Arts & Entertainment
Queer celluloid
Festivals, docs, features, retrospectives, contests and more among local spring film season

Val Lauren and Christian Patrick in the controversial ‘Interior. Leather Bar.’ (Photo courtesy Strand Releasing)
The spring film season in Washington starts with a bang with “Elaine Stritch: Shoot Me,” a comic and poignant documentary by Chiemi Karasawa that captures the legendary performer’s days in New York City. The film interweaves footage from Stritch’s professional life (teasing Alec Baldwin on the set of “30 Rock” and struggling to remember the tricky lyrics of Stephen Sondheim for her final show at the Café Carlyle) and personal life (medial crises and packing for her move from Manhattan to Michigan). “Shoot Me” opens at West End Cinema on March 14.
The works of groundbreaking gay writer Tennessee Williams will be among those featured at the AFI Silver Theatre in Silver Spring this spring. A celebration of Vivien Leigh’s centenary will include “The Roman Spring of Mrs. Stone” and Leigh’s iconic performance as Blanche DuBois in “A Streetcar Named Desire.” A retrospective on the career of Burt Lancaster will include his sizzling performance opposite Oscar winner Anna Magnani in “The Rose Tattoo,” as well as his powerful appearance in the classic “Come Back, Little Sheba” by gay playwright William Inge. Details at afi.com/silver.

Samantha Master in ‘The New Black.’ (Photo by Jen Lemen)
Two documentaries about anti-gay campaigns will be released on DVD this spring. Michael Lucas’ “Campaign of Hate: Russia and Gay Propaganda” will be available on April 1 and finds the gay porn legend continuing his branching out into non-porn terrain. Yoruba Richen’s documentary “The New Black” examines how the black community is grappling with the issues of marriage equality and civil rights, and how the Christian right is exploiting anti-gay sentiment in black churches. It comes to home formats in June after it is broadcast on PBS as part of its Gay Pride Month celebration.
April 1 is also the DVD release date for the documentary “I Am Divine,” which explores the transformation of mild-mannered Baltimore native Harris Glenn Milstead into Divine, a “cinematic terrorist” and legendary international drag icon. Filmmaker Jeffrey Schwarz combines interviews with Milstead’s mother and Divine’s cinematic collaborators to create a complex portrait of a fascinating artist.
On a lighter note, the trend of female buddy movies continues with “The Other Woman,” a comedy featuring Cameron Diaz, Leslie Mann and Kate Upton as three women turn the tables on the man who cheats on all three of them. The movie, which opens in wide release on April 25, also features a performance by pop singer Nicki Minaj.
B’more QFest (formerly/formally known as the Baltimore Queer Film and Media Festival) strives to “bring unity to the community” by bringing quality LGBT film to Charm City. Upcoming events include a double bill of “Sordid Lives” and “Southern Baptist Sissies” with screenwriter Del Shores on April 6 and Leslie Jordan (“Sordid Lives” and “Will & Grace”) performing his one-man show “Fruit Fly” on June 10-11. Details at bmorequeer.org.

Pierre Deladonchamps in ‘Stranger by the Lake.’ (Photo courtesy Strand Releasing)
“Stranger by the Lake,” the gay erotic thriller that won the Queer Palm (an independent award given to entries made to the Cannes Film Festival) and was named one of the top films of 2013 by the influential Cahiers du Cinema is still looking for a venue in D.C. If all else fails, this steamy tale of murder and sexual awakening set by a scenic lake in rural France will be available on DVD May 13.
“Interior. Leather Bar.,” inspired by the mythology surrounding the 1980 film “Cruising,” will be released on DVD on April 15. Filmmakers James Franco and Travis Mathews (“I Want Your Love”) reimagine the “lost footage” from the controversial film as they document their own challenges with shooting sexually explicit material.
LGBT filmmakers will have a chance to strut their stuff in the annual 48 Hour Film Fest. From 7:30 p.m. on May 2 to 7:30 p.m. on May 4, teams of local artists will create original short films. The films will be screened the following weekend at AFI Silver Theatre and the winner will advance to the national competition. Teams can register at 48hourfilm.com.
Although the D.C. Shorts Film Festival won’t be held until September, the staff and volunteers, under the direction of founder Jon Gann, an openly gay director, will host a variety of events this spring. In March, the Mentors program will offer a series of workshops for filmmakers of all skill levels. On June 13-14, the D.C. Shorts Laughs will offer evenings that combine funny short films and stand-up comedians. And most importantly, the Festival is now accepting entries from both directors and screenwriters. For more information, visit dcshorts.com.
Movies
Few openly queer nominees land Oscar nominations
‘Sinners’ and ‘One Battle After Another’ lead the pack
This year’s Oscar nominees feature very few openly queer actors or creatives, with “KPop Demon Hunters,” “Come See Me in the Good Light,” and “Elio” bringing some much-needed representation to the field.
“KPop Demon Hunters,” which quickly became a worldwide sensation after releasing on Netflix last June, was nominated for best animated feature film and best original song for “Golden,” the chart-topping hit co-written by openly queer songwriter Mark Sonnenblick. “Come See Me in the Good Light,” a film following the late Andrea Gibson and their wife, Megan Falley, was nominated in the best documentary feature category. Finally, Pixar’s “Elio” (co-directed by openly queer filmmaker Adrian Molina) was nominated for best animated feature film alongside “Zootopia 2,” “Arco,” and “Little Amélie or the Character of Rain.”
Ethan Hawke did manage to land a best actor nomination for his work in Richard Linklater’s “Blue Moon,” a biopic that follows a fatal night in Lorenz Hart’s life as he reckons with losing his creative partner, Richard Rodgers. Robert Kaplow was also nominated for best original screenplay for penning the script. Amy Madigan, as expected, was recognized in the best supporting actress category for her work in “Weapons,” bringing celebrated gay icon Aunt Gladys to the Oscar stage.
While “Wicked: For Good” was significantly underperforming throughout the season, with Cynthia Erivo missing key nominations and the film falling squarely out of the best picture race early on, most pundits expected the film to still receive some recognition in craft categories. But in perhaps the biggest shock of Oscar nomination morning, “For Good” received zero nominations — not even for costume design or production design, the two categories in which the first film won just last year. Clearly, there was “Wicked” fatigue across the board.
There was also reasonable hope that Eva Victor’s acclaimed directorial debut, “Sorry, Baby,” would land a best original screenplay nod, especially after Julia Roberts shouted out Victor during the recent Golden Globes (which aired the day before Oscar voting started). A24, the studio that distributed “Sorry, Baby” in the U.S., clearly prioritized campaigns for “Marty Supreme” (to much success) and Rose Byrne in “If I Had Legs I’d Kick You,” leaving “Sorry, Baby” the indie darling that couldn’t quite crack the Oscar race.
However, with the Film Independent Spirit Awards taking place on Feb. 15, queer films like “Sorry, Baby,” “Peter Hujar’s Day,” and “Twinless” will finally get their time to shine. Maybe these films were just underseen, or not given a big enough PR push, but regardless, it’s unfortunate that the Academy couldn’t make room for just one of these when “Emilia Pérez” managed 13 nominations last year.
a&e features
MISTR’s Tristan Schukraft on evolution of HIV prevention
From ACT UP to apps, embracing stigma-free care
It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say, celebratory.
Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond, prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.
In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.
BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you?
SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for.
BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach?
SCHUKRAFT: This year, we held the first-ever National PrEP Day. Dua Lipa performed, and Cardi B was there. After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.
When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.
BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years?
SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.
For many sexually active gay men, taking PrEP is simply part of the gay experience. For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door.
BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level?
SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance.
BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic?
SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States. We have everything we need today. All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years.
HIV transmissions don’t pause because budgets change.
BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health?
SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding, we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results.
Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.
Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs.
Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business.
When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening.
BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding?
SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care.
BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs?
SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together.
BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level?
SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP.
BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026?
SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal.
The 2026 Mr. Mid-Atlantic Leather competition was held at the Hyatt Regency Capitol Hill on Sunday. Seven contestants vied for the title and Gage Ryder was named the winner.
(Washington Blade photo by Michael Key)

















































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