Arts & Entertainment

Calendar: events through Nov. 29

Parties, concerts, exhibits and more for the coming week

Published

11 years ago

November 21, 2012

Erin Durkin

‘1980s Sparklers’ by Andrew Acquandro is on display now at Studio Gallery (Image courtesy Studio)

TODAY (Blade Friday)

Studio Gallery (2108 R St. NW) hosts the exhibitions “Mindscapes” by Andrew Acquadro and “Meditation On The Rocks” by Suzanne Goldberg today through Dec. 22. For more information, visit studiogallerydc.com.

Town (2009 8^th St., N.W.) hosts Bear Happy Hour tonight from 6-11 p.m. This event is for people 21 and older. There is no cover charge. For details, visit towndc.com.

The Bachelor’s Mill (1104 8th St., S.E.) is having its happy hour tonight starting at 5 p.m. All drinks are half off until 7:30 p.m. After 9 p.m., admission is $10. The dance floor opens at 11 pm with DJ Tim-Nice and DJ Cameron. For details, visit thebachelorsmill.com.

Code hosts its “XXX: Anything Goes” party tonight at The Crucible (16 M St., N.E.) at 10 p.m. The event is men only. Admission is $30. For details, visit codedc.com.

Phase 1 (528 8^th St. SE) has its weekly dance party with DJ Jay Von Teese tonight starting at 7:30. Cover is $10. For more information, visit phase1dc.com.

Special Agent Galactica plays Black Fox Lounge (1723 Connecticut Ave., N.W.) tonight from 6-9. Music includes pieces by Pat Benatar, Judy Garland, Stevie Nicks, Nancy Sinatra and Ray Stevens. Admission is free. For more information, visit pinkhairedone.com.

Saturday, Nov. 24

Burgundy Crescent, a gay volunteer organization, is helping in food preparation and packing groceries for Food and Friends (219 Riggs Road, NE) this morning at 8 and again at 9:45. For more information, visit burgundycrescent.org.

Bachelor’s Mill (1104 8th St., S.E.) opens at 5:30 this evening with a pool, video gaming systems and card tournaments. The dance floors open at 11 p.m. Admission is free until 9 and it is $10 after. For more information, visit thebachelorsmill.com.

Phase 1 (525 8th St., SE) holds its party “Pop Rocks” with DJ LS tonight starting at 7. Cover is $10. For more information, visit phase1dc.com.

Green Lantern (1335 Green Court, NW) holds its “Tainted Love: ‘80s Dance Party” starting at 10 p.m. Cover is $5. For more information, visit greenlanterndc.com.

The Black Cat (1811 14th St., N.W.) hosts, “Right Round,” its ‘80s alternative-pop dance night with DJ Lil’e. Tickets are $7 and doors open at 9:30. For more information, visit blackcatdc.com.

Sunday, Nov. 25

Cobalt (1639 R St., N.W.) holds its weekly Martini Sundays and Homowood Karaoke. Karaoke starts at 10 p.m. and there is no charge for admission. For details, visit cobaltdc.com.

Monday, Nov. 26

Whitman-Walker Health (1701 14th St., NW) holds its HIV+ Newly Diagnosed Support Group tonight at 7. It is a confidential support group for anyone recently diagnosed with HIV and the group welcomes all genders and sexual orientations. For details, visit whitman-walker.org.

Primetimers and SAGE Metro DC are celebrating LGBT veterans this evening from 6:30-8:30 p.m. at the Residence at Thomas Circle (1330 Massachusetts Ave., NW). There will be a panel discussion with food and drink. For more information, visit thedccenter.org.

The Bachelor’s Mill (1104 8th St., S.E.) offers half-price drinks all night long, a free pool and NFL, NBA and NCAA games will be on the flat screen TVs. Dance floor opens at 10. Admission is free. For details, visit thebachelorsmill.com.

Banana Café (500 8th St., SE) has its open mike night from 7 p.m. to closing. Admission is free and there are $3 mojitos after 7:30 p.m. For more information, visit bananacafedc.com.

Tuesday, Nov. 27

Whitman-Walker (1701 14th St., NW) holds its “Starting Over for Women” meeting tonight 7- 8:30 p.m. It’s a 10-week confidential discussion group for women whose long-term relationship is over. For more information, visit whitman-walker.org.

Green Lantern (1335 Green Court, N.W.) hosts its Safer Sex Kit-packing program tonight from 7-10:30. The packing program is looking for more volunteers to help produce the kits because they say they are barely keeping up with demand. Admission is free and volunteers can just show up. For more information, visit thedccenter.org.

The D.C. Center (1318 U St., NW) holds its GenderQueer D.C. support group tonight from 7-9 p.m. This is a new group for people who identify outside the gender binary. For details, visit thedccenter.org.

Cobalt (1639 R St., N.W) presents its Flashback dance night with DJ Jason Royce starting at 10 p.m. There is no cover charge. For more details, visit cobaltdc.com.

The D..C Center holds its “Freedom from Smoking Class” for members of the community who are trying to quit smoking this evening starting 6:30. The class is an adaptation of the American Lung Association’s group clinic that has helped thousands of smokers, however it has been modified to be more relevant to the LGBT community and people living with HIV/AIDS. For more information, visit thedccenter.org.

MOVA (2204 14^th Street, NW) shows “Will & Grace” reruns tonight and has $7 Karen Walker Finlandia martinis and $8 “Just Jack” Jack Daniels cocktails. The bar has complimentary champagne from 5-6 p.m. as it does most evenings. Movalounge.com for details.

Wednesday, Nov. 28

HIV Prevention Working Group, an HIV/AIDS prevention outreach, volunteer and education program, meets tonight at 7 p.m. at the DC Center (1318 U St. NW). For details, visit thedccenter.org.

Whitman-Walker Health (1701 14^th St., NW) holds its HIV+ Newly Diagnosed Support Group tonight at 7. It is a confidential support group for anyone recently diagnosed with HIV and the group welcomes all genders and sexual orientations. For details, visit whitman-walker.org.

Lambda Bridge Club meets tonight at 7:30 p.m. at the Dignity Center (721 8^th St., SE). Newcomers are welcomed and no reservations are needed. For more information, visit lambdabridge.com.

Thursday, Nov. 29

The Rainbow History Project, Dakshina/Daniel Phoenix Singh Dance Company and the Washington D.C. Humanities Council presents “Persistent Voices: An Anthology of Poets Lost to AIDS” this evening at 6:30 p.m. at Westminster Church (400 I St., NW). Edited by Philip Clark and David Groff, the performance features poets who died of AIDS. Performers include Chris August, Gowri Konewsaran and Jaysen Wright.

Whitman-Walker offers HIV Testing at World AIDS Day at the University of the District of Columbia-Community College (801 North Capitol, NE) today from 9:30 a.m.- 2 p.m. For more information, visit whitman-walker.org.

Photos

PHOTOS: Night of Champions

Team DC holds annual awards gala

Published

2 days ago

April 21, 2024

Michael Key

Team DC President Miguel Ayala speaks at the 2024 Night of Champions Awards on Saturday. (Washington Blade photo by Michael Key)

Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.

(Washington Blade photos by Michael Key)

Photos

PHOTOS: National Cannabis Festival

Annual event draws thousands to RFK

Published

2 days ago

April 21, 2024

Michael Key

Growers show their strains at The National Cannabis Festival on Saturday. (Washington Blade photo by Michael Key)

The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.

(Washington Blade photos by Michael Key)

Covering the @NatlCannaFest at RFK Stadium for @WashBlade . Stop by the LGBTQ+ booth and pick up a paper if you are here. pic.twitter.com/is7hnsaPns
— Michael Patrick Key (@MichaelKeyWB) April 20, 2024

Theater

‘Amm(i)gone’ explores family, queerness, and faith

A ‘fully autobiographical’ work from out artist Adil Mansoor

Published

3 days ago

April 20, 2024

Patrick Folliard

Adil Mansoor in ‘Amm(i)gone’ at Woolly Mammoth Theatre. (Photo by Kitoko Chargois)

‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W.
$60-$70
Woollymammoth.net

“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre.

Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother.

Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.

WASHINGTON BLADE: What spurred you to create “Amm(i)gone”?

ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?

I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs.

BLADE: Are you more director than actor?

MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning.

I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention.

BLADE: Describe your mom.

MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me.

She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.

BLADE: So, you weren’t exactly hiding your sexuality?

MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full.

So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.

BLADE: Have you encountered much Islamophobia?

MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways.

BLADE: What prompted you to lead your creative life in Pittsburgh?

MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity.

Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career.

BLADE: What are you trying to achieve with “Amm(i)gone”?

MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this.

I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.