Arts & Entertainment
TV ready to unleash array of LGBT themes, characters
Prominent critics on their most-anticipated new shows

Several new gay-friendly television shows are on the way.
At the recent television critics press tour, there were many new gay-friendly television shows intriguing critics. The Los Angeles Blade’s Susan Hornik talked with LGBT journalists about their take on the new shows.
Trish Bendix, managing editor at INTO
Most excited about “VIDA,” from queer Latinx playwright-turned-TV writer Tanya Saracho. Not only does the show have an all Latinx writers room and Latinx actors, but the plotline and several major characters are LGBTQ. Rarely do we see Latinx leads on TV, and this is a Starz show which means it will be gritty, sexy and boundary-pushing.
Also, Alan Cumming-starrer “Instinct” will also be of interest, though I’m concerned with CBS’s not-so-great track record on LGBTQ inclusion. Still, having an out bisexual man playing a gay lead on a primetime network show is pretty exciting.
Jim Colucci, author of the 2016 New York Times best-seller ‘Golden Girls Forever’
The depictions of LGBT characters are more plentiful and more well-rounded than the days of “The Golden Girls,” which was a LGBT favorite at that time. Back then, the occasional guest character would be gay or lesbian or there would be a gay-themed joke — and certainly there was a gay sensibility about any show that starred a Broadway legend like Bea Arthur.
FX’s’ “Pose” is a recreation of the late ’80s Harlem drag ball era from the prolific gay TV mogul, Ryan Murphy. Trans portrayals are still in short supply on TV, but “Pose” brings us a wide variety of queer characters and it’s both fun and fearless.
Even on network TV, the most mainstream you can get in America’s entertainment universe, gay characters are now not just being accepted, but are featured as lead characters. I’m particularly looking forward to seeing more of NBC’s “Champions,” about the philandering owner of a Brooklyn gym who is suddenly presented with the son — half Indian-American and all fabulously gay — he never knew he had.
Other shows have featured gay teens before — memorably, “Glee,” again from Ryan Murphy — but I love how “Champions” capitalizes on the fabulousness of its funny and appealing teen actor, J.J. Totah. NBC’s drama “Rise,” set in the drama department of a working-class Pennsylvania high school, is worth checking out. Although in adapting their source material, the book, “Drama High” by Michael Sokolove, “Rise’s producers changed Josh Radnor’s lead character of drama teacher Lou to be straight rather than gay, the series does feature several students facing issues with being trans and coming out.
Even though I’m still wary of the change, I realize this series, set in the gayest-friendly of places a high school can offer, its drama department — has the chance to say something really interesting, meaningful and ultimately, entertaining.
John Griffiths, executive director, GALECA: the Society of LGBTQ Entertainment Critics
“Instinct,” with Alan Cumming as network TV’s first gay character to top an hour drama, should be a kick, given the star’s unique charms (and he was more than good on “The Good Wife”). Should be a cheeky kick — he tracks serial killers, teaches at a university and writes books (Whoopi Goldberg plays his editor). He also rides a motorcycle. How butch.
Curious to see how the new Paramount Network’s reboot of the Winona Ryder/Christian Slater cult classic “Heathers” turns out. In this series version of the teen-horror comedy, one of the three titular cliquish high school meanies happens to be gay. The snark is played by out newcomer Brendan Scannell, who, judging by the witty banter he tossed at the show’s TCA panel, has a serious future in comedy. Another potential standout here: Lilli Birdsell, hilarious in clips as the super-pert white mom to a black Heather (Jasmine Mathews).
It’s not rife with LGBTQ characters, but “American Woman” (also on Paramount, formerly Spike TV) with Alicia Silverstone has lots of allure. Silverstone was adorable in “Clueless,” sure, but also terrifically weird in the recent Colin Farrell/Nicole Kidman thriller, “The Killing of a Sacred Deer.”
And her role here — a dutiful wife and mom who ditches her cad of a husband to belatedly join the feminist movement in the early ‘70s — is irresistible. Gay heartthrob Cheyenne Jackson (“30 Rock”) co-stars as the love interest of Silverstone’s BFF, played by Mena Suvari. The show comes with an authentic vibe and cinematic look, surprising considering it’s created by “Real Housewives” fixture, Kyle Richards (it’s based, in fact, on her mom’s own life trajectory).
Steve Gidlow, TV, MediaVillage
In an age where all that is old is new again, it’s refreshing to see the upcoming new installments of ABCs “Roseanne” tackling a sensitive issue like gender fluidity. With Darlene back at home caring for Dan and Roseanne, her parents are faced with Darlene’s young son Mark (Ames McNamara) who his experimenting with his fashion style and outward appearance — all much to grandpa Dan’s chagrin.
Even in its heyday, “Roseanne” was never a show that shied away from big social issues so it’s refreshing this reboot is tackling the issue of letting a young person explore what makes them happy head on, even though it might make those closest to them less than comfortable.
Malcolm Venable, TVGuide.com, senior editor, West Coast
“Pose” — Only Ryan Murphy could sell a network on a story that juxtaposes the New York City ‘80s ballroom scene with the uptown upper crust elite of the Reagan era, while hiring a record number of trans talent in front of and behind the camera. It looks gorgeous and the first footage we saw at TCA included scenes that looked like note-for-note recreations of moments from “Paris Is Burning,” which — no joke — made my heart flutter.
“9-1-1”— Angela Bassett’s husband coming out to her as gay (in the first episode) but the high camp that Murphy’s team, Brad Falcuck, Tim Minear and the uber fierce Alexis Martin Woodhall (seriously Google her) put together. That translates to seeing the emergency response team, which includes Peter Krause, Aisha Hinds and Kenneth Choi.
“Versace” is essential television. Lush, vivid, intensely terrifying and relevant for its messages. Great performances from Judith Light, Penelope Cruz and Edgar Ramirez but Darren Criss is life-changing. And, surprise: don’t expect much Versace. It’s about Andrew Cunanan.
“2 Dope Queens” — Jessica Williams and Phoebe Robinson take their podcast to the stage for a limited-episode run on HBO. They’re authentic and revelatory to their experience as black women, but as the packed multi-cultural New York City audiences show, their stories are universal covering nerd life, boy troubles and of course Beyonce. It’s hilarious and they represent hard for their LGBTQ fam.
Out & About
Plan your wedding the LGBTQ way
Washington D.C. LGBTQ+ Wedding Expo scheduled for Sunday
Rainbow Wedding Network will host “Washington D.C. LGBTQ+ Wedding Expo” on Sunday, March 1 at 12:30 p.m.
Guests can meet and mingle with a curated selection of LGBTQ-welcoming wedding professionals from across the region, each ready to help bring your vision to life, and spend a beautiful afternoon exploring everything they need to create a celebration that reflects them.
There will be a relaxed, self-guided look at the Watergate’s spaces and amenities, savor signature cocktails and delicious tasting samples, and connect with other couples who are on the same journey.
Visit Eventbrite to reserve a spot.
Friday, February 27
Center Aging Monthly Luncheon With Yoga and Drag Bingo will be at 12 p.m. at the DC Center for the LGBT Community. Email Mac at [email protected] if you require ASL interpreter assistance, have any dietary restrictions, or questions about this event.
Go Gay DC will host “LGBTQ+ Community Happy Hour Meetup” at 7 p.m. at Freddie’s Beach Bar and Restaurant. This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite.
Trans Discussion Group will be at 7 p.m. on Zoom. This group is intended to provide an emotionally and physically safe space for trans people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected].
Saturday, February 28
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. It’s more than just an event; it’s an opportunity to step away from the busyness of life and invest in something meaningful, and enjoy delicious food, genuine laughter, and conversations that spark connection and inspiration. For more details, visit the Center’s website.
Black Lesbian Support Group will be at 1 p.m. on Zoom. This is a peer-led support group devoted to the joys and challenges of being a Black lesbian. You do not need to be a member of the Beta Kappa Chapter or the Beta Phi Omega Sorority in order to join, but they do ask that you either identify as a lesbian or are questioning that aspect of your identity.Send an email to [email protected] to receive the zoom link.
Sunday, March 1
LGBTQ+ Community Coffee and Conversation will be at 12 p.m. at As You Are. This event is for people looking to make more friends and meaningful connections in the LGBTQ community. Attendance is free and more details are available on Eventbrite.
Monday, March 2
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Tuesday, March 3
Universal Pride Meeting will be at 7 p.m. on Zoom. This group seeks to support, educate, empower, and create change for people with disabilities. For more details, email [email protected].
Wednesday, March 4
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit www.thedccenter.org/careers.
Center Aging Women’s Social and Discussion Group will be at 6 p.m. on Zoom. This group is a place where older LGBTQ+ women can meet and socialize with one another. There will be discussion, activities, and a chance for guests to share what they want future events to include. For more information, email [email protected].
Thursday, March 5
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breathwork and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
a&e features
Transmission DC breathes new life into a storied sound space
A fresh home for boundary-pushing culture on H Street
Late last year, phoenix-style, a fresh home for boundary-pushing culture arose on the H Street corridor. Transmission DC – a queer, trans, and POC-owned, operated, and centered community-focused venue – powered on in the former home to the Rock & Roll Hotel (famously, not a hotel, but very much rock & roll). Transmission (1353 H St., N.E.) arrives secure in its mandate – or even birthright – to provide a place to celebrate creativity and music through a lens of inclusivity and respect.
Transmission’s team brings experience, but also representation. Owners/partners Kabir Khanna (who is also programming director), Katii B, Ellie McDyre, and Kelli Kerrigan together previously managed 618 productions, a venue in Chinatown, crafting “some of D.C.’s freakiest parties, raves, and mosh pits” they note.
They packed up operations last fall to a space curated specifically for D.C.’s underground music and culture scene, building their efforts in Chinatown to bring in more fans in queer and POC circles.
Transmission, Khanna points out, is built on DIY values. In the music scene, DIY means that promoters and organizers – often disconnected from the mainstream and part of marginalized communities – build shows and programs collaboratively, but independently from institutions, supporting each other as smaller, independent venues close. Here, Transmission aims to ensure that those putting together these underground inclusive shows have a more permanent and stable home, can have access to resources, and can provide more sustainable income to artists. “We’re trying to get more people to support and enjoy the music, and also give artists and organizers within the DIY community more structure and a larger cut,” says Khanna.
Khanna also notes that Transmission operates “under the principles of safety, inclusivity, and respect.” McDyre added that even at venues that claim inclusivity, that statement might not take place in practice. We’re “not just pitting up a rainbow flag,” says McDyre, but as some of the owners are trans and POC, audiences can see themselves reflected at the top.
Much like the DIY nature of the music community, the Transmission owners brought a DIY ethos to turning around their space.
In March 2020 – the height of COVID lockdowns – Rock & Roll Hotel suddenly shuttered, though not due to the pandemic; instead, the venue claimed that decreasing sales and increasing competition led to the closure. For 14 years, it was the central spot for cheap beer and lesser-known and celebrated acts. The space stood vacant for more than five years, until Transmission turned the power back on.
“When we got into the space, it was effectively abandoned for years,” says Khanna. “There was a ton of mold, and paint primer covering all surfaces. It was nearly falling apart.” Khanna noted that many music venues like this one, regardless of how well it was maintained, “get the shit kicked out of it,” given the nature of shows. The team called in mold removal contractors, ripped up most of the floorboards, and started fresh.
Transmission’s first floor is styled as a stripped-down black box: the better to take in the music. “It’s minimal on purpose to act as a canvas for set design and music,” without a specific aesthetic, says Khanna. Moving upstairs, the second floor has been opened up, removing some walls, and now has a larger dance area than the first floor. Beyond the first two performance levels, and a holdover from Rock & Roll Hotel, is the rooftop. Though without a stage, the rooftop space is filled with murals splashed across the walls, with a full bar. Transmission’s current capacity is 496, but the team is looking to grow that number. Transmission will also leverage the full kitchen that Rock & Roll Hotel operated, bringing in Third Hand Kitchen to offer a variety of food, including vegan and vegetarian options.
Khanna pointed out an upcoming show reflective of Transmission’s inclusive ethos: Black Techo Matters on Feb. 27. The event is set to be “a dynamic, collaborative night of underground electronic music celebrating Black History Month.” Khanna says that techno came from Black music origins, and this event will celebrate this genesis with a host of artists, including DJ Stingray 313, Carlos Souffront, and Femanyst.
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