Arts & Entertainment
TV ready to unleash array of LGBT themes, characters
Prominent critics on their most-anticipated new shows

Several new gay-friendly television shows are on the way.
At the recent television critics press tour, there were many new gay-friendly television shows intriguing critics. The Los Angeles Blade’s Susan Hornik talked with LGBT journalists about their take on the new shows.
Trish Bendix, managing editor at INTO
Most excited about “VIDA,” from queer Latinx playwright-turned-TV writer Tanya Saracho. Not only does the show have an all Latinx writers room and Latinx actors, but the plotline and several major characters are LGBTQ. Rarely do we see Latinx leads on TV, and this is a Starz show which means it will be gritty, sexy and boundary-pushing.
Also, Alan Cumming-starrer “Instinct” will also be of interest, though I’m concerned with CBS’s not-so-great track record on LGBTQ inclusion. Still, having an out bisexual man playing a gay lead on a primetime network show is pretty exciting.
Jim Colucci, author of the 2016 New York Times best-seller ‘Golden Girls Forever’
The depictions of LGBT characters are more plentiful and more well-rounded than the days of “The Golden Girls,” which was a LGBT favorite at that time. Back then, the occasional guest character would be gay or lesbian or there would be a gay-themed joke — and certainly there was a gay sensibility about any show that starred a Broadway legend like Bea Arthur.
FX’s’ “Pose” is a recreation of the late ’80s Harlem drag ball era from the prolific gay TV mogul, Ryan Murphy. Trans portrayals are still in short supply on TV, but “Pose” brings us a wide variety of queer characters and it’s both fun and fearless.
Even on network TV, the most mainstream you can get in America’s entertainment universe, gay characters are now not just being accepted, but are featured as lead characters. I’m particularly looking forward to seeing more of NBC’s “Champions,” about the philandering owner of a Brooklyn gym who is suddenly presented with the son — half Indian-American and all fabulously gay — he never knew he had.
Other shows have featured gay teens before — memorably, “Glee,” again from Ryan Murphy — but I love how “Champions” capitalizes on the fabulousness of its funny and appealing teen actor, J.J. Totah. NBC’s drama “Rise,” set in the drama department of a working-class Pennsylvania high school, is worth checking out. Although in adapting their source material, the book, “Drama High” by Michael Sokolove, “Rise’s producers changed Josh Radnor’s lead character of drama teacher Lou to be straight rather than gay, the series does feature several students facing issues with being trans and coming out.
Even though I’m still wary of the change, I realize this series, set in the gayest-friendly of places a high school can offer, its drama department — has the chance to say something really interesting, meaningful and ultimately, entertaining.
John Griffiths, executive director, GALECA: the Society of LGBTQ Entertainment Critics
“Instinct,” with Alan Cumming as network TV’s first gay character to top an hour drama, should be a kick, given the star’s unique charms (and he was more than good on “The Good Wife”). Should be a cheeky kick — he tracks serial killers, teaches at a university and writes books (Whoopi Goldberg plays his editor). He also rides a motorcycle. How butch.
Curious to see how the new Paramount Network’s reboot of the Winona Ryder/Christian Slater cult classic “Heathers” turns out. In this series version of the teen-horror comedy, one of the three titular cliquish high school meanies happens to be gay. The snark is played by out newcomer Brendan Scannell, who, judging by the witty banter he tossed at the show’s TCA panel, has a serious future in comedy. Another potential standout here: Lilli Birdsell, hilarious in clips as the super-pert white mom to a black Heather (Jasmine Mathews).
It’s not rife with LGBTQ characters, but “American Woman” (also on Paramount, formerly Spike TV) with Alicia Silverstone has lots of allure. Silverstone was adorable in “Clueless,” sure, but also terrifically weird in the recent Colin Farrell/Nicole Kidman thriller, “The Killing of a Sacred Deer.”
And her role here — a dutiful wife and mom who ditches her cad of a husband to belatedly join the feminist movement in the early ‘70s — is irresistible. Gay heartthrob Cheyenne Jackson (“30 Rock”) co-stars as the love interest of Silverstone’s BFF, played by Mena Suvari. The show comes with an authentic vibe and cinematic look, surprising considering it’s created by “Real Housewives” fixture, Kyle Richards (it’s based, in fact, on her mom’s own life trajectory).
Steve Gidlow, TV, MediaVillage
In an age where all that is old is new again, it’s refreshing to see the upcoming new installments of ABCs “Roseanne” tackling a sensitive issue like gender fluidity. With Darlene back at home caring for Dan and Roseanne, her parents are faced with Darlene’s young son Mark (Ames McNamara) who his experimenting with his fashion style and outward appearance — all much to grandpa Dan’s chagrin.
Even in its heyday, “Roseanne” was never a show that shied away from big social issues so it’s refreshing this reboot is tackling the issue of letting a young person explore what makes them happy head on, even though it might make those closest to them less than comfortable.
Malcolm Venable, TVGuide.com, senior editor, West Coast
“Pose” — Only Ryan Murphy could sell a network on a story that juxtaposes the New York City ‘80s ballroom scene with the uptown upper crust elite of the Reagan era, while hiring a record number of trans talent in front of and behind the camera. It looks gorgeous and the first footage we saw at TCA included scenes that looked like note-for-note recreations of moments from “Paris Is Burning,” which — no joke — made my heart flutter.
“9-1-1”— Angela Bassett’s husband coming out to her as gay (in the first episode) but the high camp that Murphy’s team, Brad Falcuck, Tim Minear and the uber fierce Alexis Martin Woodhall (seriously Google her) put together. That translates to seeing the emergency response team, which includes Peter Krause, Aisha Hinds and Kenneth Choi.
“Versace” is essential television. Lush, vivid, intensely terrifying and relevant for its messages. Great performances from Judith Light, Penelope Cruz and Edgar Ramirez but Darren Criss is life-changing. And, surprise: don’t expect much Versace. It’s about Andrew Cunanan.
“2 Dope Queens” — Jessica Williams and Phoebe Robinson take their podcast to the stage for a limited-episode run on HBO. They’re authentic and revelatory to their experience as black women, but as the packed multi-cultural New York City audiences show, their stories are universal covering nerd life, boy troubles and of course Beyonce. It’s hilarious and they represent hard for their LGBTQ fam.
Arts & Entertainment
The very few queer highlights of the Oscars
Streisand’s live performance, a shocking tie, and more
LOS ANGELES — While Sunday’s Academy Awards saw the expected winners “One Battle After Another” and “Sinners” nab a collective 10 Oscars throughout the evening, dominating most of the major categories, there were a few moments for queer film fans to celebrate.
During the ceremony’s prolonged and emotional In Memoriam segment, which paid tribute to Robert Redford, Rob Reiner, and Catherine O’Hara, queer icon Barbra Streisand went on stage and gave a rare live performance of “The Way We Were” as a tribute to Redford, who died last September at the age of 83. Before singing, Streisand said, “Now, Bob had real backbone on and off the screen. He spoke up to defend freedom of the press, protect the environment, and encouraged new voices at his Sundance Institute — some of whom are up for Oscars tonight, which is so great. He was thoughtful and bold.”
Both “I Lied to You” from “Sinners” and “Golden” from “KPop Demon Hunters” were performed live; Alabama Shakes front woman Brittany Howard performed during the evening’s powerful rendition of “Sinners’” “pierce the veil” scene. “Golden” ended up winning the Best Original Song award.
One of the most shocking moments of the night arrived early on when Kumail Nanjiani presented the Best Live Action short category, which was a tie between “The Singers” and “Two People Exchanging Saliva” — only the seventh tie in Oscars history (one of which involved Streisand’s 1969 win for “Funny Girl”). The latter short, which is currently streaming on The New Yorker, is described as “a dystopian version of Paris where kissing is forbidden and purchases are made through small acts of violence” and follows the unexpected connection between two women.
When accepting the award, “Two People Exchanging Saliva” director and producer Natalie Musteata said: “Thank you to the Academy for supporting a film that is weird, and that is queer, and that is made by a majority of women!”
“One Battle After Another’s” editor, Andy Jurgensen (who collaborated with Paul Thomas Anderson on “Licorice Pizza” and “Phantom Thread”), kissed his husband before going on stage to accept his award for film editing. He said, “To my partner, Bill, who brings so much joy to my life every day.”
Overall, the 2026 award season did not feature many queer films or actors in the lineup, and that was reflected in both the Oscar nominees and eventual winners. Smaller award shows like the Gotham Awards and the Film Independent Spirit Awards provided opportunities for indies like “Sorry, Baby,” “Twinless,” and “Lurker” to get proper recognition. “One Battle After Another” won Best Picture and Best Director for Paul Thomas Anderson; “Sinners” star Michael B. Jordan won Best Actor; and “Hamnet’s” Jessie Buckley won Best Actress.
The annual fantasy, comics and science fiction convention Awesome Con was held at the Walter E. Washington Convention Center on March 13-15. Featured guests included openly gay actor, author and activist, George Takei. The convention included LGBTQ panels and a “Pride Alley” with LGBTQ-specific booths in the exhibit hall.
(Washington Blade photos by Michael Key)






















Ideally, spring is our season of renewal – personal, emotional, and social. Lucky for those in the DMV, there’s a lot of exhilarating new theater to help make it happen.
At Arena Stage, there’s still time to catch the world premiere production of “Chez Joey” (extended through March 22). Set around the 1940s Chicago jazz scene, this smart reboot of the Broadway classic “Pal Joey” effervesces with music by Rodgers and Hart and a terrific cast brimming with big talent (including Myles Frost, Awa Sal Secka, and out comedic actor Kevin Cahoon).
Also at Arena, is “Inherit the Wind” (through April 5), the extraordinarily timely work based on the real-life Scopes “Monkey” Trial. It’s a courtroom drama that pits two towering legal minds against each other in a small-town battle over science, religion, and the right to think. The large, talented cast includes Billy Eugene Jones, Dakin Matthews, and out actors Holly Twyford and Alyssa Keegan. Arenastage.org
La Pluma Theatre, a queer Latin company housed in Dupont Underground, presents “The Ladybird of Saint John” (April 6-12), a powerful story about two sisters navigating immigration, separation, and the fragile bonds of family. @laplumatheatre – Instagram
Great gay playwright Tennessee Williams’ “A Streetcar Named Desire” (April 20–May 4) is also coming to the Dupont Underground space. Directed by out actor/director Nick Westrate, the touring production of Williams’s classic work set in New Orlean’s steamy Vieux Carré is performed with neither set nor props. It focuses on the words. Lucy Owen and Brad Koed star as fragile Blanche Dubois and her brutal brother-in-law Stanley. Dupontunderground.org
Folger Theatre is serving up one of the Bard’s best comedies, “As You Like It” (through April 12). Staged by out director Timothy Douglas, Folger’s production “offers a love note to D.C., imbuing the forest of Arden with the familiar vibes, culture, and characters that mark the District as a singular, resilient, and redemptive place of belonging.” Folger.edu
As part of the country’s semi-quincentennial celebrations, Ford’s Theatre presents “1776” (through May 16), a Tony Award-winning musical about the Second Continental Congress’s struggle to adopt the Declaration of Independence in Philadelphia. Directed by Luis Salgado, the show features a large cast including queer talent like Tom Story, Jake Loewenthal, Jimmy Mavrikes, and Wood Van Meter. Fords.org
In Falls Church, Creative Cauldron presents “Twelve Dancing Princesses” (through March 29), a Learning Theater Production targeting both kids and adults. Adapted from a Brothers Grimm tale, the eerie story features Spanish language elements and original music by husbands Matt Conner and Stephen Gregory Smith. Creativecauldron.org
The National Theatre presents “Disney’s Beauty and the Beast” (March 18–April 5). This musical “tale as old as time” is a love story involving Belle, a cursed beast, and the arrogant and famously spurned Gaston played out actor Stephen Mark Lukas, a beauty in his own right. Broadwayatthenational.com
At Mosaic Theater Company, Michael Bahsil-Cook plays the titular activist/congressman in Psalmayene 24’s “Young John Lewis: Prodigy of Protest.” (March 26–May 3). Staged by Mosaic’s out artistic director Reginald L. Douglas, focuses on Lewis’s formative years of ages 18-28, revealing the budding humanity and heart of this mighty historic figure. Talented out actor Vaughn Ryan Midder plays legendary civil rights activist Medgar Evers and other parts. Mosaictheater.org
At Olney Theatre Center, it’s the anticipated area premiere of “Appropriate” (March 18–April 19). Penned by Tony Award-winning out playwright Branden Jacobs-Jenkins, the darkly comic work follows a dysfunctional white family that gathers on a plantation home to liquidate their late father’s estate where they uncover a dark history of racism.
Excellent area actors Kimberly Gilbert and Cody Nickell play siblings battling over possessions as well as their father’s shady legacy. Performed in Olney’s black box Mulitz-Gudelsky Theatre Lab, the company promises a unique staging of this important American play. Jason Loewith directs.
Also at Olney Theatre, celebrity chef and longtime queer ally Carla Hall debuts her one-woman show, “Carla Hall — Please Underestimate Me” (June 3–July 12). Olneytheatre.org
British imports are striding the boards at Shakespeare Theatre Company this spring. The first is “Hamnet” (March 17–April 12), the U.S. premiere of the Royal Shakespeare Company’s 2023 stage adaptation of Maggie O’Farrell’s best-selling novel about the life of Shakespeare’s wife, Agnes, and the death of their son.
And then it’s “Eddie Izzard in the Tragedy of Hamlet” (March 27–April 11), a one-woman show in which the British comedian takes on 23 characters in a unique re-telling of the renowned work. Shakespearetheatre.org
Woolly Mammoth Theatre presents “Travesty” (March 24–April 12). Created and performed by gender fluid drag performer Sasha Velour, the one-person show is part performance art, part history, and part call to action.
Also at Woolly, out actor Justin Weaks stars in his solo piece “A Fine Madness” (June 2–21), in which the Helen Hayes Award-winning actor shares his personal experience as a Black gay man receiving a positive HIV diagnosis. Woollymammoth.net
Spring at Studio Theatre is Rachel Bonds’ “Jonah” (through April 19), an exploration of a woman’s life through relationships with three men. Directed by Taylor Reynolds, the young five-person cast includes Rohan Maletira in the title role and Ismena Mendes as Ana. Mendes is an accomplished stage and screen actor whose described as bisexual/queer in her IMBD bio. Studiotheatre.org
In Arlington, Signature Theatre’s out artistic director Matthew Gardiner stages “Pippin” (May 12–July 26), Stephen Schwartz’s musical about a young prince searching for a terrific life guided by a theatrical troupe. The original 1972 production featured stars like Ben Vereen and Irene Ryan (best known as TV’s Granny Clampett). Signature’s production’s big names have yet to be shared. Sigtheatre.org
Exciting stuff ahead.
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