Music & Concerts
Another bomb for Aguilera with underwhelming ‘Liberation’
Tracks range from so-so to downright painful on first new record in six years

Christina Aguilera’s musical funk — and not the good kind — continues on underwhelming new album. (Photo courtesy RCA)
Christina Aguilera has been in a musical wilderness for going on a decade now. So underwhelming were her last two studio albums — the meager-selling, meager-charting “Bionic” (2010) and “Lotus” (2012) — that in recent years, she’s more widely known for her work on “The Voice” or her memorable guest appearance this year on “RuPaul’s Drag Race.”
So is Xtina back is the big question with new album “Liberation,” out last week. With its non-glam, super close-up cover image, is this an all-new Aguilera ready to compete with current pop acts? It’s getting strong reviews in some outlets.
But other early signs are not good. First single “Accelerate” failed to crack the U.S. Hot 100. And despite numerous collaborations from artists such as Demi Lovato, Shenseea, GoldLink and 2 Chainz, the music struggles despite her best efforts toward innovation.
The title track “Liberation” opens the album. Against a piano and string accompaniment, we hear the sounds of a child playing as Aguilera whispers, “Where are you/are you there/remember.” The title “Liberation” seems an odd choice for both the track and the album. If it is indeed liberation that Aguilera has in mind, it’s hard to see how the theme ties the album together in any coherent way.
Aguilera resorts to similar interludes and filler tracks throughout. To introduce her song “Maria,” she sings a 30-second snippet of Rodgers & Hammerstein’s “Maria” (“The Sound of Music”), which she titles “Searching for Maria.” It’s delivered beautifully in Aguilera’s whispered soprano and one almost wishes she would have included the entire song.
The song that follows, Aguilera’s own “Maria,” samples heavily from the Jackson 5’s “Maria.” Rather than liberation per se, the singer takes us on a reflective tour of what seems to be her early musical influences. Aguilera belts soulfully over the busy, repetitive musical landscape. Even with the interesting (if unoriginal) choice of samples, the final product is chaotic and messy.
Similar criticism could be made of Aguilera’s cringeworthy “Sick of Sittin’.” In a painful faux rock style, it’s a confusing tirade against fans, among other unnamed characters: “Just be thankful I gave you this/‘cause I don’t need it” and “I survived the dark ages/but the former trailblazer took out the knife and cut ties.” But the real offender is the chorus. Aguilera repeats the phrase “I’m sick of sittin’” ad nauseam with only slight variations. The song has all the vices of an earworm but none of the virtues. And she seems to have forgotten the most important thing about musical tirades — they should sound good.
Not every track is bad. Several are OK if forgettable. “Deserve,” a pleading, lovesick ballad, may find its way to radio. It’s most reminiscent of Aguilera’s classic sound.
“Fall In Line,” featuring Demi Lovato, is cool, powerful ballad addressed to young women. Encouraging women to speak their minds, the duo sings: “And maybe it’s never gonna change/but I got a mind to show my strength/and I got a right to speak my mind.” The only downside is the annoying electronic male voice in the bridge that symbolizes society’s expectations for women and recurs a second time at the end.
A couple songs stand out. The album’s lead single “Accelerate,” which features 2 Chainz and Ty Dolla $ign, experiments playfully with multiple hip-hop beats. It sounds almost as though three different songs were spliced together, yet it works surprisingly well. It’s one of the few songs worth a second listen.
“Like I Do” is another successful collaboration. Rapper GoldLink opens the track with a cooly flowing verse, full of short stops and starts and Aguilera gives the song a restrained, sensual energy.
But the few happy exceptions on the album are hardly enough to justify the rest. It’s just hard to listen to and in the age of Spotify, one wonders if many of the songs were intended to be heard at all.
Music & Concerts
DJ Chanel Santini is bringing the heat and some gender-fluid diversity to XBIZ Miami
Pool party celebrates most charismatic personalities, creative artists in adult entertainment
Chanel Santini has crossed over to being a DJ, performing at clubs all over the country. Now known as Santini, they will be making music and hyping the pool party, DJ-ing at XBIZ, the conference for adult creators and digital players, in Miami.
Taking place on Monday to Wednesday, the event honors the most charismatic personalities and creative artists in entertainment.
“I am honestly so excited — getting to DJ in Miami Beach is literally a DJ’s dream!” Santini told the Los Angeles Blade.
“I thought it would be a good opportunity because I haven’t been around my industry peers in a long time. It’s a great event to network and show off the new me!” said Santini.
While Santini is unsure what music they will be playing, they want everyone to have a good time. “My goal is to ignite the dance floor and play great music that everyone will vibe to. My sound includes house music, bass house, tech house, and I always like to throw a little bit of hip-hop in my sets.”
Santini loves how DJ-ing brings people together.
“Music really ignites us all! It is so universal, no matter what language you speak. I think it’s the best high in the world when you play a banger track, and everybody on the dance floor screams loudly. You can’t describe that feeling until you’re up there on that stage.”
Santini describes DJs as the “modern rock stars” in today’s world.
“I always feel like such a superstar when I’m up on that stage. The best feeling is after my set when I have people come up to me and say, ‘Thank you for sharing that amazing music.’ That’s how you know that you’re a good DJ — I love when I get those types of compliments!”

While sometimes it’s hard to please everyone’s musical tastes, Santini endeavors to try! “You just have to go out there and give it your all and be the best DJ that you can be,” he noted.
Santini, who had previously identified as transgender, recently decided to transition back to being gender fluid.
“It’s definitely been a journey, but I’m definitely happier in my own skin now than I was. I don’t go by he/him pronouns. I don’t go by they/them either. I guess I just really don’t have a preference. Whatever you see me as is your opinion. I’ve learned over the years that I’m not trying to be one specific thing. I’m just Santini. I’m just me.”
Santini acknowledged they felt respected more when dressed as a woman.
“I think it’s just because femininity runs the world. When I started to de-transition, I felt like I had to just be a boy all the time. But I’ve realized over the years that I don’t need to stick to one specific thing. I am always gonna be feminine, and that’s OK.”
Recently, Santini has been embracing their feminine side more.
“I definitely feel more comfortable in female presentation, and more powerful when I’m on stage dressed as Chanel. I love DJ-ing in drag because there are so many straight male DJs in the world. It’s almost like a superhero when he puts on his cape! I think it makes me confident and stand out more as an artist.”
And because Santini loves makeup and fashion, they can incorporate that into their sets. “I’m not just bringing you good vibes and good music. I’m bringing you a show/ production!”

Santini is already working on big plans for the future.
“I’m opening up for a huge Pride block party in my hometown, Albuquerque, N.M., on June 12 and 13. It’s a two day festival and I’m super excited for this opportunity. I’m even hiring backup dancers and a choreographer.”
Santini plans to go “all out” for this show.
“It’s gonna be the biggest crowd that I’ve ever played for,” Santini enthused. “I’m putting my heart and soul into this performance, especially because it’s Pride in my hometown, and that means so much to me. I know the younger me would be so proud.”
Santini remembers going to Pride when they were younger and telling themself they couldn’t wait to be up on that stage.
“I’m truly living my dream right now, and I’m so excited for the future. The last 10 years of being in the adult entertainment business have been great and have given me major success. But I always knew that I didn’t want to be in this industry for long.”
Santini acknowledged that, in the recent past, it was a struggle.
“I’ve been trying to find myself and figure out what I wanna do next with my life. Now that I’ve found this passion for DJ-ing, it makes me want to go far in this business.”
In addition to being a DJ/artist, Santini is starting college next semester.
“I’m gonna get my degree in audio engineering,” Santini enthused. “I can’t wait to start producing my own tracks. I especially can’t wait till the day I’m headlining a major festival! I know with a little bit of patience and hard work that I can get there! I just have to continue believing in myself.”
Santini wanted to thank all of their fans for their support. “Truly, if it wasn’t for them, I wouldn’t be able to fund my art in the way that I have. I’m truly grateful. And I’m excited for the future!”
Music & Concerts
Gaga, Cardi B, and more to grace D.C. stages this spring
Shake off your winter doldrums at a local concert
D.C. shakes off its winter blues this spring as the music scene pops off. We all know the big star is coming: Lady Gaga will perform at Capital One Arena on March 23. But plenty of other stars, big and small, will grace D.C. stages, including many LGBTQ and ally artists.
March
3/15, 9:30 Club, St. Lucia – Indie electronic music project known for its synth-pop sound, which blends ‘80s influences with electronic and indie rock elements.
3/31, Lincoln Theatre, Perfume Genius – Indie/pop singer/songwriter Mike Hadreas, also known as Perfume Genius, has toured with a full band, but he is stripping things back for this tour.
April
4/8, Capital One, Cardi B. Cardi B, from New York, unapologetic and proud, is the first solo female artist to win the Grammy Award for Best Rap Album. This year, she’s on her Little Miss Drama Tour, in support of her second studio album, “Am I the Drama?”
4/13, Lincoln Theatre, The Naked Magicians. Australia’s The Naked Magicians are two performers who deliver live magic and laughs while wearing nothing but a top hat and a smile.
4/18, Capital One, Florence and the Machine. Longstanding indie rock back from Great Britain, much-loved for lead singer Florence’s powerful vocals. On their Everybody Scream Tour.
4/16, Capital One, Demi Lovato. Singer/songwriter from Texas, who came out as nonbinary, is traveling on her “It’s Not That Deep Tour.”
4/21, The Anthem, Calum Scott. Platinum-selling gay singer/songwriter Calum Scott released his latest project, Avenoir, last year. Scott rose to fame in 2015 after competing on Britain’s Got Talent, where he performed a cover of Robyn’s hit “Dancing on My Own“.
4/26, Atlantis, Caroline Kingsbury. American queer pop musician from Los Angeles. She released her debut album in 2021, and has two additional EPs. She’s played Lollapalooza 2025 and All Things Go 2025, as well as gone on a co-headlining U.S. tour with MARIS. Shock Treatment is her latest EP.
4/26, Anthem, Raye. This bisexual artist, known for her current chart-topping “”Where Is My Husband!” single, blends pop, jazz, R&B, and more.
4/30, Union Stage, Daya. This bisexual singer/songwriter is on her “Til Every Petal Drops Tour,” touring the album of the same name that was released last year.
May
5/1, The Anthem, Joost Klein. Eurovision comes to D.C. in Joost Klein: Originally a Youtuber, he was selected to represent the Netherlands at Eurovision in 2024 with his song “Europapa.” He released a new album on New Year’s Day.
5/1, Fillmore, MIKA. MIKA is on his Spinning Out Tour. Born in Beirut and raised in both Paris and London, MIKA sings in multiple languages and has co-hosted Eurovision.
5/7, 9:30 Club, COBRAH. Clara Christensen, is a Swedish singer, songwriter, record producer, and club queen, making electronic dance music.
5/19, Atlantis, Grace Ives. New York-born singer/songwriter, known for her high-energy synth/electronic, bedroom-pop-style music.
June
6/2, The Anthem, James Blake. English crooner got big from his self-titled debut album in 2011. He won two Grammys and just released his 7th album,Trying Times, in March.
Music & Concerts
Washington chorale kicks off Christmas with vibrant program
‘Thine Own Sweet Light’ concerts planned
The full Washington Master Chorale will return for its annual holiday concert tradition with “Thine Own Sweet Light” on Friday, Dec. 19 and Sunday, Dec. 21 at St. Ann’s Catholic Church (D.C.) and Church of the Epiphany (D.C.).
The concert will feature the rich sounds of the 50-voice, a cappella chorus performing lush, seasonal choral music inspired by the theme of light. Highlights include Edvard Grieg’s “Ave Maris Stella,” Eric Whitacre’s “Lux Aurumque,” and Christopher Hoh’s “Holy, Holy, Holy is the Lord God of Hosts.” The program will also present a new work by Barcelona composer Josep Ollé i Sabaté, along with charming holiday folk songs and seasonal favorites.
For more details, visit the Washington Master Chorale website.
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