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LGBT representation strong at 90th annual Academy Awards

Screenwriter James Ivory accepts ‘Call Me By Your Name’ award; ‘Fantastic Woman’ wins foreign language prize

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DANIELA VEGA at the Academy Awards Sunday night. (screen capture courtesy ABC)

Despite a bloated presentation that clocked in at almost four hours, the telecast of the 90th Academy Awards had some spectacular moments, especially for LGBT movie fans.

The big moment came when “A Fantastic Woman” won the award for Best Foreign Language Film, the first Oscar win for he country of Chile. Directed by Sebastián Leilo, the movie centers on Marina Vidal (Daniela Vega), a trans woman who is kicked out of her apartment when her boyfriend suddenly dies. Vega’s moving performance marked a cinematic milestone—a trans woman being payed by a trans actress in a mainstream movie.

The award was presented by veteran actress and LGBT icon Rita Moreno (now appearing in the Netflix reboot of the classic sitcom “One Day at a Time” which now features a lesbian character and is set in a Cuban-American household). In the most fabulous entrance of the evening, Moreno strutted to the microphone wearing the same dress she wore to accept her Academy Award for “West Side Story.”

Vega made even more cinematic history when she became the first openly trans person to be a presenter on the Oscar stage (appropriately enough, she introduced Sufjan Steven’s performance of his song “The Mystery of Love” from “Call Me By Your Name”). She acknowledged the importance of her appearance on the Oscar stage, saying, “Thank you so much for this moment.” She also encouraged the audience to “open your heart to love.”

Sadly, the trans director Yance Ford did not win for his documentary “Strong Island.”

Openly gay screenwriter James Ivory (“Maurice”) also made Oscar history when he accepted the prize for Best Adapted Screenplay for “Call Me By Your Name,” the only award for the film. The 89-year old Ivory became the oldest person to win an Academy Award. In a touching speech he mentioned his late collaborators Ismail Merchant (who was also his life partner) and Ruth Prawer Jhabvala.

In another noteworthy development, after Disney’s “Coco” won the award for Best Animated Feature, no one commented when two members of the creative team (producer Darla K. Anderson and co-writer and co-director Adrian Molina) thanked their same-sex spouses. In the past, such declarations of LGBT love would have made headlines.

In addition, “Coco” director Lee Unkrich underscored a major theme of the evening when he said, “Marginalized people deserve to feel like they belong. Representation matters!”

Perhaps this means Tio Oscar and Tio Felipe were a gay couple after all.

“Coco’s” lovely ballad “Remember Me” took home the Oscar for Best Original Song, beating out the power ballad “This Is Me” from “The Greatest Showman” written by the gay-straight duo of Benj Pasek and Justin Paul. During the ceremony, “This Is Me” (which will undoubtedly be performed at every Pride celebration this summer) was given a powerhouse performance by cast member Keala Settle. Settle also appeared in a commercial for Walmart that was actually part of the ceremony.

“The Shape of Water,” a queer celebration of community and resistance, was nominated for 13 Oscars (the most nominations this year) and won four: Best Picture, Best Director (Guillermo del Toro), Best Score for Alexandre Desplat and Best Production Design. Richard Jenkins, who played the heroine’s next-door neighbor and gay best friend did not win, nor did his co-stars Octavia Spencer and Sally Hawkins.

While the creative team behind “The Shape of Water” gathered the most statues, no movie dominated the evening. “Dunkirk,” “The Darkest Hour” and “Blade Runner 2049” won several of the design awards (and Gary Oldman won Best Actor for his portrayal of Winston Churchill in “The Darkest Hour”). Not surprisingly, Mark Bridges won Best Costume Design for his sumptuous couture designs in “Phantom Thread.”

And in an unexpected moment, a very surprised Jordan Peele won Best Original Screenplay for his powerful horror film, “Get Out.”

ARMIE HAMMER and TIMOTHEE CHALAMET at the Academy Awards Sunday night. (screen capture courtesy ABC)

“Three Billboards Outside Ebbing, Missouri” won acting honors for Frances McDormand (Best Actress) and Sam Rockwell (Best Supporting Actor). McDormand’s acceptance speech was a call to action. She asked all the women in the audience to stand and be recognized and she called on everyone to demand “inclusion riders” in their contracts. (Inclusion riders are clauses that require that film crews meet minimum diversity standards to retain the services of the artist.)

Several major movies surprisingly went home empty-handed, including: “Lady Bird,” “The Post” and “Mudbound,” which was directed by the ground-breaking Dee Rees, an out black lesbian.

In what may have been the funniest moment of the very long telecast filled with lame jokes, Mark Bridges (Best Costume Design) won the Jet Ski that host Jimmy Kimmel promised to the winner who gave the shortest acceptance speech, Bridges cam in at 38 seconds.

A full list of winners is here.

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Out & About

Celebrate the Fourth of July the gay way!

LGBTQ events planned for Friday

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(Washington Blade photo by Michael Key)

The Rainbow History Project will host “Pickets, Protests and Parade Exhibit Tour” at 7 p.m. at Freedom Plaza. This event honors the courage, resilience and resistance of D.C.’s gay community. For more details, visit Eventbrite

Go Gay DC will host “LGBTQ Community Social” at 7 p.m. at Hyatt Centric Arlington (1325 Wilson Blvd.). This fun event is ideal for meeting new people and community building. Attendance is free and more details are available on Eventbrite

Xavier Entertainment DC will host “Cowboy Carter Afterparty” at 10 p.m. at Nellie’s Sports Bar. There will be fireworks, parades, and patriotic fun. For more details, visit Eventbrite

Mezcal Amaras will host “Sha Boing Boing Showdown” at 6 p.m. at Snappy’s Small Bar (3917 Georgia Ave., N.W.). Get ready to test your hotdog eating abilities. Tickets start at $12.51 and can be purchased on Eventbrite

Illusions Drag Queen Show will host “Drag Queen Dinner Show” at 7 p.m. at 2323 18th St. N.W. Guests will be treated to the very best celebrity drag impersonations in entertainment. Tickets start at $12.97 and are available on Eventbrite

Thurst Lounge will host “A Thirsty Cowboy Afterparty” at 5 p.m. DJ Apollo will be performing. For more details, visit Thurst’s website

9:30 Club will host “Gimme Gimme Disco: A Dance Party Inspired by ABBA” at 9 p.m. The DJ will play plenty of disco hits from the 70s and 80s. Tickets cost $45.30 and can be purchased on Ticketmaster.

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Doug Spearman takes his chance

‘Noah’s Arc: The Movie’ debuted on Paramount+ last month

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(Photo courtesy of Paramount+)

There’s no question that when Patrik-Ian Polk’s series “Noah’s Arc” premiered on Logo 20 years ago, it was a groundbreaking creation. The story of a group of Black gay men and their wonderful friendship. The titular arc was that of the cute main character, Noah (Darryl Stephens), and his close-knit circle of friends, including Chance played by gay actor Doug Spearman. This compelling and loving fraternity may, in fact, be what brought viewers back repeatedly, including a 2008 movie, “Noah’s Arc: Jumping the Broom,” as well as the 2020 “Noah’s Arc” short, and now, a new full-length feature “Noah’s Arc: The Movie,” debuting on Paramount+ on June 20. In the movie, filled with equal measures of laughs and tears, Chance, who has faced a devastating loss, finds his dependable friends there, ready to support and comfort him at a moment’s notice. I had the pleasure of speaking with Spearman the morning of the streaming premiere of “Noah’s Arc: The Movie.”

WASHINGTON BLADE: Doug, since the early 2000s, when the “Noah’s Arc” series premiered on Logo, you have been playing the character of Chance, including in the latest installment, “Noah’s Arc: The Movie.” What was it about Chance that appealed to you as an actor?

SPEARMAN: When Patrik (-Ian Polk) called me to ask me to play him (Chance), I was at JFK airport in the baggage claim, waiting for a suitcase. He explained what the part was. The thing that stuck out to me was the fact that Chance was in a long-term relationship with another Black man. And, they had a child; they had a 4-year-old daughter named Kenya. I had never seen two Black gay men raise a child on TV before. I thought it was the most revolutionary thing I’d ever seen. I immediately thought I’ve got to do this because that was something nobody had seen. I thought it was incredibly important to take the part.

BLADE: “Noah’s Arc: The Movie” was, once again, written and directed by Patrik-Ian Polk, who you just mentioned, is the creator of the entire franchise. What’s the secret to your long-standing working relationship?

SPEARMAN: [Laughs] the whole team, all of us, are like a band of brothers. We fight like brothers, we come together like brothers, we hash things out, we talk, because we’re all very different from our characters. I think the challenge of playing these guys and then uplifting these men, playing a part, especially something written by Patrik, is like solving a math equation. There’s always a challenge that’s enjoyable for me as an actor: to try to find out what it is that Patrik wants, and then how do I do it.

BLADE: I think you do a very good job of it.

SPEARMAN: Thank you very much

BLADE: In the years between “Jumping the Broom” and the new full-length movie, many changes have occurred, and the story addresses some of them, including gay widowhood, which is something that the aging community is now confronting, as well as mental health issues. Please say a few words about how you approached those subjects in the new movie.

SPEARMAN: I had a lot of loss in my life, right before we started shooting. Two months before we started shooting the first series, my mother died. I was going through the grief process through that whole first season. Since then, I’ve lost a lot of people in my life. In fact, when we started shooting the second season, the second week we were shooting, my ex died of a heart attack. I was having to fold that into what I was doing with my life on the set and off the set. You’ve got to show up and you’ve got to do your work. The first two seasons of “Noah’s Arc” are always tinged with the memory of grief. So, when I had to deal with the death that Chance faces (in the new movie), which is a significant death in his life, it wasn’t that hard to reach back, especially the scene in the graveyard. It was something that I unfortunately could pull from personal experience.

BLADE: Shifting gears, the movie features delightful cast surprises, including Jasmine Guy and TS Madison. Did you have a chance to interact with either or both when they were on set?

SPEARMAN: No, I didn’t have any scenes with Jasmine, and I missed her. I wish I had gotten to see her because I actually got to direct Jasmine for a CBS promo shoot for “Queen,” back in the early ‘90s. I had a huge crush on her when she was on “A Different World.” So, I really would have liked to reconnect. But TS and I got to see each other every day because I was in all her scenes. It was extraordinary being around somebody like that. That is one outspoken woman!

BLADE: Even though Beyoncé never makes an appearance in the movie, there’s a lot of talk about her. Would you say you are a Beyoncé fan?

SPEARMAN: Yes! I’m breathing! Yes, I’m a Beyoncé fan. I actually got the chance to meet her. I knew her mom. Her mom was extraordinary to me. She is in the second movie I directed. She also gave us a wedding gown to use in the very first scene of the movie. That family is extraordinarily important to me. Not only just to be a fan, but to be somebody who’s gotten to know them and work with them and see how hard they work. I don’t think anybody works as hard as Tina or Beyoncé.

BLADE: There was a recent news item about gay actor Benito Skinner of the Amazon Prime series “Overcompensating” being told not to bother auditioning for straight roles. As an out actor yourself, how important do you think it is for queer characters to be portrayed by queer actors, and vice versa?

SPEARMAN: Being queer is a multifaceted identity. There’s no one kind of queer person. I think finding the best actor that’s your first circle of casting. I think one of the joys about being an actor is that you get to play different parts. I play straight guys all the time. Dads and husbands and things like that. I think a lot of people are told not to do it. In fact, I wouldn’t be Chance if the actor who was originally cast as Chance hadn’t been pulled out of the series by his agents because they didn’t want him to play a gay character.

BLADE: That’s amazing! Thank you for sharing that. Without giving away too much, the ending of the movie is a little ambiguous, even ending with a question mark. If there was a “Noah’s Arc: The Movie” sequel, would you come back for that?

SPEARMAN: Yeah! A lot of it would depend on what Chance’s journey is going to be like. Patrik and I have conversations like that all the time. He’s very interested and supportive of input. I hope I would be, as we all would be, part of the creative growth with these characters. They live in Patrik’s head, and he writes them, but we’re the ones who have to flesh them out. It’s a conversation, it’s always a conversation.

BLADE: You are currently performing in Molière’s “The Imaginary Invalid” as part of the New Orleans Shakespeare Festival at Tulane. What has this experience been like for you?

SPEARMAN: It’s extraordinary! I started on stage when I was seven. There’s nothing like working with a live audience and having that immediacy. I’m working with an extraordinarily talented cast in a really great play, and I have some of the best scene partners I could ever want.

BLADE: Are there any upcoming film or TV projects you’d like to mention?

SPEARMAN: I’m still a writer, and I’m still a director, and I’ve still got scripts that I would like to make. I have a little something that’s a cross between “Treme” and “Bridgerton” that I want to do. I’m always trying to figure out what the next thing is.

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PHOTOS: Montgomery County Pride in the Plaza

LGBTQ celebration held in downtown Silver Spring

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Montgomery County Pride in the Plaza included the live 'LIYT Nights & Drag Duels!' season finale. (Washington Blade photo by Michael Key)

Montgomery County Pride in the Plaza was held on Sunday, June 29 at Veterans Plaza in Silver Spring, Md.

(Washington Blade photos by Michael Key)

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