Arts & Entertainment
Musical mayhem
Phasefest gives queer bands platform in D.C. this weekend
Phasefest
Continues through Saturday
Phase 1
525 8th Street, S.E.
$20 for tonight; $25 for Saturday
Weekend passes available for $55
Tickets available at the door

Hunter Valentine is, from left, Vero Sanchez (bass), Kiyomi McCloskey (vocals/guitar) and Laura Petracca (drums). (Photo by Leslie Van Stelten)
Ordinarily Somer Bingham likes to hang out at Phasefest whether she’s playing that night or not.
The musician behind Clinical Trials has played Phasefest the past four years and is up again for a mini-set tonight. During a phone chat this week from West Hollywood where she’s getting ready for a solo show, she says it’s probably best she’s not planning to be at Phasefest on Saturday night. There’s a little drama that’s gone down with her old group, Hunter Valentine, the headline band for Saturday.
“It’s probably best I won’t see them since I just got kicked out of the band,” Bingham says. “I was never technically a full member, but we played together almost six months. They kind of decided I just wasn’t the right fit. Kiyomi (McCloskey, lead singer of Hunter Valentine) and I just weren’t getting along as band mates and it kind of just exploded.”
Fans of the Showtime reality show “The Real L Word” know the story — the drama played out in July and August during the series’ tense third season, a segment of which was filmed at Phase 1 in March.
But the drama should be avoided at Phasefest where the focus will be on the music. For the record, though, Bingham is pragmatic about the way things went down.
“We definitely wrote some cool songs together and played some great shows,” she says. “I thought we had good chemistry, but it’s such a bummer because we were great friends before.”
McCloskey says they “parted ways amicably.”
“Playing with Somer was always meant to be a trial run,” she says. “She didn’t know whether she wanted to be in the band permanently and we didn’t know whether she was the right fourth member. She is an amazing musician but it turned out not the right fit for Hunter Valentine. We wish her the best.”
Bingham says she played on about half of the cuts on the new Hunter Valentine album, “Collide and Conquer,” slated to drop Oct. 23 on Megaforce Records.
McCloskey says her band will definitely include songs from that project in their hour-long set Saturday night.
“The album’s been streaming on our site for a couple weeks, we actually just took it down,” she says. “But the fans have gotten a chance to hear it and people are really pumped. It has a great range of everything from guitar rock to ballads to mid-tempo pop songs. We’re really proud of the wide range there and we think it shows the most growth we’ve had in the band so far.”
For Bingham, Hunter Valentine was never her only musical outlet. She’s been doing Clinical Trials for about eight years in between her time working as a sound engineer in New York, where she lives. She calls Trials a “PJ Harvey-meets-Nirvana-meets a little more production-with some MIA and weird samples thrown in.”
She says the high quality of Phasefest, now in its sixth year and one of the few queer-specific music festivals in the country, keeps her coming back.
“These bands don’t just happen to be queer,” she says. “It’s all really great music. … All genres are represented. You’ll find something there you like musically and it will also be really high caliber.”
Phase 1 manager Angela Lombardi, who launched the festival, expects about 700 people to visit the bar this weekend, a number they’ve roughly been holding steady at for the past few years. She says about 75 percent of the bands slated for this year are returning acts.
“I do get some shit about it. People sometimes say, ‘Why not try to create an entirely new festival every year?’ Lombardi says. “But these are all bands I really love and people I really care about. I’ve become friends with many of them and so for me, it’s really about supporting great queer artists.”
It’s not a hard-and-fast rule that all the bands have LGBT members, but Lombardi can only think of one band that played there once that didn’t have at least one queer member.
And she says as time has gone on, the original Phase 1 — widely thought to be the oldest continually operating lesbian bar in the U.S. — has retained its own identity from its sister location in Dupont Circle which opened in February at the old Apex/Badlands location on 22nd Street. They were never meant to be the same experience and though Lombardi helped open that location, the two Phase spots operate largely independently of each other. All the Phasefest events will continue to be at the original Phase in Eastern Market.
“We did talk about the possibility of having one night (of Phasefest) there, but at the end of the day, we felt like offering the same festival experience people have come to expect from us was the best way to go,” she says. “We kind of thought if we go bigger, it will change to the point that it’s not this thing we love and think is great. We love this space and the feeling here and so after all the discussion, we just decided to keep it real and kept it at the original Phase.”
But did the new Phase cut into the original Phase’s customer base?
“We’re making it happen,” Lombardi says. “Some people go back and forth, but we’re always doing crazy shit at the original Phase. As of right now, we’re making it work.”
Alongside bands with national exposure and following like Hunter Valentine are indie local bands like Glitterlust, which played only its fourth date at last year’s Phasefest. Lead singer Mikey Torres — Glitterlust is the only male-fronted band on the roster this year — says Phasefest was “our first real show.”
“I was actually just watching the YouTube video of our set from last year and it’s really amazing how much we’ve evolved in that time,” Torres says. “We’ve played a lot more shows since then and added a lot more interactive elements. Everything’s just a lot bigger and amped up. Our focus now is making everything larger than life.”
So why is it important for queer bands to have outlets such as Phasefest at which to play? Isn’t it best to infiltrate the mainstream as much as possible for queer visilibity?
“I live for music so being able to support music that I know has endured some sort of hardship just be existing and giving them a safe space to perform in a totally queer rock and roll environment, it’s really a great thing,” Lombardi says. “It’s also just totally rad to have one space where you can go and hear a lot of bands. Yeah, it’s fun to go hear the Scissor Sisters and these great shows, but more often than not, you’re just hearing one band. This also gives some of our local bands some chances to perform alongside the bigger bands who have more national followings.”
Torres agrees.
“Even if we were fully accepted in mainstream society, we’ll always need our own spaces,” he says. “It’s great to have acceptance, but sometimes I just need to be with my gay friends. There’s a dialogue that can happen there that doesn’t happen with straight people. You can unwind most around the people you’re totally comfortable with.”
Dining
Spark Social House to start serving alcohol
D.C.’s only ‘LGBTQ alcohol-free bar’ changes course
Washington, D.C.’s only LGBTQ alcohol-free bar will lose that distinction in December: Spark Social House, located at the corner of 14th and U streets, N.W., will no longer serve only booze-free drinks.
Spark Social, as it is commonly known, received significant media attention and accolades when it debuted in March. Opening in the beating heart of the LGBTQ community’s social scene, its doors stand next to other popular nightlife establishments, including Crush, Bunker, District Eagle, and Revolt (which opened after Spark Social). All of those other bars serve alcohol.
Spark maintained a separate identity, creating a “third space” for sober guests or those who did not wish to spend their evening in an alcohol-forward space. Owner Nick Tsusaki, a former bartender, opened Spark Social to fill a gap he saw in queer nightlife establishments that centered drinking. Instead, Spark was intended to be a convening bar. By day, it has served coffee and tea as a café for remote workers, meetings, and catch-ups. In the evening, the bar hosts a wide array of events, with DJs, dancing, drag queens, speakers, open mic nights, and stand-up comedy, movie showings, among other events.
At the bar, it served cans, bottles, and craft cocktails, as well as “wellness drinks” or functional beverages like mushroom elixirs, Kava, and kombucha. All of these are currently non-alcoholic. Currently, in November, the bar is serving seasonal morning drinks like toasted almond and French Toast lattes, plus non-alcoholic cocktails like a “Hottie Hottie” with non-alcoholic spiced rum, lemon, and maple butter; plus a maple espresso “martini” without liquor, which includes mushroom tinctures.
Spark Social, even in its short time in existence, won “Best DC Coffee Shop” in the 2025 Washington Blade annual poll.
Nevertheless, in early November, the Spark owners and leadership team hosted a town hall to share updates and hear directly from the community about the next chapter for Spark.
According to the bar’s Instagram posts, the town hall reviewed the intent and purpose behind the bar: to create a queer third space where people can connect, create, and feel at home.”
“After eight months as a fully non-alcoholic bar, we’ve learned that sobriety exists on a spectrum and inclusion means offering choice.”
To that end, in December, Spark’s offerings will evolve. Instead of serving only drinks without alcohol, there will be a new “1 for 1” menu in which every cocktail comes in two versions: booze and boozeless. While alcohol will be served, the bar owners insist that they remain committed to maintaining its welcoming and relaxed vibe.
In a separate post, Spark wrote that “Although this was not our intent when we started the business, after 6 months of operations we’ve made the difficult decision to change our business model so that we can keep providing this space to the community.”
They acknowledged that this pivot might have “come as a surprise,” and offered to received feedback to ensure that the bar’s initial objective of being a unique space could continue.
Alcohol will only be served at the bar in the evenings during the week, and all day during the weekend.
Tsusaki spoke to the Blade about the changes and offered these statements:
“When we opened, the goal was to create a queer third space where people could spark a connection, spark creativity, spark an idea — especially for folks looking for an alternative to the typical drinking environment,” Tsusaki said. “From day one, Spark has been about the vibe — a place where you can just exist, feel at home, and be surrounded by community without pressure or pretense. After eight months as a fully non-alcoholic space, we learned a lot about what people actually want from spaces like this. Most folks exist somewhere on a spectrum of sobriety — some are fully sober, some are sober-curious, some drink occasionally. We realized that if our mission is to bring people together, inclusion has to mean options for everyone.
“We had to face the financial reality of running a small independent space in D.C. The city has been hit hard — especially with reduced spending and recent federal layoffs — and it’s made things tough for hospitality businesses like ours. Adding alcohol helps make Spark sustainable so we can keep doing what we do: building community, creating jobs, and keeping this space alive for the long haul.
“We’re using this moment to make the space even better — enclosing the back patio so it’s usable year-round, upgrading our DJ booth and sound system, and making a few design tweaks that better reflect the energy and creativity Spark has always had.”
Photos
PHOTOS: Miss Gay Mid-Atlantic America
Victoria Bohmore crowned in regional pageant held at Freddie’s Beach Bar
The 2025 Miss Gay Mid-Atlantic America Pageant was held at Freddie’s Beach Bar in Arlington, Va. on Friday, Nov. 7. Victoria Bohmore was crowned the winner, with Lady Lords named first alternate. Bohmore and Lords both qualify to compete against the winners of the Miss Gay Maryland America Pageant as well as other state and regional title holders from across the nation at the Miss Gay America Pageant in January.
(Washington Blade photos by Michael Key)
















Books
A history of lesbian workarounds to build family
Fighting for the right to have and raise kids
‘Radical Family: Trailblazing Lesbian Moms Tell Their Stories’
Edited by Margaret Mooney
c.2025, Wisconsin Historical Society Press
$20/150 pages
You don’t have a white picket fence with an adorable gate.
The other parts of the American Dream – the house in the suburbs, a minivan, and a big backyard – may also be beyond your reach. You’ve never wanted the joyous husband-wife union, but the two-point-five kids? Yeah, maybe that’s possible. As in the new book “Radical Family,” edited by Margaret Mooney, it’s surely more so than it was in the past.

Once upon a time, if a lesbian wanted to raise a family, she had two basic options: pregnancy or adoption. That is, says Mooney, if she was willing to buck a hetero-centric society that said the former was “selfish, unnatural and radical” and the latter was often just simply not possible or even legal.
Undaunted, and very much wanting kids, many lesbians ignored the rules. They built “chains” of women who handed off sperm from donor to doctor to potential mother. They demanded that fertility clinics allow single women as customers. They wrote pamphlets and publications aimed to help others become pregnant by themselves or with partners. They carefully sought lesbian-friendly obstetricians and nurses.
Over time, lesbians who wanted kids were “emboldened by the feminist movement and the gay and lesbian rights movement” and did what they had to do, omitted facts when needed, traveled abroad when they could, and found workarounds to build a family.
This book tells nine stories of everyday lesbians who succeeded.
Denise Matyka and Margaret McMurray went to Russia to adopt. Martha Dixon Popp and Alix Olson raised their family, in part and for awhile in conjunction with Popp’s husband. Gail Hirn learned from an agriculture publication how to inseminate herself. MC Reisdorf literally stood on her head to get pregnant. Mooney says that, like most lesbian parents then, she became a mother “without any safety nets…”
Such “struggles likely will feel familiar as you read about [the] desire to become parents…” says Mooney. “In short, these families are ordinary and extraordinary all at once.”
In her introduction, editor Margaret Mooney points out that the stories in this book generally take place in the latter part of the last century, but that their relevance is in the struggles that could happen tomorrow. There’s urgency in those words, absolutely, and they’re tinged with fear, but don’t let them keep you from “Radical Family.”
What you’ll see inside these nine tales is mostly happy, mostly triumphant – and mostly Wisconsin-centric, though the variety in dream-fulfillment is wide enough that the book is appropriate anywhere. The determination leaps out of the pages here, and the storytellers don’t hide their struggles, not with former partners, bureaucracy, or with roadblocks. Reading this book is like attending a conference and hearing attendees tell their tales. Bonus: photos and advice for any lesbian thinking of parenthood, single or partnered.
If you’re in search of positive stories from lesbian mothers and the wall-busting they did, or if you’ve lived the same tales, this slim book is a joy to read. For you, “Radical Family” may open some gates.
The Blade may receive commissions from qualifying purchases made via this post.
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