Arts & Entertainment
‘RuPaul’s Drag Race’ stars slam Wendy Williams for transphobic comments
the talk show host has made off-color remarks about trans celebrities
Some “RuPaul’s Drag Race” stars want Wendy Williams fired from hosting the drag competition’s live show because of past transphobic behavior, Vulture reports.
Williams, known for her daytime talk show “The Wendy Williams Show,” currently hosts VH1’s preshow/viewing party for the latest season of “RuPaul’s Drag Race” with co-host Ross Matthews. Drag performerĀ Stephanie Stone posted on Facebook about fellow drag performerĀ Erick Atoure Aviance’s experience on “The Wendy Williams Show” to showcase why the hosting gig seemed wrong.
In 2009 Aviance was not allowed to don drag while in the show’s audience. Show executives cited their “no costume policy” as the reason but issued an apology for the incident.
“RuPaul’s Drag Race” alum Detox posted Stone’s comment on Instagram captioned, “She is NOT an ally. She is transphobic. If anything, she is an ENEMY. An enemy profiting off of our community.
“Drag Race” judge Michelle Visage replied to the post with a simple, “Yup.”
“RuPaul’s Drag Race” season two winner Alaska spoke with Unicorn Booty and says Williams has also made transphobic comments about Caitlyn Jenner. In 2015 Williams commented that Jenner was not included on the Kardashian/Jenner Cosmopolitan cover because she still “had a member.”
āFrankly, I think the decision to make Wendy Williams one of the hosts of the weekly spots framing commercial breaks for ‘RuPaulās Drag Raceās’ weekly broadcast is tone deaf, untimely and incorrect. I used to watch Wendyās Hot Topics daily, and some of the things she said during Caitlyn Jennerās very public transition were beyond questionable,ā Alaska says.Ā āAt that time, much of the nation was learning to navigate trans visibility for the first time and needed guidance and clarity from the media. But instead Wendy repeatedly spouted ignorance and transphobic rhetoric to a daily audience of millions. I donāt watch her show anymore. And I certainly donāt think she is the right person to be hosting our communityās flagship television program.”
“At that time, much of the nation was learning to navigate trans visibility for the first time and needed guidance and clarity from the media. But instead, Wendy repeatedly spouted ignorance and transphobic rhetoric to a daily audience of millions. I donāt watch her show anymore. And I certainly donāt think she is the right person to be hosting our communityās flagship television program,” Alaska continued.
In 2014 Williams also claimed transgender athlete Chloie Jƶnsson, who sued after not being allowed to compete in the women’s division of the CrossFit Games, had an “unfair advantage.” Williams brought up Chaz Bono as an example saying, “she still fights like a girl.”
“This is an unfair advantage,” Williams said.”You can take away female or male parts or whatever ā it’s like Chaz Bono. You know, Chaz is a man now, but I bet she still fights like a girl like the rest of us, and she’s not as strong as a man who was born a man.”
Arts & Entertainment
2024 Best of LGBTQ DC Readers’ Choice Award Finalist Voting
It is time to celebrate the best of LGBTQ+ DC! You nominated and now we have our finalists. Vote for your favorites in our 2024 Best of LGBTQ DC categories through September 23rd. Our 2024 Best of LGBTQ DC will be announced at the Best of LGBTQ DC Awards Party on October 17th and our special issue will come out on Friday, October 18th.
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Out & About
Nu Sass Productions to celebrate 15th anniversary
‘Rosencrantz and Guildenstern Are Dead’ performed at DC Arts Center
Nu Sass Productions will mark its 15th anniversary with a resurrection of āRosencrantz and Guildenstern Are Deadā beginning Friday, Sept. 20 at 8 p.m. at the DC Arts Center.
āRosencrantz and Guildenstern Are Deadā debuted at the Capital Fringe Festival in 2009 and will return this year with a new cast and crew.
Tickets cost $30 and can be purchased via the Nu Sass website.
Theater
Explore new venues, productions during D.C. Theatre Week
30 shows, including musicals, comedies, dramas, premieres, and more
2024 Theatre Week
Sept. 26-Oct. 13
Theatreweek.org
For Michael Ramirez, theater remains an ongoing source of inspiration and pleasure. As a little boy in El Paso, Texas, his mom took him to see lots of kidsā shows. And later in high school, he played one of the Sharks in āWest Side Story.ā All fond memories.
At the University of Texas in Austin for social work (undergraduate) and social work/public administration (graduate school) and then as a successful human resources professional and policy wonk in Washington, Ramirez continued to enjoy theater from the audience or behind the scenes. Now retired, he serves as a Helen Hayes Awards judge and board member at Woolly Mammoth Theatre.
Theatre Washington is the umbrella organization that not only produces the Helen Hayes Awards but also Theatre Week, an annual celebratory launch of the season with shows at low prices, a free kickoff fest, and other fun events.
The 2024 Theatre Week, explains Ramirez, features about 30 varied productions in the DMV, including musicals, comedies, dramas, new works, premieres, and works geared to young audiences. And tickets are affordably discounted at $60, $40, and $20.
āItās a great opportunity to take a chance on a theater that you might not be familiar with,ā he says. āWhen it comes to seeing shows, a lot of people think Kennedy Center or Fordās. This can be an introduction to something entirely new. D.C. is a busy theater town with lots of companies and venues.ā
At the heart of Theatre Week are its plays and musicals. Ramirez has already made his list.
His picks include GALA Hispanic Theatreās āThe 22+ Weddings of Hugoā featuring out actor Carlos Castillo as Hugo and staged by out director JosĆ© Zayas; busy out playwright Branden Jacobs-Jenkinsā āThe Comeuppanceā at Woolly Mammoth; and āRosencrantz & Guildenstern Are Deadā at Nu Sass Productions.
He also plans to see Mosaic Theatreās āLady Day at Emersonās Bar and Grill,ā a play with music about jazz legend/queer icon Billie Holiday starring Roz White; ExPats Theatreās āMarlene,ā featuring Karin Rosnizeck as legendary diva Marlene Dietrich; and Rorschach Theatreās āSleeping Giantā written by gay playwright Steve Yockey well known as the developer of the HBO Max comedy-drama television series āThe Flight Attendant.ā
Ramirez adds, āAnd as a good gay, I canāt miss āSondheim Tribute Revueā at Creative Cauldron.ā
There are also parties and outdoor events. He advises a few of his favorites.
On Monday, Sept. 9, Woolly Mammoth hosts a Theatre Week Launch Party replete with drinks and season sneak peaks (invitation only).
The Historic Theatre Walking Tour (Sept. 21) asks the public to check out downtown D.C. theaters with guides Farar Elliot and Chris Geidner (free). And with City on the River Concert (Sept. 22), Theatre Washington returns to the D.C. Wharf Transit Pier to present āmusical theater showstoppersā from a dozen of the seasonās upcoming shows (free).
Next up itās āDC Theatre at the Natsā (Sept. 24), a night out at the ballgame that baseball lover Ramirez is sure to attend. And typically, he says, performers from a local show or company are booked to sing the anthem ($20).
And big event Kickoff Fest 2024, an all-afternoon event for all ages, takes place on Sept. 28 at Arena Stage (also free).
Not surprisingly Ramirez fell for another theater aficionado. He and husband John Ralls got together in 1990 and married in 2014. Ralls is a board member at Rorschach.
As board members, they āfunction as ambassadors and marketers for the theater. We reach into our pockets and write the checks. We buy the season tickets, and encourage our friends to do the same.ā
Ramirez enthusiastically reiterates: āTheatre Week is especially fun. Again, tickets are reasonable. Thereās everything from puppet plays at Glen Echo Park to something more serious. Itās the perfect chance to try something new.ā
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