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‘Will & Grace’ reboot draws strong ratings, mixed reviews

Cast praised for strong chemistry but some critics say premise is ‘old fashioned’

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Will & Grace reboot, gay news, Washington Blade

Did somebody say encore? A decade after their unforgettable eight-season run, comedy’s most fabulous foursome is back. Eric McCormack, Debra Messing, Sean Hayes and Megan Mullally reprise their infamous roles as Will, Grace, Jack and Karen in a 16-episode season. (Photo courtesy NBC)

Eleven years after its last original episode, ‘Will & Grace” returned to NBC Thursday night to generally strong reviews and good ratings.

The episode averaged a 2.9 rating among adults 18-49 and about 10 million viewers, the Hollywood Reporter reports. That was enough to put it above all other shows for the evening except “Thursday Night Football” on CBS. It was also one of the top shows for premiere week just trailing “The Big Bang Theory,” “Young Sheldon” and “This is Us.”

The episode found the four pals reunited as Grace (Debra Messing) considers a job redecorating the Oval Office, Jack (Sean Hayes) flirts with members of the Secret Service, Trump supporter Karen (Megan Mullally) getting in a few cracks at Grace’s boobs and Will (Eric McCormack) falls for a conservative hottie. The show unfolds as if the original series’ finale didn’t happen. Oh, and there were lots of Trump jokes, too.

There’s been lots of talk about whether the premise of the show will still work in 2017. That was one element the Telegraph, a U.K. paper, cited as a problem in its review. “This is a broad, blowsy old-fashioned show … that’s working hard to appear relevant,” the Telegraph review said. “(The cast’s) chemistry is evident and their collective timing is still a wonder, but as soon as the plot mechanics deposited them in the White House, the show felt feeble and decrepit.”

Other reviews were stronger. “The writing, the the acting, and even the timing of Megan Mullally’s pitch perfect, gin-soaked retorts are as funny as ever. After watching the premiere, ’11 Years Later’, it’s tempting to think it feels like ‘Will & Grace’ never left,” ScreenRant wrote.

The show has already been renewed for an additional season.

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Arts & Entertainment

2026 Most Eligible LGBTQ Singles nominations

We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

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We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

Are you or a friend looking to find a little love in 2026? We are looking for the most eligible LGBTQ singles in the Washington, D.C. region. Nominate you or your friends until January 23rd using the form below or by clicking HERE.

Our most eligible singles will be announced online in February. View our 2025 singles HERE.

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PHOTOS: Freddie’s Follies

Queens perform at weekly Arlington show

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The Freddie's Follies drag show was held at Freddie's Beach Bar in Arlington, Va. on Saturday. (Washington Blade photo by Michael Key)

The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.

(Washington Blade photos by Michael Key)

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Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more

Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’

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From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.

Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”

The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.

“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”

Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.

Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.

As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.

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