Arts & Entertainment
2014 YEAR IN REVIEW: Film
‘Stranger,’ ‘Imitation Game’ and indie fare among year’s best

Bill Hader and Kristen Wiig in ‘The Skeleton Twins.’ (Courtesy Roadside Attractions)
There were strong feature films (both mainstream and indie releases), fascinating documentaries and several supportive venues and festivals in Washington that are slowly growing a queer film culture here making 2014, overall, an excellent year in film.
One of the best releases was one of the first — “Stranger by the Lake.” This award-winning French film was billed as an erotic gay thriller and it lived up to that description. The action unfolds on the banks of a lake where men meet for sex, which is shown in graphic detail. The thriller starts when the seemingly innocent Franck watches Michel swim out into a lake with a man and swim back to shore alone. Director Alain Guiraudie skillfully captures the mundane yet thrilling rituals of cruising and the inscrutable passion that arises between Franck and Michel.

Pierre Deladonchamps in ‘Stranger by the Lake.’ (Photo courtesy Strand Releasing)
Other highlights included:
- • “Calvary” opens when Father James (Brendan Gleeson) is threatened with death by an unseen man in the confessional who was sexually molested by a priest when he was a boy. Among the suspects are a hypocritical closeted detective and a Hollywood-obsessed gay hustler who has also been the victim of clerical sexual abuse.
- • Based on a true story, “Pride” tells the tale of an unlikely alliance between gay and lesbian activists from London and striking Welsh coal miners. While the screenplay relies a little too heavily on well-worn plot devices, the movie is an infectious and uplifting tale of personal growth and political solidarity.
- • Written and directed by talented newcomer Julien Simien, “Dear White People” looks at the lives of four black students who get drawn into a racial incident at a predominantly white college. One of them is Lionel Higgins (Tyler James Williams), an undergraduate journalist who doesn’t fit in with either the gay or African-American student groups. Simien’s groundbreaking film marks the first time that a gay character has been featured in a predominantly African-American movie.
- • “The Skeleton Twins” stars “Saturday Night Live” alumni Kristen Wiig and Bill Hader as estranged twins who are reunited after his suicide attempt. He returns to their hometown to recover and to reignite an affair with his high school English teacher (Ty Burrell) while she tries to work out her marriage to Luke Wilson. Both Wiig and Hader turn in strong nuanced performances and Hader’s scenes in drag are wonderful.
- • “Hector and the Search for Happiness” stars Simon Pegg as a bored psychiatrist who travels the globe to find the secret of happiness. One of his tour guides is an old friend who has found happiness by coming out of the closet.
- • Though technically a made-for-TV movie, “The Normal Heart” debuted in May on HBO and was a widely lauded adaptation of Larry Kramer’s legendary AIDS-themed play of the same name.
- • “The Way He Looks” is a charming Brazilian coming-of-age tale about Leo, a blind teenager who’s trying to escape from his overprotective mother. Leo befriends Gabriel, the new kid in town, and feelings begin to flicker between the two boys, much to the dismay of Leo’s best friend, Giovanna.

Brendan Gleeson, left, and Chris O’Dowd in ‘Calvary.’ (Photo courtesy Fox Searchlight)
While it didn’t include any LGBT content, one of the most progressive and thought-provoking movies of 2014 was “Belle,” a beautifully filmed movie about a mixed-race heiress being raised by her aristocratic uncle in eighteenth-century England. Director Amma Asante and a knockout ensemble cast tackle complex themes of race, class and gender and tell a moving story that combines intimate details and epic historical sweep.
The year in LGBT feature films came to a dramatic conclusion with “The Imitation Game,” the story of Alan Turing (Benedict Cumberbatch), the gay British mathematician who broke the German Enigma code during World War II but was later prosecuted for his homosexuality.
It was also a great year for LGBT-themed documentaries. One of the most notable was HBO’s “The Case Against 8,” which followed two California couples who brought their fight for marriage equality to the U.S. Supreme Court.
Other standout documentaries included “Shoot Me,” an incisive portrait of the legendary actress Elaine Stritch who passed away earlier this year; “Campaign of Hate: Russia and Gay Propaganda,” a searing examination of the spread of anti-gay sentiment and legislation in Russia; and, “Through a Lens Darkly,” a fascinating exploration of how photography has shaped the African-American community, including LGBT people of color.
There were, of course, a few disappointments. The highly anticipated “Love is Strange” starred John Lithgow and Alfred Molina as long-term partners whose lives fall apart when they lose their rent-controlled Manhattan apartment. Luminous performances from Lithgow and Molina could not overcome Ira Sachs’s implausible script and slack direction. Jennifer M. Kroot’s “To Be Takei” failed to create a cohesive portrait of the actor and activist, and in “Citizenfour” lesbian filmmaker Laura Portras and gay journalist Glen Greenwald failed to fully question the actions of NSA whistle-blower Edward Snowden.
The emerging queer cinema scene in D.C. has been strongly supported by a number of marvelous venues and film festivals. The Landmark Theatres (on E Street in downtown D.C. and on Bethesda Row in downtown Bethesda) and the West Ed Cinema in Foggy Bottom frequently present LGBT movies, as does the newer Angelika Film Center Mosaic in Fairfax. AFI Silver in downtown Silver Spring often features LGBT works in its delightfully eclectic mix of contemporary independent releases and classics from Hollywood and international cinema.
The acclaimed D.C. Shorts Film Festival, headed by openly gay filmmaker Jon Gann, always includes strong LGBT programming, as does AFI Docs, which will now be headed by Michael Lumpkin, who served for more than 25 years as both executive director of Frameline and Festival Director for the San Francisco International LGBT Film Festival. LGBT films have also been featured at the new Middleburg (Virginia) Film Festival.
With sponsorship from the D.C. Center for the LGBT Community, Human Rights Campaign and the Washington Blade, Reel Affirmations has returned to offer monthly move nights and other film events.
The early winter months of 2015 give LGBT cinephiles in D.C .the chance to watch some of 2014’s best releases on DVD and to anticipate the exciting releases of 2015.

Tyler James Williams, center, in a scene from ‘Dear White People.’ (Photo by Ashley Nyugn; courtesy Roadside Attractions)
Out & About
Plan your wedding the LGBTQ way
Washington D.C. LGBTQ+ Wedding Expo scheduled for Sunday
Rainbow Wedding Network will host “Washington D.C. LGBTQ+ Wedding Expo” on Sunday, March 1 at 12:30 p.m.
Guests can meet and mingle with a curated selection of LGBTQ-welcoming wedding professionals from across the region, each ready to help bring your vision to life, and spend a beautiful afternoon exploring everything they need to create a celebration that reflects them.
There will be a relaxed, self-guided look at the Watergate’s spaces and amenities, savor signature cocktails and delicious tasting samples, and connect with other couples who are on the same journey.
Visit Eventbrite to reserve a spot.
Friday, February 27
Center Aging Monthly Luncheon With Yoga and Drag Bingo will be at 12 p.m. at the DC Center for the LGBT Community. Email Mac at [email protected] if you require ASL interpreter assistance, have any dietary restrictions, or questions about this event.
Go Gay DC will host “LGBTQ+ Community Happy Hour Meetup” at 7 p.m. at Freddie’s Beach Bar and Restaurant. This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite.
Trans Discussion Group will be at 7 p.m. on Zoom. This group is intended to provide an emotionally and physically safe space for trans people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected].
Saturday, February 28
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. It’s more than just an event; it’s an opportunity to step away from the busyness of life and invest in something meaningful, and enjoy delicious food, genuine laughter, and conversations that spark connection and inspiration. For more details, visit the Center’s website.
Black Lesbian Support Group will be at 1 p.m. on Zoom. This is a peer-led support group devoted to the joys and challenges of being a Black lesbian. You do not need to be a member of the Beta Kappa Chapter or the Beta Phi Omega Sorority in order to join, but they do ask that you either identify as a lesbian or are questioning that aspect of your identity.Send an email to [email protected] to receive the zoom link.
Sunday, March 1
LGBTQ+ Community Coffee and Conversation will be at 12 p.m. at As You Are. This event is for people looking to make more friends and meaningful connections in the LGBTQ community. Attendance is free and more details are available on Eventbrite.
Monday, March 2
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Tuesday, March 3
Universal Pride Meeting will be at 7 p.m. on Zoom. This group seeks to support, educate, empower, and create change for people with disabilities. For more details, email [email protected].
Wednesday, March 4
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit www.thedccenter.org/careers.
Center Aging Women’s Social and Discussion Group will be at 6 p.m. on Zoom. This group is a place where older LGBTQ+ women can meet and socialize with one another. There will be discussion, activities, and a chance for guests to share what they want future events to include. For more information, email [email protected].
Thursday, March 5
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breathwork and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
a&e features
Transmission DC breathes new life into a storied sound space
A fresh home for boundary-pushing culture on H Street
Late last year, phoenix-style, a fresh home for boundary-pushing culture arose on the H Street corridor. Transmission DC – a queer, trans, and POC-owned, operated, and centered community-focused venue – powered on in the former home to the Rock & Roll Hotel (famously, not a hotel, but very much rock & roll). Transmission (1353 H St., N.E.) arrives secure in its mandate – or even birthright – to provide a place to celebrate creativity and music through a lens of inclusivity and respect.
Transmission’s team brings experience, but also representation. Owners/partners Kabir Khanna (who is also programming director), Katii B, Ellie McDyre, and Kelli Kerrigan together previously managed 618 productions, a venue in Chinatown, crafting “some of D.C.’s freakiest parties, raves, and mosh pits” they note.
They packed up operations last fall to a space curated specifically for D.C.’s underground music and culture scene, building their efforts in Chinatown to bring in more fans in queer and POC circles.
Transmission, Khanna points out, is built on DIY values. In the music scene, DIY means that promoters and organizers – often disconnected from the mainstream and part of marginalized communities – build shows and programs collaboratively, but independently from institutions, supporting each other as smaller, independent venues close. Here, Transmission aims to ensure that those putting together these underground inclusive shows have a more permanent and stable home, can have access to resources, and can provide more sustainable income to artists. “We’re trying to get more people to support and enjoy the music, and also give artists and organizers within the DIY community more structure and a larger cut,” says Khanna.
Khanna also notes that Transmission operates “under the principles of safety, inclusivity, and respect.” McDyre added that even at venues that claim inclusivity, that statement might not take place in practice. We’re “not just pitting up a rainbow flag,” says McDyre, but as some of the owners are trans and POC, audiences can see themselves reflected at the top.
Much like the DIY nature of the music community, the Transmission owners brought a DIY ethos to turning around their space.
In March 2020 – the height of COVID lockdowns – Rock & Roll Hotel suddenly shuttered, though not due to the pandemic; instead, the venue claimed that decreasing sales and increasing competition led to the closure. For 14 years, it was the central spot for cheap beer and lesser-known and celebrated acts. The space stood vacant for more than five years, until Transmission turned the power back on.
“When we got into the space, it was effectively abandoned for years,” says Khanna. “There was a ton of mold, and paint primer covering all surfaces. It was nearly falling apart.” Khanna noted that many music venues like this one, regardless of how well it was maintained, “get the shit kicked out of it,” given the nature of shows. The team called in mold removal contractors, ripped up most of the floorboards, and started fresh.
Transmission’s first floor is styled as a stripped-down black box: the better to take in the music. “It’s minimal on purpose to act as a canvas for set design and music,” without a specific aesthetic, says Khanna. Moving upstairs, the second floor has been opened up, removing some walls, and now has a larger dance area than the first floor. Beyond the first two performance levels, and a holdover from Rock & Roll Hotel, is the rooftop. Though without a stage, the rooftop space is filled with murals splashed across the walls, with a full bar. Transmission’s current capacity is 496, but the team is looking to grow that number. Transmission will also leverage the full kitchen that Rock & Roll Hotel operated, bringing in Third Hand Kitchen to offer a variety of food, including vegan and vegetarian options.
Khanna pointed out an upcoming show reflective of Transmission’s inclusive ethos: Black Techo Matters on Feb. 27. The event is set to be “a dynamic, collaborative night of underground electronic music celebrating Black History Month.” Khanna says that techno came from Black music origins, and this event will celebrate this genesis with a host of artists, including DJ Stingray 313, Carlos Souffront, and Femanyst.
