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FALL ARTS PREVIEW 2017: Bernstein centennial, WNO’s ‘Aida’ among classical standouts

From straight-up opera to fun stuff like Pink Martini and the Gay Men’s Chorus, area stages packed with talent

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Classical Music Events, Cameron Carpenter, gay news, washington blade

Organ virtuoso Cameron Carpenter returns to the Kennedy Center Sept. 28 and 30 for performances with the National Symphony Orchestra. (Photo courtesy Bucklesweet Media)

Washington National Opera has launched its season with Verdi’s “Aida,” the first time it’s been in the Kennedy Center Opera House in 25 years. It continues through Sept. 23. Details at kennedy-center.org/wno. “Aida” will be live simulcast at Nationals Park on Saturday, Sept. 23 for “Opera in the Outfield.”

Queer organist Cameron NatioCarpenter returns to the Kennedy Center Concert Hall where he’s performed several times Sept. 28 and 30 for appearances with the National Symphony Orchestra  with performances of works by Aaron Copland and Leonard Bernstein and other American composers. Christian Macelaru conducts. It’s part of the Bernstein at 100 series. Tickets range from $15-89.

Other highlights in the Bernstein (gay though married to a woman) at 100 series include an exhibit in the Terrace Gallery that runs through Nov. 5, a Bernstein on Broadway performance on Friday, Sept. 22, the NSO season opening gala concert on Sunday, Sept. 24 and more. Details at kennedy-center.org.

The NSO Pops presents “The Life Aquatic: a Tribute to David Bowie” on Friday, Sept. 29. Tickets are $25-89.

The gay-helmed Pink Martini performs with the NSO Pops and China Forbes on Saturday, Oct. 28 with a varied program. Tickets are $24-89.

Tickets for these and all Kennedy Center performances are online at kennedy-center.org.

The Library of Congress is also getting in on the Bernstein centennial with an exhibit of items from its collection related to the late composer (who died in 1990). Its concert series/fall season kicks off with concerts by Ensemble Signal performing works by composer Steve Reich (Oct. 18) and fusion band La Santa Cecilia (Oct. 19). Details at loc.gov.

The Washington Bach Consort opens its 40th season with a program celebrating the 500th anniversary of the Protestant Reformation (which turned out to be a good thing for gays though it took centuries to come to fruition) on Sunday, Sept. 17 at 3 p.m. at National Presbyterian Church (4101 Nebraska Ave., N.W.). Tickets are $10-69.

Other Consort performances are a chamber concert in which the ensemble will perform works from its inaugural season on Friday, Oct. 20 at First Congregational UCC and Bach’s “Christmas Oratorio” on Sunday, Dec. 9 at National Presbyterian. Details at bachconsort.org.

As usual, the Baltimore Symphony Orchestra splits its time between Charm City and the Strathmore in Bethesda, Md. It’s doing “Tchaikovsky Thrill Ride” this weekend and “Poetic Fire: from Hamlet to Don Juan” Sept. 22-24. Esperanza Spalding performs with the orchestra as part of its BSO Pulse series on Thursday, Oct. 19. Several other performances are planned throughout fall. Details at bsomusic.org.

The Alexandria Symphony Orchestra kicks off its season Sept. 23-24 with a program featuring Beethoven, Wagner and Strauss. Michael Rossi is guest conductor. Tickets range from $20-80. Details at alexsym.org.

Urban Arias, a local, gay-helmed, contemporary opera outfit, brings the life of architect Frank Lloyd Wright to the stage in “Shining Brow” by Daron Aric Hagen (music) and Paul Muldoon (libretto) Oct. 14-21 at Atlas Performing Arts Center. Tickets are $42 ($39 for students and seniors). Details at urbanarias.org.

In the “sorta” classical vein, the Gay Men’s Chorus of Washington is recording a live album on Saturday, Sept. 30 at 3 p.m. at Foundry United Methodist Church (1500 16th St., N.W.) that’s free and open to the public. The group is recording material it performed on its recent “Southern Equality Tour.” Its fall fundraiser “ropeburn” will be held on Saturday, Oct. 7 at 7 p.m. in Dupont Underground. Tickets are $75. “It Takes Two,” a duet show, is Saturday, Nov. 11 at Atlas (tickets are $39). Its annual holiday show is Dec. 9-17 at Lincoln Theatre. Full details at gmcw.org.

D.C. Different Drummers performs “D.C. Swing! Gig” on Sunday, Oct. 29 at 3 p.m. at Mr. Henry’s (601 Pennsylvania Ave., S.E.). Its fall band concert is Saturday, Nov. 4 at 7 p.m. at Church of the Epiphany (1317 G St., N.W.). Details at dcdd.org.

Washington Concert Opera performs “La Straniera” (Bellini) on Sunday, Nov. 19 at 6 p.m. at Lisner Auditorium (730 21st St., N.W.). Tickets are $40-110. Details at concertopera.org.

The Strathmore’s fall offerings include the Shen Yun Symphony Orchestra (Oct. 22), pianist Rachel Franklin (Oct. 26), Sol Gabetta performs Tchaikovsky with the BSO (Oct. 28), Pinchas Zukerman performs Bach with the BSO (Nov. 9), Black Violin on its “Classical Boom Tour” (Nov. 10), the National Philharmonic (Nov. 11), Renaissance chamber ensemble Sonnambula (Nov. 16), Andre Watts returns for “Rach 2” with the BSO (Nov. 18). Note some performances are at the Music Center at Strathmore; others are in the Mansion. Full details, times and prices at strathmore.org.

Young Artists of America present “The Sound of Music” on Sunday, Oct. 29 at 4 p.m. at the Clarice Smith Performing Arts Center (8270 Alumni Dr., College Park, Md.). Young Artists presents symphonic productions featuring young artists from the D.C. area performing alongside professional mentors. Details at yaa.org/fall-production.

Virginia Opera brings its “Samson and Delilah” (Saint-Saens) production to Fairfax Oct. 7-8 at George Mason. Tickets are $54-110. Its “Girl of the Golden West” (Puccini) will be in Fairfax Dec. 2-3. Details at vaopera.org.

And, of course, as always Washington Performing Arts has a wide spate of fall performances including:

• Aaron Diehl and Murray Horwitz in “Conversations in Music I: Rhythm” on Tuesday, Oct. 3 at McEvoy Auditorium (Tickets are $25)

• Sphinx Virtuosi on Sunday, Oct. 15 at the Kennedy Center Terrace Theater (Tickets are $35)

• Orchestra Dell’Accademia Nazionale di Santa Cecilia at the Kennedy Center on Wednesday, Oct. 25 ($45-115)

• Other highlights include A Far Cry/Luciana Souza (Nov. 4), Joshua Bell (Nov. 5), the Verona Quartet (Nov. 10), the Mariinsky Orchestra (Nov. 12), Nathan Lee (Dec. 2) and Denyce Graves (Dec. 4). Full details at washingtonperformingarts.org.

Every Friday at 12:15 p.m.free organ recitals are held at National City Christian Church (5 Thomas Circle). The church has one of the finest organs in the city and often attracts world-class performers. Out minister of music Rev. Michael McMahon programs the series. The church also has monthly LGBT Bible studies and happy hours. Details at nationalcitycc.org.

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Celebrate the Fourth of July the gay way!

LGBTQ events planned for Friday

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(Washington Blade photo by Michael Key)

The Rainbow History Project will host “Pickets, Protests and Parade Exhibit Tour” at 7 p.m. at Freedom Plaza. This event honors the courage, resilience and resistance of D.C.’s gay community. For more details, visit Eventbrite

Go Gay DC will host “LGBTQ Community Social” at 7 p.m. at Hyatt Centric Arlington (1325 Wilson Blvd.). This fun event is ideal for meeting new people and community building. Attendance is free and more details are available on Eventbrite

Xavier Entertainment DC will host “Cowboy Carter Afterparty” at 10 p.m. at Nellie’s Sports Bar. There will be fireworks, parades, and patriotic fun. For more details, visit Eventbrite

Mezcal Amaras will host “Sha Boing Boing Showdown” at 6 p.m. at Snappy’s Small Bar (3917 Georgia Ave., N.W.). Get ready to test your hotdog eating abilities. Tickets start at $12.51 and can be purchased on Eventbrite

Illusions Drag Queen Show will host “Drag Queen Dinner Show” at 7 p.m. at 2323 18th St. N.W. Guests will be treated to the very best celebrity drag impersonations in entertainment. Tickets start at $12.97 and are available on Eventbrite

Thurst Lounge will host “A Thirsty Cowboy Afterparty” at 5 p.m. DJ Apollo will be performing. For more details, visit Thurst’s website

9:30 Club will host “Gimme Gimme Disco: A Dance Party Inspired by ABBA” at 9 p.m. The DJ will play plenty of disco hits from the 70s and 80s. Tickets cost $45.30 and can be purchased on Ticketmaster.

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Doug Spearman takes his chance

‘Noah’s Arc: The Movie’ debuted on Paramount+ last month

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(Photo courtesy of Paramount+)

There’s no question that when Patrik-Ian Polk’s series “Noah’s Arc” premiered on Logo 20 years ago, it was a groundbreaking creation. The story of a group of Black gay men and their wonderful friendship. The titular arc was that of the cute main character, Noah (Darryl Stephens), and his close-knit circle of friends, including Chance played by gay actor Doug Spearman. This compelling and loving fraternity may, in fact, be what brought viewers back repeatedly, including a 2008 movie, “Noah’s Arc: Jumping the Broom,” as well as the 2020 “Noah’s Arc” short, and now, a new full-length feature “Noah’s Arc: The Movie,” debuting on Paramount+ on June 20. In the movie, filled with equal measures of laughs and tears, Chance, who has faced a devastating loss, finds his dependable friends there, ready to support and comfort him at a moment’s notice. I had the pleasure of speaking with Spearman the morning of the streaming premiere of “Noah’s Arc: The Movie.”

WASHINGTON BLADE: Doug, since the early 2000s, when the “Noah’s Arc” series premiered on Logo, you have been playing the character of Chance, including in the latest installment, “Noah’s Arc: The Movie.” What was it about Chance that appealed to you as an actor?

SPEARMAN: When Patrik (-Ian Polk) called me to ask me to play him (Chance), I was at JFK airport in the baggage claim, waiting for a suitcase. He explained what the part was. The thing that stuck out to me was the fact that Chance was in a long-term relationship with another Black man. And, they had a child; they had a 4-year-old daughter named Kenya. I had never seen two Black gay men raise a child on TV before. I thought it was the most revolutionary thing I’d ever seen. I immediately thought I’ve got to do this because that was something nobody had seen. I thought it was incredibly important to take the part.

BLADE: “Noah’s Arc: The Movie” was, once again, written and directed by Patrik-Ian Polk, who you just mentioned, is the creator of the entire franchise. What’s the secret to your long-standing working relationship?

SPEARMAN: [Laughs] the whole team, all of us, are like a band of brothers. We fight like brothers, we come together like brothers, we hash things out, we talk, because we’re all very different from our characters. I think the challenge of playing these guys and then uplifting these men, playing a part, especially something written by Patrik, is like solving a math equation. There’s always a challenge that’s enjoyable for me as an actor: to try to find out what it is that Patrik wants, and then how do I do it.

BLADE: I think you do a very good job of it.

SPEARMAN: Thank you very much

BLADE: In the years between “Jumping the Broom” and the new full-length movie, many changes have occurred, and the story addresses some of them, including gay widowhood, which is something that the aging community is now confronting, as well as mental health issues. Please say a few words about how you approached those subjects in the new movie.

SPEARMAN: I had a lot of loss in my life, right before we started shooting. Two months before we started shooting the first series, my mother died. I was going through the grief process through that whole first season. Since then, I’ve lost a lot of people in my life. In fact, when we started shooting the second season, the second week we were shooting, my ex died of a heart attack. I was having to fold that into what I was doing with my life on the set and off the set. You’ve got to show up and you’ve got to do your work. The first two seasons of “Noah’s Arc” are always tinged with the memory of grief. So, when I had to deal with the death that Chance faces (in the new movie), which is a significant death in his life, it wasn’t that hard to reach back, especially the scene in the graveyard. It was something that I unfortunately could pull from personal experience.

BLADE: Shifting gears, the movie features delightful cast surprises, including Jasmine Guy and TS Madison. Did you have a chance to interact with either or both when they were on set?

SPEARMAN: No, I didn’t have any scenes with Jasmine, and I missed her. I wish I had gotten to see her because I actually got to direct Jasmine for a CBS promo shoot for “Queen,” back in the early ‘90s. I had a huge crush on her when she was on “A Different World.” So, I really would have liked to reconnect. But TS and I got to see each other every day because I was in all her scenes. It was extraordinary being around somebody like that. That is one outspoken woman!

BLADE: Even though Beyoncé never makes an appearance in the movie, there’s a lot of talk about her. Would you say you are a Beyoncé fan?

SPEARMAN: Yes! I’m breathing! Yes, I’m a Beyoncé fan. I actually got the chance to meet her. I knew her mom. Her mom was extraordinary to me. She is in the second movie I directed. She also gave us a wedding gown to use in the very first scene of the movie. That family is extraordinarily important to me. Not only just to be a fan, but to be somebody who’s gotten to know them and work with them and see how hard they work. I don’t think anybody works as hard as Tina or Beyoncé.

BLADE: There was a recent news item about gay actor Benito Skinner of the Amazon Prime series “Overcompensating” being told not to bother auditioning for straight roles. As an out actor yourself, how important do you think it is for queer characters to be portrayed by queer actors, and vice versa?

SPEARMAN: Being queer is a multifaceted identity. There’s no one kind of queer person. I think finding the best actor that’s your first circle of casting. I think one of the joys about being an actor is that you get to play different parts. I play straight guys all the time. Dads and husbands and things like that. I think a lot of people are told not to do it. In fact, I wouldn’t be Chance if the actor who was originally cast as Chance hadn’t been pulled out of the series by his agents because they didn’t want him to play a gay character.

BLADE: That’s amazing! Thank you for sharing that. Without giving away too much, the ending of the movie is a little ambiguous, even ending with a question mark. If there was a “Noah’s Arc: The Movie” sequel, would you come back for that?

SPEARMAN: Yeah! A lot of it would depend on what Chance’s journey is going to be like. Patrik and I have conversations like that all the time. He’s very interested and supportive of input. I hope I would be, as we all would be, part of the creative growth with these characters. They live in Patrik’s head, and he writes them, but we’re the ones who have to flesh them out. It’s a conversation, it’s always a conversation.

BLADE: You are currently performing in Molière’s “The Imaginary Invalid” as part of the New Orleans Shakespeare Festival at Tulane. What has this experience been like for you?

SPEARMAN: It’s extraordinary! I started on stage when I was seven. There’s nothing like working with a live audience and having that immediacy. I’m working with an extraordinarily talented cast in a really great play, and I have some of the best scene partners I could ever want.

BLADE: Are there any upcoming film or TV projects you’d like to mention?

SPEARMAN: I’m still a writer, and I’m still a director, and I’ve still got scripts that I would like to make. I have a little something that’s a cross between “Treme” and “Bridgerton” that I want to do. I’m always trying to figure out what the next thing is.

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PHOTOS: Montgomery County Pride in the Plaza

LGBTQ celebration held in downtown Silver Spring

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Montgomery County Pride in the Plaza included the live 'LIYT Nights & Drag Duels!' season finale. (Washington Blade photo by Michael Key)

Montgomery County Pride in the Plaza was held on Sunday, June 29 at Veterans Plaza in Silver Spring, Md.

(Washington Blade photos by Michael Key)

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