Arts & Entertainment
National Cannabis Festival returns for 4/20 weekend
Annual concert/summit offers LGBT-inclusive education, music and more
Last year’s National Cannabis Festival in Washington. (Photo courtesy NCF)
National Cannabis Festival
Saturday, April 21
Noon-8 p.m.
RFK Stadium
2400 E Capitol St., S.E.
$42-90
The National Cannabis Festival plans to bring music, education and good vibes to RFK Stadium with plenty of LGBT support.
The festival was the brainchild of Caroline Phillips who envisioned a cannabis event that was more affordable than the typical cannabis trade show. Phillips also wanted a space for people to learn about advocacy groups that have worked toward the legalization of cannabis nationwide for decades. In 2015, the inaugural National Cannabis Festival, founded and executive produced by Phillips, welcomed an estimated 5,000 attendees for its all-day event that included a concert from De La Soul.
This year marks the festival’s third annual event, which is expected to bring in an estimated 10,000 attendees for music, games, contests, food and education sessions.
Legendary hip hop group Cypress Hill will headline the all-day concert, which will include performances from reggae artist See-I and newcomer Beau Young Prince. Local artists will also take the stage including go-go band Backyard Band, DJ Ayes Cold, indie-soul band Oh He Dead, Names and Marlee. Samy K and Reesa Renee will host the concert.
For attendees more interested in policy, the festival also hosts the National Cannabis Policy Summit on Friday, April 20 at the Newseum (555 Pennsylvania Ave., N.W.). There will be speakers and panels such as “All the Buzz: How Does Media Portrayal Impact the Future of Cannabis?,” “The Exit Drug: Can Medical Cannabis End the Narcotics Epidemic?” and more. Registration is free.
Laila Makled was running the D.C. chapter of Women Grow, a women’s business cannabis networking organization, when she was introduced to Phillips. Interested in further pursuing a career in cannabis advocacy, Makled came on board as co-chair of the National Cannabis Festival Advocacy Committee. Makled says that throughout the festival there will be speeches from activists and leaders including Congresswoman Eleanor Holmes Norton (D-District of Columbia), D.C. Council member At-Large Robert C. White Jr., Maryland Del. David Moon and Congresswoman Tulsi Gabbard (D-Hawaii).
For Makled, mixing education throughout the concert is an ideal way to let attendees have fun but still learn cannabis policy.
“We want those people who are just coming to chill, smoke and listen to music to come in and see that we have an education pavilion where we’re having policy talks all day. We have an advocacy pavilion where they can go talk to the advocacy groups, sign up for email lists and get involved on a local level,” Makled says. “With all of those things they really have no choice but to walk out with a little extra knowledge than they had before. It’s ingrained into the festival.”
The Weedmaps Educational Pavilion will give some of that knowledge with lessons on cannabis legalization and the cannabis industry. Guests can also peruse the Bulb Wellness Pavilion where they can speak with medical professionals, holistic medicine practitioners, yoga instructors, dispensary owners and more.
When attendees aren’t learning about cannabis health, policy or listening to music, they can wander through the Exhibitor Fair, which features more than 70 exhibitors from around the United states. The D.C. Glass Gallery General Admission Lounge will have high-end pipes, accessories and activities throughout the day.
Guests can stop by the Hempworx Munchine Zone for snacks, beverages and free water. Other on-site activities will include lawn games, a photo booth and game zone.
The LGBT community will be well represented at the festival with LGBT-identifying speakers and LGBT-friendly vendors.
Statistically, the LGBT community has been more accepting of cannabis usage than heterosexuals. According to a 2014 study conducted by the Colorado Department of Public Health and Environment, 30 percent of LGBT Coloradans had consumed cannabis in the past month compared to 12.9 percent of heterosexuals. And 64.4 percent of LGBT respondents surveyed also said that they had consumed cannabis in their lifetime compared to 48.7 percent of straight respondents.
A study conducted by the General Social Survey also reports that in 2016, 80 percent of LGBT Americans supported the legalization of cannabis compared to 58 percent of heterosexuals.
Makled, who identifies as queer, says that for her the LGBT community and the cannabis community share a common stigma by society.
“I think there’s a natural connection between the cannabis movement and the LGBTQ movement. I had come out at a very young age,” Makled says. “I was 16. I realized I wanted to pursue a career in advocacy and business within cannabis. It was a whole other coming-out process. Because both the cultures have been living on the fringe of society and have been forced to celebrate behind closed doors. Not only are you having to come out saying, ‘I’m gay’ but also coming out saying, ‘I support consuming and legalizing cannabis and criminal justice reform.’”
LGBT participants this year include D.C. Vote’s Barbara Hemlick; Get Hemp Butter’s Kyla Hill; Marijuana Policy Project’s Kate Bell; Hemp Kettle Tea Company, a queer-owned indy tea company; Jenn Michelle Pedini from Virginia NORML; and Drug Policy Alliance’s Queen Adesuyi.
Makled hopes that more widespread cannabis legalization and criminal reform will lead to people becoming more open about cannabis usage.
“I think like any group of people or culture there’s a need and desire to celebrate that culture. That’s exactly what the National Cannabis Festival is. It’s the perfect intersection of culture, advocacy, arts and music. More people would come out of the green closet, which people compare coming out of the LGBTQ closest, to coming out of the cannabis closest. The more people are comfortable, the more people realize the medicinal and social benefits of cannabis, the more people will start to come out,” Makled says.
The 2026 Mr. Mid-Atlantic Leather competition was held at the Hyatt Regency Capitol Hill on Sunday. Seven contestants vied for the title and Gage Ryder was named the winner.
(Washington Blade photo by Michael Key)
Theater
Voiceless ‘Antony & Cleopatra’ a spectacle of operatic proportions
Synetic production pulls audience into grips of doomed lovers’ passion
‘Antony & Cleopatra’
Through Jan. 25
Synetic Theater at
Shakespeare Theatre Company’s Klein Theatre
450 7th St., N.W.
Synetictheater.org
A spectacle of operatic proportions, Synetic Theater’s “Antony & Cleopatra” is performed entirely voiceless. An adaptation of the Bard’s original (a play bursting with wordplay, metaphors, and poetic language), the celebrated company’s production doesn’t flinch before the challenge.
Staged by Paata Tsikurishvili and choreographed by Irina Tsikurishvili, this worthy remount is currently playing at Shakespeare Theatre Company’s Klein Theatre, the same venue where it premiered 10 years ago. Much is changed, including players, but the usual inimitable Synectic energy and ingenuity remain intact.
As audiences file into the Klein, they’re met with a monumental pyramid bathed in mist on a dimly lit stage. As the lights rise, the struggle kicks off: Cleopatra (Irina Kavsadze) and brother Ptolemy (Natan-Maël Gray) are each vying for the crown of Egypt. Alas, he wins and she’s banished from Alexandria along with her ethereal black-clad sidekick Mardian (Stella Bunch); but as history tells us, Cleopatra soon makes a triumphant return rolled in a carpet.
Meanwhile, in the increasingly dangerous Rome, Caesar (memorably played by Tony Amante) is assassinated by a group of senators. Here, his legendary Ides of March murder is rather elegantly achieved by silver masked politicians, leaving the epic storytelling to focus on the titular lovers.
The fabled couple is intense. As the Roman general Antony, Vato Tsikurishvili comes across as equal parts warrior, careerist, and beguiled lover. And despite a dose of earthiness, it’s clear that Kavsadze’s Cleopatra was born to be queen.
Phil Charlwood’s scenic design along with Colin K. Bills’ lighting cleverly morph the huge pyramidic structure into the throne of Egypt, the Roman Senate, and most astonishingly as a battle galley crashing across the seas with Tsikurishvili’s Antony ferociously at the helm.
There are some less subtle suggestions of location and empire building in the form of outsized cardboard puzzle pieces depicting the Mediterranean and a royal throne broken into jagged halves, and the back-and-forth of missives.
Of course, going wordless has its challenges. Kindly, Synectic provides a compact synopsis of the story. I’d recommend coming early and studying that page. With changing locations, lots of who’s who, shifting alliances, numerous war skirmishes, and lack of dialogue, it helps to get a jump on plot and characters.
Erik Teague’s terrific costume design is not only inspired but also helpful. Crimson red, silver, and white say Rome; while all things Egyptian have a more exotic look with lots of gold and diaphanous veils, etc.
When Synetic’s voicelessness works, it’s masterful. Many hands create the magic: There’s the direction, choreography, design, and the outrageously committed, sinewy built players who bring it to life through movement, some acrobatics, and the remarkable sword dancing using (actual sparking sabers) while twirling to original music composed by Konstantine Lortkipanidze.
Amid the tumultuous relationships and frequent battling (fight choreography compliments of Ben Cunis), moments of whimsy and humor aren’t unwelcome. Ptolemy has a few clownish bits as Cleopatra’s lesser sibling. And Antony’s powerful rival Octavian (ageless out actor Philip Fletcher) engages in peppy propaganda featuring a faux Cleopatra (played by Maryam Najafzada) as a less than virtuous queen enthusiastically engaged in an all-out sex romp.
When Antony and Cleopatra reach their respective ends with sword and adder, it comes almost as a relief. They’ve been through so much. And from start to finish, without uttering a word, Kavsadze and Tsikurishvili share a chemistry that pulls the audience into the grips of the doomed lovers’ palpable passion.
Out & About
Love board games and looking for love?
Quirk Events will host “Board Game Speed Dating for Gay Men” on Thursday, Jan. 22 at 7 p.m. at KBird DC.
Searching for a partner can be challenging. But board games are always fun. So what if you combined board games and finding a partner?
Picture this: You sit down for a night of games. A gaming concierge walks you through several games over the course of the night. You play classics you love and discover brand new games you’ve never heard of, playing each with a different group of fun singles. All while in a great establishment.
At the end of the night, you give your gaming concierge a list of the folks you met that you’d like to date and a list of those you met that you’d like to just hang out with as friends. If any two people put down the same name as each other in either column, then your gaming concierge will make sure you get each other’s e-mail address and you can coordinate a time to hang out.
Tickets cost $31.80 and can be purchased on Eventbrite.
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