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Sue Ellen redux

‘Dallas’ actress on her former co-stars, life after Larry and the hit show’s gay following

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Linda Gray, Sue Ellen, Dallas, gay news, Washington Blade
Linda Gray, Sue Ellen, Dallas, gay news, Washington Blade

Linda Gray as Sue Ellen on ‘Dallas.’ Gray says it’s been a joy to return to the show 20 years later. (Photo courtesy TNT)

“Dallas,” the reboot of the classic 1978-1991 nighttime soap, returns for its third season Monday night on TNT and promises plenty of fresh backstabbing and intrigue.

John Ross (Josh Henderson) is working to live up to his father’s reputation, Christopher (Jesse Metcalfe) is reeling from a failed engagement and Elena (Jordana Brewster) is consumed with finding the justice that eluded her brother Drew (Kuno Becker) and mother Carmen (Marlene Forte).

It’s a pivotal turning point for the show — this will be its first full season without J.R. as actor Larry Hagman died in November 2012. He was in seven of season two’s 15 episodes and his character’s death was a major storyline last year.

Linda Gray, whose iconic character Sue Ellen has been willing to help her son any way she can on the new show, caught up with the Blade during a break in filming in Dallas two weeks ago, where it was snowing.

WASHINGTON BLADE: Snow is somewhat unusual but not unheard of for Dallas, right?

LINDA GRAY: I know. I’m just in heaven. It’s beautiful.

 

BLADE: You live in Los Angeles?

GRAY: Yes. I’m in Dallas six months, then L.A. six months. That’s a nice combination.

 

BLADE: I understand more of the show is filmed on location than was true for the old “Dallas,” right?

GRAY: Yes. We used to come here in the ‘80s for two months and work six days a week, then we went home and did eight-and-a-half months in L.A. So here we do 15 shows and we live here which is really kind of nice. At first we were like, “Oh, we have to move to Dallas?” but it’s quite amazing because then we get to show the audience all the greatness of Dallas. It’s changed so much since the ‘80s.

 

BLADE: How aware have you been of the show’s gay following? Do you sense it’s any different now than it was on the old show?

GRAY: I’m very aware it has a gay following and I’m beyond thrilled. I have so many, many, many friends who are gay and I adore them. There’s a JR’s and a Sue Ellen’s here, gay bars.

 

BLADE: We have a JR.’s in D.C., too.

GRAY: Oh, do you really? It’s so fantastic to have the support and we’ve always had it and … it’s been great. We love you right back. Dallas itself has a huge gay community here and they’re very supportive as well.

 

BLADE: What similarities or differences do you see now in how the show is rebounding dramatically from Larry’s passing versus how the original series dealt with the death of Jim Davis (Ewing family patriarch Jock)? I know it’s not exactly the same thing, but both were huge losses to the shows just a few seasons in.

GRAY: The entire team has changed, the writers, everything has changed and it’s an evolution that is — well, I step back and I look at this 20-year hiatus and it’s very bizarre to come back and do it again, but in such a good way. So now I think the approach is kind of like we’re outsiders looking in and seeing how the Ewings have evolved. And now without Larry, that threw everybody a curve and those wonderful writers — I always applaud the writers because without them and their great brains and their minds that kind of go off in wonderful directions, there would be no show. They had last season already approved by the networks and when Larry passed, they had to scramble and again, I applaud them because they did a magical shuffling around to kind of piece this together and still be an interesting, entertaining show without the key, which was huge — J.R. Ewing and Larry Hagman, I mean you know that was a huge void for me personally and I’m sure for everybody in the audience, it’s huge. So I look at it as an observer and say, “Wow, what a great job they’ve done.” They have to handle everything as it comes, as we all do in life. You don’t expect this to happen, but it did and now what are you going to do with it? When Jim Davis died, the producers were great. They moved his dressing room right on the soundstage because just like Larry, he wanted to die doing what he loved. They didn’t say, “No, you’re going into hospice or something,” they moved his dressing room right on the soundstage so we would do a scene and come in and hang out with Jim. When you’re doing a series, you’re so bonded as a family. You step in there and you’re supportive and you send them love. I would say “Dallas” has been blessed with a little bit of fairy dust that has been scattered on us from day one. The cast was wonderful, the writers were great, et cetera, and now it’s happening again and since I was one of the originals, it’s amazing to see how similar it is.

 

BLADE: You worked with Barbara Bel Geddes (Miss Ellie) for many years. After she left before the last season, she never appeared in any final episode, TV movies, cast reunions or anything. What would she think of this new series? (Bel Geddes died in 2005.)

GRAY: She was a savvy, bawdy broad, is what I called her, and I would call it to her face. We were so close. I’d call her Mama, on and off camera. She was this crusty New England broad. She was feisty and fabulous and such a huge classy addition to the Ewing family. I really was so shocked when I knew she was doing a series because I thought Barbara Bel Geddes, you know she worked with Tennessee Williams and Alfred Hitchcock. She was so classy and so when I first walked into the room, I’ll never forget it. I saw Major Nelson — Larry Hagman. I saw Patrick Duffy — “Man From Atlantis.” And then I saw Barbara Bel Geddes and I thought, “What’s wrong with this picture? Is this a sitcom? What is this show?” Internally I started laughing because I thought what is this? … But I just watched this magical thing happen and, you know, the Ewings became bigger than life. So for me it was great to work with her. She was astounding, she was quiet, she would make great funny little remarks during the rehearsals and then when you had a scene with her, man, you better be on your toes. You better bring your A game because she could bury you with a look. She was to me the same caliber as my two favorites — Judi Dench and Maggie Smith. There was no nonsense with her. It was just, “I’m here to work, I know what I’m doing, I’m a professional, I’m Broadway trained, I’m theater trained, I’ve worked with the best so don’t mess around with me.”

 

Linda Gray, Sue Ellen, Dallas, gay news, Washington Blade

The cast of ‘Dallas.’ The reboot of the classic series returns Monday night. (Photo courtesy TNT)

BLADE: But what would her reaction be to this new series?

GRAY: I think she’d probably sit down with a glass of Scotch in her condominium and probably just laugh her ass off. She’d probably roll her eyes, going “How are we back again” and “Look at that younger generation.” But she would be a hoot. I think she would love the new show, love the kids, complain about everything — she loved to complain. She’d complain it was too hot, or, “What the hell are we doing, it’s snowing today,” or “What am I doing in Dallas,” blah blah blah blah blah. Yet the bottom line, she would love it.

 

BLADE: Victoria Principal has been a little different — she’s said she’s against reviving Pam in any kind of dramatic way, yet has joined up a few times in a non-dramatic capacity like the Vanity Fair photo (1995) and the 2004 reunion special. Over the years do you feel the rest of the cast has respected her wishes not to revive Pam or do you think there’s been some arm twisting to have her join in more often?

GRAY: I think we all respect her. I don’t think she wanted to come back and I don’t even know if the producers went after her or tried really pursuing her, I really don’t know. When you’re asked to come back, your gears are in different motion. You’re in forward motion. You’re thinking, “OK, gotta get to Dallas,” and you don’t really say, “Why isn’t so-and-so here?” For each person, it’s their choice and her choice was not to be in it so you respect everybody’s choice. We don’t see her very often. She was never kind of with us, you know, she was never — Larry, Patrick (Duffy) and I were very close and I was very close with Barbara and she just chose not to be as inclusive. I don’t mean that to — she just didn’t hang out with us.

 

BLADE: Any chance we might be seeing more of Lucy (Charlene Tilton)?

GRAY: Those are great questions but I don’t know the answers. The producers and writers, they write the scripts and if Lucy comes back, great, Ray Krebbs comes back, Steve (Kanaly) it’s always great to see him and it’s always fun to see them all. I do see Charlene in Los Angeles. She lives near my children. You know, it’s this great family, but since they’ve added all the young new people, it’s crowded. How many people can you bring back? It is fun for the audience when you see Charlene (Lucy), Steve (Ray Krebbs) and Kenny (Cliff Barnes), but it’s more a question for the producers.

 

BLADE: Larry was so anti-smoking yet Barbara smoked a lot. Did they ever clash over that on set?

GRAY: No, she would just tell him to get lost or, you know, just dismiss him. I think she smoked more in private. I never saw her smoke on the set.

 

BLADE: Now that it’s so many years later, do you feel the dream season was a good idea? People seem divided on whether it was clever or a jump-the-shark moment.

GRAY: Well, I don’t think people know all the dealings of how it really came about. Larry called Patrick and said, “I want you back.” He felt J.R. needed that brother, the good guy-bad guy kind of thing. I remember he called Patrick and Patrick knew when he got that phone call, what Larry was going to propose. He knew that intuitively. So he went over to his house in Malibu and they had a glass of Champagne and they may have gotten in the Jacuzzi, I don’t really know what happened there, but he talked Patrick into coming back so it was up to the producers to bring Patrick back and that was not an easy task to come up with. You know up front, no matter what they did, they would be criticized. … That was one of the things about “Dallas” that was exciting was that people would talk about it the next day. Did you like this? Look at Sue Ellen’s hair. Did you hate this? What about Bobby? What about J.R. drinking? Whatever. He’d call it water cooler chat. Whether you liked it or not, we knew it was going to cause chaos. So they had the idea for him to do the fake Irish Spring soap commercial where they edited out everything but him saying, “Good morning.” … A lot of people hated it and just stopped watching the show, they said it was ridiculous. A lot of people thought it was funny. A lot of people went, “Wow, that was a great dream sequence.” So no matter how you felt, good, bad or indifferent, they needed him back and they accomplished that.

 

BLADE: You look great but still look like yourself. What’s your skin care regimen?

GRAY: You’re sweet, thanks. When my peers no longer look like themselves, it scares me. There’s not a secret, I swear. I have a great skin care regimen. I never sleep with makeup on, I drink a lot of water. Hydration is huge. I eat great. I cook most of my own meals. A lot of green stuff — we’re from California, remember. And that’s it. You know, a good attitude goes a long way. And I exercise. I do all the things we’re supposed to do. Sometimes I don’t want to. I don’t want to get up early and go to the gym, but I do. I think complexion is more important than pulling and cutting your face. I’d rather have a good glowy complexion, so I use good skin care products and I use them twice a day. It’s like brushing your teeth. There’s no big secret.

 

BLADE: Could you ever imagine a gay wedding at Southfork?

GRAY: Sure! Why not?

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Out & About

Gala Hispanic Theatre’s Flamenco Festival returns

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Rafael Ramírez (Photo by Juan Carlos Toledo)

Gala Hispanic Theater will host the 21st Annual “Fuego Flamenco Festival” from Thursday, Nov. 6 to Saturday, Nov. 22. 

The festival will feature American and international artists who will gather in the nation’s capital to celebrate the art of Flamenco. Guests can save 20% on tickets with a festival pass. 

The festival kicks off now through Nov. 10 with the D.C. premiere of Crónica de un suceso, created, choreographed and performed by Rafael Ramírez from Spain, accompanied by renowned flamenco singers and musicians. In this new show, Ramírez pays homage to the iconic Spanish Flamenco artist Antonio Gades who paved the way for what Flamenco is today. GALA’s engagement is part of an eight-city tour of the U.S. by Ramírez and company.

The magic continues Nov. 14-16 with the re-staging of the masterpiece Enredo by Flamenco Aparicio Dance Company, a reflection of the dual nature of the human experience, individual and social, which premiered at GALA in 2023.

For more information, visit the theatre’s website

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Calendar

Calendar: November 7-13

LGBTQ events in the days to come

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Friday, November 7

“Center Aging Friday Tea Time” will be at 12 p.m. in person at the DC Center for the LGBT Community’s new location at 1827 Wiltberger St., N.W. To RSVP, visit the DC Center’s website or email [email protected]

Go Gay DC will host “LGBTQ+ Community Social” at 7 p.m. at Silver Diner Ballston. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite

Saturday, November 8

Go Gay DC will host “LGBTQ+ Community Brunch” at 12 p.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation.  Attendance is free and more details are available on Eventbrite.

Sunday Supper on Saturday will be at 2 p.m. at the DC Center for the LGBT Community. This event will be full of food, laughter and community. For more information, email [email protected]

Monday, November 10 

“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).

“Soulfully Queer: LGBTQ+ Emotional Health and Spirituality Drop-In” will be at 3 p.m. at the DC Center for the LGBT Community. This group will meet weekly for eight weeks, providing a series of drop-in sessions designed to offer a safe, welcoming space for open and respectful conversation. Each session invites participants to explore themes of spirituality, identity, and belonging at their own pace, whether they attend regularly or drop in occasionally. For more details visit the DC Center’s website.

Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit genderqueerdc.org or Facebook.

Wednesday, November 12 

Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

“Gay Men Speed Dating” will be at 7 p.m. at Public Bar Live. This is a fresh alternative to speed dating and matchmaking in a relaxed environment. Tickets start at $37 and are available on Eventbrite

Thursday, November 13 

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga Class will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breathwork, and meditation. For more details, visit the DC Center for the LGBT Community’s website.

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Sports

Gay speedskater racing toward a more inclusive future in sports

Conor McDermott-Mostowy says anti-DEI push is driving away corporate sponsors

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Conor McDermott-Mostowy

LOS ANGELES — As the countdown begins to the February Winter Olympic Games in Milan, Pride House LA is shining a spotlight on queer athletes who are breaking boundaries both on and off the field. Among them is Team USA speedskater Conor McDermott-Mostowy – a fierce competitor and proud member of the queer community. With blistering speed on the ice and a steadfast commitment to equity in sports, Conor is doing so much more than winning medals – he’s redefining what it means to represent one’s country while representing one’s community.

McDermott-Mostowy is one step closer to the 2026 Winter Olympics after winning the recent silver and bronze medals at the U.S. Championships in speedskating. He appeared at a Nov. 1 event presented by Out Athlete Fund/Pride House LA in the organization’s efforts to raise funds to support Conor and other out athletes as they pursue their Olympic dreams in Milan 2026 and beyond.The Blade spoke to the star athlete to talk about resilience, representation, and the legacy he hopes to leave one day.

Blade: Huge congrats, Conor! Winning a World Cup gold is no small feat. Do you feel like this win proved something to the world – or more importantly, to yourself?

McDermott-Mostowy: Winning gold with my team last year was definitely a major goal achieved. That said, the event we won isn’t yet an Olympic event. The races that have had the most profound impact on me actually happened two years ago.

The first was the team pursuit in Obihiro, Japan. I’d always been more of an alternate for that event, since it’s typically raced by skaters who compete in both the 1500m and 5000m. But I’d been itching for the opportunity to race it at the World Cup level. I finally got that chance when a teammate had to pull out at the last minute due to a back issue. We led the race through six of eight laps, ultimately finishing third. While it was a little disappointing to fall out of the lead, I was proud to prove that I could contribute meaningfully and help the team medal.

The second race was later that year in Salt Lake City, my home ice. After competing in Japan, I came down with a lung infection that affected my performance at the next few World Cups. Fortunately, I had time to recover before the North American World Cups and World Championships. At the Salt Lake City World Cup, I was balancing competition with completing my undergraduate degree. I didn’t know what to expect, but I ended up finishing fifth in the 1000m—my highest individual finish ever—and posted a time of 1:06.91. That’s a very significant time in speedskating; only three other Americans have gone under 1:07 in that event, all of whom became world champions. That result felt like a turning point, showing me that an Olympic or World Championship medal wasn’t just a dream—it was within reach.

Blade: This PrideHouse LA event is a huge moment. What does that support from the queer community mean to you?

McDermott-Mostowy: It’s incredibly meaningful. Being queer in Olympic sport can be very isolating, both inside and outside the sport. I barely have time to socialize outside of skating, and relocating to Salt Lake City doesn’t exactly help when it comes to queer community. So having that kind of solidarity and support from the wider LGBTQ+ community really means a lot.

Blade: Do you remember the moment you realized skating could take you all the way to the Olympics?

McDermott-Mostowy: There hasn’t been one single moment. It’s been a series of them. Over the years, I’ve had many races that shattered the limits I thought I had and inspired me to reach higher. That Salt Lake City race was one of them. It made me realize I shouldn’t just aim for the Olympics. I should aim for medals.

Another key moment came in 2018 at my last Junior World Cup, when my teammate and I finished 2nd and 3rd in the mass start. That event is similar to short track but held on a long track. It was my first full year focusing on long track after previously dabbling in it, and we had no expectation of medaling. But after we did, I realized I might actually have a future in this discipline—and that I could be competitive on the world stage. It was a pivotal realization, especially as I was trying to decide whether to continue skating or pursue a traditional college experience.

Blade: What initially drew you to speedskating? How did you get into the sport—and what’s kept you motivated?

McDermott-Mostowy: I grew up on skates. I started at age two and became a strong skater early on. But I never had any interest in hockey or figure skating. One winter, I was skating with my family on the C&O Canal in Washington, D.C., when a guy skated past us on these wild-looking speed skates. I was immediately intrigued. My parents found a local club, which happened to be run by three-time Olympian Nathaniel Mills, and I was hooked.

What’s kept me going is simple: I love it. This isn’t a sport you get rich in. I’ve only earned more than $20,000 a year twice in my career, and you can’t use it to pay for college either. The motivation has to come from within—the pursuit of excellence, the dream of going to the Olympics, and pure love for the sport.

Blade: What’s been your toughest race to date, and what did it teach you?

McDermott-Mostowy: That would be the team pursuit in Japan. I wasn’t expecting to race it and had already competed in a full weekend of events before getting the call. Team pursuit is arguably the toughest event in speedskating. Stepping up without being mentally or physically prepared was a challenge, but I did it. It showed me I could push through, even under extreme circumstances.

Blade: You’ve made headlines not just for your speed, but for your openness. What was it like coming out publicly in the world of elite sport?

McDermott-Mostowy: By the time I was publicly identified as gay, I had already been out to anyone who asked. So “coming out” doesn’t feel like the right term. It wasn’t a big declaration. I had the benefit of growing up seeing openly gay athletes and being part of a supportive community. I never felt the need to hide who I was.

Eventually, as I started achieving more on the ice, people began noticing me and the content I posted, and they put two and two together. When I was asked to speak publicly about being an openly gay athlete in speedskating, I didn’t hesitate.

Blade: What have been the biggest challenges in your career – physically, mentally, or otherwise?

McDermott-Mostowy: Honestly, my entire career has been about overcoming challenges. The two biggest obstacles have been illness and finances.

I’ve dealt with asthma, a norovirus that derailed my chances in 2022, and a fatigue condition last season that affected my performance. These setbacks take a toll. Not just physically, but mentally. When you invest everything into your sport, being forced to pause or scale back is a huge emotional hurdle.

Financially, speedskating is a tough path. Even as a consistent top-20 skater in the world, I’ve only broken $20k twice in a year, and we’re paid for just nine months, even though we train year-round. I’ve leaned on friends and family for support many times just to make ends meet.

Blade: Have you ever been told – explicitly or implicitly – that being openly gay could hurt your chances with sponsors or coaches?

McDermott-Mostowy: Never with coaches. In our sport, selections are based on the clock, not someone’s opinion. My coaches have always been great.

But when it comes to sponsorships, especially over the past year, I’ve noticed a shift. As anti-DEI sentiment grows, brands are backing away from anything that could be seen as “controversial.” Being openly gay seems to fall into that category now. Since most of our income comes from sponsorships, that retreat is deeply felt.

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