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Festering frustration

Activists say police abuse is common link to gay, black riots

Published

11 years ago

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Baltimore riot, gay news, Washington Blade
Baltimore riot, gay news, Washington Blade

Some in the LGBT community questioned why Baltimore black youth would riot in their own neighborhoods, ignoring their own community’s history of rioting against police injustice. (Photo by Victoria Macchi/VOA News public domain)

The Stonewall riots triggered by a police raid on a New York City gay bar in 1969 and three other lesser known gay riots in San Francisco were reactions to police abuse and perceived societal oppression, according to LGBT activists familiar with those incidents.

San Francisco gay and AIDS activist Cleve Jones, who witnessed two of the gay riots in his city in 1979 and 1991, is among those who say there are similarities between the police abuse experienced by young gay men back in the 1960s and 1970s and young black men today.

Jones and other LGBT activists point to the incident involving 25-year-old African American Freddie Gray, whose death on April 19 from a severe spinal cord injury he sustained while in custody of Baltimore police triggered riots and looting.

Officials with several national LGBT rights groups, including the National Black Justice Coalition, have joined African-American civil rights leaders in denouncing the action by six Baltimore police officers who detained and arrested Gray on a charge of possessing a small knife that was later found to be legal to carry.

The groups said Gray’s death in a police-related incident, after officers reportedly ignored his pleas for medical treatment while being transported in a police wagon, highlighted similar instances of reported abuse by police against young black men in Baltimore and other parts of the country, including Ferguson, Mo.

“Where you can draw a parallel is with police relations,” Jones says. “I think to be a young gay person in San Francisco in the late 1970s, you would have many of the same kinds of feelings as young African Americans feel toward the police today.”

“When I got to San Francisco, the cops hated us. And they made it very, very clear every day,” Jones says. “I’m an old white man and unlikely to be singled out for my appearance for abuse by the police. But my memories of it from my youth are fresh.”

Jones was a student intern working for San Francisco Board of Supervisors member and gay rights advocate Harvey Milk in November 1978. It was at that time when Dan White, a disgruntled former police officer who had just resigned from his position as one of Milk’s fellow supervisors, shot Milk to death in Milk’s office at City Hall.

White killed Milk minutes after assassinating pro-gay San Francisco Mayor George Moscone in the mayor’s office in a fit of rage over Moscone’s refusal to reappoint White to his supervisor’s seat. White had announced he changed his mind and wanted to remain in office. Milk was among his fellow supervisors who urged Moscone not to reappoint White, who was part of a conservative faction on the Board of Supervisors that opposed Milk on many policy matters.

In May 1979, gays and other San Franciscans became outraged when a jury ignored prosecutors’ calls for convicting White on a first-degree murder charge and instead found him guilty of voluntary manslaughter, the most lenient possible charge for shooting two people to death.

Similar to the turn of events in Baltimore 36 years later, gays responded by holding a protest rally in the gay Castro neighborhood, which was Milk’s home base. They marched peacefully through the streets as the crowd swelled from about 500 to more than 1,500 people, according to news media accounts.

When the gathering of mostly LGBT people reached City Hall its ranks had increased to about 5,000, and violence broke out.

Police cars were set on fire, windows of nearby buildings were smashed and overhead wires for the city’s street cars were pulled down. Some of the rioters took tear gas canisters from damaged police cars and threw them at police, who initially stood on the sidelines at the direction of the police chief, again similar to the Baltimore disturbances this year, before the chief directed them to confront the rioters and force them away from the City Hall area.

About two-dozen arrests were made and more than 140 protesters and as many as 60 police officers were injured, news media reports said. The rioting caused hundreds of thousands of dollars in property damage to the City Hall building and nearby buildings and vehicles.

Jones, who was present when the rioting unfolded, said the longtime police hostility toward the gay community combined with the shock of a lenient jury verdict for the man who murdered Milk, a gay icon, prompted normally peaceful gays to embrace violence.

“I saw people who were known to be very well mannered who were completely consumed with rage and hatred of the police department,” he said. “It was a real desire to fight back, a sense that we had taken this kind of crap for far too long. … I think the LGBT people who were there that night — within all of us — the memories of prior abuses, the reality that we had been beaten up and called names and put down for so long — and then it was the last straw — that this all white, straight jury basically gave him a slap on the wrist.”

Compton’s Cafeteria Riot pre-dates Stonewall

New York’s Stonewall riots in Greenwich Village in 1969, where gays and transgender people fought back against a police raid, is considered the historic development that started the modern LGBT rights movement.

But three years earlier, in August 1966, a confrontation between a police officer and a person witnesses described as a drag queen inside Compton’s Cafeteria in San Francisco’s Tenderloin section erupted into what has become known as Compton’s Cafeteria Riot.

Transgender historian Susan Stryker, who co-wrote and co-directed a documentary film about the incident in 2005 called “Screaming Queens: The Riot at Compton’s Cafeteria,” is credited with helping piece together a comprehensive report on what happened.

LGBT activists are now calling the incident one of the first known transgender riots in U.S. history based on reports that Compton’s was a hangout for people who today would be considered transgender women.

Also patronizing Compton’s Cafeteria in the Tenderloin were the trans women’s gay male and lesbian friends. Nearly all of them, the documentary film says, were struggling to survive at a time when they were considered outcasts. Most lived in nearby cheap rooming houses and many engaged in prostitution. Most were also often harassed by the police at a time when cross dressing was against the law, Stryker reports in the documentary film.

According to the film, the riot started when a police officer threatened to arrest one of the male-to-female cross dressers inside Compton’s and she threw her coffee in his face. People interviewed in the film, which can be viewed on YouTube, said a melee then broke out among police and as many as 50 people inside the establishment, with windows shattered and dishes and furniture tossed around the room.

The fighting soon moved outside the restaurant, people in the film reported, creating a disturbance considered a full-fledged riot on the street.

“The violent oppression (and riot) of transgender people at Compton’s Cafeteria did not solve the problems that transgender people in the Tenderloin faced daily,” said transgender activist Autumn Sandeen in a 2010 article about the incident in gaylesbiantimes.com. “It did, however, create a space in which it became possible for the city of San Francisco to begin relating differently to its transgender citizens — to begin treating them, in fact, as citizens with legitimate needs instead of simply as a problem to get rid of.”

AB 1 Riots triggered by veto of gay rights bill

The fourth known gay riot in the United States took place in San Francisco on Sept. 30, 1991, after then-Republican Gov. Pete Wilson vetoed Assembly Bill 1, a gay rights measure that called for banning discrimination in employment, housing and public accommodations based on sexual orientation.

The bill had been stalled in committee for years before both houses of the legislature finally passed it in September 1991. Gay activists and their supporters in the legislature were outraged over Wilson’s veto, saying he acquiesced to the anti-gay faction of the state’s Republican Party.

“As was the case in the White Night riots, a large crowd assembled in the Castro and stormed the civic center,” says Jones, who was present as the crowd grew and became increasingly angry. “But instead of stopping at City Hall they went to the state building and did their best to set it on fire.”

A short documentary film on the AB 1 Riot, which included TV news footage of the incident, says about 2,000 protesters marched to the state building, where Wilson had an office. Protesters can be seen in the film using sections of metal barricade fences as battering rams to smash through the building’s glass doors.

The film also shows a protester using a large pole with a rainbow flag attached to it to smash through the glass doors on the building. It says the rioting caused over $250,000 in damage to the building, but no arrests were made and no serious injuries were reported.

‘Intersection’ between Baltimore and LGBT rights movement

Officials with some of the national LGBT groups talked about what they called the intersection between the Baltimore riots in late April of this year and the LGBT civil rights movement.

“The recent events in Baltimore and throughout the nation have been emotional, hurtful and even traumatic for so many in the black community,” says Sharon Lettman-Hicks, executive director and CEO of the National Black Justice Coalition, an LGBT civil rights organization.

“At the National Black Justice Coalition, we are dedicated to changing the mainstream narrative around socially marginalized black people, especially young people, because issues like police brutality and economic injustice are also LGBT issues that disproportionately impact LGBT people of color.”

“Black LGBT people cannot separate their blackness from their sexual orientation, gender expression or gender identity,” she says. “Issues that confront black people — like structural oppression, classism and racism in America — impact black LGBT people twofold.”

Mara Keisling, executive director of the National Center for Transgender Equality, says transgender people often face “brutal victimization, mistreatment and violence at the hands of law enforcement.”

She says NCTE works to address police abuse not only for transgender people but for everyone in its quest for “a more just society.”

According to Keisling, at least one transgender woman who was arrested during the Baltimore disturbances was placed in a men’s jail after police learned she was transgender. She was “forced to remove her undergarments and made to reveal her body to officers,” Keisling says.

“Our hearts go out to the family of Freddie Gray and to those people whose hearts are broken with grief,” says Rea Carey, executive director of the National LGBTQ Task Force. “Police-related killings of young black men have become a regular occurrence across our nation. So in a very real way what is happening in Baltimore is a predictable reaction to appalling injustice, deep mistrust of police and a real sense that nothing will be done about it.”

“The beauty and responsibility of the LGBT community is that we’re at the intersection of everything,” says Human Rights Campaign Vice President Fred Sainz. “We’re black, Asian, Latino and everything in between.

“Because of the stigma we face and the lack of legal protections, LGBT people are also more likely to face economic disenfranchisement,” he says. “What all of this means is that this must be a shared struggle and we also have a responsibility to make life better for all Americans.”

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Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard

Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard

Published

3 days ago

on

July 29, 2026

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Lily Erin, one of Rainbows in Revolt’s signature artists, performed at Capital Pride in June. (Photo courtesy of Rainbows in Revolt)

Last month’s Pride celebration in D.C. was so fun. Walking around my first Capital Pride with a $15 lemonade I was loving the madness and the color. Artists and small businesses battling banks you’ve never heard of collecting your personal information so you can spin a wheel to snag free merch. Great music blaring, people actually smiling and enjoying themselves, the “Great” American State Fair could never!

The Monument Stage was on Pennsylvania Avenue, directly in front of the National Gallery of Art and I can’t think of a better venue to see live music. How does someone get on the lineup for Pride? How do we accelerate the visibility of the most talented voices in our community to perform in places like this?

There is certainly not a talent gap, but there is a visibility gap. Chappell Roan went from playing for two people in a parking lot to owning the main stage at Coachella in one year. Whether it is shadowbanning or bias in AI, algorithms have been shown to suppress queer artists. In a digital age, how can queer people break through and show the world how talented they are?

Allison and Matt of Rainbows in Revolt are on a mission to make openly LGBTQ+ artists’ voices heard. Their goal is to find “musicians whose queerness is central to their identity as an artist,” and accelerate them to a place where they can actually reach fans.

The only time queer events seem to be in the spotlight is June, but this should be year round, according to Allison and Matt. Rainbows in Revolt wants to act as a “nucleus” for different sub-communities, finding common ground in the universal language of music.

Matt and Allison founded Rainbows as a way to make cheaper, higher quality merchandise for queer artists. While Rainbows has already pledged 20% of their profits to the LGBTQ+ community, with 10% to Whitman-Walker Health and 10% to LGBTQ+ organizations in need, this is just the beginning of the work that they do.

Rainbows “does the dirty work” that artists normally struggle to do on their own with limited resources. Interviews, artist profiles, social promotion, playlist discovery, radio outreach, and merch-funded support. This work is normally expensive, time consuming, and requires lots of different skills. Musicians don’t want to be editing clips to post online. Standup comedians don’t want to make graphics for their tour dates. They want to write more. They want to focus on their craft.

In addition to helping artists find their audience, Rainbows has built other digital tools to help queer people connect, including an interactive Safe Space Map for most major cities. It is hard to know which places are truly safe and supportive just from a simple Google search. Attitudes and actions change, and there should be a simple way for queer people to find other places that align with them. The Safe Spaces Maps are all up to date, and are tagged and filterable. Instead of relying on forums and word of mouth, Rainbows has created a centralized way to find authentic community quickly.

I had a chance to talk with Allison and Matt at Pride where Lily Erin, one of their signature artists, was performing on the Monument stage. Lily Erin is a folk singer who is familiar and forging her own path. Her bittersweet sound echoes through Acadia, and her garb mirrors the New England athletes I grew up with. Gorp Core meets streetwear. A graphic tee, hiking shorts, and creamsicle Jordans.

Her debut single, “Bus Stop,” tells a sad story about unconditional love, and the conditions that still seem to come with it. Graduating into lockdown, Erin needed a new way to connect with herself and others. Lily made “Bus Stop” without an intention to share it, but doing so was a liberation. People have been responding to her honesty around queer-ness, family, and the “ghosts which haunt us” even in the daytime.

Rainbows in Revolt has helped Lily Erin go from bars and backyards to The Monument Stage at Pride. This is a meteoric rise, and a testament to both Erin’s talent and the work of Rainbows to promote her. “A little encouragement goes a long way with early artists,” and by “planting a seed” Rainbows is already seeing their artist garden grow. Community is power, and Erin is a perfect example of how effective simple modern techniques of promotion can be.

A next step for Rainbows is putting on shows themselves. On Oct. 3, Rainbows in Revolt will host an Evening with Ray Boltz at the National City Christian Church. Boltz grew up in the Catholic Church and for many years was the soundtrack to many services, youth camps, and church groups. He was celebrated by millions until he came out in 2008. Allison remembers her community “never playing his music again.” 

Rainbows in Revolt is helping him to return to the church, and proving that identity does not need to be exclusive. We live in a complicated world with complicated lines being drawn. Boltz proves that these lines don’t exist, and will be breaking down barriers to bring together communities. To Allison, “a trans woman standing next to a straight white man in church is a powerful teacher.”

The Safe Space maps bridge all types of spaces, and one of the unlikely ones is, perhaps, churches. Matt said that “BYU has only nine safe spaces around their campus and seven of them are churches.” Not all churches are anti-gay, and many times they are the only place for people to find community.

Rainbows in Revolt is just getting started bridging gaps and building community.

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Summer in the City: Free exhibits, movies, more fill D.C.’s calendar

America 250 celebrations continue

Published

6 days ago

on

July 26, 2026

By

Cynthia Erivo and Ariana Grande star in ‘Wicked,’ screening Sept. 12 at Union Market. (Photo courtesy of Universal Pictures)

From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.

Museum exhibitions

The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free. 

The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.

The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.

The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.

Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.

The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.

At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.

The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.

The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3. 

Live performances

On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game. 

Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.

From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.

Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances. 

DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace. 

Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.

Other events

Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.

Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary. 

The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.

For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.

Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.

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Summer in D.C. brings sports, Restaurant Week, festivals, and more

Published

1 week ago

on

July 23, 2026

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Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

  • Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
  • The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
  • Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
  • Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

  • Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements. 
  • Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

  • Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
  • Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods. 
  • The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
  • All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
  • Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

  • United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club. 
  • The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
  • Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
  • ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
  • 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
  • Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
  • Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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