of LGBT Health, Whitman-Walker Health and Us Helping Us at George Washington University (2029 G St., N.W.) are hosting the Gay Men’s Health Summit. Registration is $85, $65 for students.
• On July 21, Jay Brannan is playing at the U Street Music Hall (1115A U St., N.W.) at 7 p.m. Tickets are $20.
• From July 21-27, the Textile Museum (2320 S St., N.W.) is showing a special display of one panel from the AIDS Quilt. An $8 donation is suggested.
• On July 22, there’s a March on Washington involving several different local organizations from noon to 2 p.m.
• On July 19 and 23, Arena Stage (1101 6th St., S.W.) hosts a benefit performance of its current production, the Larry Kramer-penned AIDS classic “The Normal Heart” at 8 p.m. Tickets are $65.
• On July 24, “Return to Lisner: A Forum on the State of HIV/AIDS,” is taking place at the Lisner Auditorium at George Washington University (2029 G St., N.W.). Registration is required.
For more events, visit the AIDS2012 Reunion website aids2012reunion.org.
These events are only a fraction of what will be occurring throughout the D.C. Metropolitan area.
Chris Dyer, organizer for the Gay Men’s Health Summit, says by hosting separate events from the conference, organizations can make them more focused on certain groups.
“Gay men’s health issues are unique,” he says. “The main conference deals with a variety of issues, but we are providing a safe place for gay, bisexual or trans men to talk about their specific issues in a safe place.”
Purdy also says that organizations like AIDS2012 Reunion bring the focus back to what is happening locally and connecting people to services they may not be aware of.
“We’re providing an opportunity to participate and win this war against AIDS,” he says.
Bringing the spotlight back to Washington, local filmmakers Art Jones and Pam Bailey are also presenting their documentary “13 Percent,” which is about how the African-American population in Washington and other metropolitan areas has been affected by HIV/AIDS in the past 10 years. The movie will be screening at Bloombars (3222 11th St., N.W.) on July 24 at 7 p.m. RSVP and $10 donation is suggested.
The film is intermixed with interviews from medical professionals, political leaders, religious leaders and those living with the virus. They showcase a variety of people affected by the disease and their stories, one of the most compelling being a young woman named Raven.
Raven was born with HIV and when her mother informed the Catholic school she was attending, Raven began facing daily discrimination from teachers and students. She describes how one teacher put garbage bags around her and would bar her from going on class trips. All of this occurred well after it was known how the virus is spread.
“I am hoping [the audience] take away the recognition that we are a community that is really threatened,” Jones says. “This film should be a call to action.”
He hopes this would lead to more exposure of how much of a threat HIV remains.
Purdy wishes similar things for attendees of the conference and the different community events.
“Really, I hope people have a new commitment or a recommitment to work together in this fight,” he says. “I would like them to share stories and remember the 30 million who have died from AIDS worldwide. There is a lot of work that needs to be done.”

The 13th annual Hagerstown Pride Festival was held at Doubs Woods Park in Hagerstown, Md. on Saturday, June 21.
(Washington Blade photos by Michael Key)






















Theater
‘Hunter S. Thompson’ an unlikely but rewarding choice for musical theater
‘Speaks volumes about how sad things land on our country’

‘The Untitled Unauthorized Hunter S. Thompson Musical’
Through July 13
Signature Theatre
4200 Campbell Ave., Arlington, Va.
$47 to $98
Sigtheatre.org
The raucous world of the counterculture journalist may not seem the obvious choice for musical theater, but the positive buzz surrounding Signature Theatre’s production of Joe Iconis’s “The Untitled Unauthorized Hunter S. Thompson Musical” suggests otherwise.
As the titular, drug addled and gun-toting writer, Eric William Morris memorably moves toward his character’s suicide in 2005 at 67. He’s accompanied by an ensemble cast playing multiple roles including out actor George Salazar as Thompson’s sidekick Oscar “Zeta” Acosta, a bigger than life Mexican American attorney, author, and activist in the Chicano Movement who follows closely behind.
Salazar performs a show-stopping number — “The Song of the Brown Buffalo,” a rowdy and unforgettable musical dive into a man’s psyche.
“Playing the part of Oscar, I’m living my Dom daddy activist dreams. For years, I was cast as the best friend with a heart of gold. Quite differently, here, I’m tasked with embodying all the toxic masculinity of the late ‘60s, and a rampant homophobia, almost folded into the culture.”
He continues, “My sexuality aside, I like to think that Oscar would be thrilled by my interpretation of him in that song.
“Our upbringings are similar. I’m mixed race – Filipino and Ecuadorian and we grew up similarly,” says Salazar, 39. “He didn’t fit in as white or Mexican American, and fell somewhere in the middle. Playing Oscar [who also at 39 in 1974 forever disappeared in Mexico], I pulled out a lot of experience about having to code switch before finally finding myself and being confident just doing my own thing.
“As we meet Oscar in the show we find exactly where’s he’s at. Take me or leave me, I couldn’t care less.”
In 2011, just three years after earning his BFA in musical theater from the University of Florida in Gainesville, Salazar fortuitously met Iconis at a bar in New York. The pair became fast friends and collaborators: “This is our third production,” says George. “So, when Joe comes to me with an idea, there hasn’t been a moment that I don’t trust him.”
In “Be More Chill,” one of Iconis’s earlier works, Salazar originated the role of Michael Mell, a part that he counts as one of the greatest joys of artistic life.
With the character, a loyal and caring friend who isn’t explicitly queer but appeals to queer audiences, Salazar developed a fervent following. And for an actor who didn’t come out to his father until he was 30, being in a place to support the community, especially younger queer people, has proved incredibly special.
“When you hear Hunter and Oscar, you might think ‘dude musical,’ but I encourage all people to come see it.” Salazar continues, “Queer audiences should give the show a shot. As a musical, it’s entertaining, funny, serious, affecting, and beautiful. As a gay man stepping into this show, it’s so hetero and I wasn’t sure what to do. So, I took it upon myself that any of the multiple characters I play outside of Oscar, were going to be queer.
Queer friends have seen it and love it, says Salazar. His friend, Tony Award-winning director Sam Pinkleton (“Oh, Mary!”) saw Hunter S. Thompson at the La Jolla Playhouse during its run in California, and said it was the best musical he’d seen in a very long time.
“Since the work’s inception almost 10 years ago, I was the first Oscar to read the script. In the interim, the characters’ relationships have grown but otherwise there have been no major changes. Still, it feels more impactful in different ways: It’s exciting to come here to do the show especially since Hunter S. Thompson was very political.”
Salazar, who lives in Los Angeles with his partner, a criminal justice reporter for The Guardian, is enjoying his time here in D.C. “In a time when there are so many bans – books, drag queens, and travel — all I see is division. This is an escape from that.”
He describes the Hunter Thompson musical as Iconis’s masterpiece, adding that it’s the performance that he’s most proud of to date and that feels there a lot of maturity in the work.
“In the play, Thompson talks to Nixon about being a crook and a liar,” says Salazar. “The work speaks volumes about how sad things land on our country: We seem to take them one step forward and two steps back; the performance is almost art as protest.”
Photos
PHOTOS: Goodwin Living Pride Parade
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The senior living and healthcare organization Goodwin Living held its fifth annual Pride Parade around its Bailey’s Crossroads campus in Falls Church, Va. with residents, friends and supporters on Thursday, June 12.
(Photos courtesy of Goodwin Living)











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