Arts & Entertainment
Stefano Gabbana no longer wants to be labeled gay
the designer says he’s ‘simply a man full stop’

(Screenshot via YouTube.)
Designer Stefano Gabbana, one-half of Italian fashion house Dolce & Gabbana, does not want to be labeled gay.
In an interview with Italian newspaper Corriere della Sera, Gabbana revealed he’s over the term.
“I don’t want to be called gay, because I am simply a man full stop, Gabbana says. “The word ‘gay’ was invented by those who need to label people, and I don’t want to be identified by my sexual choices.”
He went on to say that he considers being human to come before a sexuality label.
“I thought that I could help spread a new culture as a famous person, a culture no longer based on gay rights but on human rights,” Gabbana says. “We are human beings before being gay, heterosexual, or bisexual.”
“I had known for a while, but I didn’t have the courage to admit it. Only through therapy did I realize that there had been clear signs in my childhood. I wanted to play alone because I felt different from the other children and I feared that if we were together they would realize. And they would tell my mother,” Gabbana says.
Dolce and Gabbana have made controversial statements regarding the LGBT community in the past. In 2015, they called children of in vitro fertilization “children of chemistry, synthetic children. Uteruses for rent, semen chosen from a catalog.”
After Elton John and Ryan Murphy threatened to boycott the label, they apologized for their remark.
“I am so sorry. It was not my intention to offend anyone,” Dolce told Vogue. “I’ve done some soul-searching. I’ve talked to Stefano a lot about this. I’ve realized that my words were inappropriate, and I apologize. They are just kids.”
The fashion designers also came under fire for their decision to dress First Lady Melania Trump.
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The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)










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Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
