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Revisiting ‘Shame’

2011 film raises interesting questions about sexual orientation and addiction

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Michael Fassbender in 'Shame.' (Still courtesy Fox Searchlight)

Michael Fassbender in ‘Shame.’ (Still courtesy Fox Searchlight)

Sometimes life gets so busy, one doesn’t have time to do even the minor things one wants. For me, the holiday break was a good time to catch up on some movies I’d been wanting to see.

One was the 2011 British drama “Shame,” Steve McQueen’s sobering and brilliant tale of sexual addiction in modern-day New York. I’ll be totally honest — while the buzz the film got during award season in 2012 got my attention, my interest was also piqued by reports of star Michael Fassbender’s full-frontal nude scenes. He’s hot, I’m gay — what can I say?

The film was truly great — if you haven’t seen it, it’s by all means recommended. But a couple things about it bothered me. Now that so much time has passed since it was in theaters, I feel they’re safe (spoiler alert!) to discuss.

First, the film is a textbook example of one of the frustrations of working in LGBT media. A huge part of my job, obviously, is parsing the endless deluge of movies, TV shows, recordings, theatrical productions, books and more that are released with LGBT content. Of course it’s humanly impossible to get to everything (I have a great stable of freelancers who help), but it’s not uncommon for a film like this to come along without any indication it has gay content — zero pitches from publicists, nothing indicating gay content in the trailer and very limited availability (most major theater chains don’t show NC-17-rated films).

Granted, it’s a relatively minor (and fleeting) scene, but it’s enough to warrant the “of LGBT interest” tag, Fassbender’s nude scenes notwithstanding.

The scene itself — in which Fassbender’s ostensibly straight character Brandon gets blown by a guy in a gay sex club — raises a bounty of questions: does Brandon have a few percentage points of bisexuality in his DNA? Is he so horny and desperate (perhaps more likely considering the central theme of the film) that having just been denied admittance in a straight club, he resorts to the gay bathhouse across the street? Or are the filmmakers implying the character is so fucked up, he’ll even resort to gay fellatio, as if that’s the apex of sexual depravity? Placed near the end of the film as Brandon’s sexual addiction reaches fever-pitch intensity, that’s likely at least part of what writers Steve McQueen (who also directed) and Abi Morgan are floating.

It’s impossible to pin them down on it — the film (and this is a big part of its brilliance) leaves just the right amount of information opaque and thus open to interpretation. In stark contrast with the raw sex scenes, thematically “Shame” never hits you over the head.

I’ll leave it to the psychologists to discuss the likelihood of a straight person being so engulfed in the throes of sexual addiction he or she would engage in a sexual act that conflicts with their sexual orientation. I have no idea how often such things happen in the real world.

That McQueen’s highly effective film — the lead performances by Fassbender and a perfectly cast Carey Mulligan alone make it worth seeing — gives us so much to ponder is but one indication of its greatness.

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History

Julius’ Bar ‘sip-in’ laid groundwork for Stonewall

Tuesday marked 60 years since four gay activists held protest

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(Washington Blade photo by Ernesto Valle)

While Stonewall is widely considered the birthplace of the modern LGBTQ rights movement in the U.S., a lesser-known protest inside a Greenwich Village bar three years earlier helped lay critical groundwork for what would follow.

Tuesday marked 60 years since the Julius’ Bar “sip in.”

On April 21, 1966, four gay rights activists — Dick Leitsch, Craig Rodwell, John Timmons, and later Randy Wicker — walked into Julius’ Bar and staged what would become known as a “sip-in” to challenge state liquor regulations on serving alcoholic beverages to gay men — with a drink.

Modeled after the sit-ins that challenged racial segregation across the American South, the protest was designed to confront discriminatory practices targeting LGBTQ patrons in public spaces.

At the time, the Mattachine Society — one of the country’s earliest gay rights groups — was actively pushing back against policies enforced by the New York State Liquor Authority. One of those policies could have resulted in the loss of liquor licenses for serving known or suspected gay men and lesbians. The participants had visited multiple establishments, openly identified themselves as homosexual, and requested a drink — with the anticipation of being denied.

Their final stop was Julius’, where reporters and a photographer had gathered to document the moment. When Leitsch declared their identity, the bartender covered their glasses and refused service, reportedly saying, “I think it’s against the law.” The next day, the New York Times ran a story with the headline, “3 Deviates Invite Exclusion by Bars,” cementing the moment in the public record.

Though initially framed with disrespect — the term “sip-in” itself was coined as a play on civil rights protests — the action marked a turning point. It brought national attention to the systemic discrimination LGBTQ people faced and helped catalyze changes in how liquor laws were enforced. In the years that followed, the protest contributed to the emergence of licensed, more openly gay-friendly bars, which became central social and organizing spaces for LGBTQ communities.

The Washington Blade originally covered when the bar was officially added to the National Park Service’s National Register of Historic Places in 2016.

Today, historians and advocates increasingly recognize the “sip-in” as a key pre-Stonewall milestone. According to the New York City LGBTQ Historic Sites Project, the protest not only increased visibility of the early LGBTQ rights movement but also exposed widespread surveillance and entrapment tactics used against the community.

Marking the 60th anniversary of the event, commemorations have taken place in New York and across the country. Reflecting on its enduring legacy, Amanda Davis, executive director of the NYC LGBTQ Historic Sites Project, spoke about the event.

“Julius’ Bar is a place you can visit and viscerally connect with history,” said Davis. “We’re thrilled to have solidarity locations across the country join us in commemorating the ‘sip-in’’s 60th anniversary and the queer community’s First Amendment right to peaceably assemble.”

For current stewards of the historic bar, the responsibility of preserving that legacy remains front of mind.

“It’s a privilege and a responsibility to be the steward of a place so important to American and LGBTQ history,” said current owner of Julius’ Bar, Helen Buford. “The events of the 1966 Sip-In here at Julius’ resonated across the country and inspired countless others to stand proud for their rights.”

The timing couldn’t have come at a more important moment, Kymn Goldstein, executive director of the June L. Mazer Lesbian Archives, explained.

“At a time when our community faces renewed challenges, coming together in resilience and solidarity reminds us of the power in our collective resistance,” Goldstein said.

The American Civil Liberties Union, an organization dedicated to defending rights and liberties guaranteed by the Constitution, is currently tracking 519 anti-LGBTQ bills across the U.S. The majority are targeted at restricting transgender rights — particularly related to gender-affirming care, sports participation, and the use of public bathrooms.

Some additional groups and bars that held their own “sip-in” as solidarity events to uplift this historic milestone are from across the country include:

Alice Austen House at Steiny’s Pub, Staten Island, N.Y.

Bellows Falls Pride Committee at PK’s Irish Pub, Bellows Falls, Vt.

Brick Road Coffee, Mesa, Ariz.

Brick Road Coffee, Tempe, Ariz.

Dick Leitsch’s Family at Old Louisville Brewery, Louisville, Ky.

The Faerie Playhouse & LGBT+ Archives Project of Louisiana at Le Cabaret, New Orleans

Harlem Pride & John Reddick at L’Artista Italian Kitchen & Bar, New York

JOYR!DE KiKi at Loafers Cocktail Bar, New York

Matthew Lawrence & Jason Tranchida / Headmaster at Deadbeats Bar, Providence, R.I.

Mazer Lesbian Archives at Alana’s Coffee, Los Angeles

New Hope Celebrates at The Club Room, New Hope, Pa.

Queer Memory Project at the University of Evansville Multicultural Student Commons / Ridgway University Center, Evansville, Ind.

Sandy Jack’s Bar, Brooklyn, N.Y.

St. Louis LGBT History Project at Just John Club, St. Louis

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Photos

PHOTOS: National Champagne Brunch

Gov. Beshear honored at annual LGBTQ+ Victory Fund event

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Gov. Andy Beshear (D-Ky.) speaks at the LGBTQ+ Victory Fund National Champagne Brunch on Sunday, April 19. (Washington Blade photo by Michael Key)

The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.

(Washington Blade photos by Michael Key)

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PHOTOS: Night of Champions

Team DC holds annual awards gala

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Team DC President Miguel Ayala speaks at the Night of Champions Awards Gala at the Georgetown Marriott on Saturday, April 18. (Washington Blade photo by Michael Key)

The umbrella LGBTQ sports organization Team D.C. held its annual Night of Champions Gala at the Georgetown Marriott on Saturday, April 18. Team D.C. presented scholarships to local student athletes and presented awards to Adam Peck, Manuel Montelongo (a.k.a. Mari Con Carne), Dr. Sara Varghai, Dan Martin and the Centaur Motorcycle Club. Sean Bartel was posthumously honored with the Most Valuable Person Award.

(Washington Blade photos by Michael Key)

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