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Revisiting ‘Shame’

2011 film raises interesting questions about sexual orientation and addiction

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Michael Fassbender in 'Shame.' (Still courtesy Fox Searchlight)

Michael Fassbender in ‘Shame.’ (Still courtesy Fox Searchlight)

Sometimes life gets so busy, one doesn’t have time to do even the minor things one wants. For me, the holiday break was a good time to catch up on some movies I’d been wanting to see.

One was the 2011 British drama “Shame,” Steve McQueen’s sobering and brilliant tale of sexual addiction in modern-day New York. I’ll be totally honest — while the buzz the film got during award season in 2012 got my attention, my interest was also piqued by reports of star Michael Fassbender’s full-frontal nude scenes. He’s hot, I’m gay — what can I say?

The film was truly great — if you haven’t seen it, it’s by all means recommended. But a couple things about it bothered me. Now that so much time has passed since it was in theaters, I feel they’re safe (spoiler alert!) to discuss.

First, the film is a textbook example of one of the frustrations of working in LGBT media. A huge part of my job, obviously, is parsing the endless deluge of movies, TV shows, recordings, theatrical productions, books and more that are released with LGBT content. Of course it’s humanly impossible to get to everything (I have a great stable of freelancers who help), but it’s not uncommon for a film like this to come along without any indication it has gay content — zero pitches from publicists, nothing indicating gay content in the trailer and very limited availability (most major theater chains don’t show NC-17-rated films).

Granted, it’s a relatively minor (and fleeting) scene, but it’s enough to warrant the “of LGBT interest” tag, Fassbender’s nude scenes notwithstanding.

The scene itself — in which Fassbender’s ostensibly straight character Brandon gets blown by a guy in a gay sex club — raises a bounty of questions: does Brandon have a few percentage points of bisexuality in his DNA? Is he so horny and desperate (perhaps more likely considering the central theme of the film) that having just been denied admittance in a straight club, he resorts to the gay bathhouse across the street? Or are the filmmakers implying the character is so fucked up, he’ll even resort to gay fellatio, as if that’s the apex of sexual depravity? Placed near the end of the film as Brandon’s sexual addiction reaches fever-pitch intensity, that’s likely at least part of what writers Steve McQueen (who also directed) and Abi Morgan are floating.

It’s impossible to pin them down on it — the film (and this is a big part of its brilliance) leaves just the right amount of information opaque and thus open to interpretation. In stark contrast with the raw sex scenes, thematically “Shame” never hits you over the head.

I’ll leave it to the psychologists to discuss the likelihood of a straight person being so engulfed in the throes of sexual addiction he or she would engage in a sexual act that conflicts with their sexual orientation. I have no idea how often such things happen in the real world.

That McQueen’s highly effective film — the lead performances by Fassbender and a perfectly cast Carey Mulligan alone make it worth seeing — gives us so much to ponder is but one indication of its greatness.

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Calendar: May 1-7

LGBTQ events in the days to come

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Friday, May 1

Go Gay DC will host “First Friday LGBTQ+ Community Social” at 7 p.m. at Silver Diner Ballston. This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite

“Illusions The Drag Queen Show Washington, D.C.” will be at 7 p.m. at 2323 18th St., N.W. Come see this amazing D.C. drag show and laugh all night long while being amazed by the stellar performances in tribute to some of your old-time favorite classics as well as the latest pop favorites. Come see the likes of Madonna, Cher, Tina Turner, Whitney Houston, Joan Rivers, Phyllis Diller, Beyoncé, Pink, and many more. Tickets are $12.97 and are available on Eventbrite

Saturday, May 2

Go Gay DC will host “LGBTQ+ Community Brunch” at 11:00a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation.  Attendance is free and more details are available on Eventbrite.

Drag Queen Sip and Paint Washington DC will be at 4 p.m. at Town Tavern DC. This event combines the joy of painting with the lively energy of a drag queen, offering an hour and a half of fun, creativity, and entertainment. Participants paint a canvas while enjoying cocktails, all under the guidance of a glamorous drag queen host. Tickets are $47.19 and are available on Eventbrite

Monday, May 4

“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).

Tuesday, May 5

Universal Pride Meeting will be at 7 p.m. on Zoom. This group seeks to support, educate, empower, and create change for people with disabilities. For more details, email [email protected].   

Wednesday, May 6

Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

Center Aging Women’s Social and Discussion Group will be at 6 p.m. on Zoom. This group is a place where older LGBTQ+ women can meet and socialize with one another. There will be discussion, activities, and a chance for guests to share what they want future events to include. For more information, email [email protected]

Thursday, May 7

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.  

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PHOTOS: 90’s Flashback Drag Brunch

Logan Stone leads new show at Red Bear Brewing

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The inaugural 90's Flahsback Drag Brunch was held at Red Bear Brewing Co. on Sunday, April 26. (Washington Blade photo by Michael Key)

The new monthly 90’s Flashback Drag Brunch premiered at Red Bear Brewing Co. on Sunday, April 26. Performers included Logan Stone, Tiffany D. Carter and Charlemagne Chateau.

(Washington Blade photos by Michael Key)

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Madonna makes rare club appearance in West Hollywood

Gay icon brought ‘Confessions II’ to The Abbey

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Madonna takes the dance floor at The Abbey in West Hollywood, Calif., on April 25, 2026. (Los Angeles Blade photo)

A line of celebrities, “Drag Race” queens, influencers, media, and West Hollywood socialites lined the block around West Hollywood’s The Abbey, all clamoring to get into the invite-only celebration of owner Tristan Schukraft’s birthday. The rumor, which became verified gossip, was that Madonna, the Queen of Pop herself, would be taking the stage. Of course, the Blade had to be there.

With disco balls and Abbey statues covered in pink chiffon, it was clear. This party was a direct tie-in to Madonna’s much-anticipated “Confessions on A Dance Floor” album sequel, “Confessions II.” That night, the Abbey also unveiled its remodeled dance floor, a fitting collaboration.

The club was filled to capacity with a completely open bar, keeping the crowd liquored up. Go-go dancers in black leather collars and thongs lined the room, and celebrities that included Lilly Allen, Bebe Rexha, Tori Spelling, Julia Fox, Sam Asghari, Daniel Frenzese, Cynthia Bailey, Meredith Marks, Tom Daley, and more filled the VIP booths alongside World of Wonder personalities. It was a veritable who’s who of queer folk and allies.

The lights began to dim, the dance floor began to rumble, and Madonna graphics hit the screens. At around 1 am, it was time. Introduced by Addison Rae, Madonna grabbed the mic and started chanting, welcoming her “gays.” The venue resounded in thunderous chants of “freedom,” “mother,” and “bitch.”

Madonna was not there to perform. She was there to dance. She took the stage for about 15 minutes, keeping the crowd going with her naughty and fun commentary. There is no list that needs to be provided on how Madonna’s career has become part of queer culture. Going back to her dance music roots and going back to her gay fans is smart.

Released in 2005 (yes, it has been that long), “Confessions on a Dance Floor” was an instant hit, with four singles from the album being released. The album’s lead single, “Hung Up,” topped the charts in 41 countries with Billboard calling it the most successful dance song of the decade. The album had hints of 60s and 70s flair, mixed in with dance music prevalent at that time. The music still dominates at queer clubs across the globe.

Madonna knows we need a little queer joy; she also knows that fans miss the Madonna we all knew and loved. With the nation in such turbulence, we all need some comfort, and going back to a time when we felt safer and had more to celebrate just feels good. For the new album release, she has even partnered with Grindr for a limited edition vinyl release and exclusive behind-the-scenes content.

Her night at The Abbey presented snippets of her new music mixed in with some of her classics. The new material sounded good, sounded familiar in an exciting way, and shows that this diva has still got it.

“Confessions II” releases on July 3.

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