Arts & Entertainment
National Cannabis Festival returns for 4/20 weekend
Annual concert/summit offers LGBT-inclusive education, music and more


Last year’s National Cannabis Festival in Washington. (Photo courtesy NCF)
National Cannabis Festival
Saturday, April 21
Noon-8 p.m.
RFK Stadium
2400 E Capitol St., S.E.
$42-90
The National Cannabis Festival plans to bring music, education and good vibes to RFK Stadium with plenty of LGBT support.
The festival was the brainchild of Caroline Phillips who envisioned a cannabis event that was more affordable than the typical cannabis trade show. Phillips also wanted a space for people to learn about advocacy groups that have worked toward the legalization of cannabis nationwide for decades. In 2015, the inaugural National Cannabis Festival, founded and executive produced by Phillips, welcomed an estimated 5,000 attendees for its all-day event that included a concert from De La Soul.
This year marks the festival’s third annual event, which is expected to bring in an estimated 10,000 attendees for music, games, contests, food and education sessions.
Legendary hip hop group Cypress Hill will headline the all-day concert, which will include performances from reggae artist See-I and newcomer Beau Young Prince. Local artists will also take the stage including go-go band Backyard Band, DJ Ayes Cold, indie-soul band Oh He Dead, Names and Marlee. Samy K and Reesa Renee will host the concert.
For attendees more interested in policy, the festival also hosts the National Cannabis Policy Summit on Friday, April 20 at the Newseum (555 Pennsylvania Ave., N.W.). There will be speakers and panels such as “All the Buzz: How Does Media Portrayal Impact the Future of Cannabis?,” “The Exit Drug: Can Medical Cannabis End the Narcotics Epidemic?” and more. Registration is free.
Laila Makled was running the D.C. chapter of Women Grow, a women’s business cannabis networking organization, when she was introduced to Phillips. Interested in further pursuing a career in cannabis advocacy, Makled came on board as co-chair of the National Cannabis Festival Advocacy Committee. Makled says that throughout the festival there will be speeches from activists and leaders including Congresswoman Eleanor Holmes Norton (D-District of Columbia), D.C. Council member At-Large Robert C. White Jr., Maryland Del. David Moon and Congresswoman Tulsi Gabbard (D-Hawaii).
For Makled, mixing education throughout the concert is an ideal way to let attendees have fun but still learn cannabis policy.
“We want those people who are just coming to chill, smoke and listen to music to come in and see that we have an education pavilion where we’re having policy talks all day. We have an advocacy pavilion where they can go talk to the advocacy groups, sign up for email lists and get involved on a local level,” Makled says. “With all of those things they really have no choice but to walk out with a little extra knowledge than they had before. It’s ingrained into the festival.”
The Weedmaps Educational Pavilion will give some of that knowledge with lessons on cannabis legalization and the cannabis industry. Guests can also peruse the Bulb Wellness Pavilion where they can speak with medical professionals, holistic medicine practitioners, yoga instructors, dispensary owners and more.
When attendees aren’t learning about cannabis health, policy or listening to music, they can wander through the Exhibitor Fair, which features more than 70 exhibitors from around the United states. The D.C. Glass Gallery General Admission Lounge will have high-end pipes, accessories and activities throughout the day.
Guests can stop by the Hempworx Munchine Zone for snacks, beverages and free water. Other on-site activities will include lawn games, a photo booth and game zone.
The LGBT community will be well represented at the festival with LGBT-identifying speakers and LGBT-friendly vendors.
Statistically, the LGBT community has been more accepting of cannabis usage than heterosexuals. According to a 2014 study conducted by the Colorado Department of Public Health and Environment, 30 percent of LGBT Coloradans had consumed cannabis in the past month compared to 12.9 percent of heterosexuals. And 64.4 percent of LGBT respondents surveyed also said that they had consumed cannabis in their lifetime compared to 48.7 percent of straight respondents.
A study conducted by the General Social Survey also reports that in 2016, 80 percent of LGBT Americans supported the legalization of cannabis compared to 58 percent of heterosexuals.
Makled, who identifies as queer, says that for her the LGBT community and the cannabis community share a common stigma by society.
“I think there’s a natural connection between the cannabis movement and the LGBTQ movement. I had come out at a very young age,” Makled says. “I was 16. I realized I wanted to pursue a career in advocacy and business within cannabis. It was a whole other coming-out process. Because both the cultures have been living on the fringe of society and have been forced to celebrate behind closed doors. Not only are you having to come out saying, ‘I’m gay’ but also coming out saying, ‘I support consuming and legalizing cannabis and criminal justice reform.’”
LGBT participants this year include D.C. Vote’s Barbara Hemlick; Get Hemp Butter’s Kyla Hill; Marijuana Policy Project’s Kate Bell; Hemp Kettle Tea Company, a queer-owned indy tea company; Jenn Michelle Pedini from Virginia NORML; and Drug Policy Alliance’s Queen Adesuyi.
Makled hopes that more widespread cannabis legalization and criminal reform will lead to people becoming more open about cannabis usage.
“I think like any group of people or culture there’s a need and desire to celebrate that culture. That’s exactly what the National Cannabis Festival is. It’s the perfect intersection of culture, advocacy, arts and music. More people would come out of the green closet, which people compare coming out of the LGBTQ closest, to coming out of the cannabis closest. The more people are comfortable, the more people realize the medicinal and social benefits of cannabis, the more people will start to come out,” Makled says.

WorldPride 2025 concluded with the WorldPride Street Festival and Closing Concert held along Pennsylvania Ave., N.W. on Sunday, June 8. Performers on the main stage included Doechii, Khalid, Courtney Act, Parker Matthews, 2AM Ricky, Suzie Toot, MkX and Brooke Eden.
(Washington Blade photos by Michael Key)










































The 2025 WorldPride Parade was held in Washington, D.C. on Saturday, June 7. Laverne Cox and Renée Rapp were the grand marshals.
(Washington Blade photos by Michael Key and Robert Rapanut)



















































Theater
A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
Nonbinary actor Alyssa Keegan stars as Duke Orsino

‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within.
Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.”
Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few.
In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting.
WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about?
ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all.
BLADE: What’s your approach to the fetching, cod-piece clad nobleman?
KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness.
So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.
Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.
BLADE: As an actor, do you ever risk taking on the feelings of your characters?
KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character.
So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character.
BLADE: Has changing the way you work affected your performances?
KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way.
BLADE: Is Orsino your first time playing a male role?
KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy.
As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.
BLADE: Do you have a favorite part? Male or female?
KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting.
BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?
KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way.
The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen. It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.