Arts & Entertainment
‘Powerpuff Girls’ features ‘transgender’ horse who is really a unicorn
cartoon gets creative about trans issues
“Powerpuff Girls” tackled transgender issues in a recent episode when Donny, a horse who is really a unicorn, transitions with the help of his friends.
Donny wears a fake horn on his head and tells his friend Bubbles, although he may not look like it, he knows he is a unicorn.
“I may not have a horn but I do have a heart, and in that heart I know I’m a beautiful unicorn,” Donny tells Bubbles.
The crew try to transform Donny into a unicorn but fail. They then pay a visit to Unicorn Coalition Alliance Brigade Headquarters and discover Donny was always a unicorn. The episode ends showing a heart with the colors of the transgender flag.
In an interview with the L.A. Times executive producer Nick Jennings says Donny’s transition is about something deeper.
“Basically when it starts out, he’s a pony, but he wants to be a unicorn. He has to go through a transformation to become a unicorn and so it’s a whole [episode that asks], ‘What are you on the inside? What are you on the outside? How do you identify yourself? How do people see you?’ There’s a lot of subtext in that,” Jennings says.
“I don’t think you can be too young to start talking about those issues and thinking about those things and just presenting an attitude, and a voice that is going to resonate with people,” Jennings continued.
“The Powerpuff Girls” aired from 1998-2005 and has now returned as “Powerpuff Girls” this April.
Arts & Entertainment
2026 Most Eligible LGBTQ Singles nominations
We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.
Are you or a friend looking to find a little love in 2026? We are looking for the most eligible LGBTQ singles in the Washington, D.C. region. Nominate you or your friends until January 23rd using the form below or by clicking HERE.
Our most eligible singles will be announced online in February. View our 2025 singles HERE.
The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)










a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
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