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TV ready to unleash array of LGBT themes, characters

Prominent critics on their most-anticipated new shows

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gay-friendly television shows, gay news, Washington Blade

Several new gay-friendly television shows are on the way.

At the recent television critics press tour, there were many new gay-friendly television shows intriguing critics. The Los Angeles Blade’s Susan Hornik talked with LGBT journalists about their take on the new shows.

Trish Bendix, managing editor at INTO

Most excited about “VIDA,” from queer Latinx playwright-turned-TV writer Tanya Saracho. Not only does the show have an all Latinx writers room and Latinx actors, but the plotline and several major characters are LGBTQ. Rarely do we see Latinx leads on TV, and this is a Starz show which means it will be gritty, sexy and boundary-pushing.
Also, Alan Cumming-starrer “Instinct” will also be of interest, though I’m concerned with CBS’s not-so-great track record on LGBTQ inclusion. Still, having an out bisexual man playing a gay lead on a primetime network show is pretty exciting.

Jim Colucci, author of the 2016 New York Times best-seller ‘Golden Girls Forever’

The depictions of LGBT characters are more plentiful and more well-rounded than the days of “The Golden Girls,” which was a LGBT favorite at that time. Back then, the occasional guest character would be gay or lesbian or there would be a gay-themed joke — and certainly there was a gay sensibility about any show that starred a Broadway legend like Bea Arthur.

FX’s’ “Pose” is a recreation of the late ’80s Harlem drag ball era from the prolific gay TV mogul, Ryan Murphy. Trans portrayals are still in short supply on TV, but “Pose” brings us a wide variety of queer characters and it’s both fun and fearless. 

Even on network TV, the most mainstream you can get in America’s entertainment universe, gay characters are now not just being accepted, but are featured as lead characters. I’m particularly looking forward to seeing more of NBC’s “Champions,” about the philandering owner of a Brooklyn gym who is suddenly presented with the son — half Indian-American and all fabulously gay — he never knew he had. 

Other shows have featured gay teens before — memorably, “Glee,” again from Ryan Murphy — but I love how “Champions” capitalizes on the fabulousness of its funny and appealing teen actor, J.J. Totah. NBC’s drama “Rise,” set in the drama department of a working-class Pennsylvania high school, is worth checking out. Although in adapting their source material, the book, “Drama High” by Michael Sokolove, “Rise’s producers changed Josh Radnor’s lead character of drama teacher Lou to be straight rather than gay, the series does feature several students facing issues with being trans and coming out.

Even though I’m still wary of the change, I realize this series, set in the gayest-friendly of places a high school can offer, its drama department — has the chance to say something really interesting, meaningful and ultimately, entertaining.

John Griffiths, executive director, GALECA: the Society of LGBTQ Entertainment Critics

“Instinct,” with Alan Cumming as network TV’s first gay character to top an hour drama, should be a kick, given the star’s unique charms (and he was more than good on “The Good Wife”). Should be a cheeky kick — he tracks serial killers, teaches at a university and writes books (Whoopi Goldberg plays his editor). He also rides a motorcycle. How butch.

Curious to see how the new Paramount Network’s reboot of the Winona Ryder/Christian Slater cult classic “Heathers” turns out. In this series version of the teen-horror comedy, one of the three titular cliquish high school meanies happens to be gay. The snark is played by out newcomer Brendan Scannell, who, judging by the witty banter he tossed at the show’s TCA panel, has a serious future in comedy. Another potential standout here: Lilli Birdsell, hilarious in clips as the super-pert white mom to a black Heather (Jasmine Mathews). 

It’s not rife with LGBTQ characters, but “American Woman” (also on Paramount, formerly Spike TV) with Alicia Silverstone has lots of allure. Silverstone was adorable in “Clueless,” sure, but also terrifically weird in the recent Colin Farrell/Nicole Kidman thriller, “The Killing of a Sacred Deer.”

And her role here — a dutiful wife and mom who ditches her cad of a husband to belatedly join the feminist movement in the early ‘70s — is irresistible. Gay heartthrob Cheyenne Jackson (“30 Rock”) co-stars as the love interest of Silverstone’s BFF, played by Mena Suvari. The show comes with an authentic vibe and cinematic look, surprising considering it’s created by “Real Housewives” fixture, Kyle Richards (it’s based, in fact, on her mom’s own life trajectory).

Steve Gidlow, TV, MediaVillage

In an age where all that is old is new again, it’s refreshing to see the upcoming new installments of ABCs “Roseanne” tackling a sensitive issue like gender fluidity. With Darlene back at home caring for Dan and Roseanne, her parents are faced with Darlene’s young son Mark (Ames McNamara) who his experimenting with his fashion style and outward appearance — all much to grandpa Dan’s chagrin.

Even in its heyday, “Roseanne” was never a show that shied away from big social issues so it’s refreshing this reboot is tackling the issue of letting a young person explore what makes them happy head on, even though it might make those closest to them less than comfortable.

Malcolm Venable, TVGuide.com, senior editor, West Coast

“Pose” — Only Ryan Murphy could sell a network on a story that juxtaposes the New York City ‘80s ballroom scene with the uptown upper crust elite of the Reagan era, while hiring a record number of trans talent in front of and behind the camera. It looks gorgeous and the first footage we saw at TCA included scenes that looked like note-for-note recreations of moments from “Paris Is Burning,” which — no joke — made my heart flutter.

“9-1-1”— Angela Bassett’s husband coming out to her as gay (in the first episode) but the high camp that Murphy’s team, Brad Falcuck, Tim Minear and the uber fierce Alexis Martin Woodhall (seriously Google her) put together. That translates to seeing the emergency response team, which includes Peter Krause, Aisha Hinds and Kenneth Choi.

“Versace” is essential television. Lush, vivid, intensely terrifying and relevant for its messages. Great performances from Judith Light, Penelope Cruz and Edgar Ramirez but Darren Criss is life-changing. And, surprise: don’t expect much Versace. It’s about Andrew Cunanan.
“2 Dope Queens” — Jessica Williams and Phoebe Robinson take their podcast to the stage for a limited-episode run on HBO. They’re authentic and revelatory to their experience as black women, but as the packed multi-cultural New York City audiences show, their stories are universal covering nerd life, boy troubles and of course Beyonce. It’s hilarious and they represent hard for their LGBTQ fam.

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PHOTOS: ‘Studio 69’

Glitterati Productions hold party at Bunker

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'Studio 69' was held at Bunker on Friday. (Washington Blade photo by Michael Key)

Glitterati Productions held the “Studio 69” party at Bunker on Friday, May 8.

(Washington Blade photos by Michael Key)

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Arts & Entertainment

Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week

Pride on the Pier officially launches Pride Week in D.C.

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The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.

Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.

“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”

Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip

Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.

Event Details:

📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026 

⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP

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Theater

National tour of ‘Gatsby’ comes to National Theatre

Out actor Edward Staudenmayer talks playing the show’s gangster

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Edward Staudenmayer plays Meyer Wolfsheim in ‘The Great Gatsby.’ (Photo courtesy National Theatre)

‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com

Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read. 

Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan. 

It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”  

Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24). 

While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater. 

WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?

EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”]. 

There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball. 

BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life. 

STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].

BLADE: When did the 1925 novel first surface on your radar? 

STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel. 

Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students. 

BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?

STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.  

Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel. 

BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?

STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer. 

BLADE: Have you had to do that in your career?

STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy. 

It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.

BLADE: What was your coming of age like?

STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating. 

BLADE: Did he live to see your success in theater?

STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close. 

BLADE: Looking ahead, is there a part you’d especially like to play?

STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time. 

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